MINIONS MOVIE REVIEW

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Not as despicable as I thought but nowhere near as good either. I know. Whaaatttttt?

This Minion fan was left feeling a little blue. For all the promise and the crazy cast, this lazy offering did enough to keep things watchable for the little ‘uns but failed to really make a mark like its predecessor.

Minions Stuart, Kevin and Bob (all voiced by Pierre Coffin) are recruited by Scarlet Overkill (Sandra Bullock), a super-villain who, alongside her inventor husband Herb (Jon Hamm), hatches a plot to take over the world.

As soon as the Universal logo emerged and those funny little yellow buffoons started humming the theme, I could feel a guilty smile spread across my face.

The animation was brilliant. The pace zipped along. The minions had enough charm and silliness to keep things lively. However, my smile soon faded as the opening 15 minutes were exactly like the heavily flogged and overlong trailers. If you were lucky enough not to see them then it’s fun enough. BUT for me all the best bits were spoiled.

I honestly thought that Gru had made the little yellow money makers. But it turns out they had been on this Earth long before man. The only surprise that I got from the film. That and the fact this script got through editing.

We watch the Minions as they desperately search for the biggest, baddest villain to serve and somehow manage to eliminate them instead. I did laugh at the gang as they knock a T-Rex into a volcano, blow Napoleon Bonaparte out of the sky and wipe out Count Dracula after opening the curtains during the day to surprise him with a birthday cake.

Geoffrey Rush’s voiceover was entertaining. If anything I wished there was more of it BUT there were only so many times the man could pronounce the word, “BA-NA-NA!” in a funny way. Thankfully, all the heavily flogged bits were wrapped up in that opening act.

And things did take a more interesting turn when the Nelson family were introduced. Michael Keaton and Alison Janney were on fine form. To be honest, I wish the Minions had stuck with them. They were mental!

I liked how you were able to tell Kevin, Stuart and Bob apart. Each with their own unique personality. Not bad considering they all sound the flipping same with their helium induced broken English, Spanish and gobbledygook.

Sandra Bullock did her best to bring the notorious Scarlett Overkill to life but her lines were not nearly as funny or memorable enough. She fell short of Jason Segel’s villainous Vector (“Curse you tiny toilet!”) and wasn’t even half as crazy as Benjamin Bratt’s brutish El Macho.

She had the odd one liner, “What are your names? My knights in shining denim”. But as she blathered on about her crusade for the Queen’s Crown Jewels, I realized how much I missed Steve Carrell’s Gru.

I couldn’t believe Jon ‘Don Draper’ Hamm was voicing Scarlett’s hub Herb. Completely out of character and lapping it up. He did his best to steal the show as the dimwitted scientist.

The sixties soundtrack was rocking, man. The Who, The Kinks, The Doors, Jimmi Hendrix. Loved it.

The premise was a little weak with our heroes, I mean villains, tasked with stealing the Crown Jewels. Cue a lazy montage of the Minions minion-ing up London as they breeze through a number of landmarks; The House of Commons, The Tower of London, Trafalgar Square. One little landmark did get a laugh that I didn’t expect.

BUT there just wasn’t enough. The gag ratio was low. Don’t get me wrong. The little devils still delivered in parts. Stuart wearing a thong while bathing in a hot tub with two yellow fire hydrants got a chuckle and the song and dance number homage to Singin’ in the Rain’s ‘Make ‘Em Laugh’ was brilliant.

I just felt that the writers went for lazy gimmicks. Resorting to old stereotypes for a quick titter. The whole British people with bad teeth and constantly drinking tea spiel has been done to death. I’m not just saying that as a Brit but come on! Really?

Not even the legendary Jennifer Saunders could save the day as Her Majesty. It was too OTT and just not funny. The bobbies on the beat running around with tea cups and shouting “Cor Blimey!” just infuriated me and the scene with the Beefeaters was just weird. No, seriously. It was a strange Full Monty-esque moment. Desperation?

The dark undertones were handled well. The macabre bumping off of “leaders” and the torture chamber scene luckily went over the little ‘uns heads. A joke involving Kevin and a noose may not have been the best thing for a kid’s film.

The Minions were always the funny scene stealers in the Despicable films but this movie proved that you can have too much of a good thing. And maybe that there was a reason why they were only minions.

It’s not all bad but it’s not that great. Disney and Pixar have proven time and time again that you can have films that appeal to everyone. This has enough for the little ‘uns but for the bigger kids (at heart) you may be left disappointed.

2.5/5

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SEX TAPE REVIEW

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Like any sex tape really. Overhyped. Talked about by all your friends. And not as good or as dirty as you hope or think.

As soon as it started with the alluring Cameron Diaz effing and jeffing about sex. Cue a montage of her and Jason Segel (Forgetting Sarah Marshall) in numerous sordid positions in numerous places, I feared the worst. It was OTT, stupid but most importantly not funny. I can do random, silly, crude humour. As long as it’s funny.

To be honest, it only really kicks off when the duo inevitably make the sex tape to spice up their flailing marital sex life. If you’re lucky not to have seen the trailers then some of the gags in which the pair try and outdo each sex act, it brings the odd chuckle. Diaz has proven she’s game for a laugh in the past; There’s Something About Mary, The Other Woman and boy she’s still got it at 42. Wowewewow. Anyway . . .

I could get over the fact the pair were trying to act like 20 year olds in the flashback montage because Diaz and Segel worked well together. The film only really gets going when the actual sex tape is shared across a number of iPads through a naff syncing app. A ridiculous premise in which Jay (Segel) gives away all his iPads as a charitable gesture. But that’s only because I’m tight and would have sold them for a quick buck but hey, there wouldn’t have been a movie otherwise.

Cue an anonymous text blackmailing our guilty couple and a mad hunt to seek all the iPads and deleting said tape leading to a watchable if mediocre comedy. The supporting cast were picked perfectly. Rob Lowe was fantastic and in scene stealing form. How he did all it dead pan? I will never know. His obsession with Disney characters being an unexpected but much needed gag, helped ignite this flat battery.

Incorporating himself into every Disney picture around his mansion was completely random but hilarious. The heavily advertised Alsatian fight sequence with Segel was still brilliant. And to be frank, I was laughing a lot more than I expected to and the pace soon zipped along as the madness ensued. Segel’s spiel (Didn’t mean to rhyme there) certainly improved things and made gags and one liners work when they really shouldn’t.

Rob Corddry (Hot Tub Time Machine) and Ellie Kemper (21 Jump Street) were pretty good. Cordrry in particular, delivering some belters yet again.

Robby (Corddry): Who has sex for three hours?
Jay (Segel): We did!
Robby: That’s the length of the movie “Lincoln”. You did the full Lincoln.

A guilty laugh from me. An unexpected cameo from Jack Black was great. Black can do no wrong. Literally showing up  to spew some random porn site names. Should be dumb but funny. Desperation? Laughing at porn site names? Maybe.

Apart from the odd one liner here and the unexpected funny gag there, the rest of it does reek of desperation. Swearing, drug use and shagging thrown in to make up for the lack of . . . anything really. The kid actors were wasted (Not literally) and were highly unmemorable. Well it can’t be helped when the biggest kids in the film are the parents. Sebastian Hedges Thomas made the most memorable impression as the little sod (Trying to keep it clean) Clive.

The commentary and debate about couples losing their sex life as soon as they get married wasn’t a bad concept. We got a little tidbit of depth with our couple as Diaz and Segel juggle busy schedules, work and kids but it’s soon soiled by, “When shall we pencil in to fuck?”. Delightful. NOT.

It zips along and certainly kills 90-odd minutes. Not the worst film I’ve seen by the way critics are laying into this. I don’t know why snobby toffs would even bother seeing films like this. It was always going to be slated. Sometimes big dumb movies are a great release. Switch your brain off and relax. Unfortunately this one was killing my brain until the gags finally got going.

2/5 for me

MUPPETS MOST WANTED REVIEW

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Meh-na-meh-na- Muppets Most Wanted? Unfortunately this time round, Muppets Missed Something.

Before you ask, I am a big Muppet (We know that. Stop it. We’re better than that) fan. I’ve loved the TV series and the movie franchise. After the fantastic reboot, it was inevitable a sequel would be in motion. This is hilariously demonstrated in the film’s opening toe tapping musical number, “We’re Making a Sequel”. The list of unexpected cameos who pop their heads up in this film is ridiculous and unexpected, despite some being pointed out in the trailers to help flog the film. I won’t name them all because firstly it would be a long list and if not for the cameos, there wasn’t much to look forward to this time around. Don’t get me wrong, the Muppets are still funny and have their moments but the material seems to stretch on for too long and we’ve seen it done before a lot funnier before by the gang in their earlier efforts.

A silly premise of Kermit being imprisoned and replaced by his criminal Russian doppelganger, the number one criminal in all the world, Constantine with a distinguishing feature makes for a funny gag that unfortunately drags on for too long. This cues a lazy excuse for a tour around the world with slapstick and shenanigans. It was great to bring Kermit back as the leading . . . frog after the last film was about Walter. Unfortunately, Walter doesn’t really appear or make an impression until the hour mark. However, when dealing with such an array of characters, it’s hard not to isolate certain characters. An unexpected inside joke pokes fun at this. It’s not all bad. Kermit’s incarceration in the gulag allowed for a funny prison musical number with Jermaine Clement (we’ve had one half of the Conchords, why not have the other?), Ray Liotta (All my life I was always wanted to be in the Muppets. He doesn’t say that. But I wish he did), and Danny Trejo as . . . Danny Trejo. Tina Fey as the ice cold gulag warden brings the odd chuckle and her singing isn’t too bad, despite an exaggerated Russian accent.

Now as you know a certain Mr Ricky Gervais (who has not stopped tweeting about this project) plays a pivotal role as the suspiciously notorious tour manager Dominic Badguy (Bad-guy? It’s French for nice man. Nothing? Well). Gervais’ comic delivery is surprisingly stale. Never was an actor. Let’s be honest. However, his expired ‘look to the camera’ face pulling spiel actually works and his song and dance number with Kermit was a surprise. He gives it a go and pokes fun at himself, inevitably Brenting it up. If you’re a fan of Gervais, then he’s does alright. Otherwise, his smarmy presence works for the role but just doesn’t quite click or come off as funny as you’d expect. This film seems to miss that energy and chemistry that Amy Adams and Jason Segel brought to the table. I mean even Chris Cooper rapped and still pulled off the evil role.

The gags on the language barriers weren’t too bad, most notably in Berlin (Die Muppets? They hate us already). Fozzy Bear, Animal and Walter provide some of the more memorable moments. However, there’s one diva you can’t miss and that is Miss Piggy. It’s hard not for her to stand out (it’s like she’s real or something). A surprise duet with another “diva” made for a typical Muppet parody. The Muppets still bring the laughs but it seems that the human counterparts let this show down for me. I mean for the movie buffs, the Swedish Chef does a passing Ingmar Bergman reference. Straight over the little ‘uns heads but brilliantly done. The songs don’t seem to be as memorable as before, apart from the opener, they don’t stand out like the Oscar winning “Man or Muppet”. The cameos, despite being unexpected, are hardly fantastic or funny for that matter. Brings the odd smile but once you see them, they don’t do much else or stand out, bar Christophe Walz doing the Waltz. Worth it for the punditry alone. Ty Burrell (Mr Peabody and Sherman/Modern Family) is a notable exception. His Clousseau-esque detective is not bad and his rivalry with the Eagle makes for a cheeky poke at US/French relations with a compensating big badge off. A guilty gag that gets a giggle. It has enough for the little kids but for the bigger ones, to quote the opening song, “The sequel is just not as good”.

Harsh but if not for the cameos, this could have been one of their TV movie counterparts. It’s tough but you can’t help but compare to their more successful sequels, A Muppet’s Christmas Carol, Muppet Treasure Island and the Muppets 2011 movie, and feel it missed the mark. Watchable, the odd giggle. Not bad but back to the drawing board, maybe guys? 2.5/5

Currently ranks #101 out of 156!

*Please note before the film there is a good little Monsters University short called Party Central.