*NEW* GHOSTBUSTERS 3D REVIEW *NEW*

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Who you gonna call? Someone else.

Well that was what I thought I was going to say.

Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert (Kristen Wiig) and Abby Yates (Melissa McCarthy), nuclear engineer Jillian Holtzmann (Kate McKinnon), and subway worker Patty Tolan (Leslie Jones) band together to stop the otherworldly threat.

When I heard that Paul Feig was taken on the iconic spookfest, I had mixed feelings. Female ghostbusters left me unconvinced. NOT because of the women in question or the fact that the movie was being rebooted with women. I just wasn’t sure that Feig’s style would suit.

The original Ghostbusters delivered surreal humour that was almost deadpan. Despite watching our heroes fight a 50 foot marshmallow man. Wiig and McCarthy have always been in your face and OTT. Funny BUT different. Not always a bad thing BUT was it Ghostbusters?

I loved The Heat and Spy. Hell, I even enjoyed Bridesmaids after being badgered to watch it numerous times. All high grossing comedies of the last decade. BUT with a 12A rating and a stab at taking on a classic; without the shouty OTT and crude humour, could the film deliver?

In a nutshell, meh. The creepy opening was certainly promising. It may not give the little ‘uns nightmares like the New York librarian. Shussshh – BUT it was still pretty freaky. The visual effects were quite good and I could finally say for once that the 3D was worth checking out.

It was silly fun having the plasma rays shoot out of the screen and the ghosts screaming and flying at you. BUT great effects does not a good movie make.

Kristen Wiig was an engaging lead and played the uptight physics professor Erin well. BUT we had to listen to some humdrum spiel about her tenure and an old spat with McCarthy’s Abby before the gang united.

McCarthy channelled her inner Ackroyd and played a much more subdued role. A change BUT one that didn’t quite deliver on the laughs as much as I hoped. The rapport between her and Wiig was hit and miss. Funny in one exchange, drawn out the next.

I couldn’t believe the Twitter bashing Leslie Jones got. She was hilarious and probably the most memorable out of the gang for me; “That’s a room full of nightmares . . . Yep, I ain’t going in there”. McKinnon didn’t a bad job as the eccentric Jillian BUT she got on my nerves by the frantic finale.

Chris Hemsworth (Thor) stole the show as the dim-witted no glass glasses wearing receptionist. He came out with some random one liners and played an absolute pillock. It was even funny watching him evade Wiig’s advances.

BUT for every good scene or joke, there were a dozen duds. *POTENTIAL SPOILER* It was great having the old faces thrown into the mix. It was just a shame that Bill Murray and Dan Ackroyd had terrible and highly unfunny cameos.

BUT it was nice to see Hudson, Potts, Weaver and Slimer. Even if the green blob annoyed the hell out of me in the several minutes he featured. There was a nice nod to the late Harold Ramis.

The supporting cast were wasted. Andy Garcia (Oh how the mighty have fallen) was terrible as the Mayor. He may have had fun playing the role BUT I didn’t watching him.

Michael Kenneth (Omar from The Wire) Williams and Charles (Game of Thrones) Dance had such generic roles. Anyone could have played them. Cecily Strong was probably the only other supporting character that didn’t get on my nerves as the bitchy two faced Mayor’s aid.

Neil Casey (Saturday Night Live) was a terrible villain. The bullied polter-nerd was too weak and the silly plot about vortexes and bringing apocalypse to NYC just felt like a retread of the original with even sillier and weaker results. It irritated me even more knowing that Twyin Lannister was playing a school dean.

The plot was dull and the predictability of it all killed a good bit of the energy and when the flat lines didn’t deliver, the film went through the motions. Let’s be honest Ghostbusters 2 was no prized trophy. I mean, come on. We had a toaster dancing to Jackie Wilson and the Statue of Liberty . . . Yikes!

BUT it was always going to be a tough act to follow the original. The main cast were good and had a great dynamic. I just wish they had a better script. The pace may have dragged BUT for all my nitpicking, I had a lot more fun than I expected. I wasn’t bored and there were laughs to be had.

The frantic finale may have delivered a special effects shoot em up with the gang busting out some cool gadgets BUT it felt rushed and abrupt after all the build up. Shame.

All in all, a mixed bag. Take it for what it is. Great effects, silly gags, a talented gang did enough to keep things watchable. BUT if there is going to be another, I just hope they can get a better script and we’ll be in for a real treat.

2.5/5

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*NEW* IRRATIONAL MAN REVIEW *NEW*


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Just like the protagonist. Strange, dark and all over the place.

A tormented philosophy professor (Joaquin Phoenix – Walk The Line) finds a will to live when he commits an existential act.

“All we do is talk, talk, talk”. I should have known what to expect from an Allen flick. The guy loves to talk. After watching Irrational Man, I’ve finally accepted that I’m NOT the biggest Woody Allen fan. BUT at least it featured one of Phoenix’s best performances.

The mind numbing opening didn’t really build my hopes up with Phoenix’s troubled Abe waffling on about morality and aesthetics. I felt like I was sitting in a philosophical lecture. Yikes.

The premise was hardly original. A radical professor shakes up the quiet life of a high school academic achiever. The first act trundled along at an easygoing pace with the predictable and nauseating romance blossoming between Emma Stone (The Help) and Phoenix.

The pair had good chemistry BUT somehow Stone just grated against me. Her role nothing more than an audition to be the next Diane Keaton. Strong willed and independent in one frame. Annoying and a chatterbox, the next.

You couldn’t find a better choice for an irrational man than Joaquin Phoenix. He really did carry the piece. There were moments to be had as he tried to avoid the flirtatious advances of his work colleague (played brilliantly by Parker Posey – Superman Returns). He even churned out some quick witted one liners; referring to his own philosophical theories as “verbal masturbation”.

His path to destruction made for engaging viewing. A man truly on the brink. Teaching his students a lesson in existentialism with a loaded gun and a game of Russian roulette.

BUT it was all a little too slow and pretentious for my liking. Listening to Phoenix’s philosophical ramblings and watching Stone inevitably fall for him while bleating on to her long suffering boyfriend (Jamie Blackley – If I Stay) really did test me.

However, my interest was finally peaked when the film went in a completely different direction. A change in tone and Abe’s character transformed a typical Allen rom-com into a black comedy.

My griping was soon put on hold as Abe set out on a moral crusade to punish a judge after overhearing a custody battle conversation at a diner. Random, strange BUT intriguing.

A slow burning stake out unfolded as Abe contemplated seeking justice on the small town judge. The dark thoughts turning into actions as our irrational man tries to rationalize this insane situation and the aftermath that inevitably followed.

The only problem was that, despite this much needed change in pace and tone, it was all a little mismatched. Too light and easygoing to be taken seriously. And even when things finally took a darker turn with Abe’s crusade and demented new lease on life, the end result was flat and didn’t really deliver after all the promise.

I could appreciate the irony of it all BUT it was all over the place. A watchable mess. It didn’t help that the leads’ chemistry wasn’t strong enough for me to care by the finale. Shame.

A sterling turn from Phoenix and a strange premise did enough to keep me watching BUT I won’t be taking this class again any time soon.

2.5/5

*NEW* THE LEGEND OF TARZAN REVIEW *NEW*

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The king of the duds?

The cast did their best BUT it just wasn’t enough. A disjointed, drawn out and disappointing reboot of the iconic vine swinging jungle man.

Tarzan (Alexander Skarsgard – True Blood), having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.

Once I got over the absence of a Phil Collins soundtrack, I was ready to embrace the start of the summer blockbuster season. On paper, this should have ticked all the boxes. BUT somehow it just didn’t quite deliver for me.

The opening was intriguing enough as Christoph Waltz’s shady Leon Rom (Spectre) struck up a deal with Djimon Hounsou’s (Gladiator) demonic Chief Mbonga. Simple. Access to the diamond mines in exchange for Tarzan’s capture.

However, the pace soon put me into a mini-coma as “civilised” Tarzan skulked around the incredibly drab (and appropriately titled) Greystoke Manor. It was a good 45 minutes before anything got going.

I could respect the writers for trying to shake up the legend BUT they skimmed through the origin stuff far too quickly and replaced it with a dull and predictable story line that was taken far too seriously.

The origin flashbacks were the most interesting bits. I was happy to watch the same old story of Tarzan raised in captivity and fighting with the alpha males.

The lovely Margot Robbie (The Wolf of Wall Street) was wasted in her role. She had good chemistry with Skarsgard BUT was confined to playing a damsel in distress. I was thankful that the flashbacks skimmed through their nauseating romance. It was only a few scenes and that was enough.

Waltz played the same stocky and slimy villain to laughable results. I couldn’t take him seriously. He may have had some moves with those rosary beads BUT Rom felt like a complete parody of Waltz’s former roles.

Skarsgard certainly looked the part and put my body to shame with his physique. BUT his broody demeanour and wooden delivery didn’t do Tarzan justice. He got better as the film progressed and won me over by the end BUT it was too little, too late.

Thank God for Samuel L Jackson (The Hateful Eight). A much needed comic relief to the piece. Considering the huge budget, I was disappointed by the shoddy CGI on offer. In one scene, the detail on the apes was uncanny. They looked as realistic as the ones in the latest Planet of the Apes.

BUT then the next sequence, we have Tarzan swinging from one badly CGI’d vine to another. Yikes. It spoiled the whole thing. I knew it was going to be a little ridiculous BUT the stampede finale was horrendous and far too cartoony.

Bearing in mind that Jumanji is over 20 years old (I know, right?!), I’m still impressed with the effects. BUT this latest endeavour actually had me wanting for the old school make up and props from the dated Christopher Lambert adaptation.

The last 30 minutes delivered a lot more of what I had expected from the get go! All the sombre serious drama thrown out for a funny, riveting (if disjointed) mad dash finale.

The fight sequences were actually well choreographed when Tarzan was allowed to show off his super strength. Because (of course) being raised by apes, you develop an incredible bone structure that allows you to dispose of numerous soldiers with one punch. BUT entertaining none the less.

It was all too disjointed for my liking. Robbie and Skarsgard weren’t really in it as much as you’d think. Especially Miss Robbie. She was either tied up (Steady now) or constantly recaptured.

Apart from Jackson, the rest of the supporting characters were either weak or unmemorable. For all of Chief Mbonga’s (Hounsou) promise, his reason for Tarzan’s capture was so predictable and dealt with far too quickly.

Disappointed, to say the least. We didn’t even get to see Skarsgard deliver the infamous jungle call. Just a couple of bellows off screen.

A meandering pace, shoddy CGI and weak characters ruined what could have been a fun B movie flick.

2.5/5

*NEW* SABOTAGE REVIEW *NEW*

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This was sabotaged from the start.

Members of an elite DEA task force find themselves being taken down one by one after they rob a drug cartel safe house.

From the guys who brought you End of Watch and Training Day. That tagline delivered so much promise BUT failed on so many levels.

From the opening, I felt like I joined the movie halfway through. It certainly grabbed my attention BUT only because I was so bloody confused.

It kept flashing forward as we follow a botched raid on a Mexican cartel safe house and the ongoing investigation after a $10 million overhaul went missing.

Considering the strong cast consisting of; Terrence Howard (Empire), Josh Holloway (LOST), Sam Worthington (Avatar), Joe Manganiello (True Blood), Mirielle Enos (The Killing US) and Arnold “GET DOWN!” Schwarzenegger, I haven’t seen such an UN-interesting bunch of characters in quite some time.

The cliched macho talk and poor banter did nothing to win me over. The cartel stuff was so generic. It was merely used as a poor plot device to hide the inevitable backstabbing that would inevitably happen among the team.

This could have been a perfect platform for Arnie to have a pop at some serious acting. I couldn’t think of anybody better to play the head honcho of a dysfunctional and deadly team BUT I have to say that this was one of his most wooden performances to date. And that is saying something! He made something that should have been a sure thing on paper seem like such a stretch.

After watching Big Love and the American remake of the Killing, it made a change to see Enos play a drug addicted adrenaline junkie on the verge of a breakdown. Tragically, the more we saw of her character, the more annoying she got. So annoying in fact that I prayed for her swift exit.

Worthington’s performance was laughable from his mangled accent to his horrendous beard. A shame, really. His character was the only one that had a little bit of depth. Albeit, a cliched one.

The story line involving corrupt cops should have been writer David Ayer’s forte (by now) BUT alarm bells were ringing at the obvious plot holes – it had to be a team member that stole the payload. Because every other cartel member was butchered.

After a stupid BUT watchable first act, it took a good half hour before anything really happened. My curiousity was finally peaked when (out of the blue) a team member was bumped off in a highly gruesome manner. Olivia Williams’ (Rushmore) introduction was a much needed trigger and certainly got the ball rolling.

BUT I was too distracted by her nauseating accent. Her character was a total bad ass. BUT she caved into Arnie’s “charm” so easily and had a terrible sidekick in Harold Perrineau.

The wafer thin characters and agonizing pace didn’t do the movie any favours and even when the body count rose, my interest sank. The cloak and dagger stuff behind the task force had potential as Williams’ investigation was hindered by red tape.

I don’t mind dodgy and corrupt antagonists BUT I just didn’t care by the end. The Shield (one of my favourite shows) had me secretly rooting for the bad guys BUT the only rooting I did for Sabotage was for it to finish.

It felt like Ayer was poking fun at the very genre that he has been so accustomed to. For all their flaws, Harsh Times and Street Kings were solid efforts by comparison.

A dull story line with poor revelations was thankfully thrown out the window BUT replaced with an even more ridiculous shoot em up and a laughable street chase with incredibly dire techno video game music.

The ending was horrendous. It was supposed to be this big unravelling moment and a huge sombre footnote to the piece BUT it was just terrible. The overlong pace and poor storytelling literally left a stellar cast waiting around for Arnie to show more life than an IKEA table.

I’ve never been so disappointed in a Swarnie flick and it’s not as if the expectations were ever high in the first place.

2/5

*NEW* CENTRAL INTELLIGENCE REVIEW *NEW*

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A little Hart + one BIG Johnson = one big dumb fun movie.

After reconnecting with an awkward pal (Dwayne ‘The Rock’ Johnson) from high school through Facebook, a mild-mannered accountant (Kevin Hart) is lured into the world of international espionage.

I was a little anxious about seeing this movie. Not quite sure whether I was in the mood for another OTT Hart comedy vehicle. The opening didn’t build my hopes up. A naff high school flashback sequence involving a horrifically superimposed Rock on the body of a dancing fat kid didn’t do anything for me. (No, not like that).

It wasn’t long before the dancing chubster fell victim to a traumatizing high school prank. The only person to help him; Mr Popular and all round achiever Calvin (Hart).

Flash forward back to the present to an older and miserable looking Calvin as he drudges through a mid life crisis, office politics and the joys of accounting. Hart played the straight faced role quite well. And for a moment, the high school reunion and nostalgia subplot could have easily made this a different movie altogether.

BUT this was never going to be that kind of movie and once the Brahma Bull came steam-rolling into Calvin’s lacklustre life like a unicorn T-shirt wearing, bumbag carrying tank, I was sold!

It made a change to see The Rock playing such a dim wit. Bob uses the high school reunion as a chance to catch up. BUT of course while bonding over a shots and a bar brawl (You read that right), we discover that the simple Samoan needs a favour from Calvin. A favour that throws Calvin’s world into chaos with espionage, carnage and a pretty predictable terrorist plot line.

The pair worked really well together and had some cracking one liners. They made a great duo and weren’t afraid to poke at each other. There was also a nice dynamic between them as Bob needs help from the only friend who bothered to help him all those years ago.

The action set pieces were brilliantly choreographed and highly comical as Hart’s unintentional fumbling causes more harm than good. To make matters worse, ol’ Bob might not be telling the whole truth. Calvin’s reluctance and numerous escape attempts from the overbearing and resourceful Bob was hilarious.

I couldn’t help but laugh at Rocky using Hart as a prop. Chucking him in cars, mail carts and out of windows. Mental. Bob’s obsession with Sixteen Candles (That’s right, the Molly Ringwald movie) was a running gag I didn’t expect.

Amy Ryan (Gone Baby Gone) played the uptight generic CIA director as well as she could and the writers tried their best to shroud a little mystery over Bob’s intentions. Deliberately making us question his motives. BUT there was only ever going to be one outcome with the loveable dud-head.

The inevitable backstabbing and revelations were tragically too predictable and cut into the zippy pace and laughs, hampering things slightly. I could feel my eyes wandering to my watch.

BUT thankfully some crazy cameos from a surprising cast did enough to bring me back into the mix. I could drop names BUT it would spoil half the fun.

The finale was frenetic, mad and funny. There were some genuine laugh out loud moments and you can’t go wrong with a bit of blooper reel during the end credits.

The story line may have been a little weak and predictable and the pace may have tested in parts BUT it was silly fun and with Hart and Rocky on fine form, I could have think of worst ways to kill the time.

Not quite on the same level as 22 Jump Street BUT definitely worth a shout if you’re in the mood for a shoot em up laugh fest.

3/5