There’s life in the animation. Shame there isn’t any in the story.
Definitely one for the little ‘uns but adults may find themselves fidgeting. Fidgeting towards the exit door.
Brought to you by Guillermo Del Toro. Meaning; He has nothing to do with it. Other than having a production credit.
The honours go to animation director Jorge R. Gutierrez.
So what’s it all about? Manolo (Diego Luna) is torn between fulfilling the expectations of his family and following his heart (Awww . . . Yuck). Before choosing which path to follow, he embarks on an incredible adventure that spans three fantastical worlds where he must face his greatest fears.
3D is not essential. It certainly would have made the animation more prominent but not a must.
It’s all a little slow to start with. An elongated subplot with a tour guide (Christina Applegate) that introduces the love triangle was all a little unnecessary. The boring spiel of a group of detention kids forced to go on a museum tour just broke up the real story. It felt like a lazy plot device just to explain why the characters are made of wood.
The flicking back and forth may have allowed the detention kids to deliver some funny one liners but the end result could be seen a mile away. Dreadfully corny.
The animated worlds are nearly worth the ticket price alone. Nearly. Especially with the Land of the Remembered. The colours, the detail. Breathtaking.
The love story very much focuses on three friends; Manolo (Luna), Joaquin (Channing Tatum) and Maria (Zoe Saldana). The cast at Gutierrez’s disposal is fantastic. Diego Luna doesn’t do a bad job but his singing leaves a little to be desired.
Some of the songs that he covers sound a little flat i.e. Mumford and Sons – I Will Wait but his cover of Radiohead’s Creep was an unexpected surprise. To be honest, Luna seemed to grasp and sing the songs made for the movie better than the covers.
Tatum was brilliant. If anyone can play a deluded chughead, it would be him. Saldana does her best but her character is so bland and unmemorable. Merely the fire to spurn the contender’s passion.
The whole “love wager” between the rulers of the Lands of the Forgotten (Xibalba – Ron Perlman) and Remembered (La Muerte – Kate Del Castillo) was a little corny and didn’t really get as dark or as interesting as it could have been. Betting on which man Maria will fall for was done so lightly that any real conflict or tension is quickly disposed of.
Whoever lost would be forced to rule of the Land of the Forgotten – a desolate dull landscape whether the wandering spirits are left to disparate. You get an indication of what tone to expect by the fact the tour guide describes how Xibalba is made of tar and all “the icky stuff of the world”. Yeah . . . it’s that sort of film.
I understand it’s a children’s film but there was a moment in how Manolo crosses over to the Land of the Remembered that suggested something a little more macabre. I was hoping it might sneak into the Nightmare Before Christmas/Coraline territory but it’s all dealt with a little too cheesily and surprisingly quick.
So pace certainly wasn’t an issue. Something I always complain about. I couldn’t believe how many stars popped up in this. (Well, their voices). Hector Elizondo, Danny Trejo, Placido Domingo, Cheech Marin and . . . Ice Cube.
Ice Cube surprised me the most. The others I knew would be up for a laugh but it made a change to hear a different tone in Cube’s voice. His Candle Maker character looked strangely a lot like Zeus from Disney’s Hercules. Ron Perlman. I should have known he would pop in a Del Toro (produced) pic. He was delightfully OTT as Xibalba. A proper panto villain in this supernatural pantomine.
The gags are little hit and miss. The overenthusiastic singing nuns were incredibly irritating. But where one lot were irritating, another group were . . . really irritating. No, more mildly entertaining. The Mariachi band (led by Marin) brought the odd giggle, especially with their cover of Rod Stewart’s Do Ya Think I’m Sexy?
It zips along, brings a few chuckles but despite it’s beautiful animation; the characters are dreadfully cliched and the story is oh so predictable. There’s enough to keep the little ‘uns occupied for 90 minutes but the adults might be caught kicking the seats.