AVENGERS: INFINITY WAR REVIEW

10 years, 18 films, was Infinity War worth all the hype?

It’s tough not to talk about such a box office phenomenon without discussing plot points. I will do my best not to but take this a kind heads up.

I know Thanos has demanded our silence but it’s been a month now. Come on.

No, I’m kidding. Not everybody can drop their busy schedules for a three hour movie sesh. But if you were, I would recommend this.

I love how the Russos made this surprisingly accessible for fans who may not have obsessively watched the entire Marvel backlog beforehand or ever (Sacrilege, I know).

Crucial plot points were covered for the non die-hards but you would be missing out on so much character depth, back stories and references if you haven’t dipped into the other Marvel movies.

It felt like all the other films had been gearing up for this moment.

As much as I griped about some of the earlier Marvel efforts (Captain America: The First Avenger, Avengers Assemble, the Hulk reboots, Iron Man 2), I never faulted the characters; what they stood for, their journeys and their progression over the years.

I have to say that I was actually excited to finally see all these incredible characters unite against a common foe (and what a foe!).

Josh Brolin, take a bow. I couldn’t think of anybody better to take on the Purple Mountain. His vocal gravitas lifting the amazing visual effects. The detail on his expressions were impeccable. For me, one of the most memorable Marvel villains to date.

For a moment, I almost felt empathy for the tormented maniac. An engaging presence that chewed up every scene. You could almost understand his motives. The flashbacks providing a much needed depth with his relationship to Gamora (Zoe Saldana).

Even his minions delivered; Tom Vaughan-Lawlor was brilliant as Ebony Maw and a worthy adversary (most notably for Strange) and it took me half of the film with all that make up to realise that it was The Leftovers’ Carrie Coon playing the bloodthirsty Proxima Midnight (What a name!)

Surprisingly the opening sequence didn’t grab me. As much as it set the tone with Thanos claiming lives from the get go. It didn’t pack the emotional punch I hoped. Maybe because the lives involved were hardly a shocker.

However once Stark, Strange and Spidey united; my doubts were instantly extinguished.

I loved how IW had the perfect balance of humour, drama and action.

The fast paced set pieces, the stunning visuals, the quick witted one liners, the fun exchanges. 2 1/2 hours breezed over in a heart beat.

Mixing up all the characters made for so many brilliant encounters. The biggest highlight involving the unexpected teaming up of Thor, Rocket and Groot.

The Guardians gang almost stole the show from everybody. Drax and Mantis were fantastic: delivering some of the most quotable dialogues.

I think everybody had their moment to shine (The Cap’s Third Man entrance, Strange’s sorcery, any scene involving Thor). An impressive feat in itself considering how many characters were thrown into the mix.

The battle of Wakanda sequences were incredible! It almost (almost) rivalled the epic Helm’s Deep battle of LOTR (Nerd!). The animation, the intensity, riding every high and low.

Now don’t get me wrong, the film wasn’t perfect (Scandalous!). Ruffalo had already won me over as Banner/Hulk but he got on my nerves. More so because Hulk failed to turn up when the chips were down?!

I loved how the trailers lied. Manipulating the order of scenes and showing moments that weren’t necessarily in the movie. Some for the better, some for the worst.

After watching Banner embrace Hulk and appearing to resolve his inner turmoil in Thor: Ragnarok, I was a little annoyed that he was still very much unstable and out of control. Watching Ruffalo pull constipated expressions, groan and go a little green after a bad vindaloo was a little infuriating. Tut tut tut.

I’m sure you have heard whispers of characters being bumped off. I wouldn’t be commending a bold finale if risks weren’t taken but the removal of one particular character was abrupt and handled a little poorly for my liking *cough* Soul Stone *cough*

I had to laugh that Gwyneth Paltrow made a seemingly unnecessary cameo and yet both Ant Man and Hawkeye were out of the mix with just a passing comment to explain their absence. Really?

Even the special clip (that all Marvel fans endure endless credits for) was disappointing. Setting up the introduction of another Marvel character that we all knew was coming.

However, the gripping finale delivered a surprisingly dark turn and a very bold move from the Marvel team.

I can honestly say I didn’t see it coming. It’s hardly a spoiler to know that this is only Part One but I’m already pondering theories on how they can work Part Two and any other projects between the release dates.

BUT one thing has been established. It may have spanned 10 years but the Marvel movie-verse still has plenty in the tank (Especially right now) and I for one cannot wait for the next instalment.

3.5/5 (with room for a 4)*

*If some of the little niggles are addressed and rewarded in Part 2!

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JUMANJI: WELCOME TO THE JUNGLE REVIEW

Welcome to the Jungle. We’ve got fun and Dwayne.

Four teenagers are sucked into a magical video game, and the only way they can escape is to work together to finish the game.

When I first heard the rumours circulating about a Jumanji sequel/reboot/whatever, I screamed to the movie gods . . . Why?! Do Hollywood hold nothing sacred?

Jumanji was one of my favourite childhood movies that featured the late (BUT always great) Robin Williams.

BUT then I saw the cast and thought, “This could work”. And it did.

Don’t get me wrong, it wasn’t perfect by any means BUT Jumanji: WTTJ offered big, dumb fun by the bucket load.

I liked how the team tried to make the premise their own. Taking it in a completely different direction BUT still throwing fitting nods to the 1995 classic (Classic? It’s only 95 mate).

The opening set the tone as the dusty relic of a board game realized that it was behind the times. Morphing instead into a vintage 80s video game console . . .

Yeahhhh BUT it worked. Pulling four dysfunctional youths into the abyss.

I loved how the different personalities took over the wrong avatars. Delivering the laughs straight off the bat.

The nerdy hypochondriac Spencer taking on the unit that is Dwayne “The Rock” Johnson.

The Rock knows how to deliver a popcorn movie. Embracing the ridiculousness of it all as his avatar has no weakness and endless abilities. The smolder . . . Seriously? Only the Brahma Bull could pull that one off.

The dumb arrogant high school jock taking over the miniscule servant Kevin Hart. An avatar riddled with an array of weaknesses (No pace, no stamina and . . . CAKE. That’s right. Cake). Brilliant.

You knew you were in for a treat when The Rock and Kevin Hart were involved. They work so well together and you couldn’t tell how much of the banter was part of the script or just off the cuff. Judging by the Rock’s face . . . A lot of improvisation was going on.

The shy academic nerd taking on the Lara Croft bad ass avatar (Karen Gillan). I know Gillan had a little backlash over her skimpy outfit BUT The Rock was poking fun at his physique. Plus the joke picked out some of the sillier aspects of early video games/imagery.

Gillan owned it. The only thing I could pick at her performance was not anything she did BUT her character’s fighting tactic. Dance fighting?

Beating people up to the sweet sounds of Big Mountain’s Baby I Love Your Way? The first sequence wasn’t too bad BUT the several that followed . . . Yeah, not so much.

However, her exchanges with Jack Black were fantastic. Especially when Black gave her lessons on how to attract a man. I was in stitches.

And despite how good everybody was . . . Jack Black, take a bow.

He stole the show as the photogenic selfie taking high school beau Bethany took over his overweight professor avatar. Even when he went to the toilet in the jungle with the lads, I was howling. The School of Rock star has been missed.

I don’t think this would have worked without the cast. Nick Jonas didn’t play too bad a part BUT his character was a little bit boring for me.

The limited lives threat gave it a little more edge as the gang had to adapt to their avatars fast! You die in the game, that’s it!

It was entertaining with enough thrills, spills and avatar kills. Seriously, I wasn’t joking about the CAKE thing.

The special effects and fun set pieces delivered enough ooohhs and aaahhhs.

The stampede sequence will never top the original. BUT it was still mental to watch (Even if it was a little disorienting and packed with some shoddy CGI). Bearing in mind, the orignal is now 23 years old (23! Now I feel old), the effects looked more dated in this one.

However . . .

Flight of the Conchords’ Rhys Darby was completely wasted as a virtual avatar.

And Bobby Cannavale as Van Pelt? Now you could have banked on the Boardwalk Empire maestro to inject some villainy to his sinister demeanour. BUT maybe this was a miscast?

His freaky warlock bugged me. No literally, what was the deal with all those bugs crawling around him and in his ears? *Shudders* Yikes.

We needed someone with the pantomine delivery of Jonathan Hyde. He had the right balance of mayhem. Crazy but cold blooded. The dynamic (That chemistry) between him and Alan was missed in this. Cannavale’s Pelt was too bland and generic. Shame.

  

My main issue was the pacing. It took a while to get going as we had to endure the build up and get a sense of the teens. Easygoing stuff BUT you couldn’t help BUT think, “When are they going to find the flippin’ game?”

When it was funny, it was hysterical. When it was action packed, I was riveted. BUT all the stuff in between lumbered the whole thing and got me a little fidgety.

BUT a great cast, top laughs and some mad fun made this one to watch for everybody.

Enjoy!

3/5

*NEW* READY PLAYER ONE REVIEW *NEW*

Spielberg is back baby!

But bigger and better?

When the creator of a virtual reality world (Mark Rylance – The BFG) called the OASIS dies, he releases a video in which he challenges all OASIS users to find his Easter Egg, which will give the finder his fortune.

An enjoyable romp. The man still knows how to deliver a blockbuster. Fantastic visuals, an entertaining premise, good fun BUT . . . NOT without its flaws.

We follow Tye Sheridan’s Wade (X-Men: Apocalypse) as he tries to break away from the hum drum life of “The Stacks”. A poverty stricken district constructed of caravans piled on top of each other.

Those caravans. Seriously, the Jenga style structure triggered my vertigo.

A futuristic cityscape set in the 2040s where people are more interested in escaping to the OASIS and their avatars than worry about the ever-expanding and overpopulated towns. A fitting statement if ever there was one.

BUT at that same stroke, Ready Player One really struck home with the gamer nerd in me and that sense of community and escapism that gaming can offer. A bit like the movie itself.

The visual effects were outstanding. The only problem was that there was so much going in one frame that there was TOO much going on. A mad car chase sequence hit me like a rainbow-infused punch. The colours, the energy. It was chaotic.

There was King Kong, Robocop, the Jurassic Park T-Rex. I didn’t know if I was still supposed to be watching Wade – Sorry, “Parzival” (His alias) razzing around in a DeLorean or not?

The puzzle solving was intriguing enough as Wave delved into the recesses of his childhood hero Halliday’s memories for clues to unlock another key to the OASIS. All archived in a library. Seriously, there wasn’t enough Mark Rylance. The Wayne World’s inventor was brilliant.

There was one level of the game that involved one of my favourite movies. The in-jokes and metatextual references had me in stitches. Obviously the rest of the audience weren’t fans as I laughed out loud at as “Parzival”‘s partner in crime, H unsuspectingly wondered into a certain room *cough* Room 237 *cough*

That sequence alone ticked all the boxes for me.

Olivia Cooke (Bates Motel) was brilliant as Art3mis/Samantha. She had great chemistry with Sheridan and they madBe a great duo. That dance-off shouldn’t have worked as well as it did.

Ben Mendelsohn (Rogue One: A Star Wars Story) was the epitome of a slimy corporate exec BUT despite his best efforts and Thanos-inspired avatar, I found him a little weak. And for a man hell bent on taking over the cyber world, he wasn’t very clued up on password protection.

I was disappointed at the lack of T.J. Miller. I know the guy has caused a bit of controversy in the press but the Silicon Valley star knows how to steal the show as Mendelsohn’s minion, I-R0K.

I was annoyed that we only saw his avatar. Bearing in mind that we got to see Wade’s band of loveable rogues.

The detail on the avatars was incredible; meshing in the actors traits and facial expressions perfectly.

NOW I’ve never read the book. I was only aware from the heavy PR that RPO revolved around teenage gamers fanboying over the 80s and tech. Despite the amazing visuals, endless 80s references and zippy pace, the film lost momentum as its reached it’s super corny finale.

It was far too schmaltzy and OTT for my liking. Tye Sheridan delivering a nauseating speech in leather-clad spandex? Meh. The Iron flippin’ Giant evaporating endless cannon fodder?! HELL YES! (What?!)

Come on, that is kinda cool.

BUT what did I expect? These are kid gamers taking on the world. If you keep that in mind, you might not be as disappointed by the finale as I was.

Don’t get me wrong, it was still riveting, engaging and filled with all sorts of nostalgia BUT the end game was a little rushed and tacky.

This won’t top Spielberg’s greats BUT this wasn’t his worst by a country mile.

Either way, it’s worth a watch at any cost.

3/5

THE HOUSE REVIEW

The House always win? Not with jokes like these.

After the town takes away their daughter’s college scholarship, a couple (Will Ferrell/Amy Poehler) start an illegal casino in their friend’s (Jason Mantzoukas) house to make back the money.

Sheesh. What is going on with comedies these days? Look, I’m not looking for groundbreaking stuff BUT a time filler with a few laughs isn’t too much to ask . . . Is it?

Apparently so.

Okay, the opening act wasn’t that bad and Ferrell and Poehler made an entertaining duo as the mollycoddling parents rehearsed a “What if” scenario with a “shady college guy” to their daughter Alex (Ryan Simpkins).

I don’t know how many of the one liners were improvised BUT I just wish the two comedians were allowed to break free from the weak material more.

Ferrell pretending to be “Geppetto” (Because he makes all the girls his puppets) had me in stitches. He worked well off Poehler. BUT alas, that banter couldn’t stick.

Scott’s (Ferrell) numbers anxiety and shrieking got on my nerves. Seriously, his miscalculations gags weren’t funny the first time, so why did we have umpteen of them? Thank God for Poehler’s put downs.

Jason Mantzoukas (Dirty Grandpa) stoke the show as their emotionally unhinged friend Frank. A supporting act that didn’t overstay his welcome.

The group dynamic (thankfully) worked a lot better once the couple lost their daughter’s scholarship and things did get a little more entertaining.

The casino set-up was quite fun as the gang evaded the local authority’s wandering eyes.

The House excelled with some of its more sillier moments. BUT when it didn’t work, it felt drawn out and cringe worthy.

A Casino gag in which the trio taught a “cheat” a lesson delivered the laughs and some unexpected gore as Ferrell fumbled around, looking for said cheat’s thumb after an unfortunate encounter with an axe.

Nope? Not selling it. That was the best bit.

Nick Kroll (Sausage Party) and Alison Tolman’s (Fargo) philandering council officials’ subplot was bland and uninteresting. Great actors in their own right BUT they brought nothing to the mix.

I would have been happier to see more of Frank failing to win back his wife.

The first hour did kill the time and was surprisingly watchable as the neighbourhood soon joined in on the action. At one point, there were bets being placed as neighbours participated in bare knuckle fist fights.

Yeah, it’s that sort of movie.

BUT the film soon run out of steam (and material) as the big life got to the couple’s heads. Seriously, it just wasn’t funny. Poehler and Ferrell beating people up and throwing money around was just overkill.

It spiralled downwards into one big chaotic mess in the worst way possible with repetitive comedy falls, endless swearing, unfunny gags and hammy sentiment.

Even a surprise cameo in the fiery finale couldn’t save the day. I couldn’t believe this particular Avenger had popped up in this as a mobster. It was just a shame that he wasn’t any funnier.

Despite its moments, I wouldn’t bet big with this one. Unless you really want a gamble with your time, then be my guest.

2/5

ROUGH NIGHT REVIEW

Yikes! I’d rather have a rough night than watch this again.

Things go terribly wrong for a group of girlfriends who hire a male stripper for a bachelorette party in Miami.

A highly unfunny opening college flashback didn’t build my hopes up. It was good to see that ScarJo was up for a laugh BUT this was a major step down for the Avengers star.

A shame considering the talent on display; Jillian Bell (22 Jump St), Broad City’s Ilana Glazer and Saturday Night Live‘s Kate McKinnon. Funny people in their own right. BUT as much as they gave it their all; the material was dreadfully weak.

Things fared a little better when the film flash forwarded 10 years later with ScarJo’s Jess running for senate. Her ad campaign was a brilliant Hillary Clinton parody.

The reserved workaholic needing a break from her busy schedule while the rest of the gang were desperate for any excuse to escape their problems.

Popping a champagne bottle delivered a poorly timed airport gag BUT it managed to get a guilty chuckle out of me. That gag pretty much summed up the film.

“The house is everything I hate. I’m gonna take a protest dump”.

There was the occasional funny one liner and the dynamic among the girls was entertaining enough BUT the endless swearing, drug taking, shouting and penis gags got old and got old quick!

Thankfully, Kate McKinnon’s introduction into the mix spiced things up. The awkward new BFF joining the posse.

Upsetting Jillian Bell’s Alice with her very presence. Her eccentric spirit guru (and crazy Nicole Kidman-esque accent) were a much needed presence. Complete with Veggie Mite in tow.

30 minutes in, I was surprised at the dark turn that the film took after Alice’s unfortunate incident with a “stripper”. An act of desperation?

By the end . . . Yes.

It delivered the odd titter BUT the stop/start pace and mismatched tone hampered the piece.

Even the naff subplot with Jess’ effeminate fiance (Paul W. Downs) was a huge misstep. The wine tasting was silly enough BUT the “sad astronaut” gag triggered one drawn out and highly unsavoury sequence involving adult diapers, meth and strange encounters at a petrol station.

It had potential with the Mad Dogs meets The Hangover vibe as the girls’ crazy weekend spiralled out of control with mistaken identity, dodgy coppers and drugged up strippers BUT it just didn’t work.

It tried to be serious with the friends coming to terms that their lives were taking different paths as everything came to blows. It didn’t work.

You had Kate McKinnon somersaulting off a moving jet ski as it ploughed into the beach . . . Meh.

A lechy Phil Dunphy (Ty Burrell) from Modern Family and naked Demi Moore did nothing to save matters. The sex-crazed swingers next door just killed the already lumbering pace of this hit and miss yarn.

It even resorted to desperate measures with ScarJo busting out some of her Black Widow moves to knock out some burglars.

If any of what I listed above sounded alright then this might be for you.

I watched it to the end BUT that was mainly to see how much worse it was got.

I expected more or at least something passable BUT despite the odd chuckle here and there, I think this is going to be a black mark on the Black Widow’s stellar CV.

Okay, I’m done with the Black Window references.

Take it away Kevin Sorbo Hercules . . .

2/5

*NEW* ISLE OF DOGS REVIEW *NEW*

Did you hear the rumours? What rumours? That Isle of Dogs is pretty good.

Set in Japan, Isle of Dogs follows a boy’s odyssey in search of his lost dog.

Confession time, I’m not the biggest Wes Anderson fan. BUT I loved his take on Roald Dahl’s Fantastic Mr Fox. His quirky whimsical style suiting the children’s book to perfection. I was really excited to see what his next foray into stop-motion animation would offer.

Did it live up to the hype? (Uh . . . You just put it was good).

All barks have been translated into English while humans speak in native tongues or by interpreter/foreign exchange student/electronic device.

I knew what I was getting myself into.

Alexandre Desplat’s grandiose score and Courtney B. Vance’s (American Crime Story) brooding narration helped liven up a crazy prologue titled ‘The Boy Samurai’. A strange fable about a century long vendetta between a renowned Japanese dynasty (The Kobyashi clan) and .  . . Some dogs. Okay then . . .

Flash forward to 20 years in the future and an outbreak of snout fever has spread among canines in the city of Megasaki with a risk of infecting humans. In a hasty measure by Mayor Kobayashi, all dogs are dumped on ‘Trash Island’. Left to their demise.

The animation was fantastic. The detail, the expressions, the set designs. Brilliant. Matching the zany nature of our eccentric director. Come on, even the title spells; I LOVE DOGS.

The dogs really did steal the show. Their Magnificent Seven Western showdown introduction had me in stitches. Piles of litter rolling across like tumbleweed as they fought rival packs for scraps. I loved the cartoony cloud scuffles.

The cast were superb; featuring a mixture of regular Anderson stalwarts and new faces (Well, voices in this case). Edward Norton was a particular highlight as Rex. BUT each dog had their moment to shine from Goldblum’s gossiping to Murray’s meanderings. However, none of them could top Chief.

Breaking Bad’s Bryan Cranston delivered that Heisenberg tenacity to the hostile hound. A dog that has never had a “master” and refuses to accept one.

That is until one of those said “masters” crash lands on Trash Island looking for his lost dog.

I loved the endearing relationship that developed between Chief and Atari (Koyu Rankin) as the stubborn stray (initially) refused to help. The lost in translation shtick complimented the film.

I didn’t have an issue with the lack of subtitles as Atari raged in his native tongue. The detail in the eyes said it all. The emotion captured perfectly in a wonderful flashback between him and his beloved dog Spots (Liev Schreiber – Ray Donovan).

And luckily when some of the conversations in Megasaki got a little dense, we had the fantastic Frances McDormand and Greta Gerwig for interpretation.

That was the only problem. When the humans were involved, the pace dragged and; if it wasn’t for Gerwig’s hilarious political activist/foreign exchange student Tracy, my interest would have completely waded.

The maniacal Mayor’s canine vendetta and conspiracy to thwart scientists for a cure was dull as dishwater. I just wanted to get back to Trash Island.

“You should see the other dog. I think he was made of stainless steel”.

The crazy canines and their quest to help Atari was full of heart and had all the Anderson quips and humour we’ve come to love.

Even the kanji was translated during a news report with such phrases as: (Sad funeral) and (Tragic disaster).

“Maybe it’s me, I’m not a doctor or maybe it’s the clutch pedal accelerator in the side of his head but . . . ”

Too adult for kids? I think this could leave the little ‘uns fidgeting in their seats.

Don’t get me wrong, the dogs were fantastic and their hilarious convos were comedy gold BUT the student protests in Megasaki and animal rights debates was a tall order even for yours truly.

The journey was entertaining and delivered a few surprises along the way, with a number of eclectic characters popping up from Harvey Keitel’s cannibal crew to Tilda Swinton’s prophetic pug.

BUT this wasn’t perfect by any means. It was tough NOT to make comparisons to Fantastic Mr Fox, which this fell short of.

Scarlett Johansson was wasted as show dog Nutmeg. She had good chemistry with Cranston’s Chief and it teased a little side story that didn’t surmount to anything.

The final showdown was a little flat as Anderson traded robot dogs and quirky humour for haikus and pretentious speeches in a giant conference hall.

I was a little disappointed at how Chief and his band of merry misfits were strangely absent in the chaotic finale. Shame.

It felt like something was missing. I couldn’t fault the charm and heart behind this zany flick and I still smile thinking of certain scenes BUT it wasn’t enough for the talent at hand and the characters that were at their disposal. I was left wanting.

BUT fans of WA and stop-motion animation will not be disappointed.

3/5

HARDCORE HENRY REVIEW

Stupid, ridiculously violent, messed up BUT . . . not bad at all.

Henry is resurrected from death with no memory, and he must save his wife from a telekinetic warlord with a plan to bio-engineer soldiers.

Imagine if Crank was made into a f**ked up first person shoot em up video game walk through and you wouldn’t be far off this.

A disjointed flashback with a wasted Tim Roth (Wasted as in talent NOT wasted in the other variety) and an ultra-violent 80s style James Bond title sequence didn’t build high hopes. Seriously I wasn’t ready to see a dude glassed in the throat super slo-mo styley within the first minute.

However, the opening lab sequence was engaging enough as Henry received new robotic limbs and instructions from the lovely Haley Bennett (The Girl on the Train). The make-up effects and CGI were impressive.

The whole thing felt like it had been taken straight out of a video game. The hum drum clunky dialogue between the scientists made me laugh. The gamer nerd in me smiling from ear to ear.

The only problem was that these are the sort of sequences I frantically press any button on the controller to skip.

BUT it didn’t mess about. Quickly establishing the premise and throwing us straight into the chaos by the 15 minute marker. Some guff about bio-engineered soldiers and Henry being the only one who can stop them. Blah, blah, blah.

Danila Kozlovksy (Vampire Academy)’s Akan looked like something out of Devil May Cry. The blond hair. The creepy demeanour.

His camp panto performance shouldn’t have worked as well as it did. BUT he was the perfect villain for this piece. Lapping it up and delivering one of the best lines I’ve heard in a while: “If I took this moment and put it in a cup of tea, I wouldn’t need any sugar”. Brilliant.

However, there was one man that stole the show. And sorry Henry, it wasn’t you.

Sharlto Copley (District 9), take a bow! I can’t tell if his turn was a master stroke or just plain bloody awful. Either way it was funny as hell. He was brilliant as Jimmy, Henry’s partner-in-crime.

Constantly popping up between each violent encounter as an even more ridiculous avatar. Be it an uptight colonel, a pot smoking hippie, a Sinatra crooner or a camouflaged hedge (Yep. You read that right).

What a ride! The action set-pieces and chase sequences were relentless as Henry jumped off moving cars, buildings and clocking up the body count in a number of brutally violent ways.

At one point, out hero strangles a dude with his own robotic eye socket! WTF! All aided by a cracking soundtrack. A mish-mesh of Russian techno and 80s synth pop.

The first person POV perspective was fun. The only problem was that as the action got more chaotic, the more disoriented I felt. The shaki-cam drew flashbacks to my first viewing of Cloverfield. Didn’t think I could get vertigo watching a film. Sheesh.

You could tell this was written by a gamer fan boy. The riotous brothel shoot-em-up was ridiculous. Especially when Jimmy upset some attractive katana-bearing ninja dominatrix assassins. I’m not making this up, I swear!

What helped was that writer/director Ilya Naishuller didn’t take this too seriously. It was fun for all the wrong reasons BUT done in the right way. I laughed at the chaotic conversations between the Russians as they kicked off, throwing the subtitles into one big illiterate mess!

The only problem was that as it drew to its stupendous finale, I felt exhausted. The carnage cranking up to 11 as a mangled Kill Bill/A Clockwork Orange homage-inspired showdown took the biscuit. Seriously, at one point, Henry was climbing up bodies suspended in mid-air.

I knew it wasn’t going to win merits for plausibility BUT it really bugged me that Akan was the only one with telekinetic abilities. Why? Something to do with the bio-engineering, I guess.

However, it all spiralled into one big bloody mess that ended rather abruptly. BUT by that point, I didn’t care. After the random cameos, I expected Henry’s big reveal to be somebody . . . big. No disrespect to Andrei Dementiov.

If you’re up for a frantic no-holds barred action bloodfest to kill 90 minutes, then look no further. Otherwise steer clear.

2.5/5