*NEW* STAR WARS: THE LAST JEDI REVIEW *NEW*

The last hurrah?

Rey (Daisy Ridley) develops her newly discovered abilities with the guidance of Luke Skywalker (Mark Hamill), who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares for battle with the First Order.

After repressing the belly laughs from spotting Vivien from The Young Ones as a First Order officer, I was thrown into the chaos as the Resistance unleashed the mayhem.

The special effects were brilliant. The action was intense. I loved the cockpit panoramic camera work as Dameron maneuvered the X-Wing.

Speaking of which; someone must have read my Force Awakens review. The one new face writer/director Rian Johnson made sure to have plenty of screen time was Poe Dameron. Oscar Isaac was brilliant. Highly comical and entertaining. His hazing of Hux in the opening sequence was cheesy but well played. Reminded me of a young Solo.

After commending Domnhall Gleeson for his stand out performance as Hux in Episode VII, I felt his delivery this time around was almost pantomime. He was dreadfully OTT and annoying. Whether they realised Emo-Ren was lacking that sinister edge, I’ll never know.

Adam Driver was very good as Kylo. A much more sombre turn that worked a lot better for the character and he got rid of that ridiculous helmet!

Ren’s conflicted conscience continued to tease throughout. Had he truly turned to the Dark Side? Was there any hope left for him?

I loved how the old faces mixed with the new ones. Andy Serkis got to feature a lot more as the creepy Snoke. The CGI and detail on the super Sith (Seriously how tall was that guy? Was he even a guy?) was impeccable.

Carrie Fisher delivered a sterling turn as Leia. There were a couple of question marks about her character that surprised but also annoyed me. BUT don’t FORCE me to spoil anything. I respect the team for keeping the finished scenes after her tragic passing BUT I can’t help but feel that it might cause problems for the next installment.

However, her appearance allowed for a wonderful reunion that (I’m not going to lie) plucked at the old heart strings.

BB8 stole the show yet again. Delivering the laughs in this super serious saga.

BUT there was one face I was happy to see return and that was the man himself. Luke “Robo-Hand” Skywalker.

Hardly a spoiler as we left Rey presenting the miserable Jedi with his old lightsabre. I was surprised at how comical Hamill was BUT it added an extra humanity to this flawed veteran. A man defeated and desperate to avoid the call to action once more.

I loved the bitterness. Ridley and Hamill were a fantastic duo, which made the dynamic work that much more, as Luke reluctantly helped the stubborn Rey channel the Jedi within.

Ridley still carried the film where it counted. Her Force telepathy conversations with Ren were intriguing.

I loved how Johnson and co. brought so many new creatures and wonderful set designs to life. The nun toads and the PORGS (My God. Those PORGs are going to be the next craze fo’ sure) being particular highlights.

There were a few surprises and twists along the way. Plenty of fitting nods and references to keep the new SW and (the long suffering) old fans happy.

The only problem with focusing on particular characters and bringing in new faces was that some had to face the cut. Chewbacca, C-3PO and ol’ R2 were pushed into the background far too much.

Well, maybe C-3PO was the right decision. Don’t get me wrong, they stole the show whenever they had the opportunity BUT I wanted more.

At the same time, that showed confidence in the new faces that it wasn’t too much of a concern. I was a little worried at how Kelly Marie Tran’s Rose Trico was going to fare. Her initial irritating introduction had me wincing BUT the loveable rogue soon grew on me and I was actually rooting for her by the closing act.

She worked well with Boyega and allowed an increasingly absent Finn get back into the fold.

I have to say I enjoyed TLJ a lot more than FA (Force Awakens). FA had a stronger first half but withered out with a retread of A New Hope while TLJ got better and better and made the story its own.

I expected so much worse after the Twitter hate BUT was pleasantly surprised. It wasn’t perfect. The pacing was a little testing in places and some scenes were a little hokey. The casino sequences at Canto Bight were a little . . . strange.

And there were a few plot holes. *Cough* Light speed chase *Cough* BUT there was enough fun, adventure and drama to keep things gripping, riveting and entertaining. I would have no qualms watching this again.

I can’t wait for Episode XI and any other spin-offs (that we already know are on the way) if they can continue to maintain this standard.

3.5/5

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*NEW* THOR: RAGNAROK REVIEW *NEW*

Just as ridiculous as the film title but bloody good fun all the same.

Imprisoned, the mighty Thor (Chris Hemsworth) finds himself in a lethal gladiatorial contest against the Hulk (CGI’d Mark Ruffalo), his former ally. Fighting for survival and racing against time, Thor must prevent the all-powerful Hela (Cate Blanchett) from destroying his home and the Asgardian civilization.

When I first heard the director’s name (Taika Waititi), my first thoughts were: “What a strange name” and then I actually did some research and couldn’t believe my luck.

Count Viago from What We Do in the Shadows?! (A heavy recommendation if you haven’t seen it already). I should have known what to expect.

One mad rollercoaster ride of hilarity, neon, colour and 80s fusion, of course.

Marvel have really hit their stride (*cough* DC *cough*) and seem to have a winning formula.

To be honest, I wasn’t really impressed with the first Avengers movie or Captain America (What?! Sorry) BUT I loved Kenneth Branagh’s introduction of Thor. The Shakespearean King Lear melodrama between the feuding brothers. Hiddleston, Hemsworth, Hopkins, Portman. Perfect.

Thor: The Dark World was a mixed bag. Failing to deliver the right balance of laughs and drama. I was intrigued to see what tone Thor’s third outing would take. The more comical route did have its flaws BUT I was too busy having fun.

And there were still some touching moments (as well as revelations) to be had between Thor and his father Odin (Sir Anthony Hopkins).

Even if it was a little sillier and the story line a tad predictable, Waititi and co made up for it with memorable characters, stellar turns, humour and heart.

It’s hard not to mention one actor, in particular when praising supporting characters. I’m sure you’ve seen the endless memes, gifs and tweets.

Jeff Goldblum.

You can’t help but smile at the guy. His larger than life bohemian approach fitted the role of the Grandmaster perfectly. My only grumble? He wasn’t in it enough.

Tessa Thompson was fantastic as the embittered Valkyrie. Disillusioned and drinking her sorrows out of a bottle. Her stubborn demeanour worked well off the confused Thor.

Cate Blanchett lapped up the role of Hela with aplomb. Despite being pushed into the background far too much; she still managed to make a stern adversary to the Viking god.

Karl Urban (An underrated actor) was hilarious as Skurge. Just wait until he introduces his accomplices Des and Troy. Brilliant.

I was getting a little fed up of Loki and Thor’s fractious fraternal relationship. But this latest foray forced the pair into an uneasy alliance and somebody must have heard me because there was even a gag in which Thor tells Loki that he’s waiting for the next betrayal. A running gag that delivered in buckets.

It helped that Hiddleston and Hemsworth worked well together yet again.

BUT the main duo I was interested in was . . .

Only kidding. Well, not entirely. Waititi even managed to give himself a little cameo as the bumbling bouldered bad ass that was Korg. He had me in stitches. Stealing every scene he featured in.

Anyway, the real duo that made it for me was Thor and Hulk. I loved the dynamic between them. I haven’t really rated Hulk’s multiple reincarnations (Sorry, Team Bana all day) and was unimpressed with Ruffalo. THAT WAS UNTIL Ragnarok.

He nailed Banner and brought a little character and humanity to the green giant.

The only problem with bringing new characters into the mix was that somebody had to take the hit. The absence of Portman and Dennings was missed and Idris Elba was reduced to measly filler sequences. Don’t get me wrong, he still bossed it BUT a waste of a character and an actor.

I will commend how all the silly little clips, that hardcore Marvel fans have endured begrudgingly through endless credits (thanking everyone from the make up assistant’s make up assistant to the chap who brings the coffee), have finally come into play. Most notably with a caped dimension bender (Probably not the best description).

This installment has certainly kept things fresh and fun and spiced things up for the upcoming projects.

Despite my nitpicking, I wasn’t bored. It was entertaining, if a little silly in places BUT had everything you could expect from a big superhero movie. Mad action, fantastic effects, great characters with the right injection of fun.

3.5/5

*How could I forget to commend the soundtack?! I will amend that error by leaving this classic track that welcomed our favourite Norse God to the mix. Enjoy!

 

*NEW* MOANA REVIEW *NEW*

Easygoing fun.

In Ancient Polynesia, when a terrible curse incurred by the Demigod Maui (The Rock) reaches Moana’s (Auli’i Cravalho) island, she answers the Ocean’s call to seek out the Demigod to set things right.

Typical Disney. But it still hit the spot.

The animation was stunning. Beautiful to look at. I just wanted to dive into those clear blue waves. Yes, I know they weren’t real! BUT that’s how good the visual effects were.

The opening song numbers weren’t too bad. They set up the story and established Moana’s background perfectly.

Torn between exploring the world and fulfilling her duties as the new Chief of her people.

The running theme of identity and personal being was an intriguing one as the deviant Moana opposed her father’s numerous attempts to keep her on the island.

The Hawaiian folk lore and supernatural guff was entertaining enough. The cheesy singing and mad journey was fun.

BUT I was a little disappointed with the songs. They weren’t really that memorable.

It only takes somebody at work to say, “Let’s get down to business” and I have to fight the urge NOT to burst into the Mulan jam (Go on, confess. How many of you are right now?)

No?

Don’t get me wrong, they were easy listening gems and Cravalho has a lovely voice BUT I could only remember two tracks off the top of my head while writing this.

There was certainly plenty of humour and heart. A gag involving tweeting drew a guilty grin from me.

A predictable journey lifted with some fantastic supporting characters from Hei Hei, the special chicken to . . .

The Rock. My God. He stole the show as Maui. The guy is a demi-God. Let alone voicing one.

They must have had him in mind from the get go as the tattoo woven, bicep flexing, eyebrow raising (They even included the Brahma Bull’s brows) machismo.

His conflicted character had me in stitches. I loved his little tattoo. A Jiminy Cricket running around all over his body to let the big guy know when he’s making a big mistake. Brilliant.

And who knew the big guy could carry a tune?

Any WWE fan will know the Rock can sing.

I didn’t think I’d throw that into a review any time soon. You’re welcome. See what I did there?

Just when I thought the pace was beginning to lull and Moana was thrown into the water by Maui for the umpteenth time, thankfully there was a new challenge or foe to keep things going.

I didn’t expect Flight of the Conchord’s Jermaine Clement to appear in this. Applying his David Bowie-esque gravitas to the troubling Tamatoa.

Shiny, shiny! He was hilarious as the conniving crab.

As much as I was entertained, for all the hype, Moana just didn’t stand out.

The journey was all too predictable and normally I’m one for the ride NOT the destination BUT it just didn’t quite hit those highs for me like her Disney predecessors.

Moana was a resilient and resourceful heroine BUT her character seemed to get a little lost in the ever-growing Disney universe.

BUT this is coming from a cynical man reaching his thirties so make of that what you will.

It killed the time, the animation was amazing and the True Grit dynamic between Moana and Maui was a nice touch.

So despite my grumblings, this was still a charming little film that Disney fans will lap up a treat.

3/5

*NEW* VALERIAN AND THE CITY OF A THOUSAND PLANETS REVIEW *NEW*

Dull-Erian.

Trust me, that pun was as clever and witty as the dialogue and plot.

Sheesh. What has happened to Luc Besson? The man who gave us The Fifth Element, Leon: The Professional, Taken, The Transporter.

Okay, yes. He also made Taken 2, Taken 3, Lucy, Transporter 2, Transporter 3 – you get the idea. To say his recent endeavours have been poor would be an understatement.

I really hoped this mega blockbuster would be a return to form but alas it was not to be.

A dark force threatens Alpha, a vast metropolis and home to species from a thousand planets. Special operatives Valerian (Dane DeHaan) and Laureline (Cara Delevigne) must race to identify the marauding menace and safeguard not just Alpha but the future of the universe.

The iconic French comic book series that spanned over 40 years and influenced Star Wars and Besson’s very own Fifth Element. A series that inspired Besson to personally fund and crowd source one of the most expensive independent films in Europe.

The iconic comic book series . . . that I hadn’t even heard of until this movie. I won’t be seeking it out after watching this. Fo’ sure.

It wasn’t all bad. In fact, Valerian was actually quite watchable.

Cara Delevigne was very good. The high browed model has done it again. She had already won me over in Paper Towns. The less we say about Suicide Squad the better. I can still picture that weird dance.

Anyway, contrary to reviews that I’d read, I thought there was good chemistry between the pair. What didn’t help was the dreadfully corny exchanges and flat lines.

Dane DeHaan really has been getting a bad wrap. He didn’t do a bad job. It just didn’t help that his Keanu-esque delivery managed to make the flat lines sound even flatter. I think he took the airhead persona a little too literal. Only Wick himself would have made that work.

A shame. His lacklustre charisma made Valerian such an unlikeable (Well, I say unlikeable) and uninteresting character. A bit bad considering he’s the main man.

One thing I couldn’t fault was Thierry Arbogast’s stunning cinematography and the visual effects. Stunning.

That gif doesn’t do it justice BUT you get the idea.

The colours, the detail. The immersive galaxies and numerous planets. A feast for the eyes. I just wish some of that detail could have been spent on the script.

The action set pieces were entertaining enough. BUT I wasn’t invested in the people.

All the jumping from interstellar galaxies and dimension guff was cool and an interstellar street market chase kept my grumbling at bay for a good 15 minutes. BUT that was only because I hadn’t got a clue what was going on.

The pace was as long as the ridiculous title. It dipped in and out and was far too sporadic. Ridiculously complicated one second, then dull and predictable the next. No consistency.

It didn’t help that the story was hampered by boring and pointless exchanges with flashbacks that highlighted stuff we already knew about. For example (NO SPOILERS);

CHARACTER: “I was following orders!”

*Cue a FLASHBACK of said character saying, “Follow my orders”.

Really? There were no real twists and turns. It was all too disjointed. And the “unravelling” made more plot holes by the frantic finale. BUT by the end, I didn’t care.

The sci-fi references and nods were a nice touch. The Millennium Falcon-esque ship, the Tron style hologram suits, the Battlestar Galactica Cylon style droids, the Blade Runner cityscapes. I knew Besson would excel in that field.

The supporting cast were disappointingly hit and miss with various cameos from unexpected actors popping up in this mad mess. I won’t spoil any. There were two I didn’t expect.

It was great to see Clive Owen back on the big screen. I just wish he wasn’t in this movie.

He did his best with the part BUT he was oh so laughable and old. My God. He didn’t need those silver patches on his sideburns (Ageing his character for a pointless flashback that had no relevance).

Rihanna was a welcome addition. And no, not just for the striptease with her numerous wardrobe changes (that will please any teen fanboy).

She was fun and entertaining as the changeling Bubble. I was more interested in her origin story than anybody else. And NO, not just because of that sequence! Naughty. A tragically small role.

And that’s what was missing.

We needed somebody like this guy;

Valerian took itself far too seriously for its own good. A bit of cheese and humour would have improved this by a country mile.

Besson tried to offer comic relief with some of the crazy and wonderfully animated characters. My personal favourite being the demented gargoyle hybrids of Huey, Dewey and Louie Duck.

Prepared to share information for a price, of course.

BUT it just wasn’t enough. It was watchable guff BUT enjoyable?

Meh. It just about killed the time BUT all I wanted to do when I got home . . . was find my DVD of The Fifth Element and stick that on.

Nothing to shout home about for me.

2.5/5

*NEW* GUARDIANS OF THE GALAXY VOL. 2 REVIEW *NEW*

They’re back BUT bigger and better?

The Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill’s (Chris Pratt) true parentage.

Mad fun BUT it falls short of its predecessor.

The silly opening was entertaining enough as the adorable Baby Groot danced around to the beat of ELO’s Mr Blue Sky while a violent battle ensued in the background.

I felt the banter and chemistry between the dysfunctional team was all over the place. Writer/director James Gunn tried too hard with the laughs that it hampered the piece in places with the cast just shouting flat insults at each other.

I know a good portion of the story was about the team having teething problems after the events of the first film. BUT the squabbling and yelling really grated against me.

A gag involving the name of a villain drew a laugh BUT it soon overstayed its welcome as the name kept getting brought up.

I felt Vol 1 had the right balance. Each dysfunctional member bringing something to the fold.

This time around, it felt a lot sillier with Rocket and Groot spending too much time in the background.

No one expected anything from Vol 1. It was one of my favourite films of the year. I think I even went to the cinema twice to see it and I never do that for a movie.

Such a strong first movie that it was going to take something special to top it.

Henry Braham’s incredibly colourful palette and visual effects were a feast for the eyes. The set pieces were exhilarating and fun to watch.

Kurt Russell was brilliant as Ego. He worked well with Pratt and made their relationship an interesting angle BUT the only problem was that the pace tragically lagged as Quill discovered his true origins.

Even if Laura Haddock’s talents (Transformers: The Last Knight) were wasted yet again. I wondered when she got the role as Star-Lord’s mother if there was going to be more of her BUT what we got was unnecessary and offered new.

Bradley Cooper’s Rocket (Easy now) stole the show with his insults and crazy antics (“Don’t call me a raccoon! Trash panda? *PAUSE* Is that worse?”).

Vin Diesel had the easiest job going yet again delivering his helium induced phrases to the tiny tree root. You couldn’t resist the little rebel.

Elizabeth Debicki (The Night Manager) was completely wasted in her role as Ayesha.

However, there was one character that stole the show for me and that was Yondu. Michael Rooker (The Walking Dead) was fantastic. I loved how we actually got a little depth to the space pirate and explored his past. An unexpected surprise.

Pom Klementieff (Oldboy) was a memorable addition to the mad (and increasingly top heavy) squad as Mantis. Her emotion sensing abilities was a party trick that helped create all sorts of cringe inducing laughs.

Especially on “the thing that nobody’s talking about” between Gamora and Quill (Yawwnnnn . . . ).

The only problem was that Gunn expanded on story lines that were already explored in Vol 1. It made things a little repetitive and predictable.

Gamora and Nebula’s sibling sparring got on my nerves. Especially when the pair kept kicking off. It was almost as ridiculous as Peter Griffin fighting the Giant Chicken! We had all that in the first one!

Don’t get me wrong, there was still fun to be had and I enjoyed the majority of the madness with another fantastic soundtrack that I will no doubt purchase.

Not every wrestling star can make the jump to the big screen BUT Dave Bautista was still on scene stealing form as the deluded Drax with his random outlook and bizarre stories.

The final act redeemed a lot of the problems with an action packed closer that threw in a few unexpected twists and turns along the way. Don’t worry, no spoilers here.

So despite its shortcomings, it was still crazy fun and fans won’t be disappointed.

3.5/5

P.S. I’m sure you’re bored of me saying this BUT don’t walk out on the credits. There are several different teasers that pop up. Definitely worth waiting for.

STAR TREK BEYOND 3D REVIEW

Star Trek be-yawwwnnneed.

The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a new ruthless enemy (Ol’ Luther – I mean, Idris Elba) who puts them and everything the Federation stands for to the test.

I’m NOT the biggest Trekkie BUT I have really enjoyed the Abram reboots. Shaking up the cast, reworking the old story lines and tweaking the dynamic.

A breath of fresh air among the barrage of reboots, remakes and endless (and unnecessary) sequels. BUT it was always going to be a tough act to follow Into Darkness.

A new outing that didn’t rely on past plots. My confidence was restored when I discovered that Beyond was penned by an avid Trekkie (Simon ‘Shaun of the Dead’ Pegg!). A man who relished the dream role of playing Montgomery ‘Scotty’ Scott made famous by James Doohan.

BUT this time around, I felt this lacklustre sequel only just delivered a watchable actioner. From the director of Fast and Furious, I knew I could expect big explosions AND good set pieces.

BUT it was a case of either being too fast and furious with the action or drawn out and repetitious with barely any exploration of the characters. Even the laughs were few and far between.

The opening act didn’t really give me much hope with the crew acting as intermediaries between some silly CGI dog things. Yikes. It seemed to go through the motions with Pine’s Kirk going through yet another existential crisis as he questioned his purpose on the Enterprise.

Quinto’s Spock received some grave news which made the normally unfeeling extraterrestrial contemplate life and death. I just wished it wasn’t so tedious and uninteresting.

That’s NOT to say there weren’t moments to be had. The special effects were impressive. BUT that was only when you could actually see the set pieces. There were several scenes where I actually struggled to see a majority of the action.

I could see the Phaser rays blasting through the darkness BUT only just gather that it was Kirk and Chekhov sliding down a spaceship hanging off a cliff. Ridiculous.

The 3D was a waste of time. It didn’t bring anything to the experience. When the Enterprise was attacked by Krall’s death ships, it was a sight to behold BUT after 15 minutes of explosions and carnage, I found myself fidgeting.

I liked the dynamic between Spock and Bones as the pair were reluctantly put together. Karl Urban (Dredd) was the main scene stealer and kept things light when the pace drudged along.

Once Big Ears got over his nihilistic sulk, he was back on fine form. The banter between the duo was a much needed tonic; “You gave your girlfriend radioactive jewellery”.

The rest of the crew was a mixed bag. The late Anton Yelchin had quite a big involvement in the mix as he aided Kirk in the battle against Krall’s goons. His presence will be missed. Although rumours suggest that Abrams may try and do what they did with Walker in the Fast and Furious franchise.

Pegg’s muddled Scot accent really grated against me. And I was disappointed that his little green pal Wee Man (“Get down from there!”) was left on the sidelines.

There wasn’t any depth to the characters. Bar Dr Zulu’s sexuality. Hardly a revelation and thrown in without any exploration. Shame.

There might have even been a bad continuity error with the length of their journey to the age of Zulu’s child (For those who watched it – Did you notice this?).

Saldana’s Uhura was reduced to being Krall’s prisoner for the majority of the movie. If anything, her absence wasn’t missed. Disappointing, to say the least.

Sofia Boutella (Kingsman: The Secret Service) was the best character in the piece as the feisty Jayla. I wanted to know about her origins and why she was the only alien to evade Krall’s capture.

However it wasn’t long before she was pushed into the background for more mindless exposition. Only to be brought back for the frantic finale.

More could have made out of her. A missed opportunity.

Idris Elba did his best with the creepy Krall. The make up was brilliant. He really looked the part BUT Luther’s lines and delivery made him too comical for my liking. You try listening to him with that silly voice pronouncing Captain Kirk. Good lord.

He couldn’t match Cumberbatch’s tenacity or Bana’s bad-assery and was quite a tame villain by comparison. A twist about Krall could have been so much more BUT by the end, I couldn’t care less.

Captain’s Log; Beyond was a bit of a misfire for me. It tried to deliver a bit of everything and failed on all fronts.

A watchable effort that killed the time BUT I think Scotty better beam up a better script for the next endeavour.

2.5/5

*NEW* BEAUTY AND THE BEAST REVIEW *NEW*

And the remakes keep on coming . . .

BUT if they can keep up this standard then be my guest (I couldn’t resist).

An adaptation of the fairy tale about a monstrous-looking prince (Dan Stevens) and a young woman (Emma Watson) who fall in love.

After complaining for the last five years about reboots and remakes, I was livid that even Disney were revisiting their backlog. I mean is that hard to find original stories? If you are going to remake movies, can you at least tackle the bad ones? Leave the classics alone!

However, I was pleasantly surprised with Kenneth Branagh’s rendition of Cinderella. The less we say about the Alice in Wonderland movies, the better. While The Jungle Book fell short of the classic by a country mile.

So my feelings about watching the new Beauty and the Beast were mixed, to say the least. Especially when I discovered that there was an extra 45 minutes on the running length to the 1991 animated hit!

BUT after all my griping, I finally gave it a go and you know what? It wasn’t too bad at all.

The opening surprised me from the get go. Expanding on the origin story of the curse. The overture fell a little flat but the lavish set designs, costumes and Tobias A. Schliessler’s beautiful cinematography took my attention away from that bum note.

The Belle sequence was literally a shot for shot live action re-enactment. Emma Watson was the physical embodiment of Belle. Her singing wasn’t the strongest but a lovely voice all the same.

Luke Evans and Josh Gad were fantastic. Evans played Gaston with aplomb. He was Gaston, nailing the shallow womanizer perfectly.

Who better than Olaf from Frozen to take on Gaston’s long suffering, and incredibly flamboyant, partner in crime LeFou. Gad was equally as entertaining. Prancing and pouting about the place.

The controversy about the gay subtext was misplaced. If there was one, I didn’t notice and it didn’t ruin the story in any capacity.

Belle was always a strong feminist character that wanted more from the world and her role. Her confrontation with a villager over teaching a young girl to read was a little heavy handed.

I was disappointed with Kevin Kline’s performance as Maurice. He was far too deadpan for the role. Belle’s father was always the quirky crackpot.

A shame considering you had the best man for the job. I mean, he was in A Fish Called Wanda?! He didn’t even have Rex Everhart’s delivery. Too stern and frail.

The pace kept things moving along and the film was easy-going and highly watchable.

From the trailers and teasers, I thought the effects on the Beast looked dreadful BUT once Belle entered that haunting Gothic castle, I was impressed.

The special effects and CGI were brilliant. The Beast actually looked quite good. Stevens did well and I could understand his gravelly voice. Not quite Lance Henriksen’s gravitas BUT he still delivered a sterling performance.

I think what helped (and had to) was that the pair had great chemistry. The extra running time fleshed out the pair’s blossoming romance and made it a little more believable that this stubborn and unloving beast would take some time to get over his hurt ego and learn to love again.

The supporting cast had tough acts to follow BUT what a cast?!

Ewan McGregor and Sir Ian McKellen played Lumiere and Cogsworth perfectly. They were a great duo and kept things entertaining.

Even if I couldn’t help but laugh at McGregor’s ‘Allo Allo accent. The Moulin Rouge maestro excelled with his rendition of Be Our Guest.

Stanley Tucci was wasted in his small role as Maestro Cadenza. While Emma Thompson was so-so for me as Mrs. Potts.

Her mockney accent grated against me in parts. She was always going to have a tough act following in Angela Lansbury’s footsteps. BUT as soon as Beauty and the Beast came on, and Belle strolled down those labyrinthine stairs for that infamous dance, it still worked a treat and Thompson excelled.

Composer Alan Menken thankfully kept the original soundtrack and added new entries.  The only problem was that they weren’t really that memorable. Days in the Sun wasn’t a bad song BUT the others have . . . already slipped my mind.

The story was still the same BUT the extra fleshing out wasn’t a bad approach. Especially when they played on the magic of the Rose and the flashback to Belle’s childhood. It was different. Just a shame that it led to the same old result BUT why stray away from a winning formula?

Thankfully, there was enough heart, charm and cheese to make this an entertaining affair that complimented the original Disney classic and just about stood on its own two feet.

3/5