*NEW* BAYWATCH REVIEW *NEW*

Big, dumb and full of . . . sun.

Devoted lifeguard Mitch Buchannon (Dwayne ‘The Rock’ Johnson) butts heads with a brash new recruit (Zac ‘High School Musical’ Efron), as they uncover a criminal plot that threatens the future of the bay.

From the director of Horrible Bosses. That should sum up your expectations in a nutshell. A loud, crude BUT (hopefully) entertaining flick.

And for a good portion of the running time, Baywatch was. Undeserving of the incredibly low ratings on Metascore. I’ve seen a lot, lot worse. BUT at that same stroke, I’ve seen a lot better.

The first 30-40 minutes was everything I hoped for. I don’t think this would have worked without The Rock. He carried the film with his charisma and ridiculous physique. Lapping up the silliness of it all. And almost making it work.

A man respected by the community. Doing everything to keep his bay safe while protecting his ‘family’ (the Baywatch team). Corny BUT watchable.

Efron played Brody brilliantly. He worked well with the Rock and they made a great duo.

The selfish Olympiad bumping heads with the head honcho spiel was predictable but engaging as the pair spewed childish insult after insult at each other.

As much as they poked fun at the silly plot line with drug deals and political corruption, it was really dull.

When the jokes and banter died down, there wasn’t much else and you really felt the pace; which was a little long at the tooth.

Of course, Baywatch was never going to win plaudits for groundbreaking cinema and mind-bending plots. It’s CSI on the beach with lots of beautiful people frolicking around in tight bikinis and shorts.

Putting my inadequate body to shame (He says piling in more crisps while writing this review).

I was a little disappointed with Alexandra Daddario’s (San Andreas) role. Her naff romance (If you can call it a subplot) with Brody didn’t really work. It was far too cheesy and the banter didn’t come off as well as it could have. Shame.

Jon Bass (Big Time in Hollywood) stole the show as Ronnie. The fumbling tech geek aspiring to be a lifeguard. Well, to work with one lifeguard, in particular. And no, it ain’t Mitch.

Wowewow, Pamela who?

Ronnie’s desperate attempts to woo CJ (Kelly Rohrbach) were hilarious and delivered some of the better laughs.

I haven’t really rated Hannibal Buress in the past BUT he was surprisingly funny as Ronnie’s pal. His commentary during Ronnie’s awkward encounters with CJ had me in stitches.

The meta-textual references were spot on. You can’t do a Baywatch reboot without the slo-mo.

The slo-mo gaffs worked but that joke soon overstayed its welcome. Especially when they started doing SUPER slow-mo. And by the time, a Baywatch icon made her introduction in the closing minutes, I was done.

Priyanka Chopra (Quantico) wasn’t in this enough.

No. Not just because she looked stunning. A proper femme fatale. Even Big Mitch was on edge.

“A Bond villainess? Not yet”. She played the part really well and chewed up the scenes BUT her screen time was reduced to nothing. Only to be brought back in the frantic and rushed finale!

It was watchable guff that killed the time.

Brody’s deluded theorizing with Mitch’s put downs was fun. The action sequences were well done.

The silent punch up in a nursery was fantastic as Mitch took on a henchman. Quietly spewing hushed threats, “You’re going night night b*tch” while slapping each other about with kids’ toys.

The morgue investigation was more of what I expected. Crude gags with a dead man’s appendage. Funny one liners and utter mayhem.

If anything I wanted more of that silliness and crude humour, the writers played the piece a little too much like a Baywatch episode.

I know I’m normally a cynical movie-goer BUT I would have been happy to watch The Rock jump off more burning yachts with insane rings of fire. Even watching Efron dive off a pier while racing a motorbike did the job.

The ending seemed rushed and too chaotic. It was as if the writers didn’t know what to do with it. The tone was all over the gaff and The Rock dropped the tough guy bravado for sheer buffoonery.

A mess.

BUT a fun one. Just.

3/5 (Just)

*NEW* BAD NEIGHBOURS 2: SORORITY RISING REVIEW *NEW*

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“We’ve been Cosby’d!”

Bad. Just bad!

When their new next-door neighbours turn out to be a sorority even more debaucherous than the fraternity previously living there, Mac (Seth Rogen) and Kelly (Rose Byrne) team up with their former enemy, Teddy (Zac Efron) to bring the girls down.

Pretty much the exact same thing (just with a sorority) BUT a lot less funnier! Yikes.

I was surprised that a sequel was even green lit in the first place?! The first outing was watchable (At best) and delivered the odd laugh BUT it wasn’t that great.

As you could tell, I was a little skeptical before watching and the opening 20 minutes was actually quite funny and, for a moment, I wondered why people had torn into this? It was never going to win plaudits BUT it was silly college humour with all the old faces coming back.

However, it wasn’t long before my smile became a scowl as we drudged through the same old guff. You could relate to Shelby (A reasonable turn from Chloe Grace Moretz) and co as they conspire against the traditional sorority system. Creating their own society where anybody can join and do what they want.

Cue some silly spiel about sororities not being able to host parties (Google it! No, I didn’t either), a perfect property on the market, some crazy neighbours and we have . . . a dreadfully mediocre comedy.

Zac Efron didn’t do too badly and delivered the (little) laughs. Flashing his ridiculous six pack at any chance and not giving a fook.

It was great to see the old frat pack pop back up in this. Just a shame that it came with a silly subplot. As well as having to deal with the same old frustrations of not achieving any life goals, Teddy must come to terms with Pete’s (Dave Franco) “coming out” and impending marriage.

Look, I hate to be a stickler BUT didn’t Pete sleep with Teddy’s girlfriend in the first film as part of Mac and Kelly’s revenge ploy? Either way, his big gay wedding didn’t work and was lazy and unnecessary. You could understand Teddy’s childishness and refusal to grow up BUT we had all that in the first one.

Ike Barinholtz (Suicide Squad) was funny yet again as Mac’s retarded pal Jimmy. He stole the show every time. The only problem was that once he was united with Paula (Carla Gallo – Bones), he soon got on my nerves.

Her unfunny introduction wasn’t needed and brought nothing to the mix other than dropping a disgusting gag involving a baby foetus foot (Yep, you read that right).

Speaking of bad gags, the airbag gag died a death in the first movie. Bringing it back for a second time? Really? Come on! Cue another badly CGI’d Efron/Rogen flailing about in a car garage. Terrible.

Kelsey Grammer was great in his tragically short cameo as Shelby’s dad. Dr Crane knows how to get the laughs. Even Phoebe from Friends (Lisa Kudrow) got a titter with her “blink-and-you’ll-miss-it” appearance.

BUT things must have been getting desperate as I was actually pleading for Hannibal Buress (Daddy’s Home). I couldn’t stand him in the first film. He wasn’t funny and overstayed his welcome. This time around, I wanted more. The role reversal with the black police officers seizing white drug dealers was an unexpected satirical dig that delivered.

And if I’m not mistaken, I’m sure there was supposed to be more of him from the trailers. Well, none of it featured in the actual film.

Rogen and Byrne weren’t really in it as much as I thought. BUT don’t worry. They haven’t changed one bit (No, really. They do the exact same thing). It was a nice touch having the same child actors playing the adorable Stella. I couldn’t believe how much they had grown up in 2 years.

The sorority delivered a somewhat mixed response. Kiersey Clemons (Dope) and Beanie Feldstein were actually quite funny BUT I just wish the pranks were.

The girls dressing up as Minions and fumbling about like their Dreamwork counterparts? AWFUL! Making bold statements about sexism when performing an equally revolting gag compared to a fraternity doing the same thing? Surprisingly entertaining.

Prank calling Mac so he flies over to Sydney looking for his wife?

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It really was miss more than hit with a finale that was a complete retread of the first. The drug and sex gags just didn’t cut it. I mean they only just got away with it the last time! And it ended so cornily that . . . I lost the brain cells to think of a clever insult.

BUT I’m sure it would have been better than this bilge. Hopefully there won’t be another.

2/5

*NEW* MIKE AND DAVE NEED WEDDING DATES REVIEW *NEW*

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Mike and Dave needed better writers.

Two hard-partying brothers (Adam Devine and Zac Efron) place an online ad to find the perfect dates for their sister’s Hawaiian wedding. Hoping for a wild getaway, the boys instead find themselves out-hustled by an uncontrollable duo (Aubrey Plaza and Anna Kendrick).

OTT, crude with the odd laugh. Not as bad as I thought it would be BUT that not great either.

The opening didn’t really build my hopes up (I’m getting fed up of writing this sentence). It was established from the get go that the juvenile brothers were complete morons. Their feeble attempt at hustlin’ a new client to buy their booze was okay. BUT I could feel my eyes wandering towards my phone already. NOT even Plaza and Kendrick’s introduction did anything to improve matters.

However, once the wedding date proposal came into play, things picked up. The awkward dating encounters that the Brothers Stangle endured did have me smiling. Attracting all sorts of nutters. A particular highlight involving a man dressed up as a woman desperate for the vacation and willing to do anything for it.

It’s good to see Efron letting loose and poking fun at himself. Dirty Grandpa seemed to shake off his squeaky clean High School Musical image. I’ve never really rated Devine (Pitch Perfect). He always grated against me BUT (thankfully) by the end, the pair won me over. They worked well together and there were moments where you could tell they were trying not to laugh.

Speaking of Dirty Grandpa, Plaza played the feisty foul mouthed slutty role yet again with pretty much the same results. Hilarious in one moment, annoying as hell the next. If anything she played the part better when she was trying to be serious.

I was surprised to see Little Miss Pitch Perfect Anna Kendrick tweaking on ecstasy and effin’ and jeffin’. A complete role change for her. The silly subplot in which her character dealt with her own wedding grief didn’t really come off as well as it should have. BUT once Kendrick was able to bring her schtick to the fold, she nailed it.

“Did you just push your t*ts up and say feminism?!” There was fun to be had and there were genuine moments where I laughed out loud as Mike and Dave met their match with the two ladies. Devine and Plaza were good together especially during Tatiana’s attempts to evade Mike’s advances.

The rest of the supporting cast were a mixed bag. Jake Johnson (New Girl) was completely wasted in his role. Anyone could have played him. Was he supposed to be a passing cameo or was the rest of his part edited in the cutting room? Shame.

Sam Richardson (Veep) never really got going as Jeanie’s boring groom-to-be Eric. Once he broke out of his shell, he was hilarious. Not enough. Sugar Lyn Beard was quite funny as the Stangle’s little sis Jeanie.

Kumail Nanjiani (Silicon Valley) was mental as the creepy masseuse that gave Jeanie “the VIP treatment” (Nudge, nudge, wink, wink). Swinging his nude carcass in like a wrecking ball. However, the entertaining sequence soon went too far and killed the fun.

Alice Wetterlund was really annoying as Mike and Dave’s lesbian Cousin Terry. Her quest to steal any girl away from Mike for fun. The problem was that it just wasn’t funny. Her attempts to “woo” Tatiana and a naked punch up in a spa was just terrible.

Stephen Root (Office Space) didn’t really deliver as the frustrated father. I wanted more of him. The film did try to explore the characters as they addressed their flaws. BUT it was just never going to be that kind of movie. It just dragged the piece and came off really corny. Especially when they didn’t really change that much anyway.

It was watchable and killed the time. The quad bike incident was brilliant – “You look like Burnt Victim Barbie and . . .  you’re Black Ken”. If these quotes aren’t grabbing you, then this movie won’t.

The finale was stupid, OTT BUT left a smile. If you’re in the mood for a silly crude comedy that fits the style of Dirty Grandpa then give it a go. BUT otherwise, don’t bother.

2.5/5

*NEW* DIRTY GRANDPA REVIEW *NEW*

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Dirty, dirty De Niro.

Right before his wedding, an uptight guy (Zac Efron) is tricked into driving his grandfather (Robert De Niro), a lecherous former Army Lieutenant-Colonel, to Florida for spring break.

Rude, crass, filthy and for a good portion of the film quite entertaining. Definitely marmite for the movie fans. You’re either going to love it or hate it. For some, an outrageous sex comedy. For others; a monstrosity and new low from one of Hollywood’s greatest . . . Oh and that bloke from Goodfellas is in it.

The opening didn’t mess about. It skimmed through the cliched set up quickly. Even if it was through a badly photo-shopped montage of Efron’s Jason growing up with De Niro’s Dick. Wait, being raised by De Niro’s D- Moving on . . .

For a moment, I wasn’t sure if this was going to be a dramedy as Jason faced an existential crisis with his boring life imminently set in stone while Dick mourned the loss of his wife. BUT that doubt was soon extinguished when Jason walked in on his ol’ grandpa jerking off. Oh dear.

The first 40 minutes was funnier than I could have imagined. I was in stitches. I actually scratched my head at why the critics gave this such a mauling.

The pair worked really well off each other. This sort of film was never going to win plaudits. It is what it is. A revolting adult comedy with a shed load of revolting college humour. A guilty pleasure that was right up my street; “You still Jenny from the C*ck Block?”

De Niro really didn’t give a flying fook. Effing and jeffing in every frame (I mean come on. It’s not as if we haven’t seen the guy swear before) and giving it his all. The Oscar winning actor has been working with comedies for the last decade (Analyse This/That and Meet the Parents).

It was also good to see a different side to Efron. I didn’t think the 17 Again star would be able to deliver. He has been quite wooden in his latest efforts. BUT it was funny seeing the prudish Jason breaking out of his shell.

I didn’t expect to see Efron running around naked on a beach covered in swastikas and high on crack (Yeah if you’re shaking your head at that then this film is definitely not for you). An unfortunate encounter with a child shouldn’t have worked and certainly tested the ‘awkward-o-meter’ BUT the cringe-inducing tension was too much.

BUT the second half really did push it and killed a lot of the fun making it just plain stupid.

De Niro’s special forces spiel was boring and cliched. His combat moves and crazy body building really took the biscuit and set up a terrible cameo that was wasted on Danny Glover (Lethal Weapon). I’m sure it was supposed to be a commentary on age and that being old isn’t the end BUT this was never going to be that sort of film to deliver that message.

Julianne Hough (Rock of Ages) was wasted in her role as Jason’s insufferable fiancee, Meredith. Anyone could have played her.

The cheesy subplot between Shadia (The lovely Zoey Deutch – Ringer) and Jason was far too hammy and lazy that it slackened the pace tremendously. The pair had reasonable chemistry BUT it was all so predictable and unnecessary as Jason realised that maybe Meredith isn’t the one.

Adam Pally’s (Happy Endings) Cousin Nick was delightfully revolting and wasn’t in it enough. Jason Mantzoukas (The Dictator) was hysterical as Tan Pam; the crazed dealer that the local police seemed to have a soft spot for. BUT despite his hilarious introduction, he soon overstayed his welcome and kept popping up. The gags and lines getting duller with each re-appearance.

Aubrey Plaza (Parks and Recreation) was brilliant as Shadia’s slutty BFF Lenore BUT the endless innuendos and swearing was just too much by the end.

And that was the main problem; the longer the film went on, the worse it got. The sex gags, incessant drug use and swearing just went for the shock factor and by the 75 minute marker, I was numb. The punch lines getting more juvenile by each closing minute.

De Niro getting street cred with the local Miami thugs. Not bad. Rapping and dropping the N bomb. Not so much.

As I said before, I expected a lot worse and it was certainly watchable. The gross out college humour that dominated the Noughties (Euro Trip, Road Trip, American Pie) in full flow. If that ticks all the boxes, you’ll love it. If it didn’t, unless you want to see an Oscar great taking a nose dive with his career and flashing his penis then I don’t think this is going to offer anything for you.

2.5/5

*NEW* WE ARE YOUR FRIENDS REVIEW *NEW*

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WE ARE NOT IMPRESSED.

Going down in history with the worst opening weekend for a major Hollywood film on wide release, this dull DJ affair was surprisingly watchable BUT enjoyable? Well . . .

Caught between a forbidden romance and the expectations of his friends, aspiring DJ Cole Carter (Zac Efron) attempts to find the path in life that leads to fame and fortune.

A mixed bag. Patchy, uneven and uninteresting. I could feel my eyes closing by the hour marker. I really hoped for an American indie take on Human Traffic. Here’s a quick reminder.

Any excuse for a Human Traffic reference. Anyway, I hoped for a belting soundtrack, a good cast and a good story. Well . . . The music was kinda good.

I fear for Efron. Is this the only role the guy can get? The troubled good looking guy spiel is wearing thin. Don’t get me wrong, he has just enough charisma to keep the lead likeable BUT he needs a game changer. And unfortunately this wasn’t.

It doesn’t help that we’ve seen this story before. And so much better. Jonny Weston (Project Almanac) was incredibly irritating as Cole’s best friend, Mason. While the rest of the gang were unlikeable or unmemorable. Shiloh Fernandez’s Ollie was too bland and too much of a drip to care about. Alex Shaffer’s Squirrel wasn’t really brought into the mix until the final minutes. A waste of time.

I’m sure that was supposed to be the point as Cole tries to break away from this hum drum lifestyle. BUT it was hard to enjoy the lads’ “shenanigans” when they were doing your nut in. I say shenanigans. Pulling birds and popping pills.

The dig from Cole about EDM was interesting. All you need is a laptop. Some knowledge of DJ software and one ground breaking track apparently. I’m sure it was meant to be a statement on the saturation of EDM but it kind of takes a stab at people who buy the music. Me.

The tracks that Efron and Bentley’s characters regarded as bilge were actually quite good. Here’s an example. Something to jazz it up a bit.

Too jazzy? Moving on. What made me laugh was that their “authentic” ground breaking tracks were absolute tosh. Apparently authentic is the sound of a coin spinning on a table and Efron’s housemate shooting nails through the roof. Brilliant :/

I did like the downbeat tone and warped corporate angle. It was just a shame that it was never really used to its full potential. The dark underbelly of the American dream was perfectly demonstrated with Jon Bernthal’s sleazy realtor. A tense scene in which we watch the snake at work had potential BUT it never really went anywhere. Merely a turning point for the hapless DJ.

The alluring Emily Ratajkowski (Gone Girl) was nice to look at. BUT her acting? Her acting wasn’t actually that bad.

It just didn’t help that her character had the depth of an attractive looking cardboard cut out. She certainly had good chemistry with Efron which made their inevitable romance that little more bearable.

I think the only actor who might come out of this mess unscathed is Wes Bentley (The Hunger Games). He was fantastic as the washed up alcoholic DJ. He brought the much needed tension or drama that each scene desperately needed. Living proof that fame has a price.

BUT the tone was all over the place. A visually eye catching piece of animation may not have sent the right message about taking drugs. I liked the existential crisis that Cole was going through. Is there more to life than a 9 to 5? BUT it came off far too pretentious for it’s own good. Especially when he wanted to make loads of money from just making one track. Talk about work ethic.

The zippy graphics and visuals were interesting in the opening sequence BUT they soon overstayed their welcome. The animated segment about bass and getting people’s heartbeats to the right level of “synchronicity” (Yup) was ridiculous and laughable.

It didn’t help that when everything finally kicked off. Bar one unexpected scene (No spoilers), it was all pretty flat and predictable. Bernthal’s realtor was never revisited or resolved. The pace stuttered along. And after all that monotonous build up, the film delivered a cliched and abrupt finale.

Dull and disappointing.

2/5

BAD NEIGHBOURS REVIEW

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Rogen vs Efron. Family vs Frat. Who Will Win? There’s only one way to find out . . . if you like that sort of thing.

Rogen’s best? Not even close. But is it funny? (The very purpose of a comedy). Did I laugh? Is it one of those movies where the best bits are in the trailers? Yes, yes, and unfortunately quite a bit. Once you’ve seen Rogen hurtled up in the air after sitting on a rigged chair involving an airbag, it gets old very quickly. Although Rogen creeping around the house with a broomstick did reprieve the gag. Surprisingly enough one of the heavily advertised gags wasn’t in the film. Back to my getting old quip. At it’s very core, the film is about a couple who have had their first child (the adorable Vargas twins) and are still trying to be cool and young. Beating the “constraints” that parenthood has apparently set on their “partying” lifestyles. In all fairness, there could have been a bigger examination into their relationship but it would have been an entirely different film.

A couple of well acted scenes make them a little more than a caricature couple. But come on, this is a fraternity freakshow involving Seth Rogen. He applies his slobby swearing spiel and luckily it still works. The whole slacking smoking pot thing is getting a little old. Rogen and Rose Byrne work well together and have good chemistry. It was good to see Rose Byrne (Damages) take off the serious shackles and lighten up. The scenes in which the Radners are trying to be cool with the kids is incredibly cringeworthy but nicely done. Others will say not funny, but that’s kind of the point as the pair battle to come to terms that its time to grow up. Or is it?

That soon gets thrown out of the window as low and behold the house next door is sold to a fraternity led by the charismatic and incredibly hench Zac Efron. (Just when I couldn’t hate him any more). Efron shakes off that squeaky clean High School Musical mould in one silk movement of his middle finger. Efron proves yet again to be a talented lead in a testosterone-pumped cast of fraternity frat boys. In all fairness, once Efron and Rogen meet, the film picks up. Their Batman impression off is worth watching alone. The getting high and taking shots scenes. Again, once you’ve seen one, you’ve seen them all. Rogen and Efron in a drunken dance off. Better.

Once the rivalry is set and the pranks begin, the thin plot gets thrown out like Rogen on the airbag. Where we got Efron coming to terms that he may have wasted his college years partying and the Radners battling to accept parenthood, we soon get college humour, dicking around (No literally, Rogen and Efron at one point are slapping each other with giant dildos) in an inevitably corny and OTT fashion. The big punch up finale being an incredibly hilarious, if ridiculous scene. It’s all still enjoyable, if a little lazy. It’s a shame that the talented cast didn’t really make as much of an impact as you would hope. Lisa Kudrow (Friends) plays a useless dean, Carla Gallo (Bones/Superbad) is shoved in an irritating and useless role and Christopher “McLovin/The Motherfucker” Mintz-Plasse is highly unmemorable, simply squawking YOLO in a high pitched voice. Disappointing after so many great turns. Ali Cobrin (American Pie: American Reunion) and Halston Sage (The Bling Ring) were wasted as silly frat chicks. Shame.

It’s the smaller names that provide the funnier characters. Craig Roberts’ turn (you may remember him? Look again. Here’s a hint. Richard Ayoade’s Submarine. Yep) as the appropriately named Assjuice wasn’t bad. Just as we get rid of one Franco, we find out there’s another. Dave Franco (Now You See Me) was good and is proving to be one to watch. Up and coming stand up Jerrod Carmichael was hilarious as weed junkie Garf. The award for scene stealing support act goes to Ike Barinholtz (The Mindy Project) as Rogen’s neurotic best friend Jimmy. His impromptu one liners, bat shit crazy attitude and impeccable impressions of certain celebrities brings the film up a notch. The scene in which the frat house explain their origins and how they came across beer pong, the boot, etc was cheesy if funny and a lazy excuse to shove in a number of cameos from The Lonely Island and Jake Johnson (Nick from New Girl).

So in conclusion, do you like Rogen? Do you like Efron? Then bienvenue this film is for you. It’s big, dumb, silly, corny, OTT but brings the odd chuckle. Not a keg full but enough little shots to keep you buzzing 3 (just) out of 5!

Currently ranks #64 out of 175!

THAT AWKWARD MOMENT REVIEW

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Awkward film altogether.

A talented cast do their best with the muddled material BUT it misses the mark completely. Corny, cheesy, predictable. A missed opportunity.

Efron plays the charismatic lead well as the typical commitment phobe and womaniser Jason. He quickly sums up the plot while freezing his backside off on a bench in the middle of Central Park. Some waffle about “So moment”. What? You know that so moment. So . . . where is this relationship going? Is it time to shape up or ship out? Move forward or move on. Cue a flashback and a mediocre movie. 

Miles Teller (Whiplash) played the oblivious Daniel with aplomb. Providing a much needed comic relief. We join the pair as they enjoy sleeping around with their “roster” of women. While Michael B. Jordan’s Mikey, a depressed 20-something married man has just discovered that his wife (Jessica Lucas – Pompeii) has been cheating on him. The pair attempt to cheer him up BUT instead fall for two ladies instead. After promising to their old pal that they would stay single with him. Meh.

The first encounter between Jason and Ellie (Imogen Poots – Need For Speed) was nauseating. However, the pair’s chemistry clicked and made the predictable hook up spiel a lot more watchable. Poots delivered a very convincing American accent. There was even some fun to be had. An awkward surprise party date was cringe-inducing BUT hilarious.

The film desperately tried to convey the lad culture in which blokes don’t share feelings. If we’re down, we drink. If we’re happy, we drink. We have to sleep around and only think with our d – muscles. The camaraderie between the three actors was really good and there was some genuine banter. Efron and Teller worked well together BUT some of the gags went on a bit. And Inbetweeners, they ain’t. Talking about cock spas and stuff like that just fell flat. The fake tan incident with Mikey was funny. Infuriatingly, the better one liners from that scene were only in the heavily flogged trailers.

The film struggled to set a tone. In one moment, it was a dirty teen sex comedy. The next, a nauseating rom com. Michael B. Jordan’s (Creed) character Mikey had the better story line BUT there was barely any of it. Despite a solid performance, he was pushed to the background. Shame. Instead, we were subjected to Efron’s subplot that had been done to death. Jordan’s story line commented on the struggles of young couples marrying early. More could have made out of that. A little too much of the Teller and Efron show.  

It wasn’t really until the hour marker that the drama or humour kicked off. Any real issues or noteworthy moments were soon ruined with corny schmaltz or a dirty joke. I mean the banter worked for a good portion of the film. The lads’ bickering about a new girlfriend crashing the “bachelor pad” was an argument I’ve experienced too many a time. Efron and Teller’s gay date debate in a sex shop as they were messing about with vibrators was juvenile BUT funny.

This was hardly a lad’s rom com as promoted. It tried to be different by focusing from that angle. BUT it never really got going. It was watchable, delivered the odd laugh BUT just when it seemed to pick up and bring some real issues to the fold, it buried them quick and went for an OTT and cheesy finale. Disappointing.

2/5