The Bellas are back. Prepare to get Pitch Slapped. (Delightful :/) Whether you’ll enjoy it this time around is another story.
After a humiliating performance at the Lincoln Center, the Barden Bellas enter an international competition that no American group has ever won in order to regain their status and right to perform.
Surprisingly, I actually didn’t mind the first film. I was “forced” to watch it (That’s my excuse and I’m sticking to it). I’m not normally into things like this. Glee? No. PP was cheesy, OTT BUT funny and entertaining. Shame, lightning couldn’t strike twice.
It was watchable but it just didn’t quite hit the same notes that the first one did (Yeah, I made a musical based pun joke. Crushed it).
The heavily advertised opening didn’t get things going for me. If anything, there was too much going on. The acapella dance routine was manic. The choreography along with the bombardment of camera shots and angles made it all a little disorienting. There was a point to it by the end. But we had to endure several more sequences of it.
However, John (John Michael Higgins) and Gail (Elizabeth Banks) were back on fine form as the bitchy commentators. Higgins came out with some corkers straight off the bat.
A wardrobe malfunction with Fat Amy (Perfectly timed to a cover of Miley Cyrus’ Wrecking Ball) in front of the President of the United States (And no! Barack Obama was not in the film. They allowed shots of him) leads to the lovely ladies getting banned from performing. Aca-no way?
The film does pick up and was harmless enough. Anna Kendrick was still pretty good. Great voice. A lovely little singer. We join Beca as she finds her obligations torn between the Bellas and her internship at a record label.
Rebel Wilson was actually not as irritating or in the film as much as I thought. She won me over in Pitch Perfect and seemed to fare better when she improvised. An anagram of Becca and Chloe got an anecdote I didn’t expect. But some of the bigger gags and stunts involving her were too OTT, unnecessary and unfunny.
An unexpected romance between her and another character didn’t really make any sense and didn’t add any depth to her character. Shame. I won’t spoil anything but it was sloppy.
Skylar Astin was a missed presence. He had the charm and charisma but was reduced to only a few scenes. Obviously, his relationship with Beca was set up in the PP but there could have been potential for more drama as Beca tried to balance singing and producing.
In all honesty, they didn’t make much of the record producing angle either.
Beca’s Christmas jingle with Snoop Dogg. You read that, right? Christmas in June? Say what? Snoop was off the hook. For shiz- He was okay. I thought he was Snoop Lion now?
Keegan-Michael Key was highly unfunny as Beca’s record producer boss. An ongoing joke with his cousin as a runner was dead in the water after 30 seconds. He even went for the same nauseating joke my uncle used to pull at parties with the “I’ll keep forgetting your name and say something else” spiel. Hilarious. NOT!
There was a lazy boot camp sequence that seemed like nothing more than a ploy to get Anna Kamp back into the mix. The camping gags were so-so but there were so many missed opportunities. Instead we had Rebel Wilson doing an incredibly OTT love song across a lake that went on far too long. Okay, I had a guilty chuckle as a passing car decided to disturb Amy’s groove.
When it came to the actual singing, the film thankfully hits its stride. A mish-mesh of 80s pop hits, 90s jams and current singles were incorporated brilliantly into the stand-offs. The Bellas’ cover of the soundtrack’s main song ‘Flashlight’ by Jessie J was brill. I preferred it to the actual song.
Das Sound Machine were the much needed catalyst that got the best of the characters that seemed to be pushed into the background. The lazy German/US rivalry was old hat but it was still entertaining enough. Their performances were superb.
I couldn’t believe that Birgitte Hjort Sorensen from Borgen was in this as the head honcho. She couldn’t dance though, bless her. The playful exchanges between Beca and Kommissar were quite funny as the towering blonde goddess (What?) used her prowess to unsettle the “feisty fairy”. The random babble that Kendrick came out with was very hit and miss.
Funny after all the advertising, the World War reference wasn’t even included in the theatrical cut. Hmmm . . .
It just didn’t work as well. Some of the better supporting characters were barely in it or quickly thrown in out of desperation to get a quick titter (Come on, don’t laugh at that word). Some bits worked and I wasn’t bored. BUT others didn’t and it was actually what I expected the first time around. Unfunny, dreadfully cheesy and OTT.
Adam DeVine’s Bumper returned? Why? Were they desperate to make everything full circle? He was too tame after his arrogant turn in the first. Boring.
Benji (Ben Platt) came off really weird and annoying. I felt sorry for the chap in PP1. BUT this time, he did my nut in. Hailee Steinfeld wasn’t too bad as the Bella’s new recruit but she definitely tried to channel her inner Benji and to be honest, one of them was enough. She really did grate on my nerves.
There was a nice cameo from Katey Sagal as Steinfeld’s mum. But her role was nothing. We know she can sing. All she gets is a backing vocal in a small choir. A waste.
Hana Mae Lee was great! Her inaudible comments delivering the (much needed) laughs. Chrissie Fit’s sassy Latina Flo felt like a mish-mesh of Lilly and Fat Amy. We already have one weird girl coming out with weird stuff. Well, two if you count Amy. The border patrol gags were a little stereotypical and just not funny.
They tried too hard and it just didn’t quite come off. The songs saved the day and it wasn’t a bad debut from Banks. But I’m sorry.
Aca-scuse me but it’s a . . .