Trans-Bore-Mers: Age of The Extinct franchise. Michael Bay is back with more bang, more bucks and more . . . of the same old monotonous, mechanical overlong drivel.
Raking in close to a billion dollars, I am lost for words. You know you’re onto a loser when Mark Wahlberg can’t even save the day or make really bad lines good.
To be honest, I’m not the biggest Transformers fan. I felt the original was overhyped and took me a couple of viewings to get into it. I actually enjoyed the second instalment which was heavily panned and the third . . . well, the action was good and Rosie Huntington-Whiteley . . . wow! What?
Now to be honest, the opening half hour was actually not that bad. It was typical Bay; clichéd, corny, OTT, explosions everywhere but enough to keep you glazed over and attentive plus it was funny (for the right reasons? Meh). A couple of surprise twists involving some characters was unexpected but watchable. The idea of all Transformers being hunted down was a decent concept.
The 3D is fantastic . . . for the first 40 minutes then it seems to disappear. All the stuff that had popped out or flew across the screen vanished. The special effects were outstanding anyway but for once, I thought this could be a film that proves that 3D is not just a gimmick. Alas, it was not to be. Bay cannot be challenged on his visual mastery but when it comes to pace, characters and story, well . . .
After two hours, I was asleep. If not for Stanley Tucci’s egotistical demented take on the late Steve Jobs, I would have been out the door much sooner. Once you’ve seen Optimus smash up a dozen robots/buildings, it gets repetitive really fast. A couple of awesome bad ass moments from Prime does not excuse the fact that Bay has nothing else to offer.
The problem with these giant robot blockbusters is that what the hell are humans are supposed to do? Apparently scream and moan at each other. It would have been nice to see the Autobots not cause as much as destruction as their foes . . . or least try.
Kelsey Grammer proved to be quite sinister and badass. The only problem (apart from the fact the older he looks, the more he becomes The Prospector from Toy Story 2) is that his character is pushed into the background.
Titus Welliver (Gone Baby Gone) played a piece of work until the mad-dash finale that seemed to throw everything but the kitchen sink. Marky Mark and his funky bunch of young up and comers were increasingly irritating and clichéd as the film dragged on.
Wahlberg does his best but trying to make lines about spaceship insurance and being an inventor and having to invent not sound terrible was always going to be a challenge. He might as well have said, “I’m a peacock. You gotta let me fly”. The overprotective father spiel is old hat and beefing it up with Jack Reynor’s (Delivery Man) younger cocky Irish Seth Rogen looking boyfriend just came off hammy.
It was great to see the pretty Nicola Peltz (Bates Motel) get a bigger platform but to play another troublesome teenage daughter again? Not so much. Screaming and complaining about her father all the way through was disappointing.
Also an elongated joke revolving how the young couple came to meet was stupid and a little dodgy. I mean Reynor’s character carrying a Romeo and Juliet statute in his wallet? Really? What was that about?
Sophia Myles was wasted as a geological scientist. I mean, to be frank, her character was pointless. The only human actor to get out of this mess Scott-free would be the legendary T. J. Miller (Silicon Valley) as Wahlberg’s comic sidekick. A much needed boost in the endless drivel of predictable hokum.
The proof was in the pudding in how Bay had little to offer in story by the fact that Megatron is back yet again. Granted, it was clever how it was incorporated into the little story there was. The Autobots heralded a great voice cast including the likes of John Goodman, Ken Wantanabe and John DiMaggio (Bender from Futurama) but not even they could make some of the leaden lines jump off the page. Shame.
The jokes were flat and so OTT that I found myself shaking my head. I mean the sequence with Tucci and Bingbing Li kung fu fighting their way across Hong Kong felt like a drawn out live action cartoon skit. And Megatron demanding his minions find his seed was . . . just . . . oh my!
I mean, let’s be honest, Transformers is not that sort of film. It’s big, dumb and full of – robots. But it can be a whole lot shorter with more interesting characters and for once, maybe it should take itself a little more seriously because it’s getting ridiculous now.
One for the scrap heap? It’s in the crusher, waiting to be crushed but at the moment, my hand is just hovering over the button.
If there are going to be two more sequels (God help us), Bay better find his A-game fast!
Currently ranked 142 out of 197!
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