*NEW* BABY DRIVER REVIEW *NEW*

Oh baby, that weren’t too shabby.

Fast, furious if a little frantic. One of the better ones.

After being coerced into working for a crime boss (Kevin Spacey), a young getaway driver (Ansel Elgort) finds himself taking part in a heist doomed to fail.

I’m not going to lie. The opening 15 minutes didn’t really give me high hopes.

Despite ticking all the boxes on the Edgar Wright movie checklist; cracking soundtrack (check), quick-cut editing (check), great humour; I wasn’t convinced about the main man.

Watching Elgort strut, prance around and mime badly to some killer tracks annoyed the hell out of me. I was actually wondering whether I was going to be able to put up with this cocky pillock.

However, as soon as the heist began and the chase was on, my griping subdued.

The car chases were exhilarating and tense with some brilliantly choreographed stunts and set pieces.

I was more empathetic towards Baby after we delved into his past and discovered the reason for the “hum and the drum” (Or should I say the reason for his insufferable need to have a music device plugged in his ear holes).

Baby’s relationship with his deaf foster father Joseph (CJ Jones – if you have a spare minute, read up on this guy. Inspirational) allowed the Fault in the Stars man to work his charm and charisma.

The supporting cast was an incredibly talented mixed bag. What the hell was Flea from the Red Hot Chilli Peppers doing in this?!

Kevin Spacey was fantastic. Not enough of the big man. He almost stole every scene he featured in.

I was a little disappointed at how small Jon Bernthal’s (The Walking Dead) role was. I kept waiting for his character to return. Reduced to nothing more than a measly cameo.

Eiza Gonzalez was mere eye candy. Nothing more than a trigger to set off the tumultuous partnership of Jon Hamm’s (Mad Men) Buddy and Jamie Foxx’s Bats.

It made a change to see Don Draper go dark. Hamm nailed it. BUT in the battle of scene stealers, Foxx won the prize. He was menacing and brought uneasy tension to the piece. He channelled a lot of Motherf*cker Jones (Horrible Bosses fans, am I right?). The cogs always turning.

Lily James (Cinderella) was a little lost in the mix. Some of the dialogue didn’t quite come off as clever or as cool as it should have BUT the pair had great chemistry.

I felt their blossoming romance was rushed to catch up with Baby’s ongoing drama. I would have been happy to have a little more time spent on them. Anything over Elgort’s song and dance numbers.

The pair’s relationship had an echo of Scott Pilgrim as they bonded over music. Steven Price’s selections were a mad mix of hits from T-Rex to Golden Earring. Hell yes!

BUT despite my grumblings about their rushed romance, I did like the conflicted Bonnie and Clyde set up as Baby’s life of crime reached breaking point.

And this is where the film really won me over (as did the protagonist).

The quick witted humour, along with Bill Pope’s glossy cinematography, made this seem like an easy going crime caper.

Especially when one of the criminals made an almighty howler with the Michael Myers masks. Brilliant.

BUT the second half of the film (without spoiling anything) took a darker and more violent turn than I expected. The light super cool tone completely changing.

I should have realised that Wright was never shy of blood and gore. I forgot how brutal Hot Fuzz was (Man, I love that film. Need to watch it again . . . Moving on).

I was hooked. Hell, there were even a few twists along the way.

It was a fast and furious riot that made up for a stumbling and predictable middle act.

And by the time the credits rolled, I actually walked out the cinema smiling.

3.5/5

PLEASE ENJOY THIS KILLER TRACK (AND MY FAVOURITE) FROM THE ECLECTIC MOVIE SOUNDTRACK

 

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*NEW* GUARDIANS OF THE GALAXY VOL. 2 REVIEW *NEW*

They’re back BUT bigger and better?

The Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill’s (Chris Pratt) true parentage.

Mad fun BUT it falls short of its predecessor.

The silly opening was entertaining enough as the adorable Baby Groot danced around to the beat of ELO’s Mr Blue Sky while a violent battle ensued in the background.

I felt the banter and chemistry between the dysfunctional team was all over the place. Writer/director James Gunn tried too hard with the laughs that it hampered the piece in places with the cast just shouting flat insults at each other.

I know a good portion of the story was about the team having teething problems after the events of the first film. BUT the squabbling and yelling really grated against me.

A gag involving the name of a villain drew a laugh BUT it soon overstayed its welcome as the name kept getting brought up.

I felt Vol 1 had the right balance. Each dysfunctional member bringing something to the fold.

This time around, it felt a lot sillier with Rocket and Groot spending too much time in the background.

No one expected anything from Vol 1. It was one of my favourite films of the year. I think I even went to the cinema twice to see it and I never do that for a movie.

Such a strong first movie that it was going to take something special to top it.

Henry Braham’s incredibly colourful palette and visual effects were a feast for the eyes. The set pieces were exhilarating and fun to watch.

Kurt Russell was brilliant as Ego. He worked well with Pratt and made their relationship an interesting angle BUT the only problem was that the pace tragically lagged as Quill discovered his true origins.

Even if Laura Haddock’s talents (Transformers: The Last Knight) were wasted yet again. I wondered when she got the role as Star-Lord’s mother if there was going to be more of her BUT what we got was unnecessary and offered new.

Bradley Cooper’s Rocket (Easy now) stole the show with his insults and crazy antics (“Don’t call me a raccoon! Trash panda? *PAUSE* Is that worse?”).

Vin Diesel had the easiest job going yet again delivering his helium induced phrases to the tiny tree root. You couldn’t resist the little rebel.

Elizabeth Debicki (The Night Manager) was completely wasted in her role as Ayesha.

However, there was one character that stole the show for me and that was Yondu. Michael Rooker (The Walking Dead) was fantastic. I loved how we actually got a little depth to the space pirate and explored his past. An unexpected surprise.

Pom Klementieff (Oldboy) was a memorable addition to the mad (and increasingly top heavy) squad as Mantis. Her emotion sensing abilities was a party trick that helped create all sorts of cringe inducing laughs.

Especially on “the thing that nobody’s talking about” between Gamora and Quill (Yawwnnnn . . . ).

The only problem was that Gunn expanded on story lines that were already explored in Vol 1. It made things a little repetitive and predictable.

Gamora and Nebula’s sibling sparring got on my nerves. Especially when the pair kept kicking off. It was almost as ridiculous as Peter Griffin fighting the Giant Chicken! We had all that in the first one!

Don’t get me wrong, there was still fun to be had and I enjoyed the majority of the madness with another fantastic soundtrack that I will no doubt purchase.

Not every wrestling star can make the jump to the big screen BUT Dave Bautista was still on scene stealing form as the deluded Drax with his random outlook and bizarre stories.

The final act redeemed a lot of the problems with an action packed closer that threw in a few unexpected twists and turns along the way. Don’t worry, no spoilers here.

So despite its shortcomings, it was still crazy fun and fans won’t be disappointed.

3.5/5

P.S. I’m sure you’re bored of me saying this BUT don’t walk out on the credits. There are several different teasers that pop up. Definitely worth waiting for.

*NEW* OKJA REVIEW *NEW*

A bit more than OK, ja?

Meet Mija (Seo-Hyun Ahn), a young girl who risks everything to prevent a powerful, multi-national company from kidnapping her best friend – a massive animal named Okja.

Strange, charming, quirky. What did you expect from the guy who gave us The Host?

I was surprised to see a Bong Joon-ho flick on Netflix. I’m glad the Twitter poll recommended this.

The eclectic opener with Tilda Swinton’s (We Need to Talk About Kevin) brace ridden quirky corporate exec didn’t really give me high hopes.

Swinton doesn’t like to do normal, does she? BUT we wouldn’t have it any other way. The random statistics and animated PowerPoint presentations threw me into a mini-coma.

To cut a long story short, the world is overpopulated and running out of food. Cue the discovery of “super piglet” on a Chilean farm, a litter of little super piglets and a worldwide competition among farmers to grow the biggest pig.

Fast forward 10 years to a beautifully pastoral Korean forest setting. Darius Khondji’s cinematography was breathtaking.

The animation was very good. The detail on Okja was brilliant. A cross between a giant hippo and a elephant with the mannerisms of a dog.

Mija and Okja reminded me of characters from a live action Studio Ghibli animation. I loved the dynamic.

There was an easygoing feel to the piece as we watched the pair hunt and frolic in the woods. Establishing that their bond was more than just a farmer raising her produce.

It wasn’t long before the pair’s safe haven was disrupted by the emergence of the squeaky and highly flamboyant simpleton Johnny Wilcox (Jake Gyllenhaal – Donnie Darko). A fame-seeking animal loving TV host.

God knows what Gyllenhaal was smoking while taking on this role?! He was bloody mental and hilarious. A deluded hypocrite. Scene stealer in every frame.

Of course being “company property”, Okja must return to New York to claim her prize as “best pig” and face her impending fate. Throwing Mija into one mad journey.

Seo-Hyun Ahn was brilliant as the resilient Mija. It takes a lot for a child actor not to infuriate me BUT she played the role perfectly.

The Seoul street chase was a fantastically choreographed and entertaining sequence as Mija ran through alleyways and dived over highway bridges.

Things taking a highly comical turn when a group of animal activists decide to free Okja at the same time. The Animal Liberation Front were a great addition to the mix and featured a surprisingly talented supporting cast.

I couldn’t help but laugh as the gang tried to remain peaceful during Okja’s rescue mission. The friendliest highway robbery I’ve ever seen (“Please co-operate”).

Pointing a gun at the truck driver, demanding he put on his seat belt before ramming him off the road. Swiftly followed by a sincere apology. Desperate not to use violence by any means.

Steven Yuen (Glenn from Walking Dead!) and Paul Dano (Swiss Army Man) were excellent as K and Jay. Dano’s reaction at the speed of the Korean language to English as he asked to be translated was a particular highlight.

Lily Collins (Love, Rosie) did her best to hide those brows from the balaclava BUT I knew it was her before the big reveal.

Devon Bostick has come a long way from his Wimpy Kid days. His character Silver had so much potential BUT didn’t get enough screen time. Refusing to eat in order to leave the smallest carbon footprint.

I felt their characters got lost in the chaos. Shame. And that was kind of the problem; the pace lumbered things drastically (especially during the middle act) that I could feel myself fidgeting.

Breaking Bad’s Giancarlo Esposito was wasted in his minute role as Mirando’s underling.

I was happy to see Trainspotting’s Shirley Henderson feature. Moaning Myrtle just doesn’t get a break.

The second half certainly delivered a more rewarding affair BUT I didn’t expect the direction it took. I would have said that this was a kid’s film right up until Okja’s incarceration in a New York lab.

Bong Joon-ho brilliantly encapsulated the GM food crisis perfectly. Showing the brutal treatment of animals. I’m not a vegetarian BUT even I was left feeling queasy. Especially during the “natural non-forced breeding” process.

The gruelling underbelly of corporate control as Swinton’s Mirando tried to turn Mija and Okja’s bond into one big PR stunt to help change her company’s bad image.

I thought Snowpiercer was dreadful. The saving grace (Sorry, Chris Evans) being Tilda Swinton. I was getting disappointed at her lack of screen time. That was until the mad final act. She delivered everything I expected.

The closing minutes left food for thought making this a rewarding and charming little film (If a little long at the tooth) that delivered raw social commentary and mad humour.

A pleasant surprise.

3.5/5 (Just)

*NEW* THE ACCOUNTANT REVIEW *NEW*

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Best film of the year? Don’t count on it.

Warning contains moderate forensic accounting.

As a math savant (Ben Affleck) uncooks the books for a new client, the Treasury Department closes in on his activities and the body count starts to rise.

An engaging action packed thriller that delivers on the punch ups BUT stumbles on the plot and pace.

Ben Affleck played the stern faced socially awkward maths wiz perfectly. Unemotional, relentless and yet beneath his cold exterior; someone desperate to connect.

The first hour was slow burning BUT engrossing as the film flicked back and forth delving into the mysterious Christian Wolff. Cold, calculated and clever.

We watched him undergo his daily routine from eating with the same cutlery to wearing the same shirt. The questions mounting as he subjected himself to strobe lighting and heavy metal music while testing his sensitivity threshold. The flashbacks teasing mere tidbits of his troubled past.

I’m happy that the actual accounting side of it all was skimmed over. In that small 15 minute segment with stats and figures flying around, my mind felt numb. No matter how enthusiastic Affleck tried to make it.

We get it. People hide money. Well done.

The accounting angle simply established the inner workings of our protagonist. A meticulous mad man intent on seeing out the task in hand.

Thankfully, that was just a introduction for Christian to meet Dana (Anna Kendrick).

Kendrick was actually quite good. A much more subtle performance. I’m normally used to her doing the usual OTT fast talking schtick in everything.

The pair had good chemistry. Their blossoming relationship may have been a little corny BUT the awkward exchanges and glances allowed us to see a different side to the hard man as he grows concerned for the quirky clerk’s safety. Dana’s attempts to make conversation with Christian was cringe-inducing BUT endearing.

The fighting sequences were fast and furious. Affleck used all that Bat-bulk to deliver some well choreographed fist fights and shoot em up gun battles.

It was only when we moved into the second hour that things fell apart at the seams. The pace could have been cut by a good 30 minutes. Cynthia Addai-Robinson (Arrow) was completely unnecessary as Marybeth Medina. The analyst assigned to locating the accountant.

Her subplot was terrible. We endured a good portion of the film watching her regurgitate everything we already knew. She brought nothing to the fold. It didn’t help that she never caught up with the anti-hero at any point. Dismal. As much I’m a fan of J.K. Simmons; despite one revelation, anyone could have played him. If at all!

There were two areas where that time should have been spent. The first being Christian’s actual back story. The flashbacks into his past weren’t explored enough. They may have explained the type of autism that Christian had BUT I wanted more of his childhood. Especially when he had such a ruthless and unsympathetic father.

Robert C. Treveiler (The Mist) was menacing as Christian’s military dad. Refusing to accept his son’s condition and teaching him a harsh life lesson; ““If loud noises and bright lights bother him, he needs more, not less”. Forcing the boy to undergo intense training to adapt and not be a door mat.

I wanted more of this intense relationship BUT the tidbits were few and far between. Only really thrown in when the pace (tragically) dragged.

I also wish we had more of Jon Bernthal’s (The Walking Dead) Brax. A charismatic opponent and a bi-polar opposite of Christian. Not enough of him. Delivering suspense and tension with every unlucky person that had the pleasure of meeting him. A missed presence that was only really brought back for the frantic fiery finale.

John Lithgow (3rd Rock From The Sun) and Jean Smart (24) were completely wasted in their feeble roles as Christian’s corporate clients.

BUT it wasn’t all bad. At its best, it was brutal, gripping and tense with another stellar performance from Affleck. It was just a shame that the pace and flawed plot line hampered things. Despite an ultra-violent finale, that delivered a few twists, it ended on such a bum note. Shame.

If you’re a fan of the Bourne movies, then this one is for you.

3/5

*NEW* BATMAN VS SUPERMAN: DAWN OF JUSTICE REVIEW *NEW*

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Yawwwnnnnn of Justice. Oh dear. Oh dear. Was it a DC disaster? Or a misunderstood masterpiece?

There’s only one way to find out . . .

Fearing that the actions of Superman (Henry Cavill) are left unchecked, Batman (Ben Affleck) takes on the Man of Steel, while the world wrestles with what kind of a hero it really needs.

All that hype. All that anticipation. My brother fell asleep in the cinema. People argued with me on how terrible it was. The feeling of disappointment hit me in the gut like a punch from Supes himself.

Yet somehow on second viewing, it wasn’t quite as bad as I remembered.

The strong opening delivered everything I hoped. A brooding, dark, tense action packed sequence with stunning visuals and a menacing score from the Mad Max maestro Junkie XL and Hans “Gladiator” Zimmer.

While the credits rolled, we had the quickest recap through Batman’s origins. No matter how many sequels, reboots and remakes; it’s always the same story. I wondered why Snyder grabbed The Walking Dead’s Lauren Cohan and Jeffrey Dean Morgan for a blink-and-you’ll-miss-it cameo as Bruce’s parents. A real waste. They didn’t have any more screen time in the Extended Edition!

However, I liked how the writers answered one question straight off the bat that bugged the hell out of me during the Man of Steel finale; “How have Superman and Zod not killed any people with all that destruction?!”

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The answer was simple. They did. The eerily 9/11 vibe to the Man of Steel’s destruction was unsettling as Zod (Michael Shannon – Midnight Special) and Superman ploughed through tower after tower. One of the buildings being none other than Wayne Enterprises.

A haunting image of a bitter Bruce Wayne cradling a child covered in rubble and carnage. Cue the movie title.

A shame that momentum couldn’t be carried on. I wasn’t overly impressed with Man of Steel BUT thought Cavill was brilliant as the man in the red cape. It was long at the tooth and far too serious for its own good. Only lightening up in the closing act.

Bit like this one, really . . .

BvS: Dawn of Justice should have been called Man of Steel 2 ft. Sulky Batman.

I liked the idea. It was just the execution that spoiled things. The whole debate about Superman being a false God and the security risks were all too realistic and the surprisingly bleak and cynical undertone offered a completely different direction to the Avengers.

This should have been a shot out of the ball park with the Watchmen (Very underrated film) director at the helm.

The main issue was the disjointed and incredibly convoluted plot. Amy Adams was completely wasted as Lois Lane. She was sent off on some uninteresting goose chase around the States bugging senators about experimental warfare and some ruse involving African terrorists and Russian gangsters that . . . basically was a shoddy excuse to force our two “heroes” to meet. Either that or fishing around for a spear of Kryptonite. Yup.

And the end result was so tragically predictable.

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Jesse Eisenberg’s (The Social Network) take on Lex Luthor was a mixed bag. I was always #TeamBatman BUT I did enjoy Gene Hackman and Kevin Spacey’s take on Supe’s renowned foe.

BUT Eisenberg just flailed about and waffled insufferable verbal diarrhea. Applying his usual schtick. Instead of taking the opportunity to play a different character. There were moments where he showed potential. An interesting anecdote about Granny’s Peach Tea delivered an unexpected punch line.

Now onto the Dark Knight. Batfleck was superb. He was an excellent Batman and an even better Bruce Wayne. It was going to be tough to follow on from Bale BUT he nailed it. His Batman counterpart followed on from the Bale Bat quite well.

If anything his character had become embittered and disillusioned. Branding his victims with a mark of justice that was pretty much a death sentence. Brutal. Angry with the world. The good men are gone.

“Even you’ve got too old to die young. Not for the lack of trying”. There wasn’t enough Jeremy Irons as Alfred. Desperate for the billionaire to seek something other than vengeance.

“Crime spree in Gotham. Water is wet.” Laurence Fishburne (The Matrix) was on fine form as the Daily Planet Editor Perry White. I wanted more of Gal Gadot’s character. The mystery surrounding Diana Prince as she stumbled into Wayne’s dangerous game of chess was much more interesting than anything Luthor could conjure up.

It was at the half way marker where my patience was tested. It didn’t help having one of the most disjointed flash forwards (teasers) thrown into the mix. It didn’t fit in with the film at all. A bold statement by the producers (hoping that more movies will come to explain it) BUT it was completely out of sync with what was going on.

It certainly wouldn’t have made any sense to the DC newbies. I know it was played off as a strange dream sequence that introduced another Justice League member BUT it didn’t work.

“Black and blue. Fight night. The greatest gladiator match in the history of the world: God versus man; day versus night; Son of Krypton versus Bat of Gotham!”

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The build up, the anticipation, two flippin’ hours of mindless exposition! All for an intense 15 minutes.

The brooding, the stare-offs, the tension. A training montage that could have parodied Rocky IV with ol’ Bruce dragging massive tyres and lifting weights while Kent traipsed around a snowy mountain.

The special effects were fantastic. The minute fight sequence was set up quite well as the Caped Crusader set up an obstacle course for the nearly indestructible son of Krypton.

Cavill and Affleck worked well off each other and made the fractious exchanges much more watchable and entertaining. I just wish they hadn’t spent so much of the film keeping them apart!

And the final 30 minutes offered more of what I expected from the get go. It took itself much less seriously and threw in some needed humour and once Wonder Woman got involved, it was a riot. That score every time she came on though. Talk about overkill with the horns. Jeez.

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Despite my initial disappointment and nitpicking, this wasn’t a complete write-off. It showed promise and offered a completely different direction to the Marvel movies. One that may be darker, broodier and bloodier.

By all means NOT a bad thing. BUT can they work on crafting the characters, a better story and the flipping pace first?!

3/5

*NEW* SICARIO REVIEW *NEW*

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Two stand out performances redeem an overhyped and underwhelming thriller.

An idealistic FBI agent (Emily Blunt) is enlisted by an elected government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico.

After a gripping and brutal opening sequence involving a botched raid, the film seemed to meander along. Thankfully, Blunt was superb and really carried the film as she delved into the murky underbelly of Juarez.

The first hour was far too slow for my liking. BUT I was still intrigued to see where it was going. The cryptic conversations and stone walled pallor of Josh Brolin created an air of mystery and suspense. BUT I needed more. It didn’t help that a good portion of what was happening was very disjointed and confusing.

Luckily the introduction of Del Toro’s Alejandro spiced things up. He was brilliant. BUT after a while, Johann Johannson’s brooding soundtrack and Del Toro’s blank staring soon got on my nerves. I constantly questioned his motives and general relevance, to be honest.

Blunt’s frustration personified mine perfectly. Del Toro’s warning to her was a nice little indication of things to come. “Nothing will make sense to your American ears and you will doubt everything we do”. So I kept my griping to a minimum. Waiting for answers or a big twist to redeem this surprisingly patchy affair.

The sweeping shots of a downtrodden Juarez were a sight to see. Captured perfectly with Roger Deakins’ cinematography. A gritty underworld. The rifle fire riddling across the night sky like fireworks was a nice touch.

It was great to see Daniel Kaluuya from Psychoville in this. He delivered an impeccable accent and a sterling supporting turn. An impressive transition for the BBC Three star. I was also happy to see Jeffrey Donovan from Burn Notice finally getting a movie role. Shame, it was such a weak one.

Jon Bernthal (The Walking Dead) was completely wasted in his role. His character felt unnecessary and nothing more than a catalyst to spark some much needed action.

After all the slow burning build up, cryptic mumbling and waiting, I expected this to go out with a bang. It delivered a finale of sorts. The closing act was tense, atmospheric and nail biting. The answers finally revealed as we unearthed Alejandro’s true agenda.

The only problem was that after all the mystery, I really hoped it wasn’t going to be so predictable. The twist. Well, if you could it call it that. I saw it coming a mile away. Maybe I’ve seen too many thrillers of this genre to be surprised. For all the confusion, I was hoping that there would be more to unveil. BUT alas, it was not to be.

What didn’t help was that as Del Toro took the centre stage, it was at the expense of Blunt’s character who was pushed into the background. She was far too passive and really didn’t know what was going. It was disappointing that someone we had followed for two hours wasn’t really in the final moments.

If not for a tense stand off with Del Toro, her character would have gone out with a whimper. Which sums up my impression of the film.

At its best, tense, nail-biting and suspenseful. At its worst, patchy, overlong and dull. From the director of Prisoners? Thriller of the year? I expected so much more.

3/5

*NEW* WE ARE YOUR FRIENDS REVIEW *NEW*

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WE ARE NOT IMPRESSED.

Going down in history with the worst opening weekend for a major Hollywood film on wide release, this dull DJ affair was surprisingly watchable BUT enjoyable? Well . . .

Caught between a forbidden romance and the expectations of his friends, aspiring DJ Cole Carter (Zac Efron) attempts to find the path in life that leads to fame and fortune.

A mixed bag. Patchy, uneven and uninteresting. I could feel my eyes closing by the hour marker. I really hoped for an American indie take on Human Traffic. Here’s a quick reminder.

Any excuse for a Human Traffic reference. Anyway, I hoped for a belting soundtrack, a good cast and a good story. Well . . . The music was kinda good.

I fear for Efron. Is this the only role the guy can get? The troubled good looking guy spiel is wearing thin. Don’t get me wrong, he has just enough charisma to keep the lead likeable BUT he needs a game changer. And unfortunately this wasn’t.

It doesn’t help that we’ve seen this story before. And so much better. Jonny Weston (Project Almanac) was incredibly irritating as Cole’s best friend, Mason. While the rest of the gang were unlikeable or unmemorable. Shiloh Fernandez’s Ollie was too bland and too much of a drip to care about. Alex Shaffer’s Squirrel wasn’t really brought into the mix until the final minutes. A waste of time.

I’m sure that was supposed to be the point as Cole tries to break away from this hum drum lifestyle. BUT it was hard to enjoy the lads’ “shenanigans” when they were doing your nut in. I say shenanigans. Pulling birds and popping pills.

The dig from Cole about EDM was interesting. All you need is a laptop. Some knowledge of DJ software and one ground breaking track apparently. I’m sure it was meant to be a statement on the saturation of EDM but it kind of takes a stab at people who buy the music. Me.

The tracks that Efron and Bentley’s characters regarded as bilge were actually quite good. Here’s an example. Something to jazz it up a bit.

Too jazzy? Moving on. What made me laugh was that their “authentic” ground breaking tracks were absolute tosh. Apparently authentic is the sound of a coin spinning on a table and Efron’s housemate shooting nails through the roof. Brilliant :/

I did like the downbeat tone and warped corporate angle. It was just a shame that it was never really used to its full potential. The dark underbelly of the American dream was perfectly demonstrated with Jon Bernthal’s sleazy realtor. A tense scene in which we watch the snake at work had potential BUT it never really went anywhere. Merely a turning point for the hapless DJ.

The alluring Emily Ratajkowski (Gone Girl) was nice to look at. BUT her acting? Her acting wasn’t actually that bad.

It just didn’t help that her character had the depth of an attractive looking cardboard cut out. She certainly had good chemistry with Efron which made their inevitable romance that little more bearable.

I think the only actor who might come out of this mess unscathed is Wes Bentley (The Hunger Games). He was fantastic as the washed up alcoholic DJ. He brought the much needed tension or drama that each scene desperately needed. Living proof that fame has a price.

BUT the tone was all over the place. A visually eye catching piece of animation may not have sent the right message about taking drugs. I liked the existential crisis that Cole was going through. Is there more to life than a 9 to 5? BUT it came off far too pretentious for it’s own good. Especially when he wanted to make loads of money from just making one track. Talk about work ethic.

The zippy graphics and visuals were interesting in the opening sequence BUT they soon overstayed their welcome. The animated segment about bass and getting people’s heartbeats to the right level of “synchronicity” (Yup) was ridiculous and laughable.

It didn’t help that when everything finally kicked off. Bar one unexpected scene (No spoilers), it was all pretty flat and predictable. Bernthal’s realtor was never revisited or resolved. The pace stuttered along. And after all that monotonous build up, the film delivered a cliched and abrupt finale.

Dull and disappointing.

2/5