*NEW* DOCTOR STRANGE REVIEW *NEW*

doctor-strange-poster

Strange is right.

A former neurosurgeon (Benedict Cumberbatch) embarks on a journey of healing only to be drawn into the world of the mystic arts.

Fresh, different, throw in a few crazy visual effects and we’re onto a winner.

Ol’ Cucumberbatch nails it as the cynical and quick-witted super doc. Imagine if House had super powers and you pretty much have Steven Strange.

The opening sequence left me in awe. The visual and special effects were incredible. Imagine all the dream welding sequences in Inception and crank that up to 11! It really was a feast for the eyes and that was before Strange got to mess with the dimensions!

The fight sequences were brilliantly choreographed as the masters manipulated time, space and every object possible to gain the upper hand. Twisting and bending skyscrapers to their will.

The film didn’t really mess about. It zipped along. Jumping from one thing to the next. Establishing the egotistical Strange early on and channeling a little bit of Sherlock. Only taking the cases that interest him. Showing off his talented surgical abilities at any opportunity. That was (Of course!) before tragedy struck.

I could feel the pace lagging a little when Strange went through his self-loathing phase before discovering Kamar-Taj; a spiritual Tibetan safe haven that would set our hero on his true calling.

Tilda Swinton (We Need To Talk About Kevin) was on scene stealing form as The Ancient One (No seriously, that’s her name). She rocked the Avatar/Morpheus look.

Frankly, she wasn’t in it enough. I was a little disappointed after having such a heavy involvement in Strange’s training that she just disappeared into the background. Shame.

Mads Mikkelsen was brilliant as the sinister Kaecilius (Even if his name was a little silly-ous). I don’t think you could have had anybody better than Hannibal Lecter to play the maniacal nutter hell bent on summoning a powerful demon to harvest the energy of the planet. Armed in tow with a cult of warped followers (wearing some crazy eye make up); Strange was up for a challenge.

After watching so many Marvel movies, I was worried that I’d get bored of watching another origin story and enduring another training montage BUT Doctor Strange brought something new to the table. All the portal conjuring and space shifting stuff subdued my griping.

There was one sequence in which Strange was having an out of body punch up with another adversary while a doctor was trying to resuscitate him. It was mental. Exhilarating, funny, riveting. I loved it. All aided by another fantastic movie score from Michael Giacchino.

There was the right balance of humour and trippy dimension bending. And that Cloak of Levitation . . . Seriously, it was like Aladdin’s magic carpet. Choosing the stubborn doc as its new host. Coming to his aid at the best time.

Benedict Wong (The Martian) was hilarious as Wong (No typo), the sworn guardian of the Ancient One’s library. I loved the awkward banter as Strange attempted numerous times to make the stern faced monk crack a grin.

Rachel McAdams (Spotlight) was tragically reduced to playing the love interest left waiting on Strange’s beck and call. A waste of a very talented actress.

Tragically, the incredibly repetitive finale with all the timey wimey guff left things on a bit of bum note. Once you’ve seen Strange pulled about into various shapes and sizes through all the multi-coloured shapes and dimensions, I did get a little fidgety.

Cumberbatch and Chiwetel Ejiofor were a great pairing BUT they didn’t quite get the screen time that I wanted and the 12 Years A Slave actor got a little lost in all the chaos.

However, it was still entertaining, funny and enthralling. Doctor Strange showed enough promise for things to come and is most definitely a welcome addition to the ever growing Marvel movie-verse.

3/5

Now, I don’t want to sound like a school teacher drolling on. BUT it’s a Marvel movie; so what do we do when the credits roll?

That’s right. You park your butts on the seat and wait for the teasers. I won’t spoil any BUT there are TWO! So don’t get up after the first one.

*NEW* DOCTOR STRANGE REVIEW *NEW*

doctor-strange-poster

Strange is right.

A former neurosurgeon (Benedict Cumberbatch) embarks on a journey of healing only to be drawn into the world of the mystic arts.

Fresh, different, throw in a few crazy visual effects and we’re onto a winner.

Ol’ Cucumberbatch nails it as the cynical and quick-witted super doc. Imagine if House had super powers and you pretty much have Steven Strange.

The opening sequence left me in awe. The visual and special effects were incredible. Imagine all the dream welding sequences in Inception and crank that up to 11! It really was a feast for the eyes and that was before Strange got to mess with the dimensions!

The fight sequences were brilliantly choreographed as the masters manipulated time, space and every object possible to gain the upper hand. Twisting and bending skyscrapers to their will.

The film didn’t really mess about. It zipped along. Jumping from one thing to the next. Establishing the egotistical Strange early on and channeling a little bit of Sherlock. Only taking the cases that interest him. Showing off his talented surgical abilities at any opportunity. That was (Of course!) before tragedy struck.

I could feel the pace lagging a little when Strange went through his self-loathing phase before discovering Kamar-Taj; a spiritual Tibetan safe haven that would set our hero on his true calling.

Tilda Swinton (We Need To Talk About Kevin) was on scene stealing form as The Ancient One (No seriously, that’s her name). She rocked the Avatar/Morpheus look.

Frankly, she wasn’t in it enough. I was a little disappointed after having such a heavy involvement in Strange’s training that she just disappeared into the background. Shame.

Mads Mikkelsen was brilliant as the sinister Kaecilius (Even if his name was a little silly-ous). I don’t think you could have had anybody better than Hannibal Lecter to play the maniacal nutter hell bent on summoning a powerful demon to harvest the energy of the planet. Armed in tow with a cult of warped followers (wearing some crazy eye make up); Strange was up for a challenge.

After watching so many Marvel movies, I was worried that I’d get bored of watching another origin story and enduring another training montage BUT Doctor Strange brought something new to the table. All the portal conjuring and space shifting stuff subdued my griping.

There was one sequence in which Strange was having an out of body punch up with another adversary while a doctor was trying to resuscitate him. It was mental. Exhilarating, funny, riveting. I loved it. All aided by another fantastic movie score from Michael Giacchino.

There was the right balance of humour and trippy dimension bending. And that Cloak of Levitation . . . Seriously, it was like Aladdin’s magic carpet. Choosing the stubborn doc as its new host. Coming to his aid at the best time.

Benedict Wong (The Martian) was hilarious as Wong (No typo), the sworn guardian of the Ancient One’s library. I loved the awkward banter as Strange attempted numerous times to make the stern faced monk crack a grin.

Rachel McAdams (Spotlight) was tragically reduced to playing the love interest left waiting on Strange’s beck and call. A waste of a very talented actress.

Tragically, the incredibly repetitive finale with all the timey wimey guff left things on a bit of bum note. Once you’ve seen Strange pulled about into various shapes and sizes through all the multi-coloured shapes and dimensions, I did get a little fidgety.

Cumberbatch and Chiwetel Ejiofor were a great pairing BUT they didn’t quite get the screen time that I wanted and the 12 Years A Slave actor got a little lost in all the chaos.

However, it was still entertaining, funny and enthralling. Doctor Strange showed enough promise for things to come and is most definitely a welcome addition to the ever growing Marvel movie-verse.

3/5

Now, I don’t want to sound like a school teacher drolling on. BUT it’s a Marvel movie; so what do we do when the credits roll?

That’s right. You park your butts on the seat and wait for the teasers. I won’t spoil any BUT there are TWO! So don’t get up after the first one.

*NEW* CAPTAIN AMERICA: CIVIL WAR REVIEW *NEW*

captain-america-civil-war-movie-poster

Political interference in the Avengers’ activities causes a rift between former allies Captain America (Chris Evans) and Iron Man (Robert Downey Jr).

The mega Marvel movie franchise have really hit their stride. Gripping, action packed and possibly the best film of the bunch.

Brilliant. It was good to see all that waiting pay off with subplots resolved, loyalties tested and great performances all round.

*HERE IS YOUR WARNING FOR POTENTIAL SPOILERS!* I DON’T THINK THERE ARE ANY BUT I’M WARNING YOU ALL THE SAME!

I’ve admitted numerous times that I had mixed feelings about the Marvel movies. I didn’t rate The Avengers BUT loved Age of Ultron.

Despised the endless Hulk reboots (Even though I enjoyed the Bana version. Whaaattt? I know). Loved the Thor movies. Loved Iron Man 1 and 3. Let’s not talk about Iron Man 2, eh? Felt Captain America was rushed to fit in with the first Avengers.

Thank God for Winter Soldier, one of the most underrated and unexpected surprise sequels of the year.

I was relieved to hear the Russo brothers was taking the helm again to bring Cap’s third outing to the fold and boy, oh, boy, what a treat!

It would help to watch the Cap movies to really enjoy the little subplots. My little brother had barely seen any of them BUT was still able to fill in the blanks and enjoy this just as much as I did.

Writers Christopher Markus and Stephen McFeely made this easily accessible for the less hardcore Marvel fans while not boring the hell out of the rest of us.

We finally got to explore the background of the mysterious Winter Soldier as the opening got straight to business flicking back and forth from the 90s to the present.

It was great to see Sebastian Stan (The Martian) take centre stage as the conflicted Bucky as his story line came to a head with Cap’s loyalty tested to the fore. Forcing him to make a choice between his old wartime pal and his Avenger colleague:

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“Sometimes I want to punch in your perfect teeth”.

RDJ delivered a much more sombre turn as Stark. It made a fresh change as the millionaire faced some of his own personal demons as well as battling it out with his closest friends. His fractious relationship with the Cap reaching boiling point as the Avengers face disbandment after a botched mission. Evans nailed it yet again as the Cap.

You could argue that it was always going to be tough to give such a plethora of characters a chance to stand out BUT it didn’t come far off. I could have grumbled at the list of absentees; *cough* Thor *cough* Hulk *cough* Pepper Potts (again) *cough* BUT there was enough going on to make me almost forget about them. Almost.

I know the die hard comic book fans were ripping the small airport battle sequence with their own list of absentees in the mix BUT the fighting sequences were excellent. Well choreographed, fast, furious and intense. The special effects were decent. One particular highlight involving Hawkeye and Ant Man surfing on an arrowhead.

Everyone had their moment to shine. Even the newest addition Black Panther (Chadwick Boseman – Get On Up) impressed in a top heavy cast. They managed to make his slightly silly costume look badass. BUT there was one character that really took the biscuit.

I enjoyed the Maguire-Spiderman movies (Yes, even the third one. What do you mean? What’s wrong with me?) and liked Garfield’s performance BUT hated the reboot. When I heard that Spiderman was being rebooted again (Confirming my reservations about the Garfield efforts), I was annoyed. Really? Is this doomed to fail like the Hulk movies?

Tom Holland (The Impossible) . . . Well done. He may have had the cameo with the most lines BUT he stole the show and captured Spidey to perfection. I am actually looking forward to Homecoming.

I think the only characters that suffered a little and fell into the background was Jarvis/The Vision (Paul Bettany) and War Machine. Cheadle never really had a chance and wasn’t strong enough. Terrence Howard was the man for me. It didn’t help THAT Cheadle’s Rhodes was never really brought into the mix in the other movies.

Marvel have really struck a winning formula while DC continue to splutter (So far). It had a bit of everything and nailed the dynamic perfectly.

The humour was perfectly balanced against some of the more serious moments. It tied in a few loose ends that had bugged me and actually made Emily VanCamp’s (Revenge) role necessary after her lacklustre turn in Winter Soldier.

There were revelations and twists along the way. It was tense, engaging, riveting and, despite the odd niggle and the pace testing its 147 minute length, highly enjoyable. Best film of the year? It’s a strong contender.

And of course . . . persevere through the credits. Yeah, I didn’t think I needed to tell you either.

4/5

*NEW* THE REVENANT REVIEW *NEW*

revenant_movie_poster

A revelation? An Oscar worthy performance from the man of the hour?

In a nutshell, NO.

A frontiersman (Leonardo DiCaprio) on a fur trading expedition in the 1820s fights for survival after being mauled by a bear and left for dead by members of his own hunting team.

Overlong, over-rated and disappointing. I really wanted to like this. For all the praise, Twitter craze and reviews, I expected a well-acted visceral and brutal tour de force with one man seeking vengeance. Is this really the film that gave Leonardo his overdue Oscar? Really?

The first 45 minutes were slow burning BUT engrossing. Inarritu’s long takes used to full effect. A tense encounter with a pack of bloodthirsty natives made for a tense and brutal watch. It was a shame that momentum wasn’t kept for the rest of the piece.

DiCaprio delivered a good turn. There’s no quarrelling about that. BUT an Oscar? He certainly carried the piece as much as he could. BUT there was only so many picturesque landscape shots (from the Oscar winning and Innaritu stalwart Emmanuel Lubezki) and grunting from the leading man that could keep me interested.

I was more impressed by the underrated British and Irish supporting cast. Domhnall Gleeson continues to impress yet again in another scene stealing supporting role (Ex Machina and Star Wars: The Force Awakens). Will Poulter (The Maze Runner) was equally as good as the conflicted Bridger. A great transition from the Son of Rambow star.

And once you were able to understand Tom Hardy’s (Legend) incessant Southern mumbling, he was the perfect foe. He really looked the part. A weasel of the lowest denomination. Back stabbing and plotting at any given opportunity. If it wasn’t for Hardy’s performance, I don’t think I would have persevered to see the outcome.

The grizzly bear attack sequence was nail-biting stuff. The animation and a little improv from DiCap made this a tense show down and almost realistic, to an extent. The elongated attack kept me on tenterhooks. Thinking our hero was safe. Only for the grizzly menace to come back for more.

The only problem was that the rest of the film was spent watching DiCap crawl, growl and shiver across the frozen terrain and woodland. Broken up by metaphorical imagery and flashbacks that were pretty self-explanatory. I was more interested in Hugh (DiCap) and Hawk’s (Forrest Goodluck) relationship. Something that was barely touched on and reduced to a few scenes.

DiCap really went through it. Putting his Bear Grylls skills to work. Chewing raw fish and enduring arctic conditions. BUT I wasn’t hooked. I wanted to be rooting for the guy from the first minute. Tom Hank’s turn in Cast Away had me transfixed. I never felt so sad about a man losing his volleyball. Matt Damon’s Oscar nominated turn in The Martian had me praying for his return home.

I love Innaritu’s works. Birdman was one of my favourite films of 2015. It was different and featured a resurgent performance from Keaton. DiCaprio is a superb actor BUT I felt that he got the Oscar for the wrong film.

A good portion of Hugh’s “journey” tested my patience. I don’t need horse back chases and natives attacking every minute of the movie to keep my attention (Although it might have helped) BUT for two and a half hours, I needed something more. The showdown made for a redemptive finale in every aspect. Both for our hero and yours truly. And that was down to Hardy’s turn. I really wanted to see him get his comeuppance.

Maybe this was a case of too much hype. From all the reviews, you would have thought that nobody had ever seen a Western before. The plot was hardly original, the pace was too much and DiCaprio did his best BUT I would struggle to watch this again. Let alone put this on a top movie list.

Watchable BUT nowhere near as rewarding as I’d hoped.

3/5

*NEW* THE MARTIAN REVIEW *NEW*

The-Martian-Launch-One-Sheet

BRING HIM AN OSCAR.

During a manned mission to Mars, Astronaut Mark Watney (Matt Damon) is presumed dead after a fierce storm and left behind by his crew. BUT Watney has survived and finds himself stranded and alone on the hostile planet. With only meagre supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.

A return to form from Scott and a stellar performance from Matt Damon makes this space flick one to watch.

For me, Scott’s films of late have not been up to much. They were certainly big, bold and beautifully shot pieces of work. BUT they were either ridiculously over complicated messes (The Counselor) or drawn out affairs (Prometheus).

Luckily, this latest offering had the perfect balance. Dariusz Wolski’s cinematography was fantastic. I didn’t think anyone could make a barren desert planet look so beautiful and deadly with the change of a lens. Superb.

The opening didn’t mess about. It set everybody up and got straight to it. It was tense, frantic and gripping as Watney is left for dead after getting caught up in a violent storm.

I know what you’re thinking. Matt Damon playing a stranded astronaut trying to sustain food and water on a barren planet. NO, it’s not the side story to Interstellar. If anything, it was Cast Away in Space. All that was missing was a volleyball named Wilson.

When telling the story of one man’s survival, it’s crucial that you have the right actor or the movie is ruined. I couldn’t think of anyone better than Matt Damon. He was charismatic and carried the film when it seemed to lull. Every time we went back to NASA, I wanted to see more of Watney.

It was interesting and engaging. I was hooked as we watched Watney battle to survive the next FOUR years from monotonous disco music . . . As well as his tempestuous planetary prison. His video logs were a good touch. Breaking the fourth wall as he explained what he was doing to stay alive. As well as keeping his sanity.

The science behind the crop planting and the water was very clever. You could almost believe that it could happen and be dealt with.

The only problem was that despite Damon’s excellent performance, some of the supporting characters fell into the background and didn’t really make a mark. Most notably in Watney’s crew with Kate Mara and Sebastian Stan.

Jessica Chastain nailed every screen opportunity she got. If anything I wanted to see more of her. BUT this wasn’t her story. Michael Pena did his best to offer comic relief and managed to make a memorable impression by the closing minutes.

Donald Glover, or should I say Childish Gambino, was a surprise supporting character. He seems to have a dab hand at this acting lark as the socially awkward super genius Rich Purnell. Kristen Wiig played the role of the PR advisor well and proved she can do serious acting. A nice change.

Jeff Daniels was a piece of work as NASA director Teddy Sanders. His sparring with Sean Bean and Chiwetel Ejiofor made for heated viewing. One primarily looking at the costs, the others concerned with the man on Mars.

The heavy theorizing and lab debates in NASA and the world did go on in parts for me and took the story away from Watney. And as Purnell tried to explain his rescue plan using two pens, I feared Armageddon story telling creeping out of the woodwork. It was only by the 1 hour 45 minute marker that I felt a little fidgety.

BUT the finale was just as enthralling and nail biting. If anything, it was everything that I wanted from Gravity. A film that failed to impress.

I was rooting for Watney through the highs and lows. This made me want to check out the bestselling novel. A must see and dare I say it.

4/5

P.S. I couldn’t fight it. I had to . . .