*NEW* VALERIAN AND THE CITY OF A THOUSAND PLANETS REVIEW *NEW*

Dull-Erian.

Trust me, that pun was as clever and witty as the dialogue and plot.

Sheesh. What has happened to Luc Besson? The man who gave us The Fifth Element, Leon: The Professional, Taken, The Transporter.

Okay, yes. He also made Taken 2, Taken 3, Lucy, Transporter 2, Transporter 3 – you get the idea. To say his recent endeavours have been poor would be an understatement.

I really hoped this mega blockbuster would be a return to form but alas it was not to be.

A dark force threatens Alpha, a vast metropolis and home to species from a thousand planets. Special operatives Valerian (Dane DeHaan) and Laureline (Cara Delevigne) must race to identify the marauding menace and safeguard not just Alpha but the future of the universe.

The iconic French comic book series that spanned over 40 years and influenced Star Wars and Besson’s very own Fifth Element. A series that inspired Besson to personally fund and crowd source one of the most expensive independent films in Europe.

The iconic comic book series . . . that I hadn’t even heard of until this movie. I won’t be seeking it out after watching this. Fo’ sure.

It wasn’t all bad. In fact, Valerian was actually quite watchable.

Cara Delevigne was very good. The high browed model has done it again. She had already won me over in Paper Towns. The less we say about Suicide Squad the better. I can still picture that weird dance.

Anyway, contrary to reviews that I’d read, I thought there was good chemistry between the pair. What didn’t help was the dreadfully corny exchanges and flat lines.

Dane DeHaan really has been getting a bad wrap. He didn’t do a bad job. It just didn’t help that his Keanu-esque delivery managed to make the flat lines sound even flatter. I think he took the airhead persona a little too literal. Only Wick himself would have made that work.

A shame. His lacklustre charisma made Valerian such an unlikeable (Well, I say unlikeable) and uninteresting character. A bit bad considering he’s the main man.

One thing I couldn’t fault was Thierry Arbogast’s stunning cinematography and the visual effects. Stunning.

That gif doesn’t do it justice BUT you get the idea.

The colours, the detail. The immersive galaxies and numerous planets. A feast for the eyes. I just wish some of that detail could have been spent on the script.

The action set pieces were entertaining enough. BUT I wasn’t invested in the people.

All the jumping from interstellar galaxies and dimension guff was cool and an interstellar street market chase kept my grumbling at bay for a good 15 minutes. BUT that was only because I hadn’t got a clue what was going on.

The pace was as long as the ridiculous title. It dipped in and out and was far too sporadic. Ridiculously complicated one second, then dull and predictable the next. No consistency.

It didn’t help that the story was hampered by boring and pointless exchanges with flashbacks that highlighted stuff we already knew about. For example (NO SPOILERS);

CHARACTER: “I was following orders!”

*Cue a FLASHBACK of said character saying, “Follow my orders”.

Really? There were no real twists and turns. It was all too disjointed. And the “unravelling” made more plot holes by the frantic finale. BUT by the end, I didn’t care.

The sci-fi references and nods were a nice touch. The Millennium Falcon-esque ship, the Tron style hologram suits, the Battlestar Galactica Cylon style droids, the Blade Runner cityscapes. I knew Besson would excel in that field.

The supporting cast were disappointingly hit and miss with various cameos from unexpected actors popping up in this mad mess. I won’t spoil any. There were two I didn’t expect.

It was great to see Clive Owen back on the big screen. I just wish he wasn’t in this movie.

He did his best with the part BUT he was oh so laughable and old. My God. He didn’t need those silver patches on his sideburns (Ageing his character for a pointless flashback that had no relevance).

Rihanna was a welcome addition. And no, not just for the striptease with her numerous wardrobe changes (that will please any teen fanboy).

She was fun and entertaining as the changeling Bubble. I was more interested in her origin story than anybody else. And NO, not just because of that sequence! Naughty. A tragically small role.

And that’s what was missing.

We needed somebody like this guy;

Valerian took itself far too seriously for its own good. A bit of cheese and humour would have improved this by a country mile.

Besson tried to offer comic relief with some of the crazy and wonderfully animated characters. My personal favourite being the demented gargoyle hybrids of Huey, Dewey and Louie Duck.

Prepared to share information for a price, of course.

BUT it just wasn’t enough. It was watchable guff BUT enjoyable?

Meh. It just about killed the time BUT all I wanted to do when I got home . . . was find my DVD of The Fifth Element and stick that on.

Nothing to shout home about for me.

2.5/5

Advertisements

JUPITER ASCENDING REVIEW

Jupiter-Ascending-Movie-Poster

The only place this film is ascending in is my Worst Films of 2015 list.

Messy Matrix effects + a moody Mila = one moaning movie goer.

I always felt the Wachowskis never could reach the bar they set with The Matrix. The sequels; Reloaded and Revolutions were superb in visual and action set pieces but pace and plot? Meh.

I admired their execution of Cloud Atlas even if it was a bit of a mess. The pace and the disjointed story lines didn’t deliver for me.

Now we have Jupiter Ascending. The thought of a Matrix reboot may not be so bad if the guys will stop doing films like this.

A little harsh. It certainly zipped along for its 127 minute length BUT the story made no sense and had more holes than a sponge. And the cast?! My God. They must have been paid a lot of wonga to take on these poorly written characters.

*WARNING* RANT MAY CONTAIN POSSIBLE SPOILERS*

So what’s it about? In a bright and colourful future, a young destitute caretaker (Mila Kunis) gets targeted by the ruthless son (Eddie Redmayne) of a powerful family who lives on a planet in need of a new heir, so she travels with a genetically engineered warrior (Channing Tatum) to the planet in order to stop his tyrant reign.

What?!

From the corny opening, I could feel myself wincing. Maria Doyle Kennedy (The Tudors) and James D’Arcy (Broadchurch) had enough chemistry to make it bearable as they fall in love. Inevitably leading to Jupiter’s conception.

It is only as the film concluded that I realised that the first 10-15 minutes were completely unnecessary and contributed nothing to the story. Only why Kunis’s character is called Jupiter.

D’Arcy’s father figure was prepared to risk his life with some ultra-violent burglars for a golden telescope. The relevance of said telescope in the film? A cryptic map to the universe? A weapon? No, just something really nice and shiny.

The whole ironic illegal “alien” and actual alien status surrounding Jupiter was a nice touch. We soon get a sense of her hum drum routine as a fed up maid. While in a galaxy far, far – No, Saturn. We have the intergalactic royal siblings (played by Douglas Booth, Eddie Redmayne and Tuppence Middleton) squabbling over their inheritance. Their inheritance being planets of the solar system. The most precious, of course, being Earth.

After his Oscar winning turn as Stephen Hawking in A Theory of Everything, I had high hopes for Mr. Redmayne. BUT boy, oh, boy. This is a step down. Razzie well and truly deserved. He must have been trying to do his best (well, worst) Jean-Baptiste Emanuel Zorg impression from The Fifth Element.

Certainly got the haircut. His gravelly gangly master villain was something I expected to see in a pantomine. His volatile behaviour was laughable. At one point, he has a fit of rage that mimicked Delia Smith at that infamous Norwich game.

And she still delivered that with much more gusto. Granted she had way ti many martoonis. To make matters worse, he was virtually absent throughout the film, dispensing his Paul-esque alien henchmen to do his bidding or shrieking on a sofa.

The squabbling royal family had heavy Shakespearean undertones BUT it was hard to take it seriously with Booth and Tuppleton camping it up to the max. The whole solar system as their playground subplot seemed to dampen what could have been a darker affair.

There was a revelation halfway through the film that made things a little more interesting BUT there were still too many issues.

Channing Tatum did his best as the mystery genetically spliced bounty hunter. I’m sure ladies will be happy to see him roller blading in anti-gravity boots with his shirt off for nearly half the film.

There was little chemistry between him and Kunis BUT I got to admit I found Kunis quite weak in the leading role. I know it didn’t help with weak jokes and hammy dialogue. BUT she didn’t deliver any of them with conviction. Too laid back and flat for my liking. I mean her reaction when she is surrounded by bees was worse than Marky Mark talking to a plastic plant in The Happening.

BUT she did look stunning in a bin liner. No, seriously. She wears a dress that looks like a bin liner. Must have spent the budget on the lavish sets. Because it weren’t on the clothes or the writers.

The special effects were, to be expected, superb. The 3D was a little lacklustre for the ticket price. I’m surprised cinemas are still bothering with this silly little gimmick.

The chase sequences were intense. However, they seemed to go on far too long and there was too much going on that it was a little disorienting. And by the end, the animation was so cartoony that it killed off some of the action.

It may have looked good BUT the story was a mess. For every question I had, it was eventually explained but the answer was so ridiculous that I had even more questions. BUT by the end, I couldn’t care less.

I mean there were scenes in which the siblings were controlling ships from their bathing pools? Why? Gugu Mbatha-Raw’s big ears? What up with that? Sean Bean’s space cop and, for some reason, bee keeper mumbling some mumbo jumbo about the history of the universe.

Or should I say, Sean Bee-n (A-ha! I’ll get my coat). Why the bees? Some rubbish about bees detecting royalty. WHAT? The more Sharp explained, the more I switched off. It just got sillier and sillier that it killed the fun and made me a little numb. I was more surprised that Bean managed to survive his movie curse!

Even Tatum’s back story surrounding the origin of his albino werewolf alien hybrid just put me into a mini coma. It just felt that it had too many ideas meshed together with none of them really working.

The creatures that featured in the universe (Well, Jupiter. I think it was Jupiter? And Earth) were brilliantly constructed. An action packed crop chasing sequence that rivalled Signs silenced my nagging voice until a lame punch line involving crop circles was delivered.

The bureaucracy segment in which Kunis must register her “royalty entitlement” in an intergalactic DMV with a robot that could trump C-3P0 in a robo-camp off just didn’t fit with the tone of the film and went on far too long.

The only explanation I could find for it was the surprise cameo from the legendary Terry Gilliam. A sight for sore eyes. Wachowskis trying to do a Brazil reference? If so, don’t do it again.

I know these sort of things are done with a level of exaggeration BUT it helps to have characters you care about. That’s half the battle. The other stuff could be as stupid as you like BUT alas, it was not to be.

It was all rushed and resolved so cheesily and predictably. Hinting for another like all the endless teen sci-fi flicks. But hopefully no one will take the hint.

2/5