*NEW* MONEY MONSTER REVIEW *NEW*

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For a drama tackling financial woe, it came off more as a tame beast BUT still watchable, none the same.

Financial TV host Lee Gates (George Clooney) and his producer Patty (Julia Roberts) are put in an extreme situation when an irate investor (Jack O’Connell) takes over their studio.

I originally avoided this at the cinema. The trailers did nothing for me. After the dense but hard hitting arrival of The Big Short, I thought this was going to be a cheap rip off jumping on the band wagon.

BUT old Ma and Pa told Mr Over Critical to give it a go AND . . .

After 15 minutes, I was ready to switch it off. I know there are OTT financial shows like Money Monster in real life BUT watching Clooney strut around a news studio with a golden top hat to a bit of R ‘n’ B did nothing to win me over.

It tried to be like The Newsroom. The script desperate to deliver that quick pitter-patter that only Aaron Sorkin can master.

I know Clooney’s arrogant protagonist was supposed to be smug BUT I really didn’t like him.

Roberts was on the side lines far too much and a gag involving erectile dysfunction cream among the crew almost had me change the channel there and then.

It was all a little too disjointed. The film kept flicking back and forth to random places all over the world with no explanation. I was struggling to keep up.

However . . .

Once Jack O’Connell made his introduction, my interest was finally peaked and what ensued was a highly watchable and engaging little thriller.

I’m not the biggest fan of the Skins star. Don’t ask me why, there’s just something about him. BUT his performance was fantastic. He stole the show and once Lee (Clooney) realised the abuse of his own power, things really got going.

It was quite tense as he tried to negotiate with the volatile Kyle (O’Connell) on live TV. Clad in a vest of Semtex with the world watching. The questions piling up as the news team tried to seek out any information on their captor.

I was relieved when Roberts was brought into the fold. Working that Ocean’s Eleven magic with Clooney yet again.

It wasn’t long before we discovered that Kyle had lost all his money investing in the wrong company. All thanks to a certain TV show. BUT his anger wasn’t just at his own loss. It was at the very corporation who got away with it.

Millions of stockholder’s hard earned cash lost because of a ‘glitch’. No explanation. Nothing.

As the mystery unfolded, Lee faced a crisis of conscience (making Clooney a lot more tolerable and likeable). It was interesting how the tide changed from a single search for answers to a quest for justice.

The supporting cast delivered somewhat of a mixed bag.

Caitriona Balfe’s (Outlander) performance left a little to be desired. Her Irish/American twang didn’t help matters and I’m not sure whether it was the lines or her delivery BUT she made the character a lot flatter than she should have been.

A shame considering how instrumental her character became as the team discovered more than they bargained for.

Breaking Bad’s Giancarlo Esposito was completely wasted in his role as Captain Powell. Anyone could have played him. Emily Meade (NERVE) made more of an impression in those five minutes as Kyle’s pregnant girlfriend.

The dumbing down of the financial guff made it easily accessible and understandable BUT still tapped into that Big Short territory. The political speeches aimed at the big wigs were a little hammy in parts.

I say big wigs. The whole of Wall Street personified in the form of McNulty from The Wire. Sorry, Walt Camby. A greedy CEO with no S.O.U.L. Dominic West played the part of the sleazy exec well.

It may have been a little OTT as Lee brought the show right to the ruthless crook’s doorstep BUT it still hit home.

Raising valid points and questioning how these corporations could play with people’s money with such ease. No restrictions, no regulations. Shocking.

Despite a stuttering opener, Money Monster overcome its hurdles to deliver a satisfying and emotional finale as everything came to a head with a long awaited confrontation that pieced together all the disjointed scenes (That were bugging the hell out of me).

Worth a gander if you’ve got 90 minutes to kill.

3/5 (Just)

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*JACK RYAN: SHADOW RECRUIT REVIEWED AND REVISITED*

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New recruit. Same problems. Hardly the best Ryan outing but it wasn’t a complete misfire.

Jack Ryan (Chris Pine), as a young covert CIA analyst, uncovers a Russian plot to crash the U.S. economy with a terrorist attack.

Jack Ryan has been brought back numerous times and always (shamefully) fails to stick around as a continuing franchise, much like the Alex Cross series. There have been some great installments with Alec Baldwin, Harrison Ford and Ben Affleck taking the helm. Clear and Present Danger being a personal favourite.

Pine (Star Trek) was an engaging and very likeable Ryan. His charisma carried the film when the pace slackened. Something that happened far too often.

We flashed through Ryan’s origins (A nice change) as he became a “shadow recruit”. Working for the CIA on an unofficial capacity (In a nutshell). Harrowing images of 9/11 spurring our protagonist to drop his economics degree and join the Marines.

You could argue that it wasn’t needed as Ryan’s commitment and patriotism were established early on BUT it did present a post 9/11 reboot of the travelled Clancy icon.

All the training montages zipped along nicely and breezed through the usual cliches. BUT that was soon thrown out of the window when Ryan fell for his doctor in training, the beautiful Keira Knightley (who delivered a convincing American accent).

Kevin Costner’s (The Untouchables) mysterious Colonel Harper was heavily underused. Not nearly in it enough. It took a good half hour before the film really picked up as we drudged through economic gobbledygook as Ryan gathered Intel at Wall Street.

I didn’t need a retread of The Big Short. All that complicated jargon to explain that a bunch of Russian terrorists were funding their next attack through their corporations. I had to laugh at the irony when said attack was on the US economy.

Thankfully as soon as Ryan reached Russia, I got a bit more of what I expected. A bizarre hotel ambush fight sequence was a much needed catalyst and my griping soon subsided.

Kenneth Branagh (Valkyrie) was perfect as the maniacal Viktor Cherevin. Tattooed up and looking bad ass. Every time he shared the screen with Pine, there was suspense and tension. The pair worked brilliantly together.

A nail biting sequence in which Ryan infiltrated Cherevin’s office had me on tenterhooks. Tragically, it was bogged down with hammy dialogue and more of Knightley (Pirates of The Caribbean) and Pine’s cheesy romance.

As much as the couple had good chemistry; it was the same old guff. Juggling ‘the girl over the job nonsense’ with Knightley inevitably roped into the chaos.

It was a little disappointing as the plot suggested something darker with sleeper terrorists hiding in the US but that was soon cast aside with a predictable twist and endless punch ups and explosions.

Don’t get me wrong. It was fast and furious with an all out frenzy of a finale. All be it a rushed one BUT Branagh wasn’t even in it. Ryan ended up fighting a generic underling in a rapid city chase. Disappointed, to say the least.

A mixed bag. Watchable if flawed to bits. I mean these actioners are supposed to be good fun but this was adapted from a Tom Clancy novel. Novels that could deliver action as well as engaging suspense-filled political story lines.

This felt like a taster of things to come. It set out some good groundwork BUT why didn’t it hit the ground running? A little more effort, a meatier story line and a super villain that could actually be involved in the finale would certainly make for a decent sequel BUT, as things stand, I don’t think that will be happening any time soon.

Pine was a solid lead BUT the plot, tone and pace made this a missed opportunity to reboot a character that should be on the silver screen. Maybe a TV outing have been better?

Don’t get me wrong, it killed the time and was a fun enough ride. Just not one that you’ll remember long after.

3/5 (just)