*NEW* HOT PURSUIT REVIEW *NEW*

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Pursue no further!

Oh how the mighty have fallen. Well, Reese Witherspoon anyway.

This feeble affair desperately tried to be a sillier version of The Heat but it just left me cold. From the opening montage, you knew what sort of film you were getting yourself into. A bad one.

An uptight and by-the-book cop (Witherspoon) tries to protect the outgoing widow (Sofia Vergara) of a drug boss as they race through Texas pursued by crooked cops and murderous gunmen.

This should have been called Hit and Miss. We follow a young Cooper (Witherspoon) as she is practically raised in the back seat of her father’s cop car. We have the delightfully dull and predictable snippets of Cooper’s prom dates, her first encounter with a transgender individual, oh and sharing Christmas with a drunken Santa.

Now credit where it’s due. I respect Witherspoon for going back to her comedy roots. Let’s not forget Rushmore and Legally Blonde. Maybe forget Legally Blonde 2. It was good to see that she’s still game for a laugh after achieving Oscar status. BUT the money must have been too good to turn down.

She does her best but overdoes it with every gag. Maybe to compensate for the fact that the gags were really not that good. Plus she does not stop talking. Her verbal diarrhoea really went through me. At 87 minutes, I feared that this would go on too long.

From the moment we watch Cooper chase after a suspect that turned out to be her date, I could feel my hopes dying. A misunderstanding with the phrase “I’ll call shotgun” set up an incident with a taser that I didn’t see coming. An incident that would make Cooper a laughing stock among the force; “Hey. Don’t Cooper that sh*t!”.

BUT now she has a chance to redeem herself. By helping escort a witness to a safe house. That witness being Gloria from Modern Family. Sorry, Sofia Vergara.

I really hoped she would play a different character. I love Gloria. But in small doses and on Modern Family. Not in this. It felt like a prequel of Gloria’s life before Jay. As soon as I heard her shrill cry through the security intercom, I feared the worst. Stunning though she may be, the shot of her wailing in a Cadillac will haunt me for some time.

The plot was by the numbers and boring. The double crossing and triple crossing was so predictable. Dodgy coppers, murderous hitmen, yawn. And what the hell was Sean (Robert Kazinsky) from Eastenders doing in this? He still hasn’t mastered a Southern accent. You would have thought he’d have enough practice after True Blood.

It was all over the place. Just like the tone of the film. I don’t think it knew what it wanted to be. It was silly and OTT in one instant with Reese caked in “sugar” from Vergara’s briefcase. Her insufferable verbal diarrhea now ignited into a full frenzy.

And then macabre and violent in the next with a red neck shooting his finger off after Vergara and Witherspoon fake being a pair of lesbians to avoid revealing their identities. Strange but it got a little chuckle.

What annoyed me was that the pair had good chemistry and sparked in certain scenes. And they seemed to work better when they improvised. Vergara actually grew on me as the film chugged along. It did try and get a little too actiony and serious in the finale which only came off incredibly hammy.

The jokes about shoes and sex were a little repetitive and stale for my liking. Lazy. The gag about Witherspoon’s “diaper” panties was a complete rip off of The Heat. I appreciate that they tried to follow in it’s footsteps. But all they really did was stumble and trip up in it’s shadow. A running gag with the media messing up the duo’s descriptions was okay to start with but it soon got old really quick.

The only real laugh that I got out of it was when Cooper had to wear a disguise to infiltrate a Columbian cartel. She looked like Justin Bieber and a wardrobe malfunction in a ladies toilet delivered. A diamond in the rough, apparently.

I think the closing credits summed everything for me. Before anyone could escape (If they hadn’t already), we had five to ten minutes of outtakes. I laughed more in those ten then I did in the 87. The improvising and mucking about should have been in the film. You saw a completely different and less annoying side to Vergara. She was actually quite funny. Why didn’t we get that in the film?

Instead we had the odd gag among a dozen duds spread across a dull and lifeless cop thriller. I would definitely say the mismatched tone really hampered things.

BUT I wouldn’t say that this was a mismatched pairing and for all it’s flaws, it was watchable. Thankfully to a short running time. If you’re looking for another Heat, then watch The Heat.

Two stars for the two leading ladies for doing their darndest.

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DALLAS BUYERS CLUB REVIEW

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Alright, alright, alright.

In 1985 Dallas, electrician and hustler Ron Woodroof (Matthew McConaughey) works around the system to help AIDS patients get the medication they need after he is diagnosed with the disease.

An engrossing (and gritty) tale of one’s man fight for survival. I can’t believe this was a true story. McConaughey provided a stellar performance. Worthy of that Oscar gold.

What made this story more interesting was the fact that Woodroof was a homophobic redneck who had unprotected sex with drug users. The moment he revealed his diagnosis, he was soon ostracized by his friends and evicted from the trailer park. A somewhat darker Southern take on Philadelphia.

Woodroof was very much a man on the path to destruction. At first, it was quite difficult to empathise with him. His drug and alcohol abuse merely making his condition worse. He even stole the only FDA approved drug AZT.

“Screw the FDA, I’m gonna be DOA”.

BUT as his condition deteriorates, Woodroof has to deal with the bureaucracy of the US healthcare system and the FDA as he buys and sells unapproved FDA pills. Unapproved pills that are proving more successful in their trails than AZT.

Woodroof strikes up a business opportunity. Establishing a drugs membership, The Dallas Buyers Club, for struggling AIDS sufferers who aren’t getting the proper treatment. With his partner in crime, the transsexual Rayon (the Oscar wining Jared Leto), the pair work together to fight against the system and their expiry dates.

It was incredible watching the lengths that Woodroof went to. An unbelievable story. Yves Belanger’s cinematography created a gritty look that fitted the tone and mood of the piece. Great direction by Jean-Marc Vallee (Wild), a well written script adapted from an in-depth interview with Woodroof himself by Craig Borten and a superb cast consisting of Jennifer Garner (Alias) as the conflicted Dr Eve Saks, Dennis O’Hare (True Blood) and Steve Zahn (in a surprisingly straight faced role) made this one to watch.

The pace was slow burning BUT allowed everything to bubble along perfectly. Leto and McConaughey were a fantastic duo. I couldn’t believe Leto was in this. He was on scene stealing form. The pair really put their bodies on the line for the roles. They looked ill. It did ponder the question on how far actors should go for a role. McConaughey lost over 3 stone. Crazy.

Dallas Buyers Club marked a resurgent return for the man and he hasn’t looked back since with True Detective, Wolf of Wall Street and Interstellar filling his filmography, I think there will be more to come.

Endearing, intriguing, emotional, gritty. Not what I expected at all. BUT all the better for it. Definitely worth your time.

4/5