*OSCAR WINNER* THE THEORY OF EVERYTHING REVIEW

It really did have a bit of everything. Phenomenal acting, heartfelt drama and an inspiring true story.

Can I pick fault at the Oscar winning of one of the most intelligent and courageous physicists in the world?

There’s only one way to find out.

No, I can’t. Brilliant.

It’s hard to rant about a film when it was executed so perfectly. Finally a good film!

Eddie Redmayne was outstanding. It didn’t feel like I was watching an actor doing an impression. I felt like I was watching Hawking.

He delivered sincerity and charm to the role with aplomb. A charismatic performance that deservedly earned that shiny Oscar.

The opening zips along and is relatively easy going with Stephen and Jane (Felicity Jones) first meeting and inevitably falling in love.

It’s a little schmaltzy if I’m being really picky but the pair have fantastic chemistry to make it more than bearable.

It is heartbreaking as we see a chipper lovestruck Hawking focusing on his studies. Completely unaware of what lurks around the corner.

Director James Marsh and writer Anthony McCarten handle the story delicately.

We see Stephen begin to stumble, clumsily drop things and struggle to write little bits of equations. That is until one little accident . . .

All it took was one trip on the pavement. It happened quite unexpectedly. A few people actually jumped in the screen.

This soon becomes something so much more. As does this story.

Hawking soon has to deal with being diagnosed with Motor Neurone Disease (ALS). An initial diagnosis that only gave him a life span of two years.

I couldn’t even imagine what it must have felt like and still feel for the man.

I won’t delve too much into the story because I want you guys to see this one.

What was interesting about The Theory of Everything is that it’s not just Stephen’s story. It’s also Jane’s story.

Both not fully prepared with what this diagnosis would do. The challenge it would become. The toll it would take.

Felicity Jones (Cemetery Junction/Chalet Girl) gave a fantastic performance as Jane and certainly earned that nomination. I expect to see more of her in the foreseeable future.

Doing everything she can for the man she loves and marrying him so they can enjoy whatever time they have left.

Heartbreaking, beautiful and inspiring.

If you are expecting more of the science stuff. Science stuff? Only the creation of the entire universe.

The film doesn’t really bog down too much on that aspect. It focuses very much on the people behind the science.

You could argue that a biopic always wins BIG. And just because it is a biopic, people will say it’s good and deserves an Oscar.

Not so! There’s a whole schedule of them on True Movies that will prove that theory wrong.

All it takes is a bad script, bad actor or bad execution and the biopic (No matter how inspiring or interesting it is) is ruined.

Luckily, there is never a doubt.

Hawking continues to miraculously defy his diagnosis BUT the condition take its toll NOT just on the man.

As well as seeing Hawking’s daily struggle, we also see Jane’s. By looking at how both Stephen and Jane are affected, we have a more rounded story.

Both aren’t painted perfectly in this tale.

It is tough to watch at times and you can feel for the pair. Jane made a sacrifice not completely aware of its full extent.

Redmayne really captures the expressions and movements intricately.

There is quite a bit of humour. Most notably being when Stephen is finally given a voice after losing his own. And the voice, we all know, being American. “Is that a problem?”, mutters the naive technician. A little grin flickers across the professor’s face.

Come on. Be honest. How many people thought he was American? No, just me. Oops.

I didn’t realise what Hawking had to endure. The constant battle with his body as it continues to shut down.

Things take an even more dramatic turn when Jane starts having feelings for another man.

The introduction of Jonathan (Charlie Cox) was an interesting development and was handled delicately.

It hits home a little harder when Stephen asks Jonathan to keep helping around the house because his wife needs him.

Charlie Cox (Boardwalk Empire) was very good. He had great chemistry with Jones and worked well with Redmayne.

The dynamic certainly sparked questions on Jane’s behaviour but at the same time you could relate and understand.

Even Professor Hawking seemed to be getting very close to his speech therapist (Maxine Peake).

The toll really starting to take a hold.

The cast cannot be faltered. Even the supporting cast was superb consisting of the likes of David Thewlis, Emily Watson, Harry Lloyd (Viserys Targaryen from Game of Thrones!) and Simon McBurney (The Vicar of Dibley).

It really is an inspiring story of one mans struggle to defy the odds. But no one can do it alone. Jane’s support and dedication is something to be commemorated.

The final moments were touching. An uplifting, easygoing and wonderful acted biopic. A little cheesy BUT it really did have a bit of everything.

One of the best films, if NOT the best film, of the year. SO FAR.

4/5

JUPITER ASCENDING REVIEW

The only place this film is ascending in is my Worst Films of 2015 list.

Messy Matrix effects + a moody Mila = one moaning movie goer.

I always felt the Wachowskis never could reach the bar they set with The Matrix. The sequels; Reloaded and Revolutions were superb in visual and action set pieces but pace and plot? Meh.

I admired their execution of Cloud Atlas even if it was a bit of a mess. The pace and the disjointed story lines didn’t deliver for me.

Now we have Jupiter Ascending. The thought of a Matrix reboot may not be so bad if the guys will stop doing films like this.

A little harsh. It certainly zipped along for its 127 minute length BUT the story made no sense and had more holes than a sponge. And the cast?! My God. They must have been paid a lot of wonga to take on these poorly written characters.

*WARNING* RANT MAY CONTAIN POSSIBLE SPOILERS*

So what’s it about? In a bright and colourful future, a young destitute caretaker (Mila Kunis) gets targeted by the ruthless son (Eddie Redmayne) of a powerful family who lives on a planet in need of a new heir, so she travels with a genetically engineered warrior (Channing Tatum) to the planet in order to stop his tyrant reign.

What?!

From the corny opening, I could feel myself wincing. Maria Doyle Kennedy (The Tudors) and James D’Arcy (Broadchurch) had enough chemistry to make it bearable as they fall in love. Inevitably leading to Jupiter’s conception.

It is only as the film concluded that I realised that the first 10-15 minutes were completely unnecessary and contributed nothing to the story. Only why Kunis’s character is called Jupiter.

D’Arcy’s father figure was prepared to risk his life with some ultra-violent burglars for a golden telescope. The relevance of said telescope in the film? A cryptic map to the universe? A weapon? No, just something really nice and shiny.

The whole ironic illegal “alien” and actual alien status surrounding Jupiter was a nice touch. We soon get a sense of her hum drum routine as a fed up maid. While in a galaxy far, far – No, Saturn. We have the intergalactic royal siblings (played by Douglas Booth, Eddie Redmayne and Tuppence Middleton) squabbling over their inheritance. Their inheritance being planets of the solar system. The most precious, of course, being Earth.

After his Oscar winning turn as Stephen Hawking in A Theory of Everything, I had high hopes for Mr. Redmayne. BUT boy, oh, boy. This is a step down. Razzie well and truly deserved. He must have been trying to do his best (well, worst) Jean-Baptiste Emanuel Zorg impression from The Fifth Element.

Certainly got the haircut. His gravelly gangly master villain was something I expected to see in a pantomine. His volatile behaviour was laughable. At one point, he has a fit of rage that mimicked Delia Smith at that infamous Norwich game.

And she still delivered that with much more gusto. Granted she had way ti many martoonis. To make matters worse, he was virtually absent throughout the film, dispensing his Paul-esque alien henchmen to do his bidding or shrieking on a sofa.

The squabbling royal family had heavy Shakespearean undertones BUT it was hard to take it seriously with Booth and Tuppleton camping it up to the max. The whole solar system as their playground subplot seemed to dampen what could have been a darker affair.

There was a revelation halfway through the film that made things a little more interesting BUT there were still too many issues.

Channing Tatum did his best as the mystery genetically spliced bounty hunter. I’m sure ladies will be happy to see him roller blading in anti-gravity boots with his shirt off for nearly half the film.

There was little chemistry between him and Kunis BUT I got to admit I found Kunis quite weak in the leading role. I know it didn’t help with weak jokes and hammy dialogue. BUT she didn’t deliver any of them with conviction. Too laid back and flat for my liking. I mean her reaction when she is surrounded by bees was worse than Marky Mark talking to a plastic plant in The Happening.

BUT she did look stunning in a bin liner. No, seriously. She wears a dress that looks like a bin liner. Must have spent the budget on the lavish sets. Because it weren’t on the clothes or the writers.

The special effects were, to be expected, superb. The 3D was a little lacklustre for the ticket price. I’m surprised cinemas are still bothering with this silly little gimmick.

The chase sequences were intense. However, they seemed to go on far too long and there was too much going on that it was a little disorienting. And by the end, the animation was so cartoony that it killed off some of the action.

It may have looked good BUT the story was a mess. For every question I had, it was eventually explained but the answer was so ridiculous that I had even more questions. BUT by the end, I couldn’t care less.

I mean there were scenes in which the siblings were controlling ships from their bathing pools? Why? Gugu Mbatha-Raw’s big ears? What up with that? Sean Bean’s space cop and, for some reason, bee keeper mumbling some mumbo jumbo about the history of the universe.

Or should I say, Sean Bee-n (A-ha! I’ll get my coat). Why the bees? Some rubbish about bees detecting royalty. WHAT? The more Sharp explained, the more I switched off. It just got sillier and sillier that it killed the fun and made me a little numb. I was more surprised that Bean managed to survive his movie curse!

Even Tatum’s back story surrounding the origin of his albino werewolf alien hybrid just put me into a mini coma. It just felt that it had too many ideas meshed together with none of them really working.

The creatures that featured in the universe (Well, Jupiter. I think it was Jupiter? And Earth) were brilliantly constructed. An action packed crop chasing sequence that rivalled Signs silenced my nagging voice until a lame punch line involving crop circles was delivered.

The bureaucracy segment in which Kunis must register her “royalty entitlement” in an intergalactic DMV with a robot that could trump C-3P0 in a robo-camp off just didn’t fit with the tone of the film and went on far too long.

The only explanation I could find for it was the surprise cameo from the legendary Terry Gilliam. A sight for sore eyes. Wachowskis trying to do a Brazil reference? If so, don’t do it again.

I know these sort of things are done with a level of exaggeration BUT it helps to have characters you care about. That’s half the battle. The other stuff could be as stupid as you like BUT alas, it was not to be.

It was all rushed and resolved so cheesily and predictably. Hinting for another like all the endless teen sci-fi flicks. But hopefully no one will take the hint.

2/5