*NEW* REGRESSION REVIEW *NEW*

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Regrezzzzion

The only thing this film made me feel was aggression. Two stars for the two leads.

A father is accused of a crime he has no memory of committing. Cue a dull by the numbers mind-number of a thriller.

The trailers didn’t give much away BUT as soon as I saw that it was penned by Alejandro Amenabar and starring Hermione from Harry Potter, I thought why not?

What a mistake. I expected Regression to be in a similar vein to The Others. Slow burning with a tense but thrilling finale. Tragically, this was just slow. Hawke’s detective desperately kept things watchable. Only because his character was so laughable. His volatile mood swings made for unintentionally comical viewing.

The premise behind the regressive hypnotherapy had potential but it never really got going. David Thewlis did his best to make the psycho babble engaging BUT all it did was reduce me into a hypnotic state. It took a good 30 minutes before anything of real merit grabbed my attention.

I couldn’t care for the crime aspect of the story. Mainly because it was so generic and formulaic. Hawke certainly did his best but the red herrings were so lazy that I was a little insulted. And poor Emma Watson. A talented actress. Reduced to a nothingy role that anybody could have played. The only thing I could applaud was her impeccable accent. She was either crying or spewing uninteresting bile and repeating the same old story that wasn’t that engaging the first time. A waste.

Thankfully the middle act offered some redemption for this shambolic dud. The supernatural element behind a suspect cult was the much needed catalyst. Something that Amenabar has always excelled at. So why didn’t he put in more of it?

45 minutes in. I was finally intrigued. Hawke’s headphone sesh around a dilapidated warehouse was tense and unsettling. A brilliant scene as Watson’s commentary juxtaposed with some creepy images really put the heebie jeebies into the demented rituals that were supposedly re-enacted in this messed up crime scene.

Amenabar delicately teased the darker intent of this mysterious cult. Torture, sexual abuse and horrific sacrifices. That and Hawke’s paranoia and obsession did just enough to keep me from walking.

At first I thought Daniel Aranyo’s cinematography was a little too dull and murky for this lifeless flick. BUT he was finally able to get a little more creative. Hawke’s dream sequences were slightly Kubrickian in their execution. Especially when he wakes up to the hooded white faced Dementors surrounding his bed. There was also another scene that was a perfect homage to Rosemary’s Baby.

Dale Dickey (Winter’s Bone) was probably the only other character that made a memorable impression. She played the grisly grandmother with aplomb. If anything there wasn’t enough of her. She really stole every scene she was in. And for all the mystery, I expected more to be made of her character.

And that was the problem. The real horror after a promising second act was that it was all for nothing. The finale was terrible. The revelations were tragically predictable. It took a direction I really hoped it wouldn’t and with a twist you could see a mile away.

I can see what Amenabar was trying to do BUT it ruined the film. And the ‘Based on a True Story’ end credits undermined the whole piece for me. If not for Hawke and Watson’s involvement, I honestly don’t think this would have graced the silver screen. If anything, this is the sort of paranormal cold case story I see constantly featuring on the numerous channels of my Sky box.

Shame.

2.5/5

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INTERSTELLAR REVIEW

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STELLAR casting and special effects. Shame, I just wasn’t INTER it.

I know. Not my best. BUT here we are. Well, certainly hyped. BUT did that hype help or hinder? There’s only one way to find out.

Christopher Nolan tackles the sci-fi genre in one of his most ambitious projects to date and . . . to mixed results for me.

Now for the record. I am a Nolan fan. Memento is still up there in my top movies list. Inception left me in awe. The Prestige was a well crafted thriller. I loved what he did with the Dark Knight franchise and Insomnia was an underrated crime thriller with the late great Robin Williams.

So it pains me to say that his latest offering left me unfulfilled.

I mean, science fiction isn’t my favourite genre but I love Twelve Monkeys, Blade Runner, etc.

In a nutshell, Interstellar is about a team of explorers who travel through a wormhole in an attempt to find a potentially habitable planet that will sustain humanity.

BUT this is Christopher Nolan. And as we know, it’s never going to be that easy . . . or that simple.

He chose a perfect leading man in Matthew McConaughey. Great to see him fully resurrected from the movie scrapheap.

I will do my utmost NOT to divulge too much spoilerific information. So consider this a warning.

The opening hour was slow burning but had the slightest feel of a dystopian Signs. Thankfully without the CGI aliens allergic to water.

The idea that crop farming is a crucial asset as food and supplies are vastly running low was a scary and all too realistic premise.

I loved the satire in which the children have been re-educated into learning that man did not land on the moon, just to focus on their agricultural studies. Crazy. Delusions of grandeur no longer an option (Regardless of what conspiracy nuts think of the Moon landing).

John Lithgow was wasted in his role. He was somewhat passive and frankly unnecessary. Merely the guardian to Cooper’s kids.

Mackenzie Foy was brilliant as Murph. She worked well with McConaughey and made their fractious father/daughter relationship that much more endearing and engaging.

Murph’s fascination with a ghost in Cooper’s den made this feel more like a rural supernatural drama than a sci-fi flick.

However after an hour and some cryptic puzzle solving (keeping that as vague as I can), Cooper is soon initiated into NASA for a life-saving and utterly bonkers mission.

That did annoy me a little bit. We had all this build up for an hour or so AND THEN SUDDENLY BOOM! LIFT OFF! We’re in space.

Such a quick transition after some mind-numbing exposition about wormholes and coma-induced hyper-sleep by regular Nolan stalwart and screen icon, Michael Caine. All this scientific mumbo jumbo and not even a training montage?

Cooper is an engineer. That’s good enough for us. Chuck him on the ship. Okay . . .

Michael Caine isn’t very good at accents (AND a lot of people know that) BUT he still makes a memorable impression in his rather subdued science guy supporting role.

The cinematography of Hoyte Van Hoytema (that’s a real name) was breathtaking. A visual tour-de-force for the eyes alone. Even the desolate planet that is essentially made up of crashing waves looked stunning. This certainly rivals Stanley Kubrick’s 2001: A Space Odyssey on looks.

The second half of the film was tense, strange but hypnotic as tempers rose and theories pondered. A lot of bloody theories. Although I was intrigued by how staying on one planet for one hour would equate to 7 Earth years!  Mental!

The film score by the legendary composer Hans Zimmer complimented the atmospheric tension perfectly.

I don’t know whether it was me or the the cinema surround system BUT it was incredibly loud. So much so that it drowned out several of the characters and the scene stealers that were TARS and CASE. Seriously by the end, I wanted Zimmer to SHUT UP! I couldn’t hear what they were saying!

TARS and CASE? What the – What’s an interstellar journey across time and space without some robotic companions?!

The visual effects brought the robots to life. Their rapid wheel movements made the geek in me EEP a little. Voiced brilliantly by Bill Irwin (How The Grinch Stole Christmas) and Josh Stewart (Criminal Minds).

Irwin’s deadpan delivery made for some top notch banter between the robotic comedian and Cooper. Reducing his humour functions. I wish I could do that on a few people.

Anne Hathaway was very good as Brand. Her speech debating the ethics of love should have come off a little pretentious and long winded BUT her delivery made it highly engaging philosophical guff.

The cast was a fantastic selection BUT I felt that a few faces just blended into the background; William Devane, David Oyelowo, Casey Affleck and Wes Bentley (Oh dear!).

David Gyasi delivered a good turn as Romilly while Jessica Chastain was excellent which was crucial as the film drew to it’s mind boggling conclusion.

The quest for habitable planets did have some surprises along the way and made for some tense and exhilarating moments. A race against time as supplies and resources are running thin for our crew. Don’t worry, my lips are sealed. I ain’t saying nothing. BUT of course, there is a twist.

The twist! It’s the Nolans. Of course, there is a twist. Now, I saw it coming a mile away (Don’t mean to brag or anything). But the how? Woah. Not so much.

The explanation is crazy! Timey-wimey wormhole guff involving God knows what. Jonathan Nolan certainly put his theory of relativity into practice. BUT I felt that the deciphering and explanation went on far too long and then where I thought I had figured it out, I then didn’t and so on.

Inception had me actually stunned. This left me baffled and as I asked my colleagues what happened? I realised I did know what was going on BUT found plot holes. The scientific stuff might have been accurate but the decision making and events leading up to said twist were NOT so clear.

It didn’t help that as I went to tweet my 140 character review; the #InterstellarPlotHoles had already started trending.

The mix should have been heaven for me but it’s just didn’t deliver for me. I felt numb and had a head ache. I’m not stupid BUT this made me feel a little.

I respect the Nolans for bringing brains back to the blockbuster. It is very clever and brilliantly shot. The effects are to die for. BUT the story and pace dragged on too long for me and the final result wasn’t all it cracked up to be for me.

It’s hard not divulging plot points to quarrel elements. I mean the drone? What up with that?

It is certainly worth seeing and did something that not many films do these days. Get you thinking and talking. BUT for the right reasons? We shall see.

Timey wimey and hardcore sci-fi fans will love this. Others may feel a little bored and a little baffled. Best film of 2014? Sorry, that falls short. Different and diverse BUT also dense and difficult at times for me.

Alright, alright, alright for me.

3.5/5