*NEW* INDEPENDENCE DAY: RESURGENCE 3D REVIEW *NEW*

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We waited 20 years for this?!

Two decades after the first Independence Day invasion, Earth is faced with a new extra-Solar threat. But will mankind’s new space defenses be enough?

It is what is. A visually stunning and ridiculous cliched mess of a guilty pleasure. Fun viewing regardless.

Independence Day was an Oscar winning (Yup. You read that, right?) blockbuster that delivered one of the most iconic movie shots of all time. Albeit an alien death ship blowing up the White House.

The only problem is that it has been 20 years since Independence Day opened the door for bigger blockbusters with even more ridiculous effects and sillier plots that have milked every stupid cliche dry. A couple of them penned by Roland Emmerich himself.

I’m not going to lie. This was probably the one guilty pleasure I was actually looking forward to. BUT did it deliver? After the long wait and the return of some old faces, I can say with full fervour . . . Meh.

Let’s start with the good. This won’t take long. The effects (of course) were fantastic. Visually stunning. The alien technology from the ‘War of 96’ creating an ultra-futuristic 2016 (Well, Washington DC) with hovercrafts, spaceships and giant floating jumbo screens. Crazy.

The 3D was quite good especially when our green friends made their proper introduction. Missiles and tentacles flying out left, right and centre. It was great to see Goldblum, Pullman and Spiner back in the mix.

Pullman looked rough. He tried his best to work with the “serious subplot” as the tormented ex-President still plagued by strange visions. BUT it didn’t really work and there wasn’t even a “Today, we celebrate our Independence Day” speech. One of the greatest speeches in movie history!

Spiner (Star Trek) hasn’t aged a day and was just as nuts as he was the first time round. Goldblum’s dry Ian Malcolm wit has been missed and was definitely needed to poke fun at this!

In a ridiculous scene involving a 50 foot alien chasing a school bus of children (Yup. That stupid), our hero can’t leave until the kids save their dog. “Let’s not forget the dog. There’s always a dog”.

If anything that scene summed up the movie. It felt like one big parody of the original. Emmerich and co must have banked everything on Will Smith’s return. BUT studio rumours speculated that the Hollywood megastar demanded $50m (Whaaat?!!) to appear in two sequels.

Once they turned him down, the writers just put any old thing together. You could tell that Emmerich was still sore about Smith’s absence as he wrote the resilient Captain Steven Hiller off in an embarrassing fashion. The bad ass, that welcomed an alien to Earth with a punch in the face, bumped off in a botched test practice. Ouch.

He seemed to punish the Hiller clan full stop. Jessie T. Usher was terrible as Dylan Hiller. It didn’t help that his character was so weak and by the closing minutes, you soon realised how unnecessary he was. Vivica A. Fox didn’t receive any better treatment with her cameo.

All the old faces tried to do the exact same thing with worse results. And when they weren’t involved, they were replaced with annoying new faces. William Fichtner (Prison Break) was wasted in his role while Sela Ward (House) was a highly unmemorable President.

Charlotte Gainsbourg (Antichrist) was a weak and needless character. The whole Africa subplot was a joke and a bad one. Kicking alien ass with an African warlord? Really. I’m either making that sound better or worse. Even if Areo Hotah (Deobia Oparei – Game of Thrones) was said warlord.

Liam Hemsworth (Hunger Games) stole the show and managed to work his charisma on a dull role. Maika Monroe (It Follows) wasn’t too bad. I wish more was made out of the pair as they had good chemistry and were the least annoying out of the bunch.

Goldblum wasn’t really in it as much as you’d think. His presence missed in every frame. Smith and a character of Randy Quaid’s gusto was also missed and needed in this messy retread.

This sort of film is what my mate would call, ‘a sh*t BUT good’ film. It was a laugh (probably for all the wrong reasons) and it killed the time. BUT when you compare it to Emmerich’s weaker efforts *cough* 2012 *cough*, it still fell short.

There were astronauts drinking moon milk, for God’s sake. Seriously? The questions? I know Independence Day wasn’t a work of art by any means. Goldblum destroyed an alien mothership with a computer virus. Because all alien death machines have USB ports, right?

*POTENTIAL SPOILER* Things were left open for another BUT they’re going to have to cook up something pretty damn special after the poor box office takings and mixed reviews. That might be put on hold or the SyFy channel.

Despite all the crazy visual effects and silly fun; this sequel was an empty vessel that lacked the charm and energy of the original. Worth a watch for the die hard fans and B-movie cineastes.

2.5/5

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GONE GIRL REVIEW

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If you haven’t gone. Go!

One of the best films I have seen in a long time and dare I say a contender for film of the year? Can Fincher do no wrong? (Leave Alien 3 out of this!)

With his wife’s (Rosamund Pike) disappearance having become the focus of an intense media circus, a man (Ben Affleck) sees the spotlight turned on him when it’s suspected that he may not be innocent.

After seeing the heavily advertised trailers and endless hype for Gone Girl, I dreaded seeing it. I felt the trailers gave everything away and left little for me to look forward to. I went in expecting to be disappointed, praying that it will at least be watchable.

But not this time. A slow burning, tense, suspenseful murder mystery that keeps you guessing. Dark, clever and, at times, surprisingly funny with some sharp satire on the relentless media manhunt that can consume a nation and remove objectivity where it’s really needed.

The opening hour very much sets up the pieces flicking back and forth from the initial incident. We get a sense of each character. The inevitable finger pointing game begins; “I think they’re hiding something”, “He looks dodgy”, “I think he or she did it”.

Ben Affleck was fantastic and apparently battling his Batman bulk. But the real plaudits will go to Rosamund Pike. A fitting end note for a busy year of movies for her. The Oscar buzz around her performance is completely justified.

Now I will admit that I haven’t read the novel. People have told me that the book is so much better. If that be the case, I must read this book because the film was brilliant. It helps that the screenplay was adapted by the author Gillian Flynn.

I’m sure many of you have heard the twist talk. Yes, there is a big twist. That is revealed quite early on. I will not be revealing any plot points because I want people to see this. However, I did find that the twist transformed the film for me and took it to another level.

The first half of the film had chugged along quite well and certainly played on the paranoia and suspicions fantastically with the endless red herrings. But once the twist is revealed, it changes everything and how everyone was initially perceived.

My main quip with films (of late) was pace. At 165 minutes, I thought this film would test me. BUT for once, I found myself hooked and actually turning my phone off to avoid interruptions. Transfixed by the story, the acting and suspense.

The trademark cinematography (and regular Fincher stalwart) of Jeff Cronenweth certainly adds to the murky undertones flowing through the film. Fincher also has a fantastic supporting cast at his fingertips.

Tyler Perry was surprisingly good, delivering some unexpected but hilarious one liners as the ruthless smooth talking lawyer. To be honest, I wanted more to see more of his character. Sela Ward (House) and Missi Pyle (Dodgeball) were perfectly cast as the silver tongued media mouthpieces thriving on the attention focused on Affleck’s Nick.

Flynn couldn’t be any more accurate with the representation of the media surrounding the missing; the social media in particular. How a simple picture can be manipulated to mean so much more than was originally intended.

Gone Girl allowed some smaller actors the opportunity to step up. Kim Dickens (The Blind Side) was very good as the relentless detective hell bent on persecuting Nick. Neil Patrick Harris (How I Met Your Mother) went completely out of character. A breath of fresh air. He played the part to perfection.

Kathleen Rose Perkins was wasted in her role. Anyone could have played her. A real shame after her performance in Episodes. The real scene stealer, second to Pike, was Carrie Coon as Nick’s twin sister Margo. Coon has already made an impression after her turn in the bizarre but strangely hypnotic The Leftovers. Performances like this will certainly keep her very much on the watch list.

I felt the ending fitted the film perfectly but others may find it a little too abrupt and open. It is always a risk when everything pieces together that the final unravelling may disappoint. BUT there is certainly a lot more to this than meets the eye.

A film that very much lives up to the hype. Tense, suspenseful, dark, engaging. GO SEE NOW.

4/5

Yes, a 4! Finally a film to break the endless ranting and raving from this reviewer.