*NEW* 50 SHADES OF GREY REVIEW *NEW*

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I’d rather look at 50 different shades of grey than endure this again.

Well, that’s what I thought I was going to say. Yeah, I can’t believe I watched it either. What did the Mad Movie Ranter make of the highest earning controversial adult movie of 2015?

In a nutshell, I didn’t mind it.

Literature student Anastasia Steele’s (Dakota Johnson) life changes forever when she meets handsome, yet tormented, billionaire Christian Grey (Jamie Dornan).

After all the negative press, Twitter bashing and that massive Razzie collection, I kept thinking to myself “Am I missing something here?”. I found this kinky little love story quite watchable. The two leads had great chemistry. The soundtrack was excellent.

Seamus McGarvey’s cinematography was hypnotic and director Sam Taylor Johnson dealt with the subject matter tastefully. And no, I’m not being sarcastic.

Scandalous? Outrageous? Not at all. Was that the problem?

I will admit I’ve never read the books. And I don’t intend to. I made the mistake of buying them as a gift for my mother completely unaware that they were essentially “book porn”. A mistake that will forever haunt me. However, 50 Shades bookworms (and Mum) gave me a little context as I prepared myself. And to be honest, it wasn’t what I expected at all.

I thought Dakota Johnson played the naive and impressionable Anastasia perfectly. Her first encounter with the mysterious Mr Grey made for watchable viewing. I wasn’t sure if Jamie Dornan would deliver (after all the rumoured names attached to the role) BUT he handled it with plenty of charm and charisma. I was only familiar with the chap from his killer role in the BBC hit show The Fall. Considering he has a thick Irish accent, he mastered the American twang brilliantly.

At its core, it was a typical cheesy love story. BUT I’m happy to watch a movie like this if the couple are engaging enough. Luckily the pair’s chemistry kept things very watchable. The whole girl falls for wealthy businessman spiel has been done to death BUT of course, there was a slight twist on it all. Because Mr Grey has a secret. Hidden in the many rooms of his lavish penthouse suite.

“I want to show you my playroom”. An odd request from the mysterious millionaire. An innocent response from the naive Anastasia, “Like your X-Box and stuff?” and I was intrigued.

I thought the S&M stuff was handled delicately as Grey shared his seedy secret. Director Sam Taylor-Johnson (Nowhere Boy) and writer Kelly Marcel (Saving Mr Banks) slowly introduced it into the mix as their romance blossomed. Hardly controversial or sordid. Is that why people hated it because it wasn’t rude and filthy enough? There were some raunchy moments as Anastasia was blind folded and strapped up. And Miss Johnson certainly wasn’t that shy in getting her kit off.

It was an interesting contrast seeing Anastasia’s naivety of the situation. Finding Grey’s obsession a mere game. Not fully understanding that he’s only giving her a taster. The contract meeting to keep their relationship undisclosed was laughable in its own right. BUT the fact Anastasia doesn’t take it that seriously can only spell disaster.

Apart from the odd sex scene, their romance chugged along as Grey shared his rich lifestyle with Anastasia and even introduced her to his foster family. My main quibble was that the supporting cast were wasted. A shame considering the talent; Marcia Gay Harden (The Mist), Jennifer Ehle (Zero Dark Thirty) and Callum Keith Rennie (Memento).

Their characters were far too weak and merely there to break up the pair fooling around. I’m aware that they may feature more in the upcoming sequels. BUT they didn’t really make much of an impression for their first outing and Rita Ora looked like she was in the wrong movie.

Apart from that, I wasn’t really bored. The pace didn’t test. The soundtrack was great (Something else somebody bought for their mum). Featuring chart hits from The Weekend and Ellie Goulding. The closing moments certainly spiced things up as Grey’s inability to share and connect, along with his kinky fixation, continued to forge cracks in their fragile relationship.

I know there was a little backlash regarding a scene involving a slap BUT I thought it raised an interesting argument between the pair and attempted to question this S&M taboo. If anything, I was a little bit annoyed because we were starting to unearth a little more into Grey’s past, the pair had a massive fight and then it just ended. Rather abruptly.

Of course, more is to follow. And despite such low ratings, it was one of the highest earning R-rated movies of the year and earned a sequel. One I might actually be tempted to see. I don’t think they could have made the film any cruder because then it would have been a different kind of adult movie altogether. If you know what I mean.

I felt the pair had better chemistry than Kunis and Tatum in Jupiter Ascending and to be honest, in comparison to the other films that were nominated for the Razzies, this was a much better effort. Surprised, to say the least.

3/5

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STOP! OSCAR TIME. THE RANT . . . I mean nominations.

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Awards seasons is well and truly underway and of course the OSCARS are vastly approaching. The nominations are here at last. Granted, I’m a little behind. Hey, I’ve been busy. Plus it’s been good to see people’s reactions on the list. Now, it’s my turn.

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  • So first up, here are the nominees for BEST PICTURE; 12 YEARS A SLAVE, AMERICAN HUSTLE, CAPTAIN PHILLIPS, DALLAS BUYERS CLUB, GRAVITY, HER, NEBRASKA, PHILOMENA and THE WOLF OF WALL STREET. 

Mixed bag for me. Some of these riding on too much hype. Hype always helps in getting films noticed but these ones? Hmmm . . . personally, I feel that American Hustle and Captain Phillips do not deserve this nod. BEST PICTURE to me, means the best film in story, acting and . . . well everything. Both excelled as acting showcases but all in all, were both drawn out, long winded affairs that lost my interest through the halfway point. There is no need to make a film two to three hours unless the ends justifies the means. Now, Gravity is another over-hyped example. Deserves all the nods for visual and special effects but at it’s core, I personally felt the film died off when *SPOILER* Clooney did. In all fairness, he deserved a Best Supporting nod. He stole every scene. At Gravity’s core, however, is the same old predictable story of survival. I can’t believe I’m saying this but I had more enjoyment out of Armageddon! If she died, would have been a waste of time, so only one way it could go and it felt like an eternity not 90 minutes.

The others I have yet to see. The joys of being in a town where there are no independent or arthouse cinemas. BUT I have done my research. It’s great to see Nebraska and Philomena getting a nod. Philomena is a fantastic film, if unexpected nomination. However, these are definitely going to be the outside bets. Same applied for Dallas Buyers Club. Now, this is where my bias kicks in. Huge Scorsese fan! So I want Wolf of Wall Street to win. But I would say 12 Years A Slave will get this in the bag. The reaction has been a lot more united on this picture, while American Hustle and Gravity have torn people straight down the middle.

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  • Next, BEST DIRECTOR! And the nominess are; Alfonso Cuaron, GRAVITY, Steve McQueen, 12 YEARS A SLAVE, Alexander Payne, NEBRASKA, David O Russell, AMERICAN HUSTLE, Martin Scorsese, THE WOLF OF WALL STREET

Directors- not too much to say. You know who I want to win and frankly he has been ignored for too long. Scorsese finally got an Oscar but one of his weaker projects. Getting one for Wolf of Wall Street would rectify that. But I think it will be between Cuaron and McQueen. It should be McQueen but can’t help but feel Cuaron will nick something from all that astronomical hype (See what I did there).

  • BEST ACTOR – Christian Bale, AMERICAN HUSTLE, Bruce Dern, NEBRASKA, Leonardo DiCaprio, THE WOLF OF WALL STREET, Chiwetel Ejiofor, 12 YEARS A SLAVE and Matthew McConaughey, DALLAS BUYERS CLUB

In all fairness, I wasn’t surprised that Tom Hanks didn’t get a nod for Captain Phillips. Tremendous actor that he is. He only really got the final 10 minutes to show why he has earned that reputation. It was a wasted platform for him. Christian Bale was a surprise. Powerhouse actor but I felt he was incredibly passive and to be honest I have seen him do much better. He should received this nod for The Machinist. A painfully drab film that was uplifted by his sheer performance. American Hustle not so much. In all fairness, I felt Idris Elba should have had one more for Mandela: Long Walk to Freedom. A flawed biopic that was carried by his sheer gravitas. I mean, Denzel Washington got one for Flight and well . . . that was nothing special. Even Colin Firth should have received one for The Railway Man. The emotion he delivers through his expressions is worthy alone. However, Leonardo DiCaprio has excelled film after film. He deserved an award for Django Unchained and should so for the Wolf. People are saying this is his year but how many greats have not been acknowledged by this noble award ceremony? Should be DiCap but money’s on Ejiofor. Great to see him get recognised for the talent actor that he is and no, not just because he was in Kinky Boots (that was filmed in my hometown. NORTHAMPTON!).

  • BEST ACTRESS – Amy Adams, AMERICAN HUSTLE, Cate Blanchett, BLUE JASMINE, Sandra Bullock, GRAVITY, Judi Dench, PHILOMENA and Meryl Streep, AUGUST: OSAGE COUNTY. 

Right, love Amy Adams and Sandra Bullock but Best Actress? No. Adams’ accents were irritating, especially her “English” one. Great performance but not Oscar worthy. Same for Bullock. She expressed and delivered all the emotions any one could feel in that situation but I struggled to keep up with the film. I mean Doubt was a slow-burner but I couldn’t stop watching because of Streep’s performance. Ironically, multi-Oscar winner Streep has been nominated yet again. Not undeservedly so. She may have done some duds, but no one can doubt her performances and abilities. Keeping in mind with my previous comments, an actress I couldn’t keep my eyes off (Not like that! Well a little) was Cate Blanchett. BJ (Come on! We’re better than that!) Blue Jasmine was a ‘GOOD BUT . . .’ film for me. BUT Blanchett’s performance was impeccable. I think she will win. I really want Judi Dench to win. A fantastic actress and her performance as Philomena was funny and endearing but the buzz is pointing to Mrs B. Also, where was Emma Thompson’s nomination for Saving Mr Banks?! Shocking. Can’t believe she got cut from the list.

  • BEST SUPPORTING ACTOR – Barkhad Abdi, CAPTAIN PHILLIPS, Bradley Cooper, AMERICAN HUSTLE, Michael Fassbender, 12 YEARS A SLAVE, Jonah Hill, THE WOLF OF WALL STREET and Jared Leto, DALLAS BUYERS CLUB

Now firstly, not a bad selection. However, I do feel Hiroyuki Sanada should have a nod for The Railway Man. However, I’m not going to lie, I get confused with the release date period plus in the UK we seem to get everything a few months behind. Abdi was incredibly sinister and played the part well in Captain Phillips. I want Bradley Cooper to win. He has excelled since the Hangover and he stole the show, well almost, in American Hustle. That nod goes to someone else.  Money’s on Jared Leto who has been the dark horse and winning a few awards already for his performance.

  • BEST SUPPORTING ACTRESS – Sally Hawkins, BLUE JASMINE, Jennifer Lawrence, AMERICAN HUSTLE, Lupita Nyong’o, 12 YEARS A SLAVE, Julia Roberts, AUGUST: OSAGE COUNTY and June Squibb, NEBRASKA

There can only be one for me in this group who managed to make a quite pointless character enjoyable and memorable and that is Jennifer Lawrence. It’s a shame because Sally Hawkins was very good in Blue Jasmine. Interesting that Julia Roberts is supporting? From the trailer, I assumed that the main storyline revolved around her character and Streep was the supporting role? Hmmm.

Now, the others. Harsh but these ones get rushed across or are previewed during the relentless red carpet coverage or all the advertisements. It’s infuriating because these awards are still important; a good script with a good story makes a huge difference. Editing, sound, cinematography helps create a film and make it more memorable. If the sound doesn’t match or the film looks too grainy, that’s it, you’re out of there but hey ho.

  • BEST ADAPTED SCREENPLAY – 12 Years a Slave, Before Midnight, Captain Phillips, Philomena and The Wolf of Wall Street

Money is on 12 YEARS A SLAVE!

  • BEST ORIGINAL SCREENPLAY – American Hustle, Blue Jasmine, Dallas Buyers Club, Her and Nebraska

A tough one. All valid candidates for a change. Now, Alexander Payne is normally the king for nailing this so I would say Nebraska. But I feel O’Russell will lose out on the bigger fish and might just sneak this. However, Oscar nominee regular Mr. Woody Allen might fancy his chances. Tough call. Gutted that Kelly Marcel didn’t get the nod for  Saving Mr Banks.

  • BEST ANIMATED FEATURE – The Croods, Despicable Me 2, Ernest and Celestine, Frozen and The Wind Rises

Got to be between Frozen and Despicable Me 2. Now, I want Despicable Me 2! Minions all the way and if they could accept it either dressed as Minions or an animated acceptance speech, that would be great (In Office Space voice). However, Frozen would be more fitting of the Oscars though. Both enjoyable none the less.

  • BEST ANIMATED SHORT – Feral, Get a Horse!, Mr Hublot, Possessions and Room on the Broom

Money’s on Get a Horse! It’s Disney, John Lasseter produced, can’t see any others beating it. Feral as the outside bet possibly.

  • BEST CINEMATOGRAPHY – The Grandmaster, Gravity, Inside Llewyn Davis, Nebraska and Prisoners

Money’s on Gravity. As much as it may have been overhyped, one thing that can’t be argued is the look of it. Beautiful and stunning. However, Prisoners was shot fantastically as well. But Gravity, all the way.

  • BEST EDITING – 12 Years a Slave, American Hustle, Captain Phillips, Dallas Buyers Club and Gravity

American Hustle, methinks. I feel the film will pull in what it can because it may fall short of it’s buzz. However, Greengrass’ projects of late have been commended for their editing. Gravity may miss out in place for the more visual awards.

  • BEST COSTUME DESIGN – 12 Years a Slave, American Hustle, The Grandmaster, The Great Gatsby and The Invisible Woman

12 Years and American Hustle look outstanding in their design but there can be only one for it’s lavish and luscious costume and that goes to the Not-So-Great Gatsby.

  • BEST MAKE UP – Dallas Buyers Club, Jackass Presents: Bad Grandpa, The Lone Ranger

Would be great to see Jackass to win for Knoxville’s make up but as it’s “Oscar season”, money on Dallas Buyers Club. Although strangers things have happened.

  • BEST MUSIC – The Book Thief, Gravity, Her, Philomena, Saving Mr Banks

May have cut short on everything but surely Saving Mr Banks will win this one?!

  • BEST SONG – ‘Alone Yet Not Alone’, Alone Yet Not Alone, ‘Happy’, Despicable Me 2, ‘Let It Go’, Frozen, ‘The Moon Song’, Her, ‘Ordinary Love’, Mandela: Long Walk to Freedom

Would love Happy to win. I mean it’s been number one in the charts over here for how long? Plus it’s a TUNE. However, Disney are a tough competitor. But let’s not forget that fateful year when Amy Adams sang live two or three songs that were nominated for Enchanted. Only for the couple from Once to win. Only one nomination in the group. Also, Three Six Mafia (Who?) have got an Oscar. Haven’t done much since. Didn’t do much before. Just stayin’ fly, I suppose 😉 Still don’t remember them? John Stewart said what everybody was thinking at the time, “Three Six Mafia 1, Martin Scorsese 0”

  • BEST PRODUCTION DESIGN – 12 Years a Slave, American Hustle, Gravity, The Great Gatsby, Her

Toss up between Gravity and OK Gatsby (What? It weren’t that good. Nice to look at, though). Got to be the Gats.

  • BEST SOUND EDITING – All is Lost, Captain Phillips, Gravity, The Hobbit: The Desolation of Smaug, Lone Survivor

Gravity or The Hobbit. I would say, The Hobbit will get one preciousssss

  • BEST SOUND MIXING – Captain Phillips, Gravity, The Hobbit: The Desolation of Smaug, Inside Llewyn Davis, Lone Survivor

Inside Llewyn Davis might snag this one and hopefully avoid a complete snub. We shall see. If not, there is only one, preciousss because one film of this magnitude does not simply go to the Oscars and get one award.

  • BEST VISUAL EFFECTS – Gravity, The Hobbit: The Desolation of Smaug, Iron Man 3, The Lone Ranger, Star Trek Into Darkness

Gravity. Sorry, oh Smaug, breathtaking beast that you are but you cannot match the beauty of the Earth. Star Trek, fantastic effects but alas, worse than that, it’s dead Jim.

The other nominations I am unfamiliar with and I don’t think it’s fair to comment. Plus not much buzz to go. Best documentary. I’d place my bets on The Act of Killing.

  • BEST DOCUMENTARY FEATURE – 20 Feet from Stardom, The Act of Killing, Cutie and the Boxer, Dirty Wars, The Square
  • BEST DOCUMENTARY SHORT – Cavedigger, Facing Fear, Karama Has No Walls, The Lady in Number 6: Music Saved My Life, Prison Terminal: The Last Days of Private Jack Hall
  • BEST FOREIGN LANGUAGE FILM – The Broken Circle Breakdown (Belgium), The Great Beauty (Italy), The Hunt (Denmark), The Missing Picture (Cambodia), Omar (Palestine)
  • BEST LIVE ACTION SHORT – Aquel No Era Yo (That Wasn’t Me), Avant Que de Tout Perdre (Just Before Losing Everything), Helium, Pitaako Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?), The Voorman Problem

A breakdown will down later on, with my Oscar checklist and bets, plus more buzz on the later categories. And let’s see how many on the Oscar lotto I can get. Such fun! Plus Dory’s back! Expect selfies. Run Spielberg Run!