MAD MAX: FURY ROAD REVIEW

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Mad doesn’t even come close.

Feel the fury of the merciless car chases. The Road Warrior is back. But badder and better?

In a stark desert landscape where humanity is broken, two rebels just might be able to restore order: Max (Tom Hardy), a man of action and of few words, and Furiosa (Charlize Theron), a woman of action who is looking to make it back to her childhood homeland.

George Miller brings his Road Warrior to the 21st Century. Rebooted, rejuvenated and relentless.

Hardy was the perfect choice. On paper. I felt his performance was a little shaky. His interpretation was a little disjointed. I’m not sure whether it was down to Miller’s direction or what?

Hardy seemed too mechanical. He barely said a word. Which wasn’t a problem but when he spoke, it was drivel. I preferred Mel Gibson. He may have played the mystery man but he did have some charm and charisma.

It didn’t help that Hardy had that metal mask on his face for the first 45 minutes. Badass, yes! BUT he looked like a post-apocalyptic Bane. He must be born into these roles 😉

John Seale’s cinematography was something else. Absolutely breathtaking. He really brought Miller’s dream apocalypse to life. Miller made full use of that mega million budget to make his future apocalyptic wasteland.

It’s great watching the original Mad Max trilogy before hand. Fans will know that it was all building up to this. I was still debating whether it was a reboot or a sequel.

If you are unfamiliar with the original films then it isn’t essential at all. But for MM fans, the car was there? So was it a reboot? The voices and the vision of the child asking Max to save them felt like a reference to the trilogy? So a sequel?

Either way, not a MUST!

The set pieces were intense. I was impressed by what Miller had done with the original trilogy. Proper cars, proper chases. For the majority of the action, it was still in that vein BUT on a biblical scale.

However, as with all blockbusters CGI inevitably makes an appearance. I only saw this in 2D. You could tell what bits would have been in 3D and to be honest, I’m a little miffed that I missed my chance.

BUT it also made everything look way too cartoony. The CGI in the sandstorm sequence was too much and killed the intensity of the chase. It was worse than the dated props and dummies of the 80s.

The Mad Max franchise may have been starting to show its age and what do you expect after 30 years?! It was always strange. I loved the nihilistic undertones. Dark, brooding, haunting with the right level of silliness.

Miller just cranks it up to 11 and revs the engines for sheer balls craziness. From the off, it’s fast, frantic and violent. I was hooked. Merely because it doesn’t give you a chance to take in all the quick-cut editing and sweeping shots.

Hugh Keays-Byrne was brilliant as the demented Immortan Joe. The patriarchal leader that rules all. Controlling the water supply. Turning it on at small intervals to watch the slaves fight for thirst.

And of course, in typical Mad Max fashion, he sends tankards out on quests to seek . . . that most precious of substances, gasoline!

Nicholas Hoult was superb as Nux. The ailing obedient servant hell bent on earning Immortan Joe’s respect. He really has excelled from About A Boy and Skins. Delivering another scene stealing performance.

There were a couple of angles that did intrigue me. The idea that this strange colony abduct people from the road and use them as blood bags was messed up. The weird mythology that Immortan Joe enforced about Valhalla was laughable.

I felt like I was on drugs watching the thing. His servants getting pumped before a gasoline siege by spraying some weird chrome stuff over their mouths while praying to the Gods of V8? What a lovel- strange film! And that dude with the guitar? WTF?! To remind you. Un pic below:

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Que?

I know the film has sparked debates with its feminist context. I merely review films but the idea of women against the patriarchy certainly made this installment stand out a little more. And let’s be honest Mad Max fans, it had been heading that way.

Let’s not forget Tina Turner’s surprising turn in Mad Max: Beyond The Thunderdome and maybe forget the Hook Neverland kids vibe in the last part.

If anyone could play a strong female defying the odds and breaking free, I couldn’t think of anybody better than Charlize Theron. She was very good as Furiosa. Immortan Joe’s most valued servant. Or so he thought.

My main issue was that the supporting ladies had such unmemorable characters. Zoe Kravitz was very weak. I think the only one that stood out was Rosie Huntington-Whitely (No, not because she’s the model. Although . . . NO! Focus) BUT because she was the only one who had a teeny tiny piece of back story to support the rather weak story line.

There were a few twists along the way. Miller may have lost it with the OTT demented silliness BUT he still wasn’t afraid to shake things up when the pace seemed to lumber. And unfortunately, it did in parts.

For MM fans, I felt that Fury Road was a revamped Mad Max 2. One of the best installments in my opinion. Immortan Joe felt like he had been torn from the same cloth of Lord Humungus. He even had a stupid and memorable mask as well!

The musical score by Junkie XL was incredible. I don’t normally commend movie soundtracks but it really made the chases that much more dramatic and engaging. Exhilarating and frantic. Very much like the movie.

I just wish there were more memorable supporting characters. The endless visions, hallucinations and flashbacks that Max experienced were really annoying. The more they popped up with that annoying kid, the more I could feel my patience wading.

Max only really got to shine in the last 20 minutes. I’m sure that was the point but Max was always the one you were routing for. The underdog. This time, you have Furiosa. Max just seemed so bland. He got lost in the mix. BUT how could he not with this demented wasteland?

Mad. Not at all. I was hooked. The action was intense. BUT Miller could tone down the craziness and crank up some plot and characters for the next post-apocalyptic western. Maybe.

3/5

TRANSFORMERS: AGE OF EXTINCTION REVIEW

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Trans-Bore-Mers: Age of The Extinct franchise. Michael Bay is back with more bang, more bucks and more . . . of the same old monotonous, mechanical overlong drivel.

Raking in close to a billion dollars, I am lost for words. You know you’re onto a loser when Mark Wahlberg can’t even save the day or make really bad lines good.

To be honest, I’m not the biggest Transformers fan. I felt the original was overhyped and took me a couple of viewings to get into it. I actually enjoyed the second instalment which was heavily panned and the third . . . well, the action was good and Rosie Huntington-Whiteley . . . wow! What?

Now to be honest, the opening half hour was actually not that bad. It was typical Bay; clichéd, corny, OTT, explosions everywhere but enough to keep you glazed over and attentive plus it was funny (for the right reasons? Meh). A couple of surprise twists involving some characters was unexpected but watchable. The idea of all Transformers being hunted down was a decent concept.

The 3D is fantastic . . . for the first 40 minutes then it seems to disappear. All the stuff that had popped out or flew across the screen vanished. The special effects were outstanding anyway but for once, I thought this could be a film that proves that 3D is not just a gimmick. Alas, it was not to be. Bay cannot be challenged on his visual mastery but when it comes to pace, characters and story, well . . .

After two hours, I was asleep. If not for Stanley Tucci’s egotistical demented take on the late Steve Jobs, I would have been out the door much sooner. Once you’ve seen Optimus smash up a dozen robots/buildings, it gets repetitive really fast. A couple of awesome bad ass moments from Prime does not excuse the fact that Bay has nothing else to offer.

The problem with these giant robot blockbusters is that what the hell are humans are supposed to do? Apparently scream and moan at each other. It would have been nice to see the Autobots not cause as much as destruction as their foes . . . or least try.

Kelsey Grammer proved to be quite sinister and badass. The only problem (apart from the fact the older he looks, the more he becomes The Prospector from Toy Story 2) is that his character is pushed into the background.

Titus Welliver (Gone Baby Gone) played a piece of work until the mad-dash finale that seemed to throw everything but the kitchen sink. Marky Mark and his funky bunch of young up and comers were increasingly irritating and clichéd as the film dragged on.

Wahlberg does his best but trying to make lines about spaceship insurance and being an inventor and having to invent not sound terrible was always going to be a challenge. He might as well have said, “I’m a peacock. You gotta let me fly”. The overprotective father spiel is old hat and beefing it up with Jack Reynor’s (Delivery Man) younger cocky Irish Seth Rogen looking boyfriend just came off hammy.

It was great to see the pretty Nicola Peltz (Bates Motel) get a bigger platform but to play another troublesome teenage daughter again? Not so much. Screaming and complaining about her father all the way through was disappointing.

Also an elongated joke revolving how the young couple came to meet was stupid and a little dodgy. I mean Reynor’s character carrying a Romeo and Juliet statute in his wallet? Really? What was that about?

Sophia Myles was wasted as a geological scientist. I mean, to be frank, her character was pointless. The only human actor to get out of this mess Scott-free would be the legendary T. J. Miller (Silicon Valley) as Wahlberg’s comic sidekick. A much needed boost in the endless drivel of predictable hokum.

The proof was in the pudding in how Bay had little to offer in story by the fact that Megatron is back yet again. Granted, it was clever how it was incorporated into the little story there was. The Autobots heralded a great voice cast including the likes of John Goodman, Ken Wantanabe and John DiMaggio (Bender from Futurama) but not even they could make some of the leaden lines jump off the page. Shame.

The jokes were flat and so OTT that I found myself shaking my head. I mean the sequence with Tucci and Bingbing Li kung fu fighting their way across Hong Kong felt like a drawn out live action cartoon skit. And Megatron demanding his minions find his seed was . . . just . . . oh my!

I mean, let’s be honest, Transformers is not that sort of film. It’s big, dumb and full of – robots. But it can be a whole lot shorter with more interesting characters and for once, maybe it should take itself a little more seriously because it’s getting ridiculous now.

One for the scrap heap? It’s in the crusher, waiting to be crushed but at the moment, my hand is just hovering over the button.

If there are going to be two more sequels (God help us), Bay better find his A-game fast!

2/5

Currently ranked 142 out of 197!