*NEW* X-MEN: APOCALYPSE REVIEW *NEW*

x-men-apoc-ukposterbanner-01

Was another one really necessary? Probably not BUT with Singer at the helm, I knew I was in for a treat.

After the re-emergence of the world’s first mutant, world-destroyer Apocalypse, the X-Men must unite to defeat his extinction level plan.

I loved the X-Men movies (Yes, even The Last Stand. No, really! I’ve seen worse. Trust me). BUT I couldn’t get into X-Men: First Class and felt the Wolverine spin-offs were a massive let down (Although I still have high hopes for Logan!). A shame considering the cast, the characters and Hugh flippin’ Jackman!

Disappointing affairs that there were either too long, too dull or riddled with far too many plot holes and I didn’t even read the comic books.

Thankfully Days of Future Past was a return to form and mixed the old cast with the new perfectly. Singer’s direction being the missing ingredient. I had to laugh at his sly dig about the third movie always being the worst in a “Star Wars” debate. Righting so many wrongs in one action packed package.

So here we are . . . *WARNING POSSIBLE SPOILERS!* After the bombshell that was delivered at the finale of Days of Future Past, I really wanted to see the next installment. BUT one that followed on. NOT going back into the past again! I was a little disappointed BUT it was still a highly watchable and enjoyable effort.

The idea of mutants existing through history and NOT just from experimentation was a different angle.

The opening felt like something out of The Mummy (The Stephen Sommers saga) with all the crazy golden swag everywhere and demented ritual stuff. BUT it got things going and set up the chrome-esque Humpty Dumpty looking and (poorly named) Apocalypse quite well.

_a39586d4-20e0-11e6-bd64-8acd98c1ae00

Looks a bit like Ivan Ooze.

Despite all that make up and silly voice tampering, Oscar Isaac (Ex Machina) was still a convincing super-villain (Even if he spent the majority of the film monologuing). A god hell bent on bringing the Second Coming with the help of his chosen Horsemen.

Writer Simon Kinberg and Singer explored the origins of the old favourites quite well. Tye Sheridan (Scouts’ Guide to the Zombie Apocalypse) was very good as a young Scott Summers/Cyclops. Sophie “Game of Thrones” Turner was excellent as Jean Grey. Her accent was impeccable.

There wasn’t enough of Kodi Smit-McPhee’s (Let Me In) Nightcrawler. He captured Alan Cummings’ mannerisms perfectly and stole every scene. Alexandra Shipp’s Storm was tragically lost in the mix far too much. A bit like her older counterpart in Future Past. Shame.

It was intriguing to see Fassbender’s Magneto portrayed as the tormented anti-hero. Doomed to never have a normal life after trying to start a family in Poland. The only problem was that despite giving an extra depth to the maniacal metal man, it left him skulking around for the rest of the film. Gutted.

I loved the transformation of Mystique’s character. To change from a morphing femme fatale to a conflicted symbol for the mutants’ fight for survival. BUT then again what did you expect when you have Jennifer Lawrence taking on the role?!

The only problem was that it felt like a retread from FP with Raven refusing to take the call. Even though you knew the inevitable outcome.

BUT where Singer and Kinberg explored old faces, they tried to bring in new ones which didn’t quite work. Ben Hardy’s Angel and the beautiful Olivia Munn’s Psylocke were a waste of time. Even Sabre Tooth and Toad made more memorable minions.

However, there was one face I was happy to see return and that was Evan Peters’ (American Horror Story) Quicksilver. He stole the show in Future Past and did it yet again. Featuring in one of the best animated sequences I’ve seen in a long time.

You thought the prison breakout was impressive in FP, you ain’t seen nothing yet. The detail. The effects! Fantastic. It may have taken months to shoot BUT it was worth every frame. And all perfectly timed to the rhythmic beat of Eurthymics’ Sweet Dreams (Are Made of This).

It was entertaining as hell as Quicksilver kung fu kicked doors and moon walked across fiery hallways while his clueless comrades stood frozen in time; oblivious of their impending doom.

I was a little annoyed with the influx of new faces that didn’t get enough back story to make a proper introduction. Scott’s brother Alex or Havok (Lucas Till) was hyped up as such a crucial character BUT it was his first appearance in the franchise. An unnecessary addition by the time the credits rolled.

The pace did test in the final third and the finale, despite the amazing visuals, felt like a retread of FP and First Class with Magneto sulking and wanting to end the world (Again). Yawn.

It might help to have watched the other entries to appreciate all the little nods. Especially First Class because I had completely forgotten about Rose Byrne’s character and her silly little love subplot with Professor X. Thankfully Singer and co. did a quick recap to jog the memories of those who aren’t up to speed on their X-Men history.

BUT there was still enough fun and action to keep me entertained. The only problem by trying to fill in the gaps and explore new territory, Singer unwittingly put more cracks in the time frame from the original efforts. There was a revelation surrounding one character that came out so half arsed that I wondered why they even bothered in the first place?!

Despite my gripes, Apocalypse still fitted perfectly as a precursor to the first X-Men movie (That’s the 2000 release for those who want to be pedantic with the crazy time frame) and wasn’t quite the wash out that people had me believe.

The cast were great, the effects and set pieces were breathtaking and I still had fun after 16 years and 7 films (Does The Wolverine count? Okay, 8. What about Deadpool? Steady on).

3.5/5

*NEW* BAD NEIGHBOURS 2: SORORITY RISING REVIEW *NEW*

ho00002981

“We’ve been Cosby’d!”

Bad. Just bad!

When their new next-door neighbours turn out to be a sorority even more debaucherous than the fraternity previously living there, Mac (Seth Rogen) and Kelly (Rose Byrne) team up with their former enemy, Teddy (Zac Efron) to bring the girls down.

Pretty much the exact same thing (just with a sorority) BUT a lot less funnier! Yikes.

I was surprised that a sequel was even green lit in the first place?! The first outing was watchable (At best) and delivered the odd laugh BUT it wasn’t that great.

As you could tell, I was a little skeptical before watching and the opening 20 minutes was actually quite funny and, for a moment, I wondered why people had torn into this? It was never going to win plaudits BUT it was silly college humour with all the old faces coming back.

However, it wasn’t long before my smile became a scowl as we drudged through the same old guff. You could relate to Shelby (A reasonable turn from Chloe Grace Moretz) and co as they conspire against the traditional sorority system. Creating their own society where anybody can join and do what they want.

Cue some silly spiel about sororities not being able to host parties (Google it! No, I didn’t either), a perfect property on the market, some crazy neighbours and we have . . . a dreadfully mediocre comedy.

Zac Efron didn’t do too badly and delivered the (little) laughs. Flashing his ridiculous six pack at any chance and not giving a fook.

It was great to see the old frat pack pop back up in this. Just a shame that it came with a silly subplot. As well as having to deal with the same old frustrations of not achieving any life goals, Teddy must come to terms with Pete’s (Dave Franco) “coming out” and impending marriage.

Look, I hate to be a stickler BUT didn’t Pete sleep with Teddy’s girlfriend in the first film as part of Mac and Kelly’s revenge ploy? Either way, his big gay wedding didn’t work and was lazy and unnecessary. You could understand Teddy’s childishness and refusal to grow up BUT we had all that in the first one.

Ike Barinholtz (Suicide Squad) was funny yet again as Mac’s retarded pal Jimmy. He stole the show every time. The only problem was that once he was united with Paula (Carla Gallo – Bones), he soon got on my nerves.

Her unfunny introduction wasn’t needed and brought nothing to the mix other than dropping a disgusting gag involving a baby foetus foot (Yep, you read that right).

Speaking of bad gags, the airbag gag died a death in the first movie. Bringing it back for a second time? Really? Come on! Cue another badly CGI’d Efron/Rogen flailing about in a car garage. Terrible.

Kelsey Grammer was great in his tragically short cameo as Shelby’s dad. Dr Crane knows how to get the laughs. Even Phoebe from Friends (Lisa Kudrow) got a titter with her “blink-and-you’ll-miss-it” appearance.

BUT things must have been getting desperate as I was actually pleading for Hannibal Buress (Daddy’s Home). I couldn’t stand him in the first film. He wasn’t funny and overstayed his welcome. This time around, I wanted more. The role reversal with the black police officers seizing white drug dealers was an unexpected satirical dig that delivered.

And if I’m not mistaken, I’m sure there was supposed to be more of him from the trailers. Well, none of it featured in the actual film.

Rogen and Byrne weren’t really in it as much as I thought. BUT don’t worry. They haven’t changed one bit (No, really. They do the exact same thing). It was a nice touch having the same child actors playing the adorable Stella. I couldn’t believe how much they had grown up in 2 years.

The sorority delivered a somewhat mixed response. Kiersey Clemons (Dope) and Beanie Feldstein were actually quite funny BUT I just wish the pranks were.

The girls dressing up as Minions and fumbling about like their Dreamwork counterparts? AWFUL! Making bold statements about sexism when performing an equally revolting gag compared to a fraternity doing the same thing? Surprisingly entertaining.

Prank calling Mac so he flies over to Sydney looking for his wife?

fhvw_g

It really was miss more than hit with a finale that was a complete retread of the first. The drug and sex gags just didn’t cut it. I mean they only just got away with it the last time! And it ended so cornily that . . . I lost the brain cells to think of a clever insult.

BUT I’m sure it would have been better than this bilge. Hopefully there won’t be another.

2/5

*NEW* SISTERS REVIEW *NEW*

Sisters-1-sheet-600x889

Two stars for . . . the two stars.

OTT, stupid and dreadfully unfunny. I can’t believe that this was the last film I saw in 2015.

Two sisters (Amy Poehler and Tina Fey) decide to throw one last house party before their parents sell their family home.

I really wanted to like this. Poehler (Parks and Recreation) and Fey (30 Rock) are funny ladies. BUT what drove them to do this? The money must have been good. I don’t care how ridiculous a film gets. As long as it’s funny, I can go along with the madness. This just made me mad.

The best one liners and gags only really came from their improvisation. Fey and Poehler’s commentary while they were shopping for dresses was brilliant. BUT it was far too juvenile. It didn’t work for Seth Rogen and Rose Byrne in Bad Neighbours and it certainly hasn’t here. The kids getting back at the adults. Even though the kids are adults.

It didn’t help that the hokey story line was far too dull and cliched. Poehler playing the uptight obedient daughter who never really acted out while Fey was the hothead party girl. On paper, yes. BUT the end result? Meh. Fey’s mother/daughter issues were weak as her character was never really fleshed out enough for us to actually care.

Poehler was certainly the funniest out of the pair and managed to make a more likeable and entertaining character to Fey’s loud mouthed obnoxious one. Fey’s endless tantrums and shouting just went through me. While her put downs and insults, on the other hand, were actually not bad. Especially when Maya Randolph (Bridesmaids) entered the mix.

“That’s a snazzy belt. Yeah, congrats on your wrestling championship”.

I loved Randolph in Bridesmaids BUT if it wasn’t for all the hilarious put-downs, I would have found her character annoying as well. The whole non-alcoholic gluten free drinks and Game of Thrones marathon desperate housewife gag was just boring.

I can’t believe Dianne Wiest (Edward Scissorhands) and James Brolin were in this as the parents. Wiest actually surprised me and gave it a good ol’ go BUT Brolin was terrible. Oh how the mighty have fallen.

John Cena has really gone up in my estimations. He almost topped his cameo in Trainwreck as psycho drug dealer Pazuzu. He really doesn’t care and ain’t afraid to poke fun at himself. I wished he was in this more. He worked well with Fey and you know what? The guy is funny.

Bobby Moynihan was definitely another scene stealer as annoying school chum Alex. An incident involving a tiny bag of cocaine triggered an ongoing gag that did deliver the laughs. A ticking time bomb. Never knowing when he’ll explode. Or pop up doing something crazy. John Leguizamo has a habit of popping up with naff cameos. American Ultra, anyone? His character didn’t bring anything to the fold and was completely unnecessary. Shame.

Ike Barinholtz (Bad Neighbours) and Poehler were a great couple and really saved the day. Poehler’s awkward flirting and pick up lines were fantastic. A feeble attempt of being sexy ended up with a music box going somewhere it really shouldn’t for Barinholtz. That bit did have me in stitches.

I’m sure that this big party was supposed to be a big stand against ageing, growing up, responsibility and being overlooked BUT by the end, you just felt that maybe they bloody should. The longer the movie went on, the worst it got. The damage and mayhem was good (to begin with) BUT it just went too far. Overkill. It even resorted to lazy racial profiling with Greta Lee’s nail beautician Hae-Won.

Poehler and Fey did their best and weren’t afraid to get down and dirty. BUT it was just too immature, OTT (That’s coming from an American Pie fan) and, most importantly, just NOT funny. A disappointing dud from the divas.

2/5

SPY REVIEW

Spy_VerC_GoldMelissaPoster_sRGB9

I Spy a surprisingly entertaining comedy.

A desk-bound CIA analyst (Melissa McCarthy) volunteers to go undercover to infiltrate the world of a deadly arms dealer (Rose Byrne), and prevent diabolical global disaster.

McCarthy takes on the spy genre and it’s everything you could expect. If you’re a fan, that is.

I love McCarthy. The Heat was one of the funniest films I’ve seen in quite some time. BUT then she made Tammy. A major step backwards. When I first saw trailers for Spy, I feared the worst.

And as the opening sequence began, my anxieties were justified. Jude Law’s Bond doppelganger Bradley Fine (Nicely done) was certainly entertaining enough. Delivering the naff punch lines with a cheeky wink.

McCarthy’s analyst commentary was a little flat. Her swooning over Fine was a little bland for my liking. And when their room was infiltrated by a swarm of bats from the ventilation shaft, I could feel my hopes fading fast. Not even Miranda Hart was doing it for me. (Comedically speaking. Oh, grow up).

And the opening theme song was awful. Clearly a homage to the classic Bond movies BUT they could have made the song funny or done a proper one. A little weak. Sung well though.

BUT as soon McCarthy was brought into the fold, things got a lot better and a whole lot funnier. The supporting cast were a mixed bag in every which way.

I really thought Miranda Hart would be a lot more irritating. I loved the first series of her self-titled sitcom Miranda but she soon regurgitated the same old spiel for two more series and really killed off the buzz. She was excellent. I expected a lot more silly buffoonery and endless collapsing with the occasional faint spell. There was only one moment where she got carried away as a bodyguard.

Otherwise, she came out with some corkers and worked really well with McCarthy. The pair complimented each other perfectly. And Hart’s unexpected hook up with a celebrity rapper was the most random and funniest thing I’ve seen in some time. NO SPOILERS on the rapper but what a good sport.

Jason Statham. Where do I begin? I have never lost the faith with the Stath. If I was wearing a hat, I would take it off to the chap. It’s great when you get to that stage in your career that you can play a parody of yourself. He was hilarious. Imagine Jay from the Inbetweeners with spy status. His endless BS and bizarre stories that get crazier by the minute had me in stitches.

His endless attempts to swoop in and save the day and belittling put downs on McCarthy took things up a notch when the film seemed to get a little too bogged down with the story. He was like a Crank-ed up Clousseau. A completely different side to the British bad ass.

Rose Byre looked stunning (if a little thin) as the villainous Rayna Boyanov. Even with a strange bee hive on her head. Cue endless one liners from McCarthy on that one. Her put downs with Byrne were great. “Did your father get you to dress like a slutty dolphin instructor?”.

McCarthy’s reactions and improvised banter got a lot more laughs than I expected. Sometimes when she is let loose, it can be very hit and miss. Most notably when she tries to play the tough guy. BUT her confrontation with a Swedish contact reduced him to tears and me. Fantastic.

There were so many set pieces. And the stunts were not bad. If anything, they were relentless. Seriously, Paul Feig wasn’t afraid to throw some carnage in there. The pieces were made better by the fact that McCarthy was doing them.

Her normal woman spiel really worked for this film and balanced the ludicrous humour and mad set pieces. When she tries to jump into a scooter and tumbles over, it shouldn’t have worked as much as it did but I was in stitches. “Why do you have a roof on these things? Who do you think you are? The Pope!”

I couldn’t believe that a certain Ukrainian dance group that featured in Eurovision a few years back made an appearance during a Parisian gig sequence. No spoilers. *Cough* DANZEN! *Cough*

Peter Serafinowicz (Shaun of the Dead) was great as the eccentric Italian contact, Aldo. His infatuation and sexual advances on McCarthy’s Susan. Words escape me.

However, there were a few things that let the side down.

Morena Baccarin (Homeland) was reduced to a nothingy role. Merely the spy candy that Hart and McCarthy despise. She didn’t look even that great and her character was highly unmemorable.

Bobby Cannavale managed to make more of a impression with his weak Bond villain in the fiery finale. For most of the film, he was non-existent. His mincing about in a pursuit chase did get a chuckle.

Alison Janney’s hard ass CIA boss role was so bland. It only worked because she would pass McCarthy’s new identities. Seriously every one brought a smile.

The story was weak. The whole double crossing/triple crossing spiel was predictable. It may have happily poked fun at the endless spy plots from yonder years but it wasn’t really that interesting and slackened the pace and killed the jokes.

It was OTT, manic, random BUT funny which covered the dud gags (which there weren’t a lot) and to be honest, those two hours flew by and I came out smiling.

Mission Accomplished, Ms McCarthy

3.5/5 (Just)

ANNIE REVIEW

annie_ver4

I think I’m going to like it here. Well, I didn’t like this.

A needless remake of a classic musical. OTT, ridiculously cheesy and to make it all worse, it was just rubbish.

From the opening musical number with the sassy Annie (Quvenzhane Wallis) making all the class clap and stomp in tune (The front row the rich, the rest of the class poor) I was cringing. I believe a face palm may have occurred.

Really, Hollywood? An urban take on Annie. On paper, I thought why not? There hasn’t been one BUT rehashing the classics badly with auto-tune? This could have been an opportunity to make a statement on foster care or the social care system under the veil of song but no, no, no.

A poor rehashing of the same old story line that felt even more dated and hammy than the original.

The music wasn’t bad but the “Hard Knock Life” remixed with “The Sun Will Come Out Tomorrow” didn’t do it for me. I felt the choice of Hard Knock Life was a little lazy considering one (of a long list) of the producers was Jay Z.

The whole spring cleaning routine to it was choreographed well but it just didn’t work. “The City’s Yours” sung by Jamie Foxx and “Opportunity” by Wallis were very good.

I did warm up to Wallis by the end but I found her a little annoying and too headstrong for my liking. Look at me, I sound like an old man. But something just didn’t sit right until she was paired up with Foxx. They worked well together and made the predictable cheesy relationship a little more bearable.

Foxx delivered on the singing. Of course, he would. The man won an Oscar for Ray BUT his character Will Stacks was almost a caricature. A deluded politician out of touch with the people.

Hardly original but guzzling hand sanitizer after touching and kissing a few voters? Spitting food at the homeless? Too OTT for my liking.

The auto-tuning video of said food flinging incident did get a chuckle.

Cameron Diaz overacted to the max. Don’t get me wrong. It’s a musical but I couldn’t take her seriously as the volatile foster parent, Hannigan. I winced every time she came on wailing at the kids.

The conviction wasn’t there and she annoyed the hell out of me. That was until she sang. When she first started, I thought “Bloody hell” (Well there might have been a few other choice words) but as the song carried on, her voice got better.

And credit where it’s due. She hadn’t got a bad singing voice. One actress I wouldn’t have minded hearing sing a little more was Rose Byrne. In the scenes she supported, she had a nice voice.

I would have preferred to hear more of that than her long winded stereotypical Oxford talk about being a workaholic and having no friends. That was irritating.

Look, I know musicals are always exaggerated and in your face BUT normally you can switch off and be immersed in it. And that is because as much as the songs stand out, the characters do too but I felt they strung any old cliched character together and just thought “It’s a musical, they’ll love it”.

Let’s not forget Glee is going. The musicals losing their magic once again.

There were watchable parts and the pace zipped along for its two hour length. You could tell the cast were having fun and there were scenes where you got caught up in it NOT just poking fun at it.

The cast choices surprised me. They sung very well even if the reworkings were a little hit and miss. I think I’m Going To Like It Here wasn’t bad, bar Stephanie Kurtzuba’s ridiculous impromptu social worker performance. She did my nut in.

The cameos were a little random. Patricia Clarkson (The Maze Runner) as a focus group member suffering bad side effects after using one of Stack’s phones fell flat on it’s backside. Adewale Akinnouye-Agbaje (Mr Echo from Lost) was nothing more than a smiling chauffeur. Oh how the mighty have fallen.

David Zayas (Dexter) didn’t do too bad with his flower shop mope role with a vendetta against the powers that be. Michael J. Fox popping up in a satirical PR campaign segment was a clever touch.

A mermaid movie premiere that ripped off Twilight involving Mila Kunis, Ashton Kutcher and Rihanna wasn’t bad. It certainly poked fun at the guff that makes money these days.

BUT the rest of the actual movie was just like it!

Bobby Cannavale was on scene stealing form until the last 15 minutes of the movie. Boardwalk Empire’s Gyp Rosetti singing and dancing?! Madness. His song and dance number with Diaz did leave a little to be desired.

But the whole PR campaign in which they used Annie as a marketing tool was a good little bit of satire. Shame there wasn’t more of that to make up for the lifeless characters. Cannavale’s ruthless PR executive certainly kept things moving.

Some of his one liners were spot on; “There have been worst politicians. I know. I got them elected. Schwarzenegger, Kim Jong-Il, that blood diamond guy”. It got one of a few chuckles.

The story was weak. Little orphan looking for parents that left her. Befriending a man out of touch and out of love. Finding each other. Yawnnn.

Plus the plot holes were terrible. Annie sings about the note left by her parents. BUT then later on, reveals she can’t read?! What?!

Granted. Someone could have told her what it said. It would have been more of a twist if the note actually said something else. OR if all the sub-plotting and twists weren’t revealed in song. Seriously you knew everything that was about to happen. Would have been nice to have a little mystery.

Still would have been predictable BUT something.

The film ended so frantically and cheesily that I was shaking my head. All logic out the window for a racy finish. It was stupid. BUT no worries. Throw in some schmaltzy dialogue and a few jazz hands and everything will be okay.

Shudder.

It will be a while before the sun will come out on messy musicals like this. Not a complete write off. There will be enough for the little ‘uns and the hardcore musical maniacs who are not deterred by this review. Sorry, it’s a no from me.

2/5

THIS IS WHERE I LEAVE YOU REVIEW

this-is-where-i-leave-you-84296-poster-xlarge

This is where I leave the cinema for a bit . . .

No, it’s not that bad. But not that great either considering the talent at Shawn Levy’s fingertips.

Levy’s projects have always been okay (Real Steel/ Date Night/The Internship). For some of you those titles might make you wince. The master of ground breaking comedy classics? Not even close.

The cast did their best with the material. It’s just a shame that the material is not that good. In all fairness, Levy takes a stab at family dramedy. But maybe he shoudn’t have.

AND if you wanted anyone to head a dysfunctional family, it would be Jason Bateman (Arrested Development/Horrible Bosses).

So what’s it all about? When their father passes away, four grown siblings are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother (Jane Fonda) and their spouses and exes.

Jason Bateman was brilliant. He carried the film in my opinion. His marriage breakdown story line was hardly original but it gave an extra something to the endless childish sibling bickering that dominated the majority of the screen time. How it was all resolved was a little predictable and terribly flat but at least there were a few dramatic moments to be had.

Tina Fey didn’t really deliver as much as I hoped. I know she’s funny. Come on, 30 Rock and Date Night proved that. It felt like she played it safe and stuck with the tame script which made her highly unmemorable, bar two little scenes. She worked well with Bateman and did her best but with her comedic prowess, you expected something a little better.

Adam Driver (What If?) was a much needed comedy injection. His lines were hardly comedy gold but his delivery and style managed to get a smile out of me. His relationship with Bateman made for an entertaining and endearing one.

Connie Britton was wasted in her role. A shame after her turn in Friday Night Lights and Nashville. A nothingy character that didn’t really add anything to the mix. Nothing more than a psychiatrist MILF that Adam Driver got to show off to the family.

Speaking of nothingy role, Timothy Olyphant come on down! Absolutely gutted after his terrific performance in Justified. His character was involved in a naff subplot that didn’t really go anywhere. This is what infuriated me with TIWILY. There were so many missed opportunities with the characters and the cast to make more drama and better story lines.

I know that this was adapted from a Jonathan Tropper novel. I can’t say how faithful the film is to its source material but it certainly hasn’t made me want to read it.

Some of the gags were just plain terrible. I mean the recurring joke of the little toddler moving his potty around to poop all over the house was just not funny. The little toddler himself actually was hilarious. His improvisation with some of the cast was brilliant. They didn’t expect him to retort back. More of that would have been perfect.

But potty-ing (I know it’s not a word. I’m not wasting any time finding another) around the house and flinging poo? Awww. No. AWWW – Are you kidding me? Put your potty in the bathroom, boy. Jeez.

Anyhoo . . . The sibling rivalry and tension wasn’t badly done. Everyone can relate to it in some capacity and the moments in which they look back and experience the old nostalgia make for some nice moments. One of the gags that should have been branded as just plain lazy actually entertained me.

A scenario involving some marijuana and a synagogue classroom actually allowed for a comical encounter between Bateman, Driver and Corey Stoll (Homeland). It was great to see Stoll have a bigger role and he doesn’t do a bad job as the stubborn older brother.

Ben Schwartz was incredibly annoying as the hyperactive Rabbi Charles Grodner or Boner to everybody else. Delightful. A guest that gets a giggle and then overstays his welcome . . . in almost every scene. Not even the (usually) hilarious Kathryn Hahn (Step Brothers/We’re The Millers) could save the day with her kooky momma hell bent on getting preggers. It was weak.

And Jane Fonda . . . Apart from having fake pumped up breasts to cue inevitable breast feeding gags, she was highly unmemorable. In fact, there was a bizarre revelation that occurs nearer the end of the film which doesn’t fit in at all. It didn’t work and just completely unnecessary. It was nothing more than a lazy plot device to stop the family scrapping. The only bit of real heated drama that got me interested.

Dax Sheppard (Without A Paddle) played the two-timing sleazebag well. But is this the only character that he can play? And to be honest, when he was first introduced with the Howard Stern DJ spiel, it wasn’t funny. Just annoying as hell. It made a change for Abigail Spencer (Suits) to play a more meatier role as the cheating wife. But the story line was so hammy and predictable, it never really hit the heights that you’d hope.

Rose Byrne (Damages) and Bateman had good chemistry but their love subplot was so generic and corny that I really couldn’t care. Tropper left their little romance so open as a feeble attempt to prevent the predictable outcome but just made it flat and uninteresting.

To be honest, this film only did one thing. Well, two. Waste my time. And make me realise how good August: Osage County was. If you want a good family drama, then I’d invest your time in that instead.

There is the odd moment to be had. One chuckle here, one little heart plucker there. But memorable and entertaining? Quotable and re-watchable? Meh.

2/5

BAD NEIGHBOURS REVIEW

neighbours

Rogen vs Efron. Family vs Frat. Who Will Win? There’s only one way to find out . . . if you like that sort of thing.

Rogen’s best? Not even close. But is it funny? (The very purpose of a comedy). Did I laugh? Is it one of those movies where the best bits are in the trailers? Yes, yes, and unfortunately quite a bit. Once you’ve seen Rogen hurtled up in the air after sitting on a rigged chair involving an airbag, it gets old very quickly. Although Rogen creeping around the house with a broomstick did reprieve the gag. Surprisingly enough one of the heavily advertised gags wasn’t in the film. Back to my getting old quip. At it’s very core, the film is about a couple who have had their first child (the adorable Vargas twins) and are still trying to be cool and young. Beating the “constraints” that parenthood has apparently set on their “partying” lifestyles. In all fairness, there could have been a bigger examination into their relationship but it would have been an entirely different film.

A couple of well acted scenes make them a little more than a caricature couple. But come on, this is a fraternity freakshow involving Seth Rogen. He applies his slobby swearing spiel and luckily it still works. The whole slacking smoking pot thing is getting a little old. Rogen and Rose Byrne work well together and have good chemistry. It was good to see Rose Byrne (Damages) take off the serious shackles and lighten up. The scenes in which the Radners are trying to be cool with the kids is incredibly cringeworthy but nicely done. Others will say not funny, but that’s kind of the point as the pair battle to come to terms that its time to grow up. Or is it?

That soon gets thrown out of the window as low and behold the house next door is sold to a fraternity led by the charismatic and incredibly hench Zac Efron. (Just when I couldn’t hate him any more). Efron shakes off that squeaky clean High School Musical mould in one silk movement of his middle finger. Efron proves yet again to be a talented lead in a testosterone-pumped cast of fraternity frat boys. In all fairness, once Efron and Rogen meet, the film picks up. Their Batman impression off is worth watching alone. The getting high and taking shots scenes. Again, once you’ve seen one, you’ve seen them all. Rogen and Efron in a drunken dance off. Better.

Once the rivalry is set and the pranks begin, the thin plot gets thrown out like Rogen on the airbag. Where we got Efron coming to terms that he may have wasted his college years partying and the Radners battling to accept parenthood, we soon get college humour, dicking around (No literally, Rogen and Efron at one point are slapping each other with giant dildos) in an inevitably corny and OTT fashion. The big punch up finale being an incredibly hilarious, if ridiculous scene. It’s all still enjoyable, if a little lazy. It’s a shame that the talented cast didn’t really make as much of an impact as you would hope. Lisa Kudrow (Friends) plays a useless dean, Carla Gallo (Bones/Superbad) is shoved in an irritating and useless role and Christopher “McLovin/The Motherfucker” Mintz-Plasse is highly unmemorable, simply squawking YOLO in a high pitched voice. Disappointing after so many great turns. Ali Cobrin (American Pie: American Reunion) and Halston Sage (The Bling Ring) were wasted as silly frat chicks. Shame.

It’s the smaller names that provide the funnier characters. Craig Roberts’ turn (you may remember him? Look again. Here’s a hint. Richard Ayoade’s Submarine. Yep) as the appropriately named Assjuice wasn’t bad. Just as we get rid of one Franco, we find out there’s another. Dave Franco (Now You See Me) was good and is proving to be one to watch. Up and coming stand up Jerrod Carmichael was hilarious as weed junkie Garf. The award for scene stealing support act goes to Ike Barinholtz (The Mindy Project) as Rogen’s neurotic best friend Jimmy. His impromptu one liners, bat shit crazy attitude and impeccable impressions of certain celebrities brings the film up a notch. The scene in which the frat house explain their origins and how they came across beer pong, the boot, etc was cheesy if funny and a lazy excuse to shove in a number of cameos from The Lonely Island and Jake Johnson (Nick from New Girl).

So in conclusion, do you like Rogen? Do you like Efron? Then bienvenue this film is for you. It’s big, dumb, silly, corny, OTT but brings the odd chuckle. Not a keg full but enough little shots to keep you buzzing 3 (just) out of 5!

Currently ranks #64 out of 175!