PITCH PERFECT 2 REVIEW

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Aca-trocios

The Bellas are back. Prepare to get Pitch Slapped. (Delightful :/) Whether you’ll enjoy it this time around is another story.

After a humiliating performance at the Lincoln Center, the Barden Bellas enter an international competition that no American group has ever won in order to regain their status and right to perform.

Surprisingly, I actually didn’t mind the first film. I was “forced” to watch it (That’s my excuse and I’m sticking to it). I’m not normally into things like this. Glee? No. PP was cheesy, OTT BUT funny and entertaining. Shame, lightning couldn’t strike twice.

It was watchable but it just didn’t quite hit the same notes that the first one did (Yeah, I made a musical based pun joke. Crushed it).

The heavily advertised opening didn’t get things going for me. If anything, there was too much going on. The acapella dance routine was manic. The choreography along with the bombardment of camera shots and angles made it all a little disorienting. There was a point to it by the end. But we had to endure several more sequences of it.

However, John (John Michael Higgins) and Gail (Elizabeth Banks) were back on fine form as the bitchy commentators. Higgins came out with some corkers straight off the bat.

A wardrobe malfunction with Fat Amy (Perfectly timed to a cover of Miley Cyrus’ Wrecking Ball) in front of the President of the United States (And no! Barack Obama was not in the film. They allowed shots of him) leads to the lovely ladies getting banned from performing. Aca-no way?

The film does pick up and was harmless enough. Anna Kendrick was still pretty good. Great voice. A lovely little singer. We join Beca as she finds her obligations torn between the Bellas and her internship at a record label.

Rebel Wilson was actually not as irritating or in the film as much as I thought. She won me over in Pitch Perfect and seemed to fare better when she improvised. An anagram of Becca and Chloe got an anecdote I didn’t expect. But some of the bigger gags and stunts involving her were too OTT, unnecessary and unfunny.

An unexpected romance between her and another character didn’t really make any sense and didn’t add any depth to her character. Shame. I won’t spoil anything but it was sloppy.

Skylar Astin was a missed presence. He had the charm and charisma but was reduced to only a few scenes. Obviously, his relationship with Beca was set up in the PP but there could have been potential for more drama as Beca tried to balance singing and producing.

In all honesty, they didn’t make much of the record producing angle either.

Beca’s Christmas jingle with Snoop Dogg. You read that, right? Christmas in June? Say what? Snoop was off the hook. For shiz- He was okay. I thought he was Snoop Lion now?

Keegan-Michael Key was highly unfunny as Beca’s record producer boss. An ongoing joke with his cousin as a runner was dead in the water after 30 seconds. He even went for the same nauseating joke my uncle used to pull at parties with the “I’ll keep forgetting your name and say something else” spiel. Hilarious. NOT!

There was a lazy boot camp sequence that seemed like nothing more than a ploy to get Anna Kamp back into the mix. The camping gags were so-so but there were so many missed opportunities. Instead we had Rebel Wilson doing an incredibly OTT love song across a lake that went on far too long. Okay, I had a guilty chuckle as a passing car decided to disturb Amy’s groove.

When it came to the actual singing, the film thankfully hits its stride. A mish-mesh of 80s pop hits, 90s jams and current singles were incorporated brilliantly into the stand-offs. The Bellas’ cover of the soundtrack’s main song ‘Flashlight’ by Jessie J was brill. I preferred it to the actual song.

Das Sound Machine were the much needed catalyst that got the best of the characters that seemed to be pushed into the background. The lazy German/US rivalry was old hat but it was still entertaining enough. Their performances were superb.

I couldn’t believe that Birgitte Hjort Sorensen from Borgen was in this as the head honcho. She couldn’t dance though, bless her. The playful exchanges between Beca and Kommissar were quite funny as the towering blonde goddess (What?) used her prowess to unsettle the “feisty fairy”. The random babble that Kendrick came out with was very hit and miss.

Funny after all the advertising, the World War reference wasn’t even included in the theatrical cut. Hmmm . . .

It just didn’t work as well. Some of the better supporting characters were barely in it or quickly thrown in out of desperation to get a quick titter (Come on, don’t laugh at that word). Some bits worked and I wasn’t bored. BUT others didn’t and it was actually what I expected the first time around. Unfunny, dreadfully cheesy and OTT.

Adam DeVine’s Bumper returned? Why? Were they desperate to make everything full circle? He was too tame after his arrogant turn in the first. Boring.

Benji (Ben Platt) came off really weird and annoying. I felt sorry for the chap in PP1. BUT this time, he did my nut in. Hailee Steinfeld wasn’t too bad as the Bella’s new recruit but she definitely tried to channel her inner Benji and to be honest, one of them was enough. She really did grate on my nerves.

There was a nice cameo from Katey Sagal as Steinfeld’s mum. But her role was nothing. We know she can sing. All she gets is a backing vocal in a small choir. A waste.

Hana Mae Lee was great! Her inaudible comments delivering the (much needed) laughs. Chrissie Fit’s sassy Latina Flo felt like a mish-mesh of Lilly and Fat Amy. We already have one weird girl coming out with weird stuff. Well, two if you count Amy. The border patrol gags were a little stereotypical and just not funny.

They tried too hard and it just didn’t quite come off. The songs saved the day and it wasn’t a bad debut from Banks. But I’m sorry.

Aca-scuse me but it’s a . . .

2.5/5

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NIGHT AT THE MUSEUM: SECRET OF THE TOMB REVIEW

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One last time? Probably for the best.

The first one I’ve actually seen all the way through and thankfully the last.

The others I’ve always caught bits. They seemed a little silly but fun. All you can hope for with the influx of films filling the big screen.

So what happens in this one? Larry (Ben Stiller) spans the globe (Well . . . London), uniting favorite and new characters while embarking on an epic quest to save the magic before it is gone forever.

In a word, meh. Not bad but not great either.

A bizarre Indiana Jones-esque opening didn’t really get things going. Some predictable Egyptian mumbo jumbo about a curse surrounding the magic tablet felt a little unnecessary.

However, we are soon back at the Smithsonian with the gang doing their thing. BUT alas, the tablet is corroding and the statues are acting weird. Causing havoc on the public and pulling strange faces.

It was a shame knowing that this was Robin Williams’ last film. Especially when his character Teddy Roosevelt was a little lacklustre and flat. His farewell speeches did hit home a little harder. BUT it felt like a blip on an extensive film career from a comedy actor that was gone too soon.

It was also farewell to another comedy icon, the late Mickey Rooney in a blink and you’ll miss it cameo.

The cast do their best but the gags seem few and far between. And the premise to get them all together for one last hurrah was lazy and a little tame.

Ben Stiller was entertaining (as usual). The discovery of his neanderthal counterpart Laaa shouldn’t have worked BUT somehow his stupid face pulling got a chuckle out of me.

BUT some of the gags were old hat. I mean the scene in which he must explain why Laaa must stay behind (Only to then follow him or mimic him) was predictable and done to death.

Dick van Dyke has still got the moves but I felt his appearance wasn’t needed. A feeble attempt to get all the gang back in the movie.

Ricky Gervais always did irritate me (in these films). And from the opening, he still did. However, the more rubbish he spouted and the flimsier his floundering became, I found my face cracking.

Things did seem to get going when Stiller finally got to London to stop the curse.

I thought Rebel Wilson was going to poke fun at the British stereotype a lot more and annoy me but no! She was just being Rebel Wilson. When she got to improvise it wasn’t bad. BUT she did go on a little too much.

Dan Stevens (Downton Abbey) was brilliant as the newest addition, Sir Lancelot. He made a hilarious entrance and took it up a notch. However, once he started suffering from a little Buzz Lightyear syndrome, my interest waned.

The whole “I’m a knight not a statue” routine did go on. BUT that was only because there wasn’t much else on offer.

Even Larry’s subplot with his son seemed rushed and put together poorly to try and fill the void. The corny “Choose your own path and don’t drop out of high school” spiel just felt predictable and run of the mill.

The special effects were brilliant and I think they missed a trick by not shooting it in 3D. However, the overuse of CGI on Dexter the monkey did spoil things. BUT then you’re not going to get Crystal the Monkey to disco dance. Or hang off a trapeze for crying out loud!

For every good gag, they seem to repeat it or milk it dry. Tut tut tut.

Steve Coogan and Owen Wilson had two good gags that were heavily flogged in the trailers. One involving a giant Roman catapult to operate a keyboard to post a humourous comment and another involving a fire and a monkey that used the only liquid available at his disposal.

Yeah . . . You get the picture.

The pair were hilarious in the other two films but this time round, they weren’t in it enough and when they were; they just didn’t hit it off or make you laugh as much as you hoped. Which is pretty much my summary of the film.

And the big secret to help save the tablet was laughable. No, really! All those hit and miss shenanigans for a terrible conclusion.

There were some fantastic cameos that I didn’t expect from the legendary Sir Ben Kingsley, Alice Eve and a certain Marvel icon. I won’t say much more. It didn’t have me howling with laughter but he certainly got the odd titter.

A running gag with said mystery actor went on far too long.

The closing moments were nicely done but then it seemed to end so abruptly and flatly that was a bit anti-climactic. It made sense but I haven’t felt so baffled and disappointed with an ending since Lost.

If you want to distract the little ‘uns for 90 minutes, it does the trick but there are better family films out there. *Cough* Shaun the Sheep *Cough*

2.5/5