*NEW* DETROIT REVIEW *NEW*

Tense, riveting if a little long at the tooth.

Fact-based drama set during the 1967 Detroit riots in which a group of rogue police officers respond to a complaint with retribution rather than justice on their minds.

The animated opening credits sequence about African migration during WW1 and WW2 was a little disjointed. The important issue was the overcrowded African American ghettos in the 60s.

The focal point of this piece. The growing frustration and rocky tension captured perfectly during a botched raid at an unlicensed nightclub.

You could have cut the tension with a knife as the white police officers tried to prevent unrest by arresting suspects away from the Main Street.

An attempt that proved pointless as the crowds gathered and the violence began. I loved how director Kathryn Bigelow and writer Mark Boal looked at both sides to this disheartening affair.

You supported the forces during the initial looting and rioting. BUT by day two, they completely mishandled the situation. Beating and shooting looters for stealing food?

And let’s not forget, the trigger happy military looking for any excuse. Shooting at a child in a fifth storey building after mistaking her for a sniper. Horrendous.

I was really surprised and impressed at the British/Irish talent involved; Jack Reynor (Sing Street), John Boyega (Attack The Block) and Hannah Murray (Skins).

BUT Will Poulter stole the show for me. He played the shady Krauss brilliantly. The Son of Rambow star has come a long way. A complete change in direction from the comedy circuit and a mature performance.

Hell, those brows made him look evil. As a side note, if there is going to be a solo Joker movie (without Leto); this guy deserves a look in, surely?

Krauss’ decision making and inability to accept blame was frustrating, to say the least.

I loved the contrast between Krauss and Dismukes (Boyega). One going out of his way to cause destruction, the other doing his best to keep the peace.

Dismukes was an interesting character. A man just trying to do his job and avoid bloodshed. Branded an “Uncle Tom” of the streets for not rising up.

Crossing between the bordered up store fronts and military barricades to offer assistance where he could. I just wish there was more of that.

As much as I enjoyed the Dramatics’ Motown music and felt for them as they missed the gig of a lifetime due to rioting, the pace did test. The only thing I found Bigelow movies (of late) suffering from.

The middle act was where I could feel my interest wading. Don’t get me wrong. The cast involved with the Dramatics were brilliant and Algee Smith (Earth to Echo) had a fantastic voice!

I just felt the motel mingling, Coltrane talk and white power discussions meandered the piece. That was until a silly prank with a start-up pistol set off so much more.

The next hour, I was shocked and transfixed as Krauss’ team made one gruesome mistake after another.

The pressure mounting as they struggle to find a suspect or a gun. I will always commend Bigelow for delivering nail-biting suspense; Zero Dark Thirty, The Hurt Locker, Point Break (What?)

Regular Bigelow stalwart Barry Ackroyd’s grainy cinematography certainly brought a little more realism to it BUT the shaky cam (Like The Hurt Locker) was incredibly disorienting and erratic in places.

There was only so much yelling, swearing (and dropping of the N bomb) and gospel singing I could take as the hold-up reached breaking point.

The sick interrogation tactics had me on tenterhooks. Putting knives near the “suspects” as a ploy to use the “act of self-defence”. Horrifying.

Hannah Murray was surprisingly good. I’m used to seeing her playing drugged up or gormless protagonist.  You felt for her character as she was accused of being a prostitute for having no standards for sleeping with black men.

I didn’t expect to see Anthony Mackie (Captain America: Civil War) pop up in this as Krauss’ “prime suspect”. A war vet who escaped one war zone to join another. The punishment he received was mortifying. Desperately goading him into reacting.

The pace did test BUT the main thing I was disappointed with was Boyega. He is a great actor BUT his character grew increasingly passive as the film reached its shocking conclusion. His presence fading further into the background.

If not for a gruelling police investigation (A mockery in itself) after the Algiers Motel, I would have deemed his character unnecessary. Another bystander.

BUT the aftermath of The Algiers Motel was where it hit home.

The court scenes were infuriating. The injustice of it all as the cops strolled out the court house smirking. The legal system taking the side of the ones who were supposed to be protecting NOT abusing it. Regardless of the facts and accounts.

The abrupt finale went out with a whimper. BUT that was kind of the point.

I couldn’t believe the post-credit titles at what happened to the people involved. The case never really given true justice.

I can’t say it’s a good film (in the context of what it was about) BUT it delivered an atmospheric thriller with substance that is worth your attention.

3.5/5

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*NEW* HACKSAW RIDGE REVIEW *NEW*

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Brutal, gripping, hard hitting.

The true story of WWII American Army Medic Desmond T. Doss (Andrew Garfield), who served during the Battle of Okinawa, refused to kill people, and became the first man in American history to receive the Medal of Honor without firing a shot.

I was a little worried at first that Garfield was going to come off as a bumbling Forrest Gump with his bashful demeanour and Southern accent BUT he delivered enough charm and charisma to win me over. A strong performance.

The first 40-odd minutes was corny but easy going enough as we followed Desmond through his childhood years right up to his enrollment.

A good portion of that time was spent on wooing the local nurse Dorothy (Teresa Palmer – Lights Out). It may have been a little schmaltzy BUT the pair had good chemistry and I was happy to watch.

The flashbacks flicking back and forth into Desmond’s past broke up the cheesy romance as we discovered the reasons behind his refusal to carry a firearm.

It was great to see Hugo Weaving as Doss’ embittered drunken vet father. He played it with aplomb. A tormented man who had already “died” with his men in the Great War.

His survival nothing more than a curse. Punishing himself and his family. I was surprised at his reaction when he discovered that his two sons had enlisted.

The boot camp training montage was a little predictable. Especially when Doss had to compete with the macho hot head Smitty Ryker (Luke Bracey – Point Break).

BUT it still hit home as Desmond fought against the military hierarchy. Reserving his right to serve as a medic:

“No less danger, just . . . while everybody else is taking life, I’m going to be saving it. With the world so set on tearing itself apart, it doesn’t seem like such a bad thing to me to wanna put a little bit of it back together”.

I wasn’t sure whether Vince Vaughn would cut it as Sergeant Howell. I was hoping this role would be a change from his usual spiel.

BUT his Wedding Crashers style drill call and endless shouting was hit and miss. It was a little too OTT for my liking as he gave the privates nicknames. However, there were a couple of clever one liners.

BUT as Doss’ struggle worsened, Howell soon won me over as he realised the stubborn Virginian wasn’t going to back down. Fighting for his beliefs.

Sam Worthington (Avatar) was brilliant as the callous Captain Glover. Embarrassed to have a “conscientious objector” in his ranks. Ordering Howell to force the boy’s resignation.

Doss’ treatment was shocking. Beaten until he was black and blue by members of his own infantry. Pushed to the very edge. He was even denied a day pass to attend his own wedding. Unbelievable.

It went right up to a military tribunal and even during the first attack on Hacksaw, troops were still weary of the medic. The second half of the film was something to behold. A true act of honour and dedication.

I had no doubt on ol’ Blue Eyes taking the helm. We had already seen a return to form with his stellar turn in Blood Father and this latest entry from the Braveheart and We Were Soldiers director was a step in the right direction.

The violence was ridiculous. Gibson definitely didn’t hold back the punches. It was visceral, gory and bloody as hell. He really showed the true extent of what war can do to a soldier.

The only problem with all the CGI (especially with the flamethrower attacks) was that it came off like something out of Starship Troopers! And when Doss kicked that grenade like a football, I couldn’t help but tut. Hollywood had to put their stamp on it somewhere.

“Just give me one more”

I was on tenterhooks right up to the emotional and fitting tribute. As every one else had climbed back down off the ridge, Doss stayed to tend to the wounded.

Covering up the injured from the lurking Japanese. Evading capture and sniper fire. Discovering their hidden trenches.

Tense, gripping. I was completely transfixed as this young man, with no firearm, saved 70 soldiers who were already deemed lost by their superior officers.

He even tried to save several Japanese officers who didn’t quite make the journey back to the medical tent.

Despite a 139 minute running time, the pace didn’t test. Garfield impressed yet again, giving one of his best performances to date.

It was nail biting and enthralling. That final act when Glover apologizes to the crazy Virginian was heartbreaking.

The real life interviews and footage in the closing credits really brought it home.

A compelling drama as one man defied the odds and fought for what was right.

While not the greatest war film, Hacksaw is still worthy of your attention.

4/5

*NEW* GOLD REVIEW *NEW*

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McMumbler does just enough to make this mediocre biopic alright, alright, alright.

Kenny Wells (Matthew McConaughey), a prospector desperate for a lucky break, teams up with a similarly eager geologist (Edgar Ramirez) and sets off on a journey to find gold in the uncharted jungle of Indonesia.

First thing’s first . . .

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Right, now I’ve got that out of my system. I can review this properly.

I was actually looking forward to this. And . . .

The opening 20 minutes was painfully slow, disappointing and uninteresting as Wells scraped the bottom of the barrel.

An incredibly dull encounter with his father (A waste of Craig T Nelson) did nothing to get things going. All the metaphors in the world couldn’t liven that scene up.

A flawed protagonist fallen from grace. His family legacy gone; a respected and lucrative prospecting firm now nothing more than a made up office in a dingy bar for the remaining loyal employees. A laughing stock.

I actually struggled to understand McConaughey in the first act. It was True Detective all over again. I should have seen the Audio Described version.

His receding hair line and beer belly won’t win the ladies over. Seriously, he looked like Les Grossman from Tropic Thunder.

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I know we were supposed to see a man at his wit’s end BUT the whole “gold calling him in a dream” spiel was a little hokey. An act of desperation. One last roll of the dice. Pawning his own wife’s watch for a plane ticket to Indonesia.

Break or bust. And the rest . . . was thankfully a little bit more enjoyable.

Whether it was a case of sitting too close to the big screen, I found Robert Elswit’s grainy cinematography naff to look at.

It was great to see Martinez finally get a meatier role after popping up in minute parts (Joy, The Girl on the Train and *shudder* that Point Break remake).

He worked well with McConaughey and they made a convincing duo.

The hard grafting and turmoil in the jungle was the much needed spark as Wells bartered and borrowed every penny to get that payload. Hell, the guy even battled malaria for those precious minerals.

At one point, things were getting desperate that Acosta (Ramirez) offered clean water to the workforce in exchange for payment.

The middle act was the saving grace as the pair made the biggest score of a lifetime. You felt for Wells as everything finally fell into place BUT it wasn’t long before our good old friend Greed popped its ugly head.

You had to laugh at all the big fish trying to get a piece of the action and brown nosing the chap after years of snubbing and dismissing his reputation.

Corey Stoll (The Strain) was good as the shifty Wall Street backstabber trying to push Wells out of his cut.

I’ll know some will argue BUT once McConaughey was let loose; he proved once again why he deserved that little golden statue on his mantelpiece.

His charisma and enthusiasm kept things going as the pace stumbled along. I’m not saying his performance was perfect BUT I don’t think I would have been interested at all.

It was a little too stop-start for my liking. The Hangover style shenanigans with an Indonesian playboy millionaire felt like it was in the wrong movie. The CGI’d tiger was a little much (“I’m touching a tiger!” Really?).

Bryce Dallas Howard played the supportive wife well BUT anyone could have played her. Their relationship was far too cliched and bland. A shame, really.

Every time we went back to their melodrama, it disrupted what little momentum it had.

The alluring Rachael Taylor (Jessica Jones) could have played a better femme fatale BUT Wells succumbed to her advances far too easily.

However as more people tried to get a piece of the action and Well’s ego grew that much bigger, trouble wasn’t far behind.

The murky Wall Street backdrop swallowing our hero into the abyss. The film flicked back and forth as Wells came under heavy scrutiny with his own story falling apart. Did that conversation happen? Did they even find gold?

What has Toby Kebbell got to do to get a decent movie role these days? He was completely wasted as a generic FBI agent. Woeful.

The script could have been so much better. Some of the lines McMumbler churned out just didn’t have the dramatic impact that it should have.

The final 30 minutes redeemed what was a drawn out and patchy affair.

It was intriguing, engaging and everything I expected from the rest of the film. I was actually impressed with the surprisingly ambiguous ending. I was left smiling like our bewildered protagonist.

BUT would I rush to see it again?

Meh. It was alright, alright, alright BUT nothing more.

2.5/5

*NEW* THE BEST AND WORST FILMS OF 2016 REVIEW *NEW*

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First thing’s first, HAPPY NEW YEAR! A BIG THANK YOU (Look, it’s in CAPITALS) for all the views, likes and comments. You guys are alright.

NEW YEAR’S RESOLUTION? See more movies obviously.

Nah. Try and read more of your awesome posts!

December was a poor month for my movie viewing. Work and blah blah blah didn’t give me much time so I have yet to see Rogue One. I know, SACRILEGE. Call yourself a film critic.

I like to be awkward when picking movies. My criteria is simple. Picking 10 films I saw in 2016. So there may be a couple that you may argue are technically speaking 2015. In the words of Donnie Brasco, forget about it.

I look for films that surprised, entertained and engaged me. There have been so many films that have put me to sleep or have had me on my phone already complaining about said film before it’s even finished (Pretty much my criteria for worst films).

I picked the films that made an impression or made me laugh, cry or think. I’ve provided links for my reviews if you want a complete breakdown of my thoughts.

 

MY TOP 10 FILMS OF 2016

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It’s great when you go into a cinema expecting nothing and get rewarded with a gritty slow burning and well acted Texan noir thriller.

https://youtheman77.wordpress.com/2016/09/24/new-hell-or-high-water-review-new/

 

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Vikander and Fassbender brought their fiery chemistry to ignite this wonderfully heart rending affair.

https://youtheman77.wordpress.com/2016/11/07/new-the-light-be…ceans-review-new/

 

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Strange, hypnotic, gripping. After all the hype, I was afraid this wouldn’t deliver. BUT oh boy, did it!

https://youtheman77.wordpress.com/2016/11/30/new-nocturnal-animals-review-new/

 

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So good that I haven’t done a review yet. I’m working on it. The Return of the King (Ba-dum-tsssh). Mortensen was superb as the father devoted to raising his six kids in the wilderness. Easygoing feel good drama.

 

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Probably one of the best Marvel movies going!

https://youtheman77.wordpress.com/2016/10/12/new-captain-amer…l-war-review-new/

 

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QT is back with a tense and ultra-violent Western. It’s everything you could expect from the Pulp Fiction director and I loved every minute.

https://youtheman77.wordpress.com/2016/02/05/new-the-hateful-eight-review-new/

 

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Larson deserved the Oscar for her stellar performance.

https://youtheman77.wordpress.com/2016/02/01/new-room-review-new-2/

 

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Hard hitting, shocking and brilliantly acted. A must watch.

https://youtheman77.wordpress.com/2016/05/02/new-spotlight-review-new/

 

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Crowe, Gosling, Black. You can’t go wrong. My review might be a little picky BUT I had the pleasure of watching this again and enjoyed it so much more.

https://youtheman77.wordpress.com/2016/09/11/new-the-nice-guys-review-new/

 

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I was torn between this and Bridget Jones’s Baby (I know. Whaaattt?! It was actually pretty good) BUT I went for the HP spin-off. Redmayne was brilliant and Rowling was able to expand on the ever-growing world that has entertained me for the last decade.

https://youtheman77.wordpress.com/2016/12/17/new-fantastic-be…em-3d-review-new/

 

MY TOP 10 WORST FILMS OF 2016

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Absolutely bloody dreadful. Jennifer Saunders sold out with this shambolic effort. A review will turn up eventually. BUT trust me, it’s bad. And I was a fan.

 

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As much as I love Natalie Dormer, I did not love her in this.

https://youtheman77.wordpress.com/2016/04/12/new-the-forest-review-new/

 

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That creepy atmosphere couldn’t hide what was a drawn out and mind numbing disappointment. Review to follow.

 

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This unnecessary reboot was doomed from the start!

https://youtheman77.wordpress.com/2016/03/29/new-dads-army-review-new/

 

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I remember rushing to the cinema wondering why it was only on for 4 days. I soon find out the answer. Yikes!

https://youtheman77.wordpress.com/2016/01/30/new-the-5th-wave-review-new/

 

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The anger. I’m sure I used a fair amount of expletives on Twitter to express my feelings on this feeble effort.

https://youtheman77.wordpress.com/2016/08/15/new-now-you-see-me-2-review-new/

 

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The horror, the horror! I hated the first one and for the first 20 minutes of this, I was almost about to eat my own words BUT then it got worse.

 

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I was so excited to see this and by the end, I wondered why they brought him back. It must have been for the money because it wasn’t for the plot and character development. Bourne seemed to know less than he did before. I think I fell asleep at one point. Shame.

https://youtheman77.wordpress.com/2016/08/26/new-jason-bourne-review-new/

 

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As much as I loved watching Lily James kicking zombie ass in a corset, the tone was all over the place. It failed to be scary or funny and was dreadfully dull. So dull it put me off reviewing the thing.

Well, that’s my excuse anyway.

 

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A shame that this is going to be one of Anton Yelchin’s last efforts. This failed to grab me even with Captain Picard playing a Neo-Nazi.

https://youtheman77.wordpress.com/2016/09/14/new-green-room-review-new/

 

And so concludes my mini-review of 2016. I have to say that I was a little disappointed with the entries this year.

Disappointing comic book yarns (*Cough* Batman Vs Superman *Cough* Suicide Squad *Cough*)

The reboots, the remakes (Point Break), the unnecessary sequels (The Mechanic: Resurrection).

Let’s hope 2017 will bring us a little more joy and originality, eh?

 

*NEW* THE GIRL ON THE TRAIN REVIEW *NEW*

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I’ll think I’ll wait for the next train.

A slow burning thriller that (with a little perseverance) delivered a decent pay-off.

A divorcee (Emily Blunt) becomes entangled in a missing persons investigation that promises to send shock waves throughout her life.

Based on the bestselling novel . . . How many more times are Hollywood going to scrape the barrel? I haven’t had the pleasure of reading the Paula Hawkins novel BUT have been told on good authority (by my Mum and Aunt who may or may not be scouting through this review) that it stayed pretty close to its source material.

The slow burning pace and flicking about subdued my griping. The fractured time frame spanning from six months to the present kept things interesting. Mainly because I had no idea what was going on.

BUT that was the main appeal for me as we were told tidbits of a disjointed story through an unreliable narrator; struggling alcoholic Rachel. Emily Blunt was brilliant as the plastered protagonist. You really felt for the broken beauty. Her fascination with a house, that the line stops by every day, soon borderlines on obsession.

It felt like a noir flick with all the shady characters; Rachel drinking to forget, the alluring but flawed Haley Bennett’s (The Magnificent Seven remake) fooling around and manipulating men to her own devices and Rebecca Ferguson’s (Mission Impossible: Rogue Nation) depressed housewife not quite living the perfect life.

The different viewpoints from the three ladies left me trying to decipher whose story to believe. You could feel your empathy changing towards each character as we delved further into their pasts. BUT things reached boiling point when Rachel woke up (from another drunk train ride) covered in blood with no recollection of the night before.

If anything, The Girl on the Train was very much in the same vein as Before I Go To Sleep (Another recommended thriller) with Rachel’s drunken blackouts and inability to piece anything together plummeting her into a dangerous pursuit for the truth. Unwittingly setting herself up as the prime suspect in a murder case.

That’s not to say there weren’t enough red herrings. The small supporting cast played the parts perfectly. It was good to see Luke Evans play something other than a panto villain in a horror flick or Fast and Furious movie. He played Megan’s brooding and possessive husband well.

I was also impressed to see Alison Janney play a straight role as Detective Riley. Especially after her turn in that terrible sitcom Mom. Laura Prepon (Orange is The New Black) didn’t do a bad turn as Rachel’s supportive friend Cathy. Justin Theroux (The Leftovers) was a solid lead as Rachel’s ex Tom. Reluctant to completely shut Rachel out from his life.

I was disappointed that Phoebe from Friends (Lisa Kudrow) had such a small and dismal role. Anyone could played her. The same could be said for Bodhi from Point Break (Edgar Ramirez) as the sulky therapist who desperately tried to evade Megan’s flirtatious advances.

The unravelling was intriguing enough BUT the pace did tend to meander along, killing a good portion of the momentum, and the endless flashbacks soon became very repetitive. Especially the memory flashes to that blasted tunnel! We kept being shown the same images with no new information or progress.

However, once things began to piece together, the final 20 minutes was compelling and nail biting. Some will argue that with only a small number of characters; there are only so many possible outcomes. BUT I can honestly say I didn’t call the twist and even if people sussed it early, the aftermath was still pretty damn tense with a couple of revelations along the way.

Whether that rule will apply for fans of the book is another story. The Da Vinci Code did everything to the letter and I was bored to tears watching the film adaptation. Only because I knew everything that was going to happen. BUT the first two Harry Potter films on the other hand 👌🏻

I didn’t go in expecting much and came out pleasantly surprised.

A good cast, aided with some great suspense, did just enough to drudge through the lengthy pace and stuttering flashbacks to make this one to watch.

3/5

*NEW* POINT BREAK 3D REVIEW *NEW*

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What was the point?

A young FBI agent (Luke Bracey) infiltrates an extraordinary team of extreme sports athletes he suspects of masterminding a string of unprecedented, sophisticated corporate heists.

Woah. This was bad. I don’t know why I expected anything else. A needless remake of an iconic action thriller that did nothing to justify its production.

Now credit where’s it due. The opening was actually quite watchable and zipped along. A silly introduction made full use of the gimmicky 3D. Something I haven’t been able to say for the majority of these heavily flogged features. Bracey’s Utah blazing sand and gravel from his dirt bike straight out at the screen.

It was a little corny BUT it set up Utah’s thirst for adrenaline. A necessary skill set. Apparently. A botched stunt soon sets him on the straight and narrow. And we flash forward to the present with Utah now enlisted in the FBI. Woah.

Bracey (The Best of Me) was perfectly cast as Utah. And for the first 30 minutes, I was actually NOT hating it. He looked like a surfer dude and channeled his inner Keanu. Oh, how wrong I was. Like the great (and dare I say, CGI’d?) waves that Utah and Bodhi surfed, the pace meandered along and had little to offer in plot, action or quotable dialogue. Even the little nods to the original came off half-arsed. Okay, the President faces laminated on the motorbike helmets wasn’t a bad touch.

Now the heists were actually quite good. The special effects were brilliant. A fantastic sequence in which the suspected criminal gang of adrenaline junkies unleash millions of dollars from a plane stopped my griping for a moment. The 3D gimmick flickering dollar bills at my face. BUT the problem was that there wasn’t enough of these moments.

One good scene does not a good movie make. Ray Winstone’s performance as Pappas was dreadful. It didn’t help that he had to drawl out some cliched and incredibly naff dialogue BUT his character had nothing on Gary Busey. Speaking of drawls; was Winstone supposed to be American? His mish-mash accent didn’t work at all. Just keep it cockney, Ray.

Delroy Lindo (Gone In Sixty Seconds) was completely wasted in his role as Instructor Hall. He should have been in it more. His reaction when Utah tries to explain the incredibly hammy plot entertained me more than the rest of the cast.

Edgar Ramirez (The Bourne Ultimatum) was always going to struggle to match Patrick Swayze’s charm BUT he didn’t do a bad Bodhi. A charismatic presence in a lifeless piece. His relationship with Utah didn’t have that natural chemistry like the original. It felt rushed and was cliched to death. The macho street brawls, ridiculous ‘hippy’ mantra and cheesy bro-mantic hugging was too much.

The pace dragged when the heists weren’t taking place. We had to drudge through droll dialogue, cheesy exchanges and a laughable plot line that went no where. Utah’s romance with Teresa Palmer (Warm Bodies) was completely unnecessary. It added nothing to the mix and the pair didn’t even have the same chemistry as Reeves and Lori Petty (Free Willy).

The premise was weak. A group of adrenaline junkies attempting to complete a teaching called the Ozaki 8. Eight ordeals to honour the forces of nature. Yeah, I know right? The whole taking from the rich and giving to the poor spiel was fine BUT it was so obvious that it was Bodhi’s gang doing this and yet our hero couldn’t see it. Even when he was taking part in one of the crimes?!

Ericson Core’s cinematography made this like something out of a Michael Bay flick and there were a couple of decent set pieces BUT otherwise, this remake was terrible. Boring, predictable and thoroughly disappointing.

A washout indeed.

2/5

*NEW* JOY REVIEW *NEW*

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I didn’t find much joy in this. A stellar turn from Lawrence did just enough to keep this mediocre mop yarn watchable.

Joy (Jennifer Lawrence) is the story of the title character, who rose to become founder and matriarch of a powerful family business dynasty.

A silly opening with a dated soap opera parody didn’t really set the tone or get things going for me. BUT it did give an indication of what to expect. An OTT, patchy and drawn out affair. Jennifer Lawrence was superb and this piece definitely proved one thing. She is one talented actress. She had the charm and presence to carry this biopic along.

The endless soap opera sequences were unnecessary. I could get the connection that Joy’s life was like a soap opera. The dream sequence in which Joy became part of the soap would have sufficed. The repetitive use of it just hampered things.

Desperate NOT to be like her reclusive mother (Virginia Madsen – Sideways). Shut away from the world and reduced to watching soaps in her room. Madsen did her best with the role BUT she wasn’t given enough screen time or depth to make a proper impression. And that silly little subplot with Jimmy Jean-Louis’ (Heroes) Haitian plumber didn’t help.

Bradley Cooper didn’t do too bad in his ridiculously small supporting role. He was able to make such a weak character watchable with his sheer enthusiasm. He even managed to make the history of QVC sound interesting. To be honest, I didn’t know anything about the origins of the renowned TV shopping channel. There were some good little tidbits.

The real problem for me was that all this drama was over a mop? It sounds bad when you say that Joy is a biopic about the woman who invented the miracle mop. Plus you can’t help BUT question how much of this was exaggerated and given the David O’ Russell treatment. As much as we felt for Joy’s struggle to be accepted for something more than just a housewife, there wasn’t much on offer.

It wasn’t all bad. There were some engaging moments and if Joy really went through that turmoil then I still wouldn’t believe it. The back stabbing from lawyers, suppliers, QVC and even her own family. There wasn’t enough of Elisabeth Rohm (American Hustle). She was very good as Joy’s conniving half sister. I wanted more of that. The green eyed monster desperate to bring Joy’s empire down from day one.

Robert De Niro was on scene stealing form as Joy’s obnoxious father. Arrogant, petulant, a monster. It was a shame that he was pushed into the background by the end after dominating the screen from the get go. Diane Ladd’s Mimi (Chinatown) was a little weak. She was nothing more than a narrator. BUT there were still some nice moments between her and Joy. The only rock in Joy’s hectic life.

Isabella Rossellini’s Trudy (Blue Velvet) got on my nerves. Not so much her performance BUT her character. The silly questions she grilled Joy with before investing was stupid. “Do you pick up the gun, Joy?” She picks up the gun, apparently. I’m sure the dialogue sounded better on paper.

There were so many different characters thrown into the mix and none of them were really developed or explored enough. Joy’s relationship with Tony (Edgar Ramirez – Point Break) had potential. Faring better as friends than they ever did married. Still standing by her side despite everything.

For every high and low, you were still rooting for Joy to succeed (Despite knowing the end result). Especially in the closing act when things came to a head. BUT it helped to have an engaging character and a great actress at the helm. However, I was still left a little disappointed. After all that build up, it just ended. I mean obviously there was only ever to be one outcome BUT it just rushed to tie in everything after throwing several random subplots that went nowhere. Shame.

Not O’Russell’s worst. I still enjoyed this a fraction more than American Hustle. Lawrence was on fine form. The supporting cast did their best. BUT the overlong pace and structure made this an uneven and dis-joy-nted piece.

3/5 (Just)