STAR TREK BEYOND 3D REVIEW

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The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a new ruthless enemy (Ol’ Luther – I mean, Idris Elba) who puts them and everything the Federation stands for to the test.

I’m NOT the biggest Trekkie BUT I have really enjoyed the Abram reboots. Shaking up the cast, reworking the old story lines and tweaking the dynamic.

A breath of fresh air among the barrage of reboots, remakes and endless (and unnecessary) sequels. BUT it was always going to be a tough act to follow Into Darkness.

A new outing that didn’t rely on past plots. My confidence was restored when I discovered that Beyond was penned by an avid Trekkie (Simon ‘Shaun of the Dead’ Pegg!). A man who relished the dream role of playing Montgomery ‘Scotty’ Scott made famous by James Doohan.

BUT this time around, I felt this lacklustre sequel only just delivered a watchable actioner. From the director of Fast and Furious, I knew I could expect big explosions AND good set pieces.

BUT it was a case of either being too fast and furious with the action or drawn out and repetitious with barely any exploration of the characters. Even the laughs were few and far between.

The opening act didn’t really give me much hope with the crew acting as intermediaries between some silly CGI dog things. Yikes. It seemed to go through the motions with Pine’s Kirk going through yet another existential crisis as he questioned his purpose on the Enterprise.

Quinto’s Spock received some grave news which made the normally unfeeling extraterrestrial contemplate life and death. I just wished it wasn’t so tedious and uninteresting.

That’s NOT to say there weren’t moments to be had. The special effects were impressive. BUT that was only when you could actually see the set pieces. There were several scenes where I actually struggled to see a majority of the action.

I could see the Phaser rays blasting through the darkness BUT only just gather that it was Kirk and Chekhov sliding down a spaceship hanging off a cliff. Ridiculous.

The 3D was a waste of time. It didn’t bring anything to the experience. When the Enterprise was attacked by Krall’s death ships, it was a sight to behold BUT after 15 minutes of explosions and carnage, I found myself fidgeting.

I liked the dynamic between Spock and Bones as the pair were reluctantly put together. Karl Urban (Dredd) was the main scene stealer and kept things light when the pace drudged along.

Once Big Ears got over his nihilistic sulk, he was back on fine form. The banter between the duo was a much needed tonic; “You gave your girlfriend radioactive jewellery”.

The rest of the crew was a mixed bag. The late Anton Yelchin had quite a big involvement in the mix as he aided Kirk in the battle against Krall’s goons. His presence will be missed. Although rumours suggest that Abrams may try and do what they did with Walker in the Fast and Furious franchise.

Pegg’s muddled Scot accent really grated against me. And I was disappointed that his little green pal Wee Man (“Get down from there!”) was left on the sidelines.

There wasn’t any depth to the characters. Bar Dr Zulu’s sexuality. Hardly a revelation and thrown in without any exploration. Shame.

There might have even been a bad continuity error with the length of their journey to the age of Zulu’s child (For those who watched it – Did you notice this?).

Saldana’s Uhura was reduced to being Krall’s prisoner for the majority of the movie. If anything, her absence wasn’t missed. Disappointing, to say the least.

Sofia Boutella (Kingsman: The Secret Service) was the best character in the piece as the feisty Jayla. I wanted to know about her origins and why she was the only alien to evade Krall’s capture.

However it wasn’t long before she was pushed into the background for more mindless exposition. Only to be brought back for the frantic finale.

More could have made out of her. A missed opportunity.

Idris Elba did his best with the creepy Krall. The make up was brilliant. He really looked the part BUT Luther’s lines and delivery made him too comical for my liking. You try listening to him with that silly voice pronouncing Captain Kirk. Good lord.

He couldn’t match Cumberbatch’s tenacity or Bana’s bad-assery and was quite a tame villain by comparison. A twist about Krall could have been so much more BUT by the end, I couldn’t care less.

Captain’s Log; Beyond was a bit of a misfire for me. It tried to deliver a bit of everything and failed on all fronts.

A watchable effort that killed the time BUT I think Scotty better beam up a better script for the next endeavour.

2.5/5

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*NEW* FAST AND FURIOUS 7 REVIEW *NEW*

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The action may have been fast and the plot may have made me furious BUT somehow I was still entertained with the SEVENTH offering of the Fast franchise.

Maybe they should just . . . STOP! BUT the first billion dollar grossing film for Universal Studios means one thing! More indecipherable grumblings from Vin Diesel, more stunning cars and more ludicrous set piece that defy the laws of physics.

So what’s this one about? Deckard Shaw (Jason Statham) seeks revenge against Dominic Toretto (Vin Diesel) and his family for his comatose brother (Luke Evans).

It’s strange watching this monstrous franchise continue to evolve. To think the original was about an undercover cop infiltrating a bootlegging ring. Even funnier when you realise the items they were stealing were TV/VCR combos.

BUT now? Well . . .

James Wan didn’t mess about. We open to a trail of carnage at a hospital ward as the Stath visits his little bro. He chewed up every scene and pumped up each naff line with a bit of machismo. Dark, brutal and utterly bonkers. A teaser of things to come.

I think it’s safe to say that the Fast films are guilty pleasures. One of those “leave your brain at the door” popcorn movies. The first half hour was zippy and quite watchable.

Until the Tank, I mean, the Rock flew out of a building and used his body as a human shield to protect his partner. Okay, the ol’ WWF fan in me had a moment of nostalgia when the Brahma Bull “rock bottomed” The Stath into a coffee table. BUT it was ridiculous! And that was only the tip of the iceberg.

Jordana Brewster had the easiest job going. She was very much pushed to the background. After an explosive opener, The Rock didn’t really pop back up until the finale. BUT that didn’t stop Wan adding more characters to the ever-expanding cast.

Nathalie Emmanuel (Game of Thrones) made a memorable impression as the alluring but geeky computer hacker Ramsey. Kurt Russell was superb as the appropriately titled Mr Nobody. He was having fun and made the implausible waffle almost believable. Plus he delivered the best spot of advertising for Corona I’ve ever seen.

The gang are recruited to retrieve a super computer program that can hack into any social network, CCTV and phone. A technology so powerful that Bin Laden could have been found in two hours not a decade. If they obtain it, they can find the Stath. Before he finds them :O

Two hours, too long. The pace dipped in and out. Reprieved by frantic action sequences. Letty’s amnesia subplot was far too corny and soapy for my liking. I cringed every time Michelle Rodriguez and Diesel were on screen together.

I could actually understand Iggy Azealia in the 15 second blink-and-you’ll-miss-it cameo. And it wasn’t as corny as Rita Ora’s. Tyrese Gibson delivered the laughs where he could BUT he did test my patience. His banter with Ludacris wasn’t that good either. Even he looked fed up with the exchanges.

Ronda Rousey’s acting left little to be desired. I know she was supposed to be a bodyguard BUT if she’s going to appear in more movies, she needs to up her game. The feisty punch up with Rodriguez was pretty decent though. Tony Jaa was relentless. Dispatching his trade mark free running fighting style. Shame that he was reduced to dispatching such terrible one liners.

BUT nothing compared to Diesel and Stath’s street fight. Both going at it (Steady now) with wrenches and car bumpers (You read that right).

The last 30 minutes really took the biscuit. It was laughable. The Rock shooting up half of LA with a machine gun. Driving super cars through both of the Al Bahar Towers in Abu Dhabi. Driving out of planes with parachutes! Paul Walker running up the back of a bus as it falls off a cliff. Come on!

I can’t believe I’m saying this but it might help to have a little knowledge of the other movies. I have to commend Wan and writer Chris Morgan for wrapping up something that had been niggling at me ever since Tokyo Drift. No spoilers here.

However, for it’s all silliness, it did deliver a fitting farewell to Walker that left a little lump in the throat. A talented actor that left us far too soon. The CGI on Paul Walker was impressive. You really couldn’t tell which scenes were altered. There were quite a few references through out the film that hit home. A racer yells to Toretto, “Ride or die, right?”. Toretto puts his head down and simply says, “Let’s just ride this time”.

They really should quit while they’re ahead. A surprisingly watchable, if incredibly overlong, OTT blockbuster of stupendous proportions.

3(Just)/5

BRICK MANSIONS REVIEW

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A ridiculous remake of a French blockbuster that didn’t need to be touched.

This won’t sully the memory of an actor that left us too soon BUT it won’t do much to help it.

Let’s be honest, Paul Walker’s movies were hardly groundbreaking but they were big, dumb and (most importantly) fun. I thought he was a decent actor and I enjoy the Fast and Furious franchise (for what they are).

Brick Mansions was so incredibly stupid and OTT that you can’t help but laugh at it. A guilty pleasure. It’s the sort of film you’d expect to find in the bargain bin at your local supermarket or watch on a Saturday night with a few tins and a curry.

District 13 and District B: Ultimatum were hardly renowned for their fantastic plot lines but how could Brick Mansions make it look like Inception by comparison? What made it was the frenetic free running sequences and high-octane action.

For those who have seen the original; the opening sequence was literally a shot-for-shot remake with Belle doing what he does best. If you were impressed the first time round, you most likely will be again.

It’s a shame that momentum couldn’t stick and Belle’s acting left a little to be desired.

Always find it weird when you’ve watched a foreign film and then you see the actor speak English. I know, multi-cultural. People can speak more than one language.

Nearly every cliché in the action movie checklist was ticked off with this bad boy. The late Paul Walker and District veteran John Belle did their best with the “reluctant cop/street thug crime fighting duo set up”.

Once they got over the playground insults and macho fisticuffs. They even managed to make the laughable lines work to their advantage by the end.

RZA cannot act. It’s bad enough that his villain was naff to boot but he didn’t do anything to make the shoddy lines any better. He was so robotic. Surely he could have used some of that emotion from his rapping days? His only memorable trait being a craving for culinary excellence while unleashing hell.

The only problem was that not much hell was unleashed.

Paul Walker smirked his way through the whole thing. He managed to make it work; embracing the madness and giving it a good old go. You can tell he was having a laugh. Accepting the film for what it was. Mental.

An insane sequence in which Belle and Walker fought a Goliath-esque henchman had enough humour and craziness to subdue my grumbling. The action sequences, when not bogged down with droll dialogue, were fast paced, frantic and utterly bonkers.

A little too much quick cut editing reduced the impact as we saw Walker go for a punch and then suddenly the henchman was on the floor. Disorienting, to say the least. I should have seen this coming from the man who brought us Taken 2 and Transporter 3; the weaker sequel entries. Third time’s the charm? Apparently not.

Director Camille Delamarre managed to deliver one of the most ridiculous and raunchiest punch ups I’ve seen. Seriously, the alluring Catalina Denis’ (The Tunnel) short skirted waitress Lola literally got into one big violent game of slap and tickle with her leather clad adversary, the HOT head case Ayisha Issa (Warm Bodies).

Look, this was hardly going to win plaudits. It delivered the odd laugh, the occasional crash bang whallop and enough cheesy banter to take your mind of the crappy dialogue and silliness of it all.

A guilty pleasure that was laughable for all the wrong reasons.

There was a nice little tribute to Walker tagged on before the end credits.

2/5

As a side note for the 24 nuts out there, I can’t believe ol’ Maurice (Carlo Rota) was in this as a mobster. Brilliant!