*NEW* GUARDIANS OF THE GALAXY VOL. 2 REVIEW *NEW*

They’re back BUT bigger and better?

The Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill’s (Chris Pratt) true parentage.

Mad fun BUT it falls short of its predecessor.

The silly opening was entertaining enough as the adorable Baby Groot danced around to the beat of ELO’s Mr Blue Sky while a violent battle ensued in the background.

I felt the banter and chemistry between the dysfunctional team was all over the place. Writer/director James Gunn tried too hard with the laughs that it hampered the piece in places with the cast just shouting flat insults at each other.

I know a good portion of the story was about the team having teething problems after the events of the first film. BUT the squabbling and yelling really grated against me.

A gag involving the name of a villain drew a laugh BUT it soon overstayed its welcome as the name kept getting brought up.

I felt Vol 1 had the right balance. Each dysfunctional member bringing something to the fold.

This time around, it felt a lot sillier with Rocket and Groot spending too much time in the background.

No one expected anything from Vol 1. It was one of my favourite films of the year. I think I even went to the cinema twice to see it and I never do that for a movie.

Such a strong first movie that it was going to take something special to top it.

Henry Braham’s incredibly colourful palette and visual effects were a feast for the eyes. The set pieces were exhilarating and fun to watch.

Kurt Russell was brilliant as Ego. He worked well with Pratt and made their relationship an interesting angle BUT the only problem was that the pace tragically lagged as Quill discovered his true origins.

Even if Laura Haddock’s talents (Transformers: The Last Knight) were wasted yet again. I wondered when she got the role as Star-Lord’s mother if there was going to be more of her BUT what we got was unnecessary and offered new.

Bradley Cooper’s Rocket (Easy now) stole the show with his insults and crazy antics (“Don’t call me a raccoon! Trash panda? *PAUSE* Is that worse?”).

Vin Diesel had the easiest job going yet again delivering his helium induced phrases to the tiny tree root. You couldn’t resist the little rebel.

Elizabeth Debicki (The Night Manager) was completely wasted in her role as Ayesha.

However, there was one character that stole the show for me and that was Yondu. Michael Rooker (The Walking Dead) was fantastic. I loved how we actually got a little depth to the space pirate and explored his past. An unexpected surprise.

Pom Klementieff (Oldboy) was a memorable addition to the mad (and increasingly top heavy) squad as Mantis. Her emotion sensing abilities was a party trick that helped create all sorts of cringe inducing laughs.

Especially on “the thing that nobody’s talking about” between Gamora and Quill (Yawwnnnn . . . ).

The only problem was that Gunn expanded on story lines that were already explored in Vol 1. It made things a little repetitive and predictable.

Gamora and Nebula’s sibling sparring got on my nerves. Especially when the pair kept kicking off. It was almost as ridiculous as Peter Griffin fighting the Giant Chicken! We had all that in the first one!

Don’t get me wrong, there was still fun to be had and I enjoyed the majority of the madness with another fantastic soundtrack that I will no doubt purchase.

Not every wrestling star can make the jump to the big screen BUT Dave Bautista was still on scene stealing form as the deluded Drax with his random outlook and bizarre stories.

The final act redeemed a lot of the problems with an action packed closer that threw in a few unexpected twists and turns along the way. Don’t worry, no spoilers here.

So despite its shortcomings, it was still crazy fun and fans won’t be disappointed.

3.5/5

P.S. I’m sure you’re bored of me saying this BUT don’t walk out on the credits. There are several different teasers that pop up. Definitely worth waiting for.

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OLDBOY REVIEW

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Oh Boy!

Now firstly, I am a huge fan of Park Chan-wook’s 2004 original cult classic, and was devastated to hear a remake was in the pipeline. However, I felt somewhat assured knowing that Spike Lee (Do The Right Thing and Inside Man) was at the helm, with Josh Brolin and Samuel L (The L stands for Motherfucker) Jackson in the cast.

But what I just watched was a travesty, everything I feared in a Hollywood remake by the bucket load. The opening half hour did pay homage and pretty much covered the same set up as the original, which did not bother me in the slightest, with Brolin with his Southern drawl playing the part to perfection and establishing early on that the character is asking for trouble. For those unaware of the original plot, I will try not to spoil too much but I’m so riled up after watching this, I cannot promise anything.

Basically, the main gist is that Joe Doucett (Brolin) is kidnapped and held prisoner in a hotel room for 20 years, until one day he is released thus putting him on a murderous vengeance-seeking path with a hammer in tow. (That’s right. A hammer). Original fans – I’ll get to that. What I liked was the little touches. The fact that Lee included the mystery umbrella woman. However, he focuses, if a little too much, more on Doucett’s entrapment. Although it allowed the scenes to provide more depth and encapsulate (Word of the day!) his vulnerability and ever-growing psychosis, it could have been condensed a lot quicker.

(Plus was I the only one thinking, Jesus Brolin, put on some pants son?). The Cast Away-inspired pillow companion was a nice touch.

Oldboy was always a strange and violent film but what I loved about Chan-wook’s original was that it was suspenseful, intriguing and hypnotic, I couldn’t take my eyes off the screen (and no! Not because it was in subtitles!). But once Doucett is freed from his motel confines, Lee seems to throw away everything that made the original a classic for me, leaving a big, bloody mess. This is settled in one ridiculously unnecessary violent scene, in which Brolin pretty much kills a high school football team for getting in his way. And with that very moment, went all logic and interest.

The cast do their utmost to provide a dimension to their wafer thin characters. A notable exception being the beautiful Elizabeth Olsen (I didn’t realise the Olsen twins had another sister, my goodness, steady now). You know you’re onto a losing streak when even Samuel L Jackson can’t save the day (he was the Spirit bad. Bad). Jackson just come across as a whiny, cross dressing weirdo with a stupid blonde Mohican, not even his motherfuckery was funny. Just plain irritating.

The lines fall flat, Brolin the powerhouse actor that he is, can only grumble and pull stupid faces. The dumpling scene, my God! At one point, in an attempt to find his captors, he knows that the food he was given was from a Chinese restaurant. So what does he do? Go to every restaurant and literally fill his face with dumplings until he recognizes the taste.

The whole thing borders on self-parody. At one point, Josh Brolin is riding a tiny Chinese bicycle while chasing after a Jeep frantically waving a hammer and Sharlto Copley (District 9) as the villain. Oh my word! What was the deal with his accent? Now, the villain was always an eccentric and a flamboyant dresser. But Copley’s portrayal comes off as a really naff Bond villain from the 70s Moore era. It was laughable. There was genuine suspense when the two protagonists finally meet but with Brolin and Copley, it was comical.

The hammer scene, the infamous hammer scene. Terrible. Lee films it all in one take, like the original, but instead of leaving the camera static and the action unfolding around it, the camera pans around, following Brolin. He only uses the hammer for thirty seconds, then swaps to every possible weapon. The violence is OTT, ridiculous and stupid. He’s running around with a knife in his back while being slapped about with 2×4’s! One big Saturday Night Live piss take.

No squid eating, just a passing reference. And the umbrella woman, just disappears. My friend who has not seen the original did not get the point to her at all and frankly there wasn’t one in this rehash. Oh and the twist. Well, there is a twist for those unfamiliar but for those familiar, it’s different, they stay true but go a little bit more messed up.

It is difficult not to draw comparisons, especially to a film that was, and still is good. It did not need to be remade.

On it’s own merit, it’s a stupidly gory and OTT watchable mess that is so-so at best, and I mean best. Worth a gander if you’re a gore nut but the tone is all over the place, just like everything else with this movie. A real mess, a beautifully shot mess but oh boy 1.5/5

Currently ranked 176 out of 178!