What’s this, what’s this? (See what I did there).
A brilliant Halloween/Christmas film? Or both.
Yeah, I’ll get my coat.
24 years? Really? Well, despite that shocking revelation, The Nightmare Before Christmas is still a beautifully creepy, macabre (get me with the fancy words), musical masterpiece that I would happily watch again and again. And again. You get the idea.
It had been a while since I last viewed this with the family, but as soon as the opening song began, my feet were tapping and I was singing along, much to my parents’ annoyance. Once I got over the depressing fact that this film is as old as my little bro. Yikes.
I’m surprised that the West End or Broadway haven’t adapted this to the stage. I’m sure they did something at Disney for the 20th anniversary? BUT I digress . . .
We join Jack Skellington in the wonderfully gruesome Halloween Town as he battles the growing anxiety that something is missing in his life. Unhappy, he stumbles across doors that open portals to other towns, one being Christmas Town.
Elated that he may have found that missing link, Skellington tries to explain the concept of Christmas to the ghastly town with eerily hilarious consequences. A particular highlight being a little boy unwrapping a shrunken head, a very hungry Christmas wreath and toys that don’t quite gasp the concept of “play time”.
It may be a little frightening for children of a younger age. Saying that, my brother’s nearly 24 and it still freaks him out! Funny enough, this never did for me. (As a side note, the one that did was Toy Story. I know, right? Sid and Scud scared me and oh God, Babyface. Still shudder now, just typing the name).
Understandable that this world could only be brought to the screen by none other than Tim ‘Beetlejuice’ Burton and Henry ‘Coraline’ Selick.
BUT the pair fill these delicately creepy characters with such life and heart that make them so funny and entertaining from the delightfully satirical two faced Mayor (Glenn Shadix) to the (appropriately titled) Evil Scientist (William Hickey) with an abnormally sized cranium.
Packed with a wonderfully musical soundtrack by, one on the Burton checklist, Danny Elfman (who actually sang for Skellington. Sorry, Chris Sarandon fans).
I always use the excuse that this is a seasonal film just to watch it. Well it does feature Halloween, Christmas and Easter (well it’s got the Easter Bunny in it!) and . . . It doesn’t matter a film like this can be watched anytime.
Beautifully haunting, great songs, great story, just a great film.
Oh, a little parting gift as I can’t get this out of my head now . . .
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