Not my best effort BUT click bait is click bait.
After getting in a car accident, a woman (Mary Elizabeth Winstead) is held in a shelter with two men (John Goodman and John Gallagher Jr), who claim the outside world is affected by a widespread chemical attack.
A fantastic Hitchcockian opening sequence delivered high hopes as Mary Elizabeth Winstead attempted her Janet Leigh-esque escape from a bad break up. Bear McCreary’s sinister score. The window shots. It felt like an homage to Psycho from director Dan Trachtenberg.
Small trivia fact: I didn’t realise the voice of Michelle’s (Winstead) ex Ben was none other than Bradley Cooper’s.
The story didn’t mess about. It set everything up and let it all come tumbling down within 10 minutes. Hooked, line and sinker. One car collision later and Michelle awakens trapped in a bunker with her leg in a brace and handcuffed to the railing. Like something out of Saw.
The scene was set. The tension bubbling.
For the first 45 minutes I was transfixed, especially when John Goodman made his introduction. He was fantastic as Howard. Channeling his inner Kathy Bates. A return to form from the big man.
A ticking time bomb waiting to explode. A nuclear fall out whack job or genuine Samaritan?
I loved the Misery style cat and mouse game as Michelle tried to piece together everything that had happened. The questions mounting; was there an attack? Are they the only survivors?
It was good to see the underrated John Gallagher Jr (The Newsroom) get a meatier role to sink his teeth into as Emmett. Was he in on the act with Howard? Or another abductee like Michelle?
In all fairness, I couldn’t fault any of the performances. A crucial factor as the film relied solely on the three actors. Winstead was brilliant. She carried the film when the pace dragged, which it tragically did in places.
After the hour marker, I felt the film was running out of steam as Michelle began to accept her new life with this dysfunctional nuclear family.
Thankfully, the paranoia and suspense finally delivered as Howard’s lies became more transparent.
His concern for Michelle bordered on creepy Freudian levels as a silly game of “Who Am I?” unearthed some strange feelings. Unable to see Michelle as a woman BUT a young girl after losing his daughter.
That scene had me on tenterhooks. Goodman was intense. His “I’m always watching” conversation should have been ripe for a parody from Monster’s Inc (The Goodman link up was completely unintentional) BUT it was too unsettling as you feared the worst for Michelle.
To be honest up until the 80 minute marker, the post-apocalyptic bunker thriller had potential to hold its own as Michelle played the waiting game.
BUT then you realised that this had Cloverfield in the title. So things were about to get weird as Michelle plotted her escape.
There were a few twists BUT the finale felt tacked on and rushed for my liking. After all that slow burning tension and suspense, the teasing failed to deliver the goods for me.
It didn’t feel like a Cloverfield movie. The film’s greatest strength BUT also its greatest weakness as I felt the writers (One of them being none other than La La Land’s Damien Chazelle) quickly had to throw something in to tie this entry into the Cloverfield universe.
Don’t get me wrong, it was frenetic and racy BUT also chaotic and messy. A little disappointing with a silly open ending. Only because the following sequel we received was The Cloverfield Paradox. Sheesh!
BUT despite my grumblings, this was still a highly engaging and suspenseful thriller worthy of your time.
It’s time for me to examine this piece inside out. Get ready for Pixar to play with your emotions again!
Funny, endearing, it looks like another winner on the cards.
After young Riley (Kaitlyn Dias) is uprooted from her Midwest life and moved to San Francisco, her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith) – conflict on how best to navigate a new city, house, and school.
I will confess. I am a huge Pixar fan. I love how they are always able to make films that have something for every one. Telling simple and predictable stories in such complex and wonderful ways with humour, heart and fantastic animation.
BUT that isn’t to say they’re perfect. Cars may have been watchable but it was certainly one of Pixar’s weakest entries. I still haven’t bothered to view the sequel. Unlike Toy Story and Monsters Inc.
Of course when going to the cinema, you don’t just get a Pixar movie. Oh no! You have a delightful animated short first. Their latest offering? A Hawaiian sing song volcano short called Lava.
BUT this time, it didn’t do much to get things going. This musical interlude nearly put me into a lull before Inside Out had even begun. I can’t believe I’m saying this but Lava was actually quite a drab affair.
The animation and visual design may have been beautiful BUT it was literally five to ten minutes of ukulele and two volcanoes falling in love. Awww. Nope. Funny enough, did anyone else notice that the male volcano bared a striking resemblance to Jabba the Hutt.
BUT after the hilarious Geri’s Game, the origins of Lupo the leaping lamp and hell even that Blue Umbrella with that annoyingly catchy tune; I felt Lava just didn’t quite hit those levels. Regurgitating the same predictable tripe. Not a good start. My fears rising.
BUT finally Inside Out started and . . . Not bad, not bad at all.
The opening act may have been a little slow burning but it was wonderful watching baby Riley develop over the years and most importantly her emotions. Her first emotion being Joy. Poehler (Parks and Recreation) played her with aplomb. Her enthusiasm and sheer bonkers personality really brought the character to life.
Before we know it, the other emotions are not far behind. I don’t think there was one character that didn’t steal the show at some point throughout the film. They were all perfectly cast. BUT Phyllis Smith (The American Office) certainly made a memorable impression voicing the appropriately coloured blue emotion Sadness.
What I love about Pixar is the detail that they put into every project. I won’t say too much
(If I can help it). BUT the little things. Riley’s train of thought being an actual train. The islands of personality. The memory balls. The forgetters that deal with the faded memories. The long term memory servers. Brilliant.
The mind workers. Oh the mind workers. Ever wonder why your mind will suddenly think of a jingle or a song out of nowhere? Blame these little devils. A recurring joke involving a gum commercial jingle delivered the laughs throughout.
I loved how the world of Riley’s mind and her own world tied in. The impact of her move affecting every emotion. An unfortunate sorting incident with the memory balls and Joy and Sadness are sucked into the back of Riley’s mind. Without their presence, the poor girl will not be able to express those two emotions. Cue one crazy journey.
Smith and Poehler worked well together. I loved how Joy always questioned the purpose of Sadness and did everything to make sure she didn’t ruin anything. “Why does anyone need such an emotion?” The debate has handled with the right balance. After all, this is still a kid’s film. Of course, on the positiveness of having such an emotion. In other hands, who knows?
The animation was superb. The abstract thought sequence in which the emotions were forming into all sorts of shapes and two dimensional objects was brilliantly done. The 3D was hardly a must. It certainly made things more prominent on screen but the animation was good enough anyway.
BUT for all the praise, there were still little niggles. The middle act did meander in places and although Pixar has the ability to take us on these fantastic journeys. These journeys are starting to get a little predictable. You could almost time when the bickering would begin. That moment when a character would experience a revelation. And of course, it ends oh so cornily.
I loved Richard Kind as the fluffy and affable imaginary friend Bing Bong who helped Joy and Sadness on their quest. And also . . . could anyone else believe that Flea from the Red Hot Chili Peppers was in this?!
I wish there was more of the mind stuff between other people. A scene in which Mum and Dad try to deal with a frustrated Riley was fantastic. The closing credits certainly offered an insight into all sorts of people and animals with hilarious results.
Speaking of closing moments. Words . . . . Escape me. Pixar still have the ability to reduce a man to tears. I’m not afraid to admit it. The opening of Up, the finale of Toy Story 3 and now this. These films should come with a warning. Contains mild threat and scenes that will turn you into a blubbering wreck.
It’s great to see an original take on a film. Not a rehash, remake, regurgitation or sequel. A breath of fresh air (Even if it did bear a striking resemblance to Osmosis Jones).
A fun, entertaining and charming family movie that will keep the little ‘uns and the big kids occupied over the holidays for a couple of hours. Go see it.
With room to change to a 4
And the duds just keep on coming. I need to escape from the cinema for a while. Enough to keep the little ‘uns quiet for 80 odd minutes but parents might want to take in their Kindles (or a physical book if you’re old school).
Astronaut Scorch Supernova (Brendan Fraser) is a national hero to the blue alien population. A master of daring rescues, Scorch pulls off astonishing feats with the quiet aid of his nerdy, by-the-rules brother, Gary (Rob Corddry). However, when the brothers receive an SOS from a notoriously dangerous planet (Earth. What? Spoilers? Come on guys), Scorch rejects Gary’s warnings and bounds off for yet another exciting mission leading to his capture. Inevitably, it’s up to scrawny, risk-adverse Gary to do the real rescuing.
Brendan Fraser (The Mummy franchise/George of the Jungle) what happened? Oh how the mighty have fallen. In all fairness, his movie list of late is hardly legendary. He does his best to bring the laughs as chughead Scorch in his strangely Buzz Lightyear-esque attire.
It’s a shame with how much talent was attached to this. I know, it’s a kid’s film but Disney, Pixar and Dreamworks (most of the time) have delivered timeless classics with great stories, great characters and enough to entertain everybody. Unfortunately this one just doesn’t make the cut.
It’s not all bad. It has enough OTT slapstick gags to keep the little ‘uns giggling and the animation is brilliant. Visually colourful and detailed. 3D hardly a must but there were a couple of clever gimmicky moments in there. Corddry (Hot Tub Time Machine) plays the pathetic protagonist quite well.
Ricky Gervais once again pops up in a rather dull and fed up voice over as the computer system, BING, James Bing. Oh dear. Now I’m one for the puns and silly one liners but even that one got me cringing. Jessica Alba surprisingly goes against character type and plays the baddie for a change.
William Shatner provides his Trekky gravitas to the sinister General Shanker with aplomb. Sofia Vergara (Modern Family) plays a rather irritating and bland character that really doesn’t have a point or contribution to the film (Bit like Modern Family. Ouch. Stop it). Sarah Jessica Parker does her best with the lines, “Not bad for a mom who’s had two kids”.
As does Jane Lynch (Glee) as the one eyed creature and appropriately named Io, “First time I laid eye on you”. Does that line sound familiar? Hmmm I thought so too (*Cough* Monsters Inc *Cough*)
The characters that stood out for me were George Lopez (Rio/Rio 2) as the slimy slug hybrid Thurman. The ever talented Craig Robinson (This is the End) manages to make a memorable performance as the eccentric fast talking Doc. Steve Zahn (Diary of a Wimpy Kid) hippies it up as alien enthusiast Hawk. His first encounter with Corddry’s character was quite funny but it soon goes on too long and gets very annoying.
This isn’t the worst animation film I’ve seen this year. That honour goes to the turkey Free Birds (What?) but it’s pretty close. Interestingly enough for those who have seen Free Birds; was Escape from Planet Earth an unintentional spin off? The facility and more importantly, the quarantined Monsters Inc rip off suit guys look just like them.
Regardless, they steal the show in one tut worthy guilty pleasure of a scene in which they manage to parody a number of movies in a food fight. The Artist was a nice touch.
There is a cheeky pop at satire with the government propaganda video segment, “Do you believe in Communism? Then you are an alien”. Unexpected but not bad. The Beatle-esque aliens got a guilty laugh. The twist *POSSIBLE SPOILER BUT NOT REALLY* that humans have been capturing aliens and stealing their technology and claiming it for their own was a nice touch. Doc venting his frustration at the money he should be earning for Facebook was quite funny.
However, it gets all too corny and cheesy. For every good joke, there’s a dozen naff ones. I mean an encounter with a wacky waving inflatable tubed man brought the odd chuckle. But just doesn’t work as a recurring joke. Mainly because it wasn’t that funny the first time round.
If you’re looking for a quick distraction for the kids, then give it a go. Otherwise invest in How To Train Your Dragon 2 or something.