ROUGH NIGHT REVIEW

Yikes! I’d rather have a rough night than watch this again.

Things go terribly wrong for a group of girlfriends who hire a male stripper for a bachelorette party in Miami.

A highly unfunny opening college flashback didn’t build my hopes up. It was good to see that ScarJo was up for a laugh BUT this was a major step down for the Avengers star.

A shame considering the talent on display; Jillian Bell (22 Jump St), Broad City’s Ilana Glazer and Saturday Night Live‘s Kate McKinnon. Funny people in their own right. BUT as much as they gave it their all; the material was dreadfully weak.

Things fared a little better when the film flash forwarded 10 years later with ScarJo’s Jess running for senate. Her ad campaign was a brilliant Hillary Clinton parody.

The reserved workaholic needing a break from her busy schedule while the rest of the gang were desperate for any excuse to escape their problems.

Popping a champagne bottle delivered a poorly timed airport gag BUT it managed to get a guilty chuckle out of me. That gag pretty much summed up the film.

“The house is everything I hate. I’m gonna take a protest dump”.

There was the occasional funny one liner and the dynamic among the girls was entertaining enough BUT the endless swearing, drug taking, shouting and penis gags got old and got old quick!

Thankfully, Kate McKinnon’s introduction into the mix spiced things up. The awkward new BFF joining the posse.

Upsetting Jillian Bell’s Alice with her very presence. Her eccentric spirit guru (and crazy Nicole Kidman-esque accent) were a much needed presence. Complete with Veggie Mite in tow.

30 minutes in, I was surprised at the dark turn that the film took after Alice’s unfortunate incident with a “stripper”. An act of desperation?

By the end . . . Yes.

It delivered the odd titter BUT the stop/start pace and mismatched tone hampered the piece.

Even the naff subplot with Jess’ effeminate fiance (Paul W. Downs) was a huge misstep. The wine tasting was silly enough BUT the “sad astronaut” gag triggered one drawn out and highly unsavoury sequence involving adult diapers, meth and strange encounters at a petrol station.

It had potential with the Mad Dogs meets The Hangover vibe as the girls’ crazy weekend spiralled out of control with mistaken identity, dodgy coppers and drugged up strippers BUT it just didn’t work.

It tried to be serious with the friends coming to terms that their lives were taking different paths as everything came to blows. It didn’t work.

You had Kate McKinnon somersaulting off a moving jet ski as it ploughed into the beach . . . Meh.

A lechy Phil Dunphy (Ty Burrell) from Modern Family and naked Demi Moore did nothing to save matters. The sex-crazed swingers next door just killed the already lumbering pace of this hit and miss yarn.

It even resorted to desperate measures with ScarJo busting out some of her Black Widow moves to knock out some burglars.

If any of what I listed above sounded alright then this might be for you.

I watched it to the end BUT that was mainly to see how much worse it was got.

I expected more or at least something passable BUT despite the odd chuckle here and there, I think this is going to be a black mark on the Black Widow’s stellar CV.

Okay, I’m done with the Black Window references.

Take it away Kevin Sorbo Hercules . . .

2/5

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*NEW* FINDING DORY REVIEW *NEW*

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Was it worth the wait? Should they have bothered?

The friendly but forgetful blue tang fish begins a search for her long-lost parents, and everyone learns a few things about the real meaning of family along the way.

Awww. 13 years (That’s right. 13 years?!) have passed since the first outing and surprisingly only a year has passed in the story line but either way I can happily say that it felt like they never left.

Despite being ripped by family members and work colleagues, I was happy to see that I wasn’t the only 20 something looking forward to this. BUT did it deliver? In a nutshell, yes. Anyone who says otherwise, OFF! OFF! OFF!

Of course before the movie even started, we had an adorable little animated short about Piper. The baby bird who must learn to fend for itself and overcome the trauma of the tide. Delightful. Easing us in for one of the most anticipated sequels of the year.

A heart-warming opening explored Dory’s past as we delved into her childhood and her battle with short term memory loss. The subject matter was handled delicately as Dory’s loving parents try and support her condition. I loved how it filled in the gaps and explained the origins of that annoyingly catchy “Just Keep Swimming” song.

We follow young Dory as she loses her parents and her memory of them altogether. Wandering the ocean for years, disoriented and confused. That is until she crosses paths with a raving mad clown fish desperate to find his son.

The plot line may have been a complete retread of the original with Dory getting lost, abducted and thrown into a strange aquarium but it was a journey I was still happy to take. What Andrew Stanton and the Pixar co may have lacked in story; they delivered with humour, charm and heart.

It was great to see the old faces and I did crack a little smile when Dory, Marlin and Nemo surfed with Crush and the gang. However, there were several faces that I was disappointed NOT to see make an appearance (*cough* Hellooo Bruceee *cough*).

For the hardcore Pixar fans; I couldn’t believe there wasn’t even a John Ratzenberger cameo! The man whose vocal talents had featured in almost every one. Until now.

The aquarium world may have been a little confined (Pardon the expression) BUT at least we were rewarded with new faces that stole the show; Becky the dozy bird, Bailey the bumbling Beluga Whale (Ty Burrell – Modern Family), Hank the cantankerous Octopus (voiced to perfection by Ed O’Neill – Married with Children/Modern Family) and, my personal favourites, the sloth-like seals Fluke and Rudder (voiced by none other than The Wire’s Idris Elba and Dominic West).

Every new supporting character helped bring some much needed fun and energy to a highly predictable story line from Fluke and Rudder’s rock rivalry with simple Gerald to a depressed sea clam in need of some company. Burrell was hysterical as Bailey. His attempt at echolocation had me in stitches.

Marlin and Nemo were pushed into the background a lot more than I’d hoped or expected. I knew this was always going to be Dory’s story BUT Brooks’ mad ramblings and whimpering were missed.

However, DeGeneres was on fine form yet again as our leading lady. From the random stories to her hysterical whale babble. You really felt for Dory as she battled the memories and flashbacks. Desperate to reunite with her family once and for all.

The flashbacks were insightful (To begin with) but they soon overstayed their welcome and got a little repetitive. Reiterating the same old points by the closing act.

I liked the dynamic between Hank and Dory. They were a great duo. Hank’s resilience to resist Dory’s charm, as he focused on his mission to avoid returning to the ‘filthy ocean life’, was the perfect tonic.

A couple of the whale talking skits may have gone on a bit but it didn’t spoil the fun. The touch pool sequence was like something out of a horror film with all the little sea creatures hiding and clinging on for dear life. An unexpected cameo and an underwater pipe sonar sequence delivered a brilliant Alien homage.

The chase sequences (especially a high speed truck chase) may have took the biscuit BUT it was far too silly and fun for me to gripe about too much. There were also some genuinely touching moments. BUT yet it didn’t quite pluck the heart strings or grab me as much as the original did.

It was always going to be a tall order. Especially after Pixar outdone themselves with Toy Story 3 (I’m ignoring Planes and Cars on the sequel debate). BUT it was still good fun and easygoing with a mad bunch of characters. A nice post credits sequence subdued some of the little niggles that were bugging me.

Pixar delivered a wonderful message about coping with mental disabilities and still managed to work their magic to make this miserable movie moaner look like this for a couple of hours . . .

gerald

3.5/5

*NEW* HOT PURSUIT REVIEW *NEW*

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Pursue no further!

Oh how the mighty have fallen. Well, Reese Witherspoon anyway.

This feeble affair desperately tried to be a sillier version of The Heat but it just left me cold. From the opening montage, you knew what sort of film you were getting yourself into. A bad one.

An uptight and by-the-book cop (Witherspoon) tries to protect the outgoing widow (Sofia Vergara) of a drug boss as they race through Texas pursued by crooked cops and murderous gunmen.

This should have been called Hit and Miss. We follow a young Cooper (Witherspoon) as she is practically raised in the back seat of her father’s cop car. We have the delightfully dull and predictable snippets of Cooper’s prom dates, her first encounter with a transgender individual, oh and sharing Christmas with a drunken Santa.

Now credit where it’s due. I respect Witherspoon for going back to her comedy roots. Let’s not forget Rushmore and Legally Blonde. Maybe forget Legally Blonde 2. It was good to see that she’s still game for a laugh after achieving Oscar status. BUT the money must have been too good to turn down.

She does her best but overdoes it with every gag. Maybe to compensate for the fact that the gags were really not that good. Plus she does not stop talking. Her verbal diarrhoea really went through me. At 87 minutes, I feared that this would go on too long.

From the moment we watch Cooper chase after a suspect that turned out to be her date, I could feel my hopes dying. A misunderstanding with the phrase “I’ll call shotgun” set up an incident with a taser that I didn’t see coming. An incident that would make Cooper a laughing stock among the force; “Hey. Don’t Cooper that sh*t!”.

BUT now she has a chance to redeem herself. By helping escort a witness to a safe house. That witness being Gloria from Modern Family. Sorry, Sofia Vergara.

I really hoped she would play a different character. I love Gloria. But in small doses and on Modern Family. Not in this. It felt like a prequel of Gloria’s life before Jay. As soon as I heard her shrill cry through the security intercom, I feared the worst. Stunning though she may be, the shot of her wailing in a Cadillac will haunt me for some time.

The plot was by the numbers and boring. The double crossing and triple crossing was so predictable. Dodgy coppers, murderous hitmen, yawn. And what the hell was Sean (Robert Kazinsky) from Eastenders doing in this? He still hasn’t mastered a Southern accent. You would have thought he’d have enough practice after True Blood.

It was all over the place. Just like the tone of the film. I don’t think it knew what it wanted to be. It was silly and OTT in one instant with Reese caked in “sugar” from Vergara’s briefcase. Her insufferable verbal diarrhea now ignited into a full frenzy.

And then macabre and violent in the next with a red neck shooting his finger off after Vergara and Witherspoon fake being a pair of lesbians to avoid revealing their identities. Strange but it got a little chuckle.

What annoyed me was that the pair had good chemistry and sparked in certain scenes. And they seemed to work better when they improvised. Vergara actually grew on me as the film chugged along. It did try and get a little too actiony and serious in the finale which only came off incredibly hammy.

The jokes about shoes and sex were a little repetitive and stale for my liking. Lazy. The gag about Witherspoon’s “diaper” panties was a complete rip off of The Heat. I appreciate that they tried to follow in it’s footsteps. But all they really did was stumble and trip up in it’s shadow. A running gag with the media messing up the duo’s descriptions was okay to start with but it soon got old really quick.

The only real laugh that I got out of it was when Cooper had to wear a disguise to infiltrate a Columbian cartel. She looked like Justin Bieber and a wardrobe malfunction in a ladies toilet delivered. A diamond in the rough, apparently.

I think the closing credits summed everything for me. Before anyone could escape (If they hadn’t already), we had five to ten minutes of outtakes. I laughed more in those ten then I did in the 87. The improvising and mucking about should have been in the film. You saw a completely different and less annoying side to Vergara. She was actually quite funny. Why didn’t we get that in the film?

Instead we had the odd gag among a dozen duds spread across a dull and lifeless cop thriller. I would definitely say the mismatched tone really hampered things.

BUT I wouldn’t say that this was a mismatched pairing and for all it’s flaws, it was watchable. Thankfully to a short running time. If you’re looking for another Heat, then watch The Heat.

Two stars for the two leading ladies for doing their darndest.

WILD CARD REVIEW

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I’m losing faith in the Stath.

Well, in his movie choices anyway.

So what’s it all about, san? When a Las Vegas bodyguard (The Stath) with lethal skills and a gambling problem gets in trouble with the mob, he has one last play . . . and it’s all or nothing.

I should have known what to expect when I saw the name Simon West pop up across the silver screen.

At his best, Con Air! One of the most iconic action movies of all time! Why didn’t he put the bunny in the box?

At his worst, Stolen. One of my worst films of 2013. Ironically both involving Nicolas Cage.

West normally has the right balance of cheese with all out action. Silly but fun. While Wild Card, on the other hand, was just terrible. My DISAPPOINTED Kevin Sorbo Hercules video doesn’t even come close to showing my frustration.

A slow opening sequence involving Stath and a little “matchmaking” hustle with the alluring Sofia Vergara (Modern Family) was silly but easy going.

For a minute, I thought it was going to be a little like Better Call Saul. They even had a similar office set up.

Jason Alexander! Good old George Costanza as a Saul Goodman type showed all the potential.

BUT oh no! All he did was introduce the Stath to Michael Angarano’s (Sky High) retarded tweenie gambler.

Leading to an uneven, badly acted and badly written film that failed on everything BUT the violence (The little that there was).

Okay, retarded was a little harsh. Angarano’s dweeby laugh and lead dialogue didn’t help me like his one-dimensional character.

Meanwhile, a more interesting subplot seemed to be emerging as we see Dominik Garcia-Lorrido’s call girl battered, bludgeoned and dumped outside a hospital.

However, before we get to find out the who, why and how? We have to drudge through mindless exposition and pointless sweeping night shots of the Stath driving around Las Vegas.

The cinematography was outstanding. I must commend Shelly Johnson for making this mess worth looking at.

But it didn’t stop me picking at the poor script. Written by William Goldman. A two time Oscar winning screenwriter penned this? (All The President’s Men and Butch Cassidy and the Sundance Kid)

Anne Heche and Hope Davis. Two talented actresses reduced to nothingy supporting roles.

Heche as a waitress. Purpose? To serve the Stath some lemonade and give him a break from talking to himself.

Davis as a card dealer. Purpose? To remind us that the Stath gambles. Go figure. I could tell that by the fact he was gambling!

And if that wasn’t bad enough, I was fed up with listening to Angarano’s insecure rich boy desperately seeking a friend.

However, we finally get back to Garcia-Lorrido. She seems to have inherited her actor father’s deadpan drawl. Yep, lifeless and dull.

She tried to pull off the femme fatale vibe but she didn’t have the conviction.

In between Stath’s babysitting subplot, we have a little vengeance ploy as his services are required to teach a harsh lesson to a deluded mafia monster.

Well, I say monster. More like moper.

Peter Petrelli? What happened? Milo Ventimiglia was such a whiney little nob. I couldn’t stand him. He played the douchebag mafioso well but he was just so irritating and pathetic.

I could understand him being a quivering whimp in one scene as the Stath and Garcia-Lorido dispense some justice with his manhood and some garden shears but otherwise, he lacked the conviction to be taken seriously as a scumbag.

It was such a shame considering the back story that Lorrido built up around him. The detail on what he did to her was gritty and gruesome. And then we see him and he’s an absolute plonker.

The film kept changing in tone and flitting about. Ridiculously silly one moment, brooding and menacing the next. I wasn’t sure what it was trying to be. It failed anyway.

I think the only reprieve for this film was the fight sequences. There weren’t enough but when the Stath did kick off, it was brutal, intense and brilliantly choreographed.

One particular highlight involving Stath using a knife to jam up a hitman’s firing pin.

To be honest, Stath deals with Ventimiglia too easily and we are left watching him gamble his life away.

The gambling scene was ruthless, tense and probably the most suspenseful sequence in the whole film.

However, I expected more of this in the horrendous remake that was The Gambler.

I’m sure Goldman was trying to make Wild Card a philosophical journey of one man’s decent but it was too pretentious, too hammy and just plain terrible.

I mean Stanley Tucci? What was the point of his character?

Donning another bad wig and smirking. With a look that said; “Am I really in this? Is this all they need me for?” A mediator for the mob who didn’t do any proper mediating and was only in the film for two minutes.

Easy money for the Tuc.

The frantic (and forced) fiery finale was manic, violent and everything I expected for the other 90-odd minutes.

Stath does his best to make it watchable and nearly pulls it off. BUT he gambled on the wrong project.

They didn’t even explain his knack for disposing of baddies by flicking cards.

I’m not even going to get into the fact that it’s set during Christmas and was released in March.

Too many questions, not enough action, story or character to keep me quiet, engaged or caring.

1.5/5

*THROWBACK REVIEW* PLANES 2: FIRE AND RESCUE

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I was surprised and anxious to hear that Planes had earned a sequel. To be honest Cars was a bit of a misfire. Watchable but hardly memorable. I didn’t even get round to watching the sequel. It reeked of desperation when they tried to merge the Cars and Planes universe together.

The problems was that Planes felt old fashioned before it even got to start. There was enough silly punnery and charm but it felt oh so flat. Proof that even Pixar can make mistakes. But yet enough money was made to make another and this time . . .

Despite being a visual sight to look at (which was to be expected), it pretty much delivers the same old silly wordplay and punnery, cheesy one liners and bland characters but without the charm and gusto that managed to make it scrape by last time. This really is one for the little ‘uns who are interested in planes and cars.

Dusty (Dane Cook) is now a renowned racer. However he is hit with the bad news that he can no longer race after his out of production gearbox starts failing. But Prop Wash Junction is in need of a new firefighter cue another re-tread (I mean journey) as Dusty must overcome the odds and prove everyone wrong again.

It’s a shame that Cook is having to voice such a dull and unmemorable lead character. You can’t help but feel that they have to keep bringing in crazier and funnier supporting characters to compensate for it. The 3D. What 3D? I could have taken my glasses off and not noticed a difference.

Terrible considering the price of a cinema ticket these days, let alone extras for 3D. 2D if you are still intrigued.

The new range of characters do their utmost to make this flailing film soar but to no avail. Hal Halbrook delivered an endearing turn to the ageing fire truck May Day. While Julie Bowen (Modern Family) was on voice stealing form as the neurotic Ms. Dipper who is infatuated with our hero.

The fact she watches him while he sleeps brought a little chuckle, if a little creepy. Wes Studi (The Last of the Mohicans) pretty much plays a parody of Magua in the form of a helicopter titled Windlifter. The legend that is Ed Harris played a straight faced, stern and predictably bland authority figure. A shame.

To be honest, it made me miss the incredibly OTT El Chubacabra. His presence was sorely missed. There was one good skit that parodied the old 70s cop show Chips. However, this time it was Chops. Tut all you like. There was a guilty chuckle. The fact a familiar voice made a cameo return made it all the better but unfortunately it was always going to go over the little ‘uns heads. The fire sequences were interesting and watchable enough but it all seemed by the numbers and a little stale.

The odd gag and punnery will get a chuckle from the kids and adults but it all feels like it should have been a straight to DVD film. If not for the Pixar label, I’m sure it would have been. A real shame despite the best efforts of a talented voice cast (that consisted of the likes of Cedric the Entertainer, Teri Hatcher, Patrick Warburton, Brad Garrett) to make their flat characters stand out but one for the scrap heap.

Sorry, Pixar. It didn’t work the first time, the second hasn’t improved. I don’t think third time’s the charm this time around.

2/5 for me

*THROWBACK REVIEW* MR PEABODY AND SHERMAN

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Nothing to bark home about. (What? If you’re tutting at that, then this film is not for you. If you tutted but had a cheeky little grin, then this might be). Enough hi-jinks and 3D animation to keep the children wagging their tails but it’s hardly a rollicking family movie.

It’s not all bad and to be honest, it jumps straight into the action with Mr. Peabody (voiced brilliantly by Ty Burrell or Phil Dunphy from Modern Family BUT less annoying) making a brief introduction about his numerous achievements from birth, after being neglected for being unique (the usual spiel). His greatest challenge, however, was adopting seven year old Sherman.

We join the dynamic duo on a time travelling escapade, basking it up in the 18th Century French Revolution before its inevitable uprising. It zips along, the 3D is actually quite good with the swords and spears pointing out of the screen. The one liners are guilty pleasures, silly but funny pun gags.

One particular guilty chuckle was during a zany escape attempt from the guillotine that is as bonkers as the Sherlock fall. Mr Peabody delivers the punch line, “The best thing to do is be calm and keep your head”.

However, this is all thrown aside as Sherman attends his first day of school. And before you know it, he’s in a fight with a bully. Twist, the bully is a girl named Penny (voiced by Ariel Winters or interestingly Alex Dunphy from Modern Family). This leads to the gruesome child protection services officer Mrs Grunion (Mom’s Allison Janney), who bears some deep resentment towards dogs owning children. She threatens to take Sherman away.

In attempt to prevent the pair being torn apart (Aww. Yuck) Peabody invites Penny and her parents over for dinner. Penny and Sherman inevitably refuse to get along. That is until, against Peabody’s wishes, Sherman introduces her to the Way Back (time machine).

The pod looks exactly like the one from Free Birds. This film may not be great but it’s better than that turkey (What?). However, the jokes are few and far between. And the overall story is the same old guff. The time travel sequences end up visiting all the obvious famous figures, Shakespeare (check), Van Gogh (check), Da Vinci (check) – cue a highly predictable gag about the real reason behind Mona Lisa’s smile.

It seems like the movie ran out of gas by the hour mark and threw the lazy plot device of the time machine’s power being drained so they have to stop at random points of time. In all fairness, the 14th Century Florence skit with Stanley Tucci’s Da Vinci wasn’t too bad and his creepy child machine was very weird but funny. The ruse that Mona Lisa was all for tourist promotion wasn’t bad.

However, there is the usual cheesy father/son/dog/pup spats and brewing, if unnecessary, romance between Penny and Sherman. OTT slapstick and silly gags. However, after the hour, the film does find another gear and revs up to a mad timey wimey finale. The Troy sequence was hilarious with the testerone-pumped dimwits led by Agamemnon, voiced expertly by Patrick Warburton (Joe from Family Guy). The comparisons between their weird family upbringings was a surprise and one for the adults. “Don’t get me started on Oedipus. You do not want to go round there at Thanksgiving”.

The timey wimey stuff made it more interesting once they start breaking up the space time continuum and the past goes back to the present but it all got ridiculous with the inevitable cheesy, corny happy ending. Watchable, brilliant visuals, if predictable guff. Shame considering the talent; I mean come on, Mel Brooks, Dennis Haysbert, Stephen Colbert, Leslie Mann! Enough for the little ones but the bigger kids will be fidgeting . . . towards the exit door.

2.5/5 for me

*THROWBACK REVIEW* ESCAPE FROM PLANET EARTH

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And the duds just keep on coming. I need to escape from the cinema for a while. Enough to keep the little ‘uns quiet for 80 odd minutes but parents might want to take in their Kindles (or a physical book if you’re old school).

Astronaut Scorch Supernova (Brendan Fraser) is a national hero to the blue alien population. A master of daring rescues, Scorch pulls off astonishing feats with the quiet aid of his nerdy, by-the-rules brother, Gary (Rob Corddry). However, when the brothers receive an SOS from a notoriously dangerous planet (Earth. What? Spoilers? Come on guys), Scorch rejects Gary’s warnings and bounds off for yet another exciting mission leading to his capture. Inevitably, it’s up to scrawny, risk-adverse Gary to do the real rescuing.

Brendan Fraser (The Mummy franchise/George of the Jungle) what happened? Oh how the mighty have fallen. In all fairness, his movie list of late is hardly legendary. He does his best to bring the laughs as chughead Scorch in his strangely Buzz Lightyear-esque attire.

It’s a shame with how much talent was attached to this. I know, it’s a kid’s film but Disney, Pixar and Dreamworks (most of the time) have delivered timeless classics with great stories, great characters and enough to entertain everybody. Unfortunately this one just doesn’t make the cut.

It’s not all bad. It has enough OTT slapstick gags to keep the little ‘uns giggling and the animation is brilliant. Visually colourful and detailed. 3D hardly a must but there were a couple of clever gimmicky moments in there. Corddry (Hot Tub Time Machine) plays the pathetic protagonist quite well.

Ricky Gervais once again pops up in a rather dull and fed up voice over as the computer system, BING, James Bing. Oh dear. Now I’m one for the puns and silly one liners but even that one got me cringing. Jessica Alba surprisingly goes against character type and plays the baddie for a change.

William Shatner provides his Trekky gravitas to the sinister General Shanker with aplomb. Sofia Vergara (Modern Family) plays a rather irritating and bland character that really doesn’t have a point or contribution to the film (Bit like Modern Family. Ouch. Stop it). Sarah Jessica Parker does her best with the lines, “Not bad for a mom who’s had two kids”.

As does Jane Lynch (Glee) as the one eyed creature and appropriately named Io, “First time I laid eye on you”. Does that line sound familiar? Hmmm I thought so too (*Cough* Monsters Inc *Cough*)

The characters that stood out for me were George Lopez (Rio/Rio 2) as the slimy slug hybrid Thurman. The ever talented Craig Robinson (This is the End) manages to make a memorable performance as the eccentric fast talking Doc. Steve Zahn (Diary of a Wimpy Kid) hippies it up as alien enthusiast Hawk. His first encounter with Corddry’s character was quite funny but it soon goes on too long and gets very annoying.

This isn’t the worst animation film I’ve seen this year. That honour goes to the turkey Free Birds (What?) but it’s pretty close. Interestingly enough for those who have seen Free Birds; was Escape from Planet Earth an unintentional spin off? The facility and more importantly, the quarantined Monsters Inc rip off suit guys look just like them.

Regardless, they steal the show in one tut worthy guilty pleasure of a scene in which they manage to parody a number of movies in a food fight. The Artist was a nice touch.

There is a cheeky pop at satire with the government propaganda video segment, “Do you believe in Communism? Then you are an alien”. Unexpected but not bad. The Beatle-esque aliens got a guilty laugh. The twist *POSSIBLE SPOILER BUT NOT REALLY* that humans have been capturing aliens and stealing their technology and claiming it for their own was a nice touch. Doc venting his frustration at the money he should be earning for Facebook was quite funny.

However, it gets all too corny and cheesy. For every good joke, there’s a dozen naff ones. I mean an encounter with a wacky waving inflatable tubed man brought the odd chuckle. But just doesn’t work as a recurring joke. Mainly because it wasn’t that funny the first time round.

If you’re looking for a quick distraction for the kids, then give it a go. Otherwise invest in How To Train Your Dragon 2 or something.