*NEW* GET OUT REVIEW *NEW*

GET OUT and watch this!

A young African-American (Daniel Kaluuya) man visits his Caucasian girlfriend’s (Allison Williams) mysterious family estate.

Clever, witty and tense. A real treat.

I knew this had taken some serious money in the States. BUT as we’ve learned from the Fast and Furious franchise, big money doesn’t mean good movies.

When I heard that this was directed by the guy who made Keanu. My thoughts were mixed to say the least. The trailers originally did nothing for me BUT I couldn’t escape the crazy hype train.

Thank God, I caved in to the Twitterverse. One of the better ones. A suspenseful suburban horror with a surprisingly talented and underrated cast.

I’ve followed Kaluuya in the British circuit for some time (The BBC3 drama The Fades and Johnny English: Reborn). I was happy to see the chap get a leading role. He delivered a stellar turn.

It was eerie and unsettling from the get go. The tension bubbling away.

What should have been just a simple ‘Meet the Parents’ trip turned into something so much more. Even the drive up to the estate was riddled with racial tension.

Director Jordan Peele tackled the race row perfectly. Most notably when Chris was asked to present his ID to a police officer. Despite only being the passenger.

Red flags were raised as soon as the couple crossed the Armitages’ threshold. African-American servants loitering around at every corner. A beautiful country mansion stuck in a backwards country in a backwards time.

There was a strange atmosphere to the piece that kept me on tenterhooks. Even the over friendly family conversations unsettled me. Something just didn’t quite add up.

“I love Tiger and Barack”

I couldn’t believe how much The West Wing’s Bradley Whitford had aged. The last movie I saw him in featured an unpleasant death sequence with a mermaid. Cabin in the Woods, anyone?

He played the sickly sweet father-in-law-to-be Dean Armitage with aplomb.

To be honest, I was impressed with the whole cast. From Stephen Root’s (Office Space) suspicious blind gallery owner to Caleb Landry-Jones’ highly unsavoury Jeremy. They all played their parts perfectly.

I actually jumped a couple of times. One sequence came out of nowhere. Just a simple dream sequence, one little noise . . . and BAM! Woe is me BUT it worked.

Peele unintentionally delivered one of the most iconic shots that has stuck in the back of my head. Triggering an unexpected meme trend and bringing a whole new meaning to the Running Man.

The questions piling. The strange white party parading young African-American men as fashion accessories. The relentless satire; “Black is in fashion”. Crazy.

The hypnosis sequences between Chris and Missy (Catherine Keener – Into the Wild) did drag in places and slackened the pace. BUT I was still transfixed as Chris desperately tried to fight against the trippy waves of ‘The Sunken Place’.

LilRel Howery played the comic relief as Rod, Chris’ conspiracy theory mad best friend. He was hilarious BUT I felt his schtick overstayed its welcome. Especially when he continued to carry on preaching about sex slaves. It killed off the tension for me.

BUT I could relate to his frustration as the police laughed him off. The only one fearing the worst for Chris.

Get Out definitely felt like a film of two halves. Peele transformed this seemingly hynoptic and slow burning suburban satire into a tense and (bloody brutal) body shock horror.

I won’t spoil too much BUT there were a few surprises along the way.

The one thing I always hated with these seemingly trashy horror premises was how stupid the main character was. I would always scream at them for doing such stupid things, “Don’t go down there!”, “Don’t split up” and my personal favourite, “Don’t trust that person!”.

Not this time. I was completely caught up in this, wondering how Chris was going to (Pardon the pun) get out of this situation. I was rooting for the guy. Leaving a brutal, nail biting finale that had me on the edge of my seat.

The clever splicing of genres may have got a little heavy handed BUT I cannot recommend this enough. A film worthy of your time.

3.5/5

*NEW* DIRTY GRANDPA REVIEW *NEW*

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Dirty, dirty De Niro.

Right before his wedding, an uptight guy (Zac Efron) is tricked into driving his grandfather (Robert De Niro), a lecherous former Army Lieutenant-Colonel, to Florida for spring break.

Rude, crass, filthy and for a good portion of the film quite entertaining. Definitely marmite for the movie fans. You’re either going to love it or hate it. For some, an outrageous sex comedy. For others; a monstrosity and new low from one of Hollywood’s greatest . . . Oh and that bloke from Goodfellas is in it.

The opening didn’t mess about. It skimmed through the cliched set up quickly. Even if it was through a badly photo-shopped montage of Efron’s Jason growing up with De Niro’s Dick. Wait, being raised by De Niro’s D- Moving on . . .

For a moment, I wasn’t sure if this was going to be a dramedy as Jason faced an existential crisis with his boring life imminently set in stone while Dick mourned the loss of his wife. BUT that doubt was soon extinguished when Jason walked in on his ol’ grandpa jerking off. Oh dear.

The first 40 minutes was funnier than I could have imagined. I was in stitches. I actually scratched my head at why the critics gave this such a mauling.

The pair worked really well off each other. This sort of film was never going to win plaudits. It is what it is. A revolting adult comedy with a shed load of revolting college humour. A guilty pleasure that was right up my street; “You still Jenny from the C*ck Block?”

De Niro really didn’t give a flying fook. Effing and jeffing in every frame (I mean come on. It’s not as if we haven’t seen the guy swear before) and giving it his all. The Oscar winning actor has been working with comedies for the last decade (Analyse This/That and Meet the Parents).

It was also good to see a different side to Efron. I didn’t think the 17 Again star would be able to deliver. He has been quite wooden in his latest efforts. BUT it was funny seeing the prudish Jason breaking out of his shell.

I didn’t expect to see Efron running around naked on a beach covered in swastikas and high on crack (Yeah if you’re shaking your head at that then this film is definitely not for you). An unfortunate encounter with a child shouldn’t have worked and certainly tested the ‘awkward-o-meter’ BUT the cringe-inducing tension was too much.

BUT the second half really did push it and killed a lot of the fun making it just plain stupid.

De Niro’s special forces spiel was boring and cliched. His combat moves and crazy body building really took the biscuit and set up a terrible cameo that was wasted on Danny Glover (Lethal Weapon). I’m sure it was supposed to be a commentary on age and that being old isn’t the end BUT this was never going to be that sort of film to deliver that message.

Julianne Hough (Rock of Ages) was wasted in her role as Jason’s insufferable fiancee, Meredith. Anyone could have played her.

The cheesy subplot between Shadia (The lovely Zoey Deutch – Ringer) and Jason was far too hammy and lazy that it slackened the pace tremendously. The pair had reasonable chemistry BUT it was all so predictable and unnecessary as Jason realised that maybe Meredith isn’t the one.

Adam Pally’s (Happy Endings) Cousin Nick was delightfully revolting and wasn’t in it enough. Jason Mantzoukas (The Dictator) was hysterical as Tan Pam; the crazed dealer that the local police seemed to have a soft spot for. BUT despite his hilarious introduction, he soon overstayed his welcome and kept popping up. The gags and lines getting duller with each re-appearance.

Aubrey Plaza (Parks and Recreation) was brilliant as Shadia’s slutty BFF Lenore BUT the endless innuendos and swearing was just too much by the end.

And that was the main problem; the longer the film went on, the worse it got. The sex gags, incessant drug use and swearing just went for the shock factor and by the 75 minute marker, I was numb. The punch lines getting more juvenile by each closing minute.

De Niro getting street cred with the local Miami thugs. Not bad. Rapping and dropping the N bomb. Not so much.

As I said before, I expected a lot worse and it was certainly watchable. The gross out college humour that dominated the Noughties (Euro Trip, Road Trip, American Pie) in full flow. If that ticks all the boxes, you’ll love it. If it didn’t, unless you want to see an Oscar great taking a nose dive with his career and flashing his penis then I don’t think this is going to offer anything for you.

2.5/5

LAST VEGAS REVIEW

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At last! We may have all seen it all before but at least it was easygoing, watchable and fun!

It’s great to see a talented cast letting their guards down and having a laugh. Kevin Kline, welcome back. Where you been?!

In a nutshell, four old school friends reunite for a stag party in Vegas. The rest is gold.

The opening was very corny and predictable as we see the gang as young whippersnappers in the fifties. Unfortunately, the little uns’ acting leaves a little to be desired. Except for RJ Fattori playing the young Paddy (Robert De Niro). Where he lacked in conviction (look at me, judging it like it was an Oscar nominated movie), he nailed with De Niro’s mannerisms. Spot on. Noah Harden as the young Billy (Michael Douglas), however . . . Sorry bud.

But this is all quickly pushed aside and flash forwards 58 years later focusing on each individual as they battle depression, repression and sheer bloody boredom. Kline’s Sam was the scene stealer for me. Checking that one of his elderly cardio pals was still alive in the swimming pool was so wrong but hilarious.

Morgan Freeman’s Archie had potential with a subplot on his ailing health. BUT it was never going to be that type of film. Molly-coddled by his overprotective son who won’t even let him hold his granddaughter in fear of triggering a stroke. The poor pensioner is desperate to escape.

De Niro as Paddy, the miserable robe wearing wiser, may have been a role we’ve seen him do before (Cough. Meet the Parents. Cough) BUT it was still funny. However, his moaning and complaining soon got old really quick.

And, Mr Douglas. Firstly, what is going on with the teeth? Are you Rylan in disguise? For those lucky enough to be unfamiliar with last year’s UK X Factor, google Rylan Clark. You’ll get the idea. And the tan?! However, this is all for the taking for Freeman and Kline, delivering some cracking lines. Douglas’ Billy is fed up and scared of how old he is. He has everything and nothing. But in a moment of crazy euphoria, he proposes to his 32 year old “infant” girlfriend, at a funeral. A little OTT for my liking, I know. But at it’s core, it shows an exaggerated fear of getting old.

This movie isn’t perfect by any means. It’s predictable, corny, OTT but at it’s core is a tale of friendship, loss and proving that being old isn’t the end. Where is this rule that you have to stop living and stop being a fool?

The cast work well together. BUT Freeman and Kline were the masters for me. Once Freeman is unleashed in Vegas; he bosses the dance floor and proves that an old dog can learn new tricks. Kline was on fire with his comic deadpan delivery. While, the more serious drama is left to Douglas and DeNiro as old grudges rear their ugly heads.

It’s funny, at times, hysterical. The best moment for me was Redfoo from LMFAO thrusting his cod piece in De Niro’s stunned face. Some might see it as step down, but hey it was funny . . . and he knows it (What?!).

Las Vegas is beautifully captured in all its glitzy, neon glory. And there were some decent supporting turns from Romany Malco (40 Year Old Virgin) and Mary Steenburgen (Step Brothers). Also, look out for a brilliant cameo from a certain rapper.

Steenburgen’s introduction as the lounge singer felt a little unnecessary and corny BUT it was the perfect trigger to unearth Billy and Paddy’s strained friendship. Revelations and twists predictably on the cards.

BUT all in all, LAST VEGAS was like a overdone lasagne. A little too much cheese spread over it but it was still good to look at and tasty enough to enjoy.

3.5/5