*NEW* HACKSAW RIDGE REVIEW *NEW*

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Brutal, gripping, hard hitting.

The true story of WWII American Army Medic Desmond T. Doss (Andrew Garfield), who served during the Battle of Okinawa, refused to kill people, and became the first man in American history to receive the Medal of Honor without firing a shot.

I was a little worried at first that Garfield was going to come off as a bumbling Forrest Gump with his bashful demeanour and Southern accent BUT he delivered enough charm and charisma to win me over. A strong performance.

The first 40-odd minutes was corny but easy going enough as we followed Desmond through his childhood years right up to his enrollment.

A good portion of that time was spent on wooing the local nurse Dorothy (Teresa Palmer – Lights Out). It may have been a little schmaltzy BUT the pair had good chemistry and I was happy to watch.

The flashbacks flicking back and forth into Desmond’s past broke up the cheesy romance as we discovered the reasons behind his refusal to carry a firearm.

It was great to see Hugo Weaving as Doss’ embittered drunken vet father. He played it with aplomb. A tormented man who had already “died” with his men in the Great War.

His survival nothing more than a curse. Punishing himself and his family. I was surprised at his reaction when he discovered that his two sons had enlisted.

The boot camp training montage was a little predictable. Especially when Doss had to compete with the macho hot head Smitty Ryker (Luke Bracey – Point Break).

BUT it still hit home as Desmond fought against the military hierarchy. Reserving his right to serve as a medic:

“No less danger, just . . . while everybody else is taking life, I’m going to be saving it. With the world so set on tearing itself apart, it doesn’t seem like such a bad thing to me to wanna put a little bit of it back together”.

I wasn’t sure whether Vince Vaughn would cut it as Sergeant Howell. I was hoping this role would be a change from his usual spiel.

BUT his Wedding Crashers style drill call and endless shouting was hit and miss. It was a little too OTT for my liking as he gave the privates nicknames. However, there were a couple of clever one liners.

BUT as Doss’ struggle worsened, Howell soon won me over as he realised the stubborn Virginian wasn’t going to back down. Fighting for his beliefs.

Sam Worthington (Avatar) was brilliant as the callous Captain Glover. Embarrassed to have a “conscientious objector” in his ranks. Ordering Howell to force the boy’s resignation.

Doss’ treatment was shocking. Beaten until he was black and blue by members of his own infantry. Pushed to the very edge. He was even denied a day pass to attend his own wedding. Unbelievable.

It went right up to a military tribunal and even during the first attack on Hacksaw, troops were still weary of the medic. The second half of the film was something to behold. A true act of honour and dedication.

I had no doubt on ol’ Blue Eyes taking the helm. We had already seen a return to form with his stellar turn in Blood Father and this latest entry from the Braveheart and We Were Soldiers director was a step in the right direction.

The violence was ridiculous. Gibson definitely didn’t hold back the punches. It was visceral, gory and bloody as hell. He really showed the true extent of what war can do to a soldier.

The only problem with all the CGI (especially with the flamethrower attacks) was that it came off like something out of Starship Troopers! And when Doss kicked that grenade like a football, I couldn’t help but tut. Hollywood had to put their stamp on it somewhere.

“Just give me one more”

I was on tenterhooks right up to the emotional and fitting tribute. As every one else had climbed back down off the ridge, Doss stayed to tend to the wounded.

Covering up the injured from the lurking Japanese. Evading capture and sniper fire. Discovering their hidden trenches.

Tense, gripping. I was completely transfixed as this young man, with no firearm, saved 70 soldiers who were already deemed lost by their superior officers.

He even tried to save several Japanese officers who didn’t quite make the journey back to the medical tent.

Despite a 139 minute running time, the pace didn’t test. Garfield impressed yet again, giving one of his best performances to date.

It was nail biting and enthralling. That final act when Glover apologizes to the crazy Virginian was heartbreaking.

The real life interviews and footage in the closing credits really brought it home.

A compelling drama as one man defied the odds and fought for what was right.

While not the greatest war film, Hacksaw is still worthy of your attention.

4/5

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*NEW* LIGHTS OUT REVIEW *NEW*

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It didn’t have me screaming for the lights on.

When her little brother Martin (Gabriel Bateman – Annabelle) experiences the same events that once tested her sanity, Rebecca (Teresa Palmer – Warm Bodies) works to unlock the truth behind the terror, which brings her face to face with an entity that has an attachment to their mother, Sophie (Maria Bello – A History of Violence).

When I first heard that James Wan (The Conjuring/Saw) had green lit the spine tingling short Lights Out, I was annoyed. Especially when I saw the trailers circulated around the Internet. A loosely stringed story stretched out into 90 minutes with a few screams along the way. Well, that’s what I thought I was going to say.

In all fairness, it was actually quite good. A creepy opening in a big dark warehouse with motion sensors certainly got things going. With every flash of the light, the dark demon grew closer to its unsuspecting prey. It was a nice touch getting the original scare victim from the short in a cameo (Lotta Losten).

Director David F. Sandberg orchestrated some genuinely creepy moments and tense sequences and certainly played on an old fear. A ghoul that attacks from the smallest patch of darkness. Spookkaaayy.

The premise wasn’t bad. Hardly original BUT it did the job. A crazed mental patient with demonic abilities latching onto a family. Why? How? Well, if I told you that, there’d be no point in watching it.

I did sigh at Palmer’s introduction as her character drudged through some cheesy guff about personal space and not trusting anyone after her mum. The corny exchanges with her silly boyfriend did put me into a mini-coma. Thankfully once little brother Martin and her drug-induced head case of a mother were brought into the mix, my interest was peaked.

Palmer was a likeable lead and Bateman was very good. As I’ve said in previous reviews, it’s tough for child actors to get that balance right. He really carried the film when some of his older counterparts might have been phoning in their lines. I was actually rooting for the little guy to survive.

Maria Bello played the mother well. Her introduction was freaky as a tired Martin walks in on her having a conversation with the demented demon in the closet. Hell to the no! The only problem was despite one other creepy scene, she was largely absent. Shame. There may have been a fair amount of cliched dialogue BUT I still liked the family dynamic and wanted more of that.

The flashbacks and endless repetition about the origins of the demon Diana and her mystery illness to light got a little annoying and killed a lot of the buzz. Despite the film only being 81 minutes, it did have the tendency to drag in parts.

BUT one thing I will commend was seeing these characters actually not make the same old horror movie mistakes. Hang on, this b*tch doesn’t like lights. I’ll surround the place with candles, UV lights, torches and put them in every nook and cranny.

The scares weren’t bad. Every time the lights went out, a feeling of unease would take over and I could feel my eyes looking at the corners of the screen. It did get me a couple of times. BUT there were moments where it relied heavily on loud noises and horrendous screams (And that was just from the hypersensitive audience! I kid you not. There was a lad hyperventilating into his hoodie. Behave!).

It was hardly ground breaking or original BUT enjoyable enough. In fact I enjoyed this more than the over-hyped misfire that was the Conjuring 2 (There, I said it!)

3/5