Vikander was brilliant BUT was everything else?
Lara Croft, the fiercely independent daughter of a missing adventurer, must push herself beyond her limits when she finds herself on the island where her father disappeared.
In a nutshell, flawed but fun. Something these video game movie adaptations (of late) have failed to achieve (Sorry Fassbender, the less we say about Assassin’s Creed, the better).
The opening set to it with some supernatural guff about a tomb entrapping a Chinese sorceresss and Lara’s father (Dominic West) being the only one who knows how to open it.
Thankfully it didn’t delve too much into that hokey stuff too early. Instead we watched a ripped Vikander (Seriously those abs put my beer belly to shame) taking a pummelling in a mixed martial arts punch up.
But that scene established her character. Resilient, feisty and stubborn to boot.
I knew Vikander wouldn’t disappoint. She had tough shoes to fill after Jolie. She was the perfect incarnation. Don’t get me wrong, I enjoyed the Jolie efforts BUT they lacked something.
The first act was spent on Lara refusing to accept her father’s death. Despite all the search parties declaring him dead after a seven year absence. Scraping by as a bike courier despite being the sole heir to a rich inheritance (And an incredible mansion!).
It was nice to see Kristin Scott Thomas and Derek Jacobi pop up in this BUT their characters were wasted . . . In this entry. If there are to be sequels than there is potential for (at least) Thomas’ role to grow.
Initially Dominic West was reduced to cheesy flashbacks BUT they still fared a lot better than Voight/Joile’s disjointed “dream” encounters.
You could argue that the “fox hunt” was unnecessary and cheesy BUT it was fast paced and entertaining as the couriers chased Lara around London for a cash prize. Showing how mischievous and resourceful the heroine can be.
I liked that Lara was younger. It added a vulnerability to her. Unlike Jolie’s bad ass. Still learning the ropes and introducing her to the chaos as much as the audience. Different.
The film zipped along and I wasn’t bored. As soon as that old Japanese puzzle box was handed to Lara at the will signing, the game was afoot. The hidden rooms in Croft Manor, the cryptic messages.
Cheesy but the right amount. The more video messages and audio recordings Richard left droning on about Himiko, the more far-fetched the supernatural stuff got.
Thankfully there was enough high-octane action to keep my grumbling at bay. The set-pieces were tense and exhilarating. Even if the CGI left a little to be desired in places. Especially when Lara’s boat rode through the Ordeals of Himiko.
In one shot, the jaw dropping visuals impressed as the giant waves bombarded the old barge. The next . . . Ridiculously cartoony. It didn’t spoil the intensity of the scene but it was just a little messy.
BUT that still didn’t stop me wincing as Lara free-run across a rusty war plane balanced over the edge of a waterfall. Like I said, cheesy. BUT riveting.
I thought Daniel Wu played the drunken showboat captain Lu Ren well. And I was happy to see Walton Goggins as (the Weirdo with a beardo) Matthias Vogel and his band of meaningless mercenaries.
It was just a shame that Goggins was a little weak after such a creepy introduction. Nonchalantly declaring that he killed her father. A man obsessed with achieving his mission no matter the cost.
BUT he was pushed into the background far too much.
Junkie XL’s score was fantastic. The Mad Max maestro perfectly composed each scene with the frenetic action.
I liked how Lara wasn’t a believer of the supernatural. Refusing to believe in the mythology of Himiko.
There was depth in her character. Her remorse at having to dispose of a mercenary in a brutal manner (for a 12A) was a surprising moment. That was until she clocked up the body count with her bow and arrow 30 minutes later.
The father/daughter dynamic worked a lot better with West and Vikander, And surprisingly the actual tomb raiding didn’t happen until the 75th minute marker.
I did laugh when Richard and Lara chanted an incantation that hadn’t been mentioned throughout the film.
And this was where the film began to buckle, the final act felt rushed and slapped together.
The Himiko subplot wasn’t that interesting and when things finally came to a head, it was breezed over so quickly that I found myself wanting.
Recycling Indiana Jones territory with the booby traps (hidden spikes, crumbling floors etc) and throwing in everything but the kitchen sink for an explosive finale as it ran out of steam.
“I’ll take two”.
However, despite its flaws, this promising reboot was a solid effort that delivered in thrills, action and left areas to explore.
And if there was to be another, I wouldn’t grumble.
Vikander was flawless. We just need a more interesting mythology and a stronger villain for our heroine to take on.