*NEW* ABSOLUTELY ANYTHING REVIEW *NEW*

absolutely-anything

I would recommend that you see absolutely anything else.

And that’s coming from a Python fan! On paper, Pegg and the Pythons spelled perfection. Pull the other one!

A group of eccentric aliens confer a human being (Simon Pegg) with the power to do absolutely anything as an experiment.

After watching the Monty Python reunion at the O2 arena, I was a little anxious about their latest offering. The old gags felt stale and the gang just didn’t deliver for me. I understand that they couldn’t reach that level of energy and eccentricity (Come on, they’re in their seventies) BUT at least they used to be funny. Tragically that rut has continued.

The premise was pretty much a British take on Bruce Almighty. BUT even that fell short by comparison. The flat opening really didn’t get things going.

The Pythons provided their voicing gravitas to the aliens. It was silly enough but far too tame as they translated their alien names into female ones and bickered about destroying Planet Earth.

Pegg certainly carried this lead balloon as much as he could and was a likeable lead. Once he got his powers, things really got into the flow. Shame that the momentum couldn’t stick. BUT I was entertained for a good twenty minutes.

Pegg’s bathroom body enhancements had me howling. Hang on. Let me rephrase that. The fact he asks for the body of a great man and turns into Albert Einstein delivered the silly chuckle. And a gag involving the changing of one’s appendage was unexpected but dropped a cracking punch line.

All the little jokes from the dog mess cleaning itself up to Pegg’s mate getting his own cult, ticked the boxes but it just wasn’t enough. Maybe I expected too much after growing up with the Python movies and TV shows. The Holy Grail and Life of Brian were iconic comedy classics. BUT this? Dreadful. The rest of the gags and set pieces were ridiculous, corny and stupid for all the wrong reasons.

The stunning Kate Beckinsale did her best with her role but the love subplot with Pegg was too bland and nauseating to care about. Sanjeev Bhaskar didn’t do a bad job as Pegg’s best friend and tried to keep things watchable.

Joanna Lumley was terrible in her cameo. You know you’re onto a loser when Ab Fab’s Patsy can’t save the day. The idea of a book critic grilling authors for scandal and ratings over intellect and culture may have sounded good on paper (In fact it doesn’t). BUT the finished result certainly wasn’t and by the end you wondered why her character was even involved.

There was a saving grace with the late but always great Robin Williams as Dennis the dog. He was hilarious. Meshing all sorts of crazy voices including a spot of the old Doubtfire. The canine’s obsession with biscuits and running commentary on any passing thought that popped in his head delivered the much needed laughs.

Eddie Izzard wasn’t in this enough as the Headmaster. He delivered with the tiny tidbits he was given. While Rob Riggle, on the other hand, was in it far too much. Normally you could bank on the chap to deliver the goods after his appearances in Step Brothers and Let’s Be Cops. But this time around, he was irritating and highly unfunny.

It didn’t help that the divide between the Pythons and Eric Idle was so obvious. Even as an alien, Idle was separate from the team. Whether it was meant to be a joke in itself baffled me. He even had his own skit as a racist skeleton. You read that right. I don’t know if I made that sound better or worse.

The tone was all over the place. It was macabre in one sequence. A joke about Pegg’s classroom blowing up certainly delivered the shock factor with a surprise asteroid attack. BUT in the next frame, we had people running around London with webbed feet and big fluffy ears. It felt like the gang suddenly realised that the film was supposed to be a 12A and watered it down. Killing off the last 30 minutes. The last 30 minutes of an 86 minute film.

I knew it was always going to fall short of the iconic Life of Brian and Holy Grail BUT I expected so much more. For good portions of the film, I was bored or cringing at how dire the gags really were.

Disappointed would be an overstatement. Pegg and the cast do their best and there were some laughs to be had BUT it was all for nothing. One star for the cast and one for the jokes that did tickle me.

2/5

I, FRANKENSTEIN REVIEW

i-frankenstein-new-poster

I want my money back.

I can’t find the words. I can’t believe something that looked so good, could be so bad.

That’s 90 minutes of my life I’ll never get back. A dull, plot holed mess with a decent cast playing poorly written and stocky characters. The 3D was wasted on the fantastic set pieces. BUT that doesn’t excuse a bad movie.

Despite a reasonably watchable opening sequence, you can’t help but pick at the endless plot holes. Look, I know these sort of films were never going to win critical plaudits. And I went in hoping for big, dumb fun monster movie. BUT even as a B-movie, it struggles to intrigue or entertain.

As soon as I saw those five wonderful worlds, my heart dropped. “From the producers of Underworld”. Okay, I actually didn’t mind the first Underworld. Kate Beckinsale’s my Kryptonite. What can I say?

Anyway, I, Frankenstein throws us straight into the Creature’s “birth”/”rebirth” back in the 18th Century. It zips along quite well and skims straight through the familiar drivel. Creature hates inventor. Inventor chases after creature. Hunts creature down. Creature falls in ice. Realises he is immune to extreme temperatures and suddenly has incredible super strength. Wait, whaaaatt?

However, this is soon shoved aside for a mental creature combat sesh with funny looking demon things and gargoyles fighting over the Creature. The special effects are decent and the only thing I can commend is the action. BUT once Eckhart’s creature is picked up by the Gargoyle Order, my interest plummeted.

Now Aaron Eckhart (you may remember him as Two Face in The Dark Knight) is a very good actor BUT even his deadpan grimacing only made things worse. He delivers the lines with conviction. It’s just a shame that the lines were so bad. My personal favourite being, “I think your boss is a demon prince”.

Once he is abducted by the Gargoyle order led by their Queen (Mirando Otto – The Lord of The Rings), you soon realise the mess you’re about to sit through. She explains the plot in a swift minute that evil demons want to destroy mankind and they need the Creature or his inventor’s “How to Resurrect Dead Bodies” diary to help. Simples.

Nah, The Creature ain’t got time ‘fo dat. He hates everyone and everything. So it flashes forward 200 years. 200 years?! Really? Which means 20 mindless minutes of Adam (Oh yeah they call him Adam because he is the first of his kind. Nice touch) moping around and hiding. Until he decides, “I’ve had enough”.

Slays some gargs which was pretty good to watch. Blades flying, demons evaporating in flames, gargoyles grunting, more please! Only to get caught by the Order. Again.

Cue more cliched talking with our “loner hero” refusing to take the call and save the day. That and the endless to-and-fro of Adam being captured by the demons, then the gargoyles, then some scientists.

All I kept thinking to myself was they have Frankenstein’s book to resurrect the dead. So why do they need Adam? This must have been a flaw that the writer couldn’t decide on. He’s proof that the book works so we need him, right? Nah, kill him. No, wait! We do need him. Make up your mind!

The beautiful Yvonne Strahovski (Chuck) does a passable English accent. Better than Amy Adam’s Oscar nominated one in American Hustle anyway. She is completely wasted as a generic scientist thrown into the mix. There is zero chemistry between her and Eckhart. The only surprise after all the predictable luvvy duvvy guff was that they didn’t get together!    

Bill Nighy just “Nighy-ed” it up as the evil demon prince Naberius and when he transformed into his demon form . . . My God! He looked like Ivan Ooze. I couldn’t fight back the belly laughs.

Otto’s Gargoyle Queen was one of the most pointless characters going. All she does is pull blank faces and stare into space. Not to mention the repetitive one liners and unnecessary regurgitation of obvious plot points.

I could go on, but I’m exhausting myself. Jai Courtney (Terminator: Genisys) was terrible as the Gargoyle Queen’s protector, Gideon. All he did was pout and sulk. His character looked badass. BUT he’s not even allowed to intervene. The Queen gives him the key to everything. And he can’t use it. Come on! Even if it looked like an amazing battle axe. Nope, still can’t.

Also, the Gargoyles are supposed to fight in the shadows. Yet by the frantic finale, they are flying openly around in broad daylight. Hovering outside a public train station because no one will report it or take pictures on their phones, right?

Eckhart may have looked hench, but they didn’t bother sorting out his scars that magically reappeared at different areas of his face! This was a joke. If only, they played it out as one. It was far too serious for its own good. Even when the Creature tries to explain the situation to Strahovski’s scientist, you just cringe.

Dull, uninteresting, hilarious for all the wrong reasons. I hope a sequel is not in the works. If there is, god help us all!

1.5/5