*NEW* SISTERS REVIEW *NEW*

Sisters-1-sheet-600x889

Two stars for . . . the two stars.

OTT, stupid and dreadfully unfunny. I can’t believe that this was the last film I saw in 2015.

Two sisters (Amy Poehler and Tina Fey) decide to throw one last house party before their parents sell their family home.

I really wanted to like this. Poehler (Parks and Recreation) and Fey (30 Rock) are funny ladies. BUT what drove them to do this? The money must have been good. I don’t care how ridiculous a film gets. As long as it’s funny, I can go along with the madness. This just made me mad.

The best one liners and gags only really came from their improvisation. Fey and Poehler’s commentary while they were shopping for dresses was brilliant. BUT it was far too juvenile. It didn’t work for Seth Rogen and Rose Byrne in Bad Neighbours and it certainly hasn’t here. The kids getting back at the adults. Even though the kids are adults.

It didn’t help that the hokey story line was far too dull and cliched. Poehler playing the uptight obedient daughter who never really acted out while Fey was the hothead party girl. On paper, yes. BUT the end result? Meh. Fey’s mother/daughter issues were weak as her character was never really fleshed out enough for us to actually care.

Poehler was certainly the funniest out of the pair and managed to make a more likeable and entertaining character to Fey’s loud mouthed obnoxious one. Fey’s endless tantrums and shouting just went through me. While her put downs and insults, on the other hand, were actually not bad. Especially when Maya Randolph (Bridesmaids) entered the mix.

“That’s a snazzy belt. Yeah, congrats on your wrestling championship”.

I loved Randolph in Bridesmaids BUT if it wasn’t for all the hilarious put-downs, I would have found her character annoying as well. The whole non-alcoholic gluten free drinks and Game of Thrones marathon desperate housewife gag was just boring.

I can’t believe Dianne Wiest (Edward Scissorhands) and James Brolin were in this as the parents. Wiest actually surprised me and gave it a good ol’ go BUT Brolin was terrible. Oh how the mighty have fallen.

John Cena has really gone up in my estimations. He almost topped his cameo in Trainwreck as psycho drug dealer Pazuzu. He really doesn’t care and ain’t afraid to poke fun at himself. I wished he was in this more. He worked well with Fey and you know what? The guy is funny.

Bobby Moynihan was definitely another scene stealer as annoying school chum Alex. An incident involving a tiny bag of cocaine triggered an ongoing gag that did deliver the laughs. A ticking time bomb. Never knowing when he’ll explode. Or pop up doing something crazy. John Leguizamo has a habit of popping up with naff cameos. American Ultra, anyone? His character didn’t bring anything to the fold and was completely unnecessary. Shame.

Ike Barinholtz (Bad Neighbours) and Poehler were a great couple and really saved the day. Poehler’s awkward flirting and pick up lines were fantastic. A feeble attempt of being sexy ended up with a music box going somewhere it really shouldn’t for Barinholtz. That bit did have me in stitches.

I’m sure that this big party was supposed to be a big stand against ageing, growing up, responsibility and being overlooked BUT by the end, you just felt that maybe they bloody should. The longer the movie went on, the worst it got. The damage and mayhem was good (to begin with) BUT it just went too far. Overkill. It even resorted to lazy racial profiling with Greta Lee’s nail beautician Hae-Won.

Poehler and Fey did their best and weren’t afraid to get down and dirty. BUT it was just too immature, OTT (That’s coming from an American Pie fan) and, most importantly, just NOT funny. A disappointing dud from the divas.

2/5

Advertisements

*NEW* TRAINWRECK REVIEW *NEW*

trainwreck-poster

Was it one big train wreck?

I was a little anxious to see this. I couldn’t get into Girls, didn’t mind Bridesmaids but have always found Apatow’s works a little hit and miss.

BUT it’s always good to be proved wrong. Move over, Miss McCarthy. I have a new lady in my life. Well played, Miss Schumer.

Having thought that monogamy was never possible, a commitment-phobic career woman (Amy Schumer) may have to face her fears when she meets a good guy (Bill Hader).

It’s hardly perfect but I can actually say that I came out of the cinema smiling for the right reasons.

I wasn’t convinced by the opening as we watch a young Amy and Quinn (Brie Larson) being educated by their deadbeat dad (Colin Quinn) after being caught cheating. His analogy using dolls was hilarious.

From that moment, we see the anti-monogamy chants drilled into a young Amy Schumer. 20-odd years down the line and we have our protagonist. Sleeping around, getting drunk, and effing jeffing. I’ve never really found that stuff funny. It got a little repetitive BUT it introduced the selfish and quick witted monster perfectly. Her one liners rolled off a little too fast for me. They didn’t really flow.

HOWEVER, once the film found its tempo, I enjoyed it. Schumer’s improvisation and messing around were generally on the ball. There were patches where she went on just a little bit. There was a moment where Larson and Schumer were looking at pictures of their mother and Amy starts talking about her boobs. It ruined a nice moment and wasn’t that funny.

It’s always a gamble on calling a scene when you’re firing off belters; “Stop walking like the Hulk. I can see that you’re mad”. BUT what helped was that Schumer was assisted by a surprisingly funny supporting cast. John Cena. Words escape me. He was absolutely brilliant. Some of the best acting I’ve seen him do. EVER. Well, since WWE.

He stole every scene from failing at dirty talk in the bedroom to his homo-erotic put downs during an altercation at the cinema. I also loved the short film being played in the cinema scene. The “pretentious” Dog Walker skit featuring Daniel Radcliffe and Marisa Tomei got a chuckle. If anything, I wanted to see more of that.

Tilda Swinton as Amy’s boss Dianna was a mixed bag for me. Her put downs and random story telling were bloody mental. BUT I couldn’t get over her raspy Cockney accent. She made the regulars in Eastenders look like Oxford scholars. What was she playing at?

There wasn’t enough of SNL’s Vanessa Bayer for me as Amy’s naive work colleague. LeBron James was very funny. Not all athletes can make the transition to the big screen but he nailed it! From his strop about Downton Abbey to his endless scrimping and bickering over paying the bill. Scrimping? With all those millions? Come on.

It was also good to see Bill Hader playing it straight faced. It was a fresh change and proved the guy can do deadpan and do it well. The crazier moments were certainly left for Miss Schumer. And she most certainly delivered. They had excellent chemistry which really made their inevitable pairing that much more enjoyable.

My main problem with Apatow’s movies is the running length. This is 40 and Funny People were okay films but went on far too long. This film did not need to be two hours long. After the hour marker with the relationship unwittingly taking hold, things did slacken.

It’s all relatable as Amy tries to fight her feelings but it wasn’t very funny. Easygoing enough. I had hoped that the scenes with Brie Larson would have been more entertaining. If it wasn’t for the odd witticism from Schumer, I would have cut them. And things did seem to take a more serious turn.

The subplot involving their dad in a care home never really got going for me. Amy’s character had more than enough flaws to keep things watchable. It felt tacked on and did hamper things. Even if Method Man was his nurse. You read that right.

BUT luckily the film found a second wind as Amy inevitably goes out of her way to complicate matters. The squabbling and tests certainly added an extra depth to the couple. BUT the only problem was that the end result was always going to be the same.

The closing scene was unbelievably corny. I mean it totally fit for all the in-jokes that Schumer and Hader had between each other. BUT at the same time, it didn’t quite fit the overall tone of the film after such a serious middle act with Amy re-evaluating her life. It was all or nothing.

When it’s funny, it’s on fire. When it’s not, it’s a little more testing but certainly watchable. I’ll be more looking forward to Schumer’s next offering.

A trainwreck? Hardly.

3/5