SURVIVOR REVIEW

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I don’t think anyone is going to survive from this tepid terrorist thriller.

An explosive and fiery opener certainly grabbed my attention. Shame, the rest of the film couldn’t keep that momentum. Thinking back. The opening didn’t really bear much significance to the story. Shame.

Corny, cliched, slow, boring and from the director of V For Vendetta? Words . . . Sigh . . . Escape me.

So what’s it about? A Foreign Service Officer (Milla Jovovich) in London tries to prevent a terrorist attack set to hit New York, but is forced to go on the run when she is framed for crimes she did not commit.

It really is as predictable and dull as you can imagine. No surprise, no twists and no thrills. The film meandered along and never really got going.

Jovovich has never been renowned for her extraordinary acting ability but I really thought this could have been the platform to show that she can do more than Resident Evil movies. Shame. Her acting was more wooden than an IKEA table. It didn’t help that her character was so bland and one dimensional.

The story was a pale imitation of a weak 24 story line that never made the cut. What infuriated me more was the British talent involved in the film that were playing Americans and . . . doing it badly!

Antonia Thomas (Alisha from Misfits) may have fared better with the American accent but her character was so minor and unmemorable. It was shocking.

And Frances De La Tour (Rising Damp), what on Earth was she playing at? Her accent was horrific. She seemed to give up 30 minutes in. Then realise “Oh, my character is in the American Embassy” and try and do her best John Wayne impression. Chloe from 24, she ain’t!

It was all so slow. The visa process may have been interesting for 30 seconds but after 15 minutes, I could feel my eyes wandering towards my watch.

Roger Rees did his best as the shady decoy that sets Jovovich’s character in play. Anyone who watched Warehouse 13 (Anybody? No?) will know he can play a shifty sod well.

Inevitably, not everything is as it seems (Go figure) and Jovovich snoops in all the wrong places. Cue a botched assassination attempt and Pierce Brosnan in a bad tash and a variety of terrible wigs. The Watchmaker? More like Inspector Clousseau.

The backstabbing and “twists” were so weak. You could call them from the opening five minutes. Jovovich’s introduction was so cliched. Hyped up as Washington’s top expert and some lazy and unnecessary reference to 9/11 to validate her integrity just hammed things up a treat.

Brosnan is looking old. I mean, come on, he is in his fifties but it has definitely caught up with him. The whole Bond gone bad spiel has been ongoing for some time. He does his best but his character is so laughable. The lines and his delivery really didn’t do him any favours.

However, every time he wasn’t in the film, I did miss him. Only because things seemed to happen when he was about. Silly, if racy, chases reprieved the film’s lumbering pace for a few minutes. Plus your attention on the poor plotting was distracted by a big explosion from the BIG BAD BOND. Even if it wasn’t necessary or relevant.

Dylan McDermott (Stalker) did the best he could but he was just running around aimlessly. Attempting his best Jack Bauer impression and delivering really cliched exchanges with Jovovich. Did their characters have a past? Don’t know. Don’t care.

James D’Arcy (Broadchurch) and Angela Bassett also tried to do what they could with their bland characters but it just didn’t work. The bureaucracy scenes have all been done before time and time again in numerous thrillers. Writer Philip Shelby didn’t even try to make them a teeny tiny bit interesting.

One thing I could commend was the flip reversal with the English refusing to help and hiding their intentions. Shame their intentions were really petty and stupid. Nice one, Shelby. Bassett’s ambassador was so weak. How much authority does an embassy ambassador have? For all the comments about red tape, they were obeying her like she was the bloody President! Hmmm . . .

Jovovich may be easy on the eye (What?) but her delivery was so lifeless. A zombie could have done a better job. Just watch when Brosnan first points a gun at her. I was in tears . . . Of laughter.

Considering her character was presented as America’s best, she wasn’t very clever. Didn’t even think that the Watchmaker may have put a tracker on her as he was always hot on her trail. One particular highlight for me was when her character was wandering around a park with a gun in her hand while people took pictures. And in one of the UK’s biggest CCTV hotspots?

America’s top security expert? Yeah, I can see why she was shipped over to handle border patrol.

It just chugged along like any old TV thriller. It didn’t try to anything different. By the numbers and formulaic. And the finale was a joke. As if to add insult to injury, the “action” hots up in New York during a New Year’s Eve celebration at Times Square (New Years Eve in a June movie? Really?).

As Jovovich battled the Watchmaker for the umpteenth time and delivered one of the stupidest one liners, I gave out an exasperated sigh. Defeated. Normally I’m one to commend a pun but the film had infuriated me that much.

(SPOILERS) As Brosnan’s badly CGI’d Watchmaker fell and Jovovich mouthed the words, “Time’s up” (Ah ha!), I said the same thing. James McTeigue must have needed the money. That’s the only conclusion I can come to. To go from an ultra-violent but clever political action thriller to this 24 hack job? Shame on you!

And the pretentious terrorist attack stats during the end credit sequence were completely unnecessary. Just like the film, really.

1.5/5

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JUPITER ASCENDING REVIEW

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The only place this film is ascending in is my Worst Films of 2015 list.

Messy Matrix effects + a moody Mila = one moaning movie goer.

I always felt the Wachowskis never could reach the bar they set with The Matrix. The sequels; Reloaded and Revolutions were superb in visual and action set pieces but pace and plot? Meh.

I admired their execution of Cloud Atlas even if it was a bit of a mess. The pace and the disjointed story lines didn’t deliver for me.

Now we have Jupiter Ascending. The thought of a Matrix reboot may not be so bad if the guys will stop doing films like this.

A little harsh. It certainly zipped along for its 127 minute length BUT the story made no sense and had more holes than a sponge. And the cast?! My God. They must have been paid a lot of wonga to take on these poorly written characters.

*WARNING* RANT MAY CONTAIN POSSIBLE SPOILERS*

So what’s it about? In a bright and colourful future, a young destitute caretaker (Mila Kunis) gets targeted by the ruthless son (Eddie Redmayne) of a powerful family who lives on a planet in need of a new heir, so she travels with a genetically engineered warrior (Channing Tatum) to the planet in order to stop his tyrant reign.

What?!

From the corny opening, I could feel myself wincing. Maria Doyle Kennedy (The Tudors) and James D’Arcy (Broadchurch) had enough chemistry to make it bearable as they fall in love. Inevitably leading to Jupiter’s conception.

It is only as the film concluded that I realised that the first 10-15 minutes were completely unnecessary and contributed nothing to the story. Only why Kunis’s character is called Jupiter.

D’Arcy’s father figure was prepared to risk his life with some ultra-violent burglars for a golden telescope. The relevance of said telescope in the film? A cryptic map to the universe? A weapon? No, just something really nice and shiny.

The whole ironic illegal “alien” and actual alien status surrounding Jupiter was a nice touch. We soon get a sense of her hum drum routine as a fed up maid. While in a galaxy far, far – No, Saturn. We have the intergalactic royal siblings (played by Douglas Booth, Eddie Redmayne and Tuppence Middleton) squabbling over their inheritance. Their inheritance being planets of the solar system. The most precious, of course, being Earth.

After his Oscar winning turn as Stephen Hawking in A Theory of Everything, I had high hopes for Mr. Redmayne. BUT boy, oh, boy. This is a step down. Razzie well and truly deserved. He must have been trying to do his best (well, worst) Jean-Baptiste Emanuel Zorg impression from The Fifth Element.

Certainly got the haircut. His gravelly gangly master villain was something I expected to see in a pantomine. His volatile behaviour was laughable. At one point, he has a fit of rage that mimicked Delia Smith at that infamous Norwich game.

And she still delivered that with much more gusto. Granted she had way ti many martoonis. To make matters worse, he was virtually absent throughout the film, dispensing his Paul-esque alien henchmen to do his bidding or shrieking on a sofa.

The squabbling royal family had heavy Shakespearean undertones BUT it was hard to take it seriously with Booth and Tuppleton camping it up to the max. The whole solar system as their playground subplot seemed to dampen what could have been a darker affair.

There was a revelation halfway through the film that made things a little more interesting BUT there were still too many issues.

Channing Tatum did his best as the mystery genetically spliced bounty hunter. I’m sure ladies will be happy to see him roller blading in anti-gravity boots with his shirt off for nearly half the film.

There was little chemistry between him and Kunis BUT I got to admit I found Kunis quite weak in the leading role. I know it didn’t help with weak jokes and hammy dialogue. BUT she didn’t deliver any of them with conviction. Too laid back and flat for my liking. I mean her reaction when she is surrounded by bees was worse than Marky Mark talking to a plastic plant in The Happening.

BUT she did look stunning in a bin liner. No, seriously. She wears a dress that looks like a bin liner. Must have spent the budget on the lavish sets. Because it weren’t on the clothes or the writers.

The special effects were, to be expected, superb. The 3D was a little lacklustre for the ticket price. I’m surprised cinemas are still bothering with this silly little gimmick.

The chase sequences were intense. However, they seemed to go on far too long and there was too much going on that it was a little disorienting. And by the end, the animation was so cartoony that it killed off some of the action.

It may have looked good BUT the story was a mess. For every question I had, it was eventually explained but the answer was so ridiculous that I had even more questions. BUT by the end, I couldn’t care less.

I mean there were scenes in which the siblings were controlling ships from their bathing pools? Why? Gugu Mbatha-Raw’s big ears? What up with that? Sean Bean’s space cop and, for some reason, bee keeper mumbling some mumbo jumbo about the history of the universe.

Or should I say, Sean Bee-n (A-ha! I’ll get my coat). Why the bees? Some rubbish about bees detecting royalty. WHAT? The more Sharp explained, the more I switched off. It just got sillier and sillier that it killed the fun and made me a little numb. I was more surprised that Bean managed to survive his movie curse!

Even Tatum’s back story surrounding the origin of his albino werewolf alien hybrid just put me into a mini coma. It just felt that it had too many ideas meshed together with none of them really working.

The creatures that featured in the universe (Well, Jupiter. I think it was Jupiter? And Earth) were brilliantly constructed. An action packed crop chasing sequence that rivalled Signs silenced my nagging voice until a lame punch line involving crop circles was delivered.

The bureaucracy segment in which Kunis must register her “royalty entitlement” in an intergalactic DMV with a robot that could trump C-3P0 in a robo-camp off just didn’t fit with the tone of the film and went on far too long.

The only explanation I could find for it was the surprise cameo from the legendary Terry Gilliam. A sight for sore eyes. Wachowskis trying to do a Brazil reference? If so, don’t do it again.

I know these sort of things are done with a level of exaggeration BUT it helps to have characters you care about. That’s half the battle. The other stuff could be as stupid as you like BUT alas, it was not to be.

It was all rushed and resolved so cheesily and predictably. Hinting for another like all the endless teen sci-fi flicks. But hopefully no one will take the hint.

2/5

LET’S BE COPS REVIEW

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Let’s Be Cops! Let’s not . . .

Until I’ve finishing this review. Ah ha! Anyway . . .

Nick and Original Pilot Coach from New Girl decide to be cops leading to an OTT but highly watchable action comedy. That’s what you get!

Some of the better bits are in the trailers and I feared that there would be little in between. However, it was all down to the partnership and chemistry of Jake Johnson and Damon Wayans Jr that allowed jokes that really should have been mediocre and ridiculous, quite entertaining. Certain jokes still fall flat on their backside. An initial joke in which Justin (Wayans Jr) tells a line of apprehended Russian mobsters to put their hands on their heads and body pop started off funny but went on too long. Facebook selfies with rifles. Silly but okay.

I guess it’s down to what mood you’re in. If you think the premise is ridiculous then do not bother. It’s get a whole lot crazier and a whole lot sillier. But if you’re up for that then bienvenue, wilkommen, welcome!

Most of the heavily advertised funny bits in the trailers were done in the first 20 minutes. Although funny, if you’ve been unlucky to see them numerous times it’s highly predictable. I’m worried that Johnson may be typecast into playing Nick now for the rest of his acting career. I hope I’m wrong. It works this time round even if his character is a little more demented. The guy practices knife combat training with a kid he met in the park. Crazy. His impulsive EBay purchase of an old police vehicle and combat education from YouTube videos was too scary a concept with this day and age.

The plot is hardly original. Two thirty year old slackers that are either frustrated with work (or not working at all) get given an opportunity to be somebody (well pretend to be somebody), inevitably leading to hi-jinks and upsetting the Russian mob. James D’Arcy (Master and Commander: The Far Side of The World) didn’t do too badly as the Russian psychopath. He had the acting conviction but not the body to pull it off. It was hard to be intimidated by his scrawny demeanour. But at the same time, with the tank sized henchmen at his disposal, does he need to bulk up?

The supporting cast certainly do help make this film work. An unrecognisable Keegan-Michael Key (Fargo) played the highly agitated and crazy drug peddler Pupa to perfection, delivering the gags where the pace seemed to dip. Nick (Johnson), I mean Ryan’s interpretation of waterboarding Pupa for information was hilarious. Natasha Leggero’s (Suburgatory) crazy cougar cameo wowewewow. For others, they may find her irritating and stupid but me . . . and Nina Dobrev (The Vampire Diaries) oh my goodness.

Okay, I’ll stop. Wayans Jr and Dobrev play the inevitable couple subplot spiel as well as they can. But it’s still corny and predictable as hell. I was surprised to see Rob Riggle playing it straight faced for a change. Especially after his hilarious supporting turns in 22 Jump Street and Step Brothers. However, it works so much better. And Andy Garcia, where you been? Great to see him back in movies and poking fun at himself. Even if he plays it incredibly straight faced. I think he was the only person doing some proper “acting” acting.

Johnson and Wayans Jr work well together. Their characters will hardly top the action comedy duos of all time but they certainly help make this film more enjoyable than it should be for all its clichéd and OTT guff. They can make as many Lethal Weapon references as they want but Riggs and Murtaugh they ain’t. Wayans Jr was definitely the scene stealer for me. He does his father proud, following his style but is still able to put his own stamp on it. It’s corny, predictable, OTT but it’s not the worst way to kill 100 minutes and it delivered more laughs than I expected. However, the best cop com movie for me is still 22 Jump Street, which this one falls short of. But NOT BAD.

For me, it’s a 3/5.