SURVIVOR REVIEW

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I don’t think anyone is going to survive from this tepid terrorist thriller.

An explosive and fiery opener certainly grabbed my attention. Shame, the rest of the film couldn’t keep that momentum. Thinking back. The opening didn’t really bear much significance to the story. Shame.

Corny, cliched, slow, boring and from the director of V For Vendetta? Words . . . Sigh . . . Escape me.

So what’s it about? A Foreign Service Officer (Milla Jovovich) in London tries to prevent a terrorist attack set to hit New York, but is forced to go on the run when she is framed for crimes she did not commit.

It really is as predictable and dull as you can imagine. No surprise, no twists and no thrills. The film meandered along and never really got going.

Jovovich has never been renowned for her extraordinary acting ability but I really thought this could have been the platform to show that she can do more than Resident Evil movies. Shame. Her acting was more wooden than an IKEA table. It didn’t help that her character was so bland and one dimensional.

The story was a pale imitation of a weak 24 story line that never made the cut. What infuriated me more was the British talent involved in the film that were playing Americans and . . . doing it badly!

Antonia Thomas (Alisha from Misfits) may have fared better with the American accent but her character was so minor and unmemorable. It was shocking.

And Frances De La Tour (Rising Damp), what on Earth was she playing at? Her accent was horrific. She seemed to give up 30 minutes in. Then realise “Oh, my character is in the American Embassy” and try and do her best John Wayne impression. Chloe from 24, she ain’t!

It was all so slow. The visa process may have been interesting for 30 seconds but after 15 minutes, I could feel my eyes wandering towards my watch.

Roger Rees did his best as the shady decoy that sets Jovovich’s character in play. Anyone who watched Warehouse 13 (Anybody? No?) will know he can play a shifty sod well.

Inevitably, not everything is as it seems (Go figure) and Jovovich snoops in all the wrong places. Cue a botched assassination attempt and Pierce Brosnan in a bad tash and a variety of terrible wigs. The Watchmaker? More like Inspector Clousseau.

The backstabbing and “twists” were so weak. You could call them from the opening five minutes. Jovovich’s introduction was so cliched. Hyped up as Washington’s top expert and some lazy and unnecessary reference to 9/11 to validate her integrity just hammed things up a treat.

Brosnan is looking old. I mean, come on, he is in his fifties but it has definitely caught up with him. The whole Bond gone bad spiel has been ongoing for some time. He does his best but his character is so laughable. The lines and his delivery really didn’t do him any favours.

However, every time he wasn’t in the film, I did miss him. Only because things seemed to happen when he was about. Silly, if racy, chases reprieved the film’s lumbering pace for a few minutes. Plus your attention on the poor plotting was distracted by a big explosion from the BIG BAD BOND. Even if it wasn’t necessary or relevant.

Dylan McDermott (Stalker) did the best he could but he was just running around aimlessly. Attempting his best Jack Bauer impression and delivering really cliched exchanges with Jovovich. Did their characters have a past? Don’t know. Don’t care.

James D’Arcy (Broadchurch) and Angela Bassett also tried to do what they could with their bland characters but it just didn’t work. The bureaucracy scenes have all been done before time and time again in numerous thrillers. Writer Philip Shelby didn’t even try to make them a teeny tiny bit interesting.

One thing I could commend was the flip reversal with the English refusing to help and hiding their intentions. Shame their intentions were really petty and stupid. Nice one, Shelby. Bassett’s ambassador was so weak. How much authority does an embassy ambassador have? For all the comments about red tape, they were obeying her like she was the bloody President! Hmmm . . .

Jovovich may be easy on the eye (What?) but her delivery was so lifeless. A zombie could have done a better job. Just watch when Brosnan first points a gun at her. I was in tears . . . Of laughter.

Considering her character was presented as America’s best, she wasn’t very clever. Didn’t even think that the Watchmaker may have put a tracker on her as he was always hot on her trail. One particular highlight for me was when her character was wandering around a park with a gun in her hand while people took pictures. And in one of the UK’s biggest CCTV hotspots?

America’s top security expert? Yeah, I can see why she was shipped over to handle border patrol.

It just chugged along like any old TV thriller. It didn’t try to anything different. By the numbers and formulaic. And the finale was a joke. As if to add insult to injury, the “action” hots up in New York during a New Year’s Eve celebration at Times Square (New Years Eve in a June movie? Really?).

As Jovovich battled the Watchmaker for the umpteenth time and delivered one of the stupidest one liners, I gave out an exasperated sigh. Defeated. Normally I’m one to commend a pun but the film had infuriated me that much.

(SPOILERS) As Brosnan’s badly CGI’d Watchmaker fell and Jovovich mouthed the words, “Time’s up” (Ah ha!), I said the same thing. James McTeigue must have needed the money. That’s the only conclusion I can come to. To go from an ultra-violent but clever political action thriller to this 24 hack job? Shame on you!

And the pretentious terrorist attack stats during the end credit sequence were completely unnecessary. Just like the film, really.

1.5/5

MORTDECAI REVIEW

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Mortified! Oh how the mighty have fallen.

Johnny Depp does his damndest to make this dreadfully unfunny farce watchable but frankly my dears, it’s just not good enough or funny enough.

If you were a little reluctant about seeing this after viewing the trailers, I’m sorry to say it is just as bad as you think.

I’ve always rated Depp and thought even if the film is a little drab, he can certainly lift it off the ground. Dark Shadows, I’m looking at you.

BUT it doesn’t help that his character is so annoying. On paper, I’m sure he was supposed to come off as Inspector Clousseau as an art dealer BUT boy, oh, boy, the end result . . .

I felt just as rotten as Gwyneth Paltrow did kissing Mortdecai’s moustache.

The plot was nothing more than a silly excuse to go across the world for some silly escapades. The con got a little baffling but it all came to a predictable and unfunny conclusion.

Depp pulling faces and waffling in his posh toff voice just wasn’t enough. Initially I couldn’t stand the bloke but by the end he had just about won me over.

I felt Depp had to overact just to get some sort of titter. For every good one liner (My file was fat and well-handled like a Welsh barmaid), there were dozens that dropped faster than a lead balloon.

Paul Bettany did his best as Mortdecai’s muscle and man servant Jock but he can’t pull off the thug role. He certainly looked the part BUT doing a cockney accent that would make even the big daddy himself Ray Winstone cringe says it all.

Sorry, Jarvis but you came off as a mug.

There was some camaraderie between him and Depp and there were a few moments in which I felt a smile crack behind my cynical demeanour.

I felt that Depp had to rely on former impressions to get a laugh. A scene in which Jock is man-handling a drunk Mortdecai felt like nothing more than Captain Jack Sparrow waffling away. It reeked of desperation.

The action sequences were incredibly lacklustre. The relentless CGI in a simple car chase sequence was very off-putting considering all the other stunt work was done by proper stunt men. Hardly memorable.

I think the only fight sequence that got my attention was when Mortdecai set Jock’s hands alight and he beat up a group of angry henchmen with fists of fire! Ridiculously OTT but impressive.

This might have fared better as a cartoon series on the telly BUT as a high rolling Hollywood crime caper? No, darling.

NOT even Ewan McGregor could get things going.

The brewing rivalry between his character Chief Inspector Martland and Mortdecai had potential BUT it was all too tame and playful to amount to anything good . . . or interesting for that matter.

The odd spot of banter but no real friction.

Martland as the lovesick puppy desperate to hump Paltrow’s leg had the odd giggle BUT again was hardly that entertaining.

The recurring joke about Mortdecai’s moustache was so-so at best.

I think the only time I laughed at this irritating gag was the bedroom scene with his beloved, Johanna (Paltrow).

Paltrow and Depp had some good chemistry and made this scene a little more bearable with some snappy dialogue. Her gag reflex every time she touches his tash was okay the first time.

BUT his sympathetic gag reflex and the constant repetition of said gag. No, no, no!

Bar one unexpected punch line, “You look like you have a vagina on your face!”

I felt that writer Eric Aronson was desperately setting up red herrings just to get Paltrow back into the film. Breaking up the unfunny film with more unfunny subplots that led nowhere.

A scene with the Duke (Michael Byrne) was terrible. If it was meant to be a cheeky pop at the Duke of Edinbrugh, it failed.

Going on about how damned attractive Paltrow was. I usually admire the alluring actress but her character Johanna was so bland and to be honest Paltrow was looking eerily thin.

The 45 minute marker in which Depp reaches America and has his first experience in a hotel actually made me laugh a couple of times.

And things seemed to perk up and gel a bit better but it really couldn’t save itself from the damage of a poor first half.

The recurring gag of Jock sleeping around was lazy but did get the odd chortle.

BUT the hit and miss gag ratio wasn’t helped by the flat supporting cast; Jeff Goldblum had the easiest role going in a highly unmemorable and unnecessary appearance. Olivia Munn may have looked stunning (Zuts Alor!) BUT her character (apart from being an attractive nymphomaniac) was pretty bland.

The legendary Paul Whitehouse made more of an impression in his 2 minute cameo as the maniacal mechanic Spinoza.

There’s the odd titter to be had but with the cast and the potential it promised, it fell dreadfully short as did my patience.

Peter Sellers had a natural flair to the role. He made Clousseau seem real. The trips, the goofs. Depp unfortunately seemed to take lessons from Steve Martin. Ridiculously out of depth, OTT and unfunny.

David Koepp may have penned some of the iconic movies of the last two decades; Jurassic Park, Mission Impossible and Spiderman BUT let’s not forget he also gave us Indiana Jones and the Kingdom of the Crystal Skull and now this . . .

Sorry, Mr Depp. This is a rather horrid stain on an impeccable filmography. Better luck next time, old bean.

2/5