Yawwwnnnnn of Justice. Oh dear. Oh dear. Was it a DC disaster? Or a misunderstood masterpiece?
There’s only one way to find out . . .
Fearing that the actions of Superman (Henry Cavill) are left unchecked, Batman (Ben Affleck) takes on the Man of Steel, while the world wrestles with what kind of a hero it really needs.
All that hype. All that anticipation. My brother fell asleep in the cinema. People argued with me on how terrible it was. The feeling of disappointment hit me in the gut like a punch from Supes himself.
Yet somehow on second viewing, it wasn’t quite as bad as I remembered.
The strong opening delivered everything I hoped. A brooding, dark, tense action packed sequence with stunning visuals and a menacing score from the Mad Max maestro Junkie XL and Hans “Gladiator” Zimmer.
While the credits rolled, we had the quickest recap through Batman’s origins. No matter how many sequels, reboots and remakes; it’s always the same story. I wondered why Snyder grabbed The Walking Dead’s Lauren Cohan and Jeffrey Dean Morgan for a blink-and-you’ll-miss-it cameo as Bruce’s parents. A real waste. They didn’t have any more screen time in the Extended Edition!
However, I liked how the writers answered one question straight off the bat that bugged the hell out of me during the Man of Steel finale; “How have Superman and Zod not killed any people with all that destruction?!”
The answer was simple. They did. The eerily 9/11 vibe to the Man of Steel’s destruction was unsettling as Zod (Michael Shannon – Midnight Special) and Superman ploughed through tower after tower. One of the buildings being none other than Wayne Enterprises.
A haunting image of a bitter Bruce Wayne cradling a child covered in rubble and carnage. Cue the movie title.
A shame that momentum couldn’t be carried on. I wasn’t overly impressed with Man of Steel BUT thought Cavill was brilliant as the man in the red cape. It was long at the tooth and far too serious for its own good. Only lightening up in the closing act.
Bit like this one, really . . .
BvS: Dawn of Justice should have been called Man of Steel 2 ft. Sulky Batman.
I liked the idea. It was just the execution that spoiled things. The whole debate about Superman being a false God and the security risks were all too realistic and the surprisingly bleak and cynical undertone offered a completely different direction to the Avengers.
This should have been a shot out of the ball park with the Watchmen (Very underrated film) director at the helm.
The main issue was the disjointed and incredibly convoluted plot. Amy Adams was completely wasted as Lois Lane. She was sent off on some uninteresting goose chase around the States bugging senators about experimental warfare and some ruse involving African terrorists and Russian gangsters that . . . basically was a shoddy excuse to force our two “heroes” to meet. Either that or fishing around for a spear of Kryptonite. Yup.
And the end result was so tragically predictable.
Jesse Eisenberg’s (The Social Network) take on Lex Luthor was a mixed bag. I was always #TeamBatman BUT I did enjoy Gene Hackman and Kevin Spacey’s take on Supe’s renowned foe.
BUT Eisenberg just flailed about and waffled insufferable verbal diarrhea. Applying his usual schtick. Instead of taking the opportunity to play a different character. There were moments where he showed potential. An interesting anecdote about Granny’s Peach Tea delivered an unexpected punch line.
Now onto the Dark Knight. Batfleck was superb. He was an excellent Batman and an even better Bruce Wayne. It was going to be tough to follow on from Bale BUT he nailed it. His Batman counterpart followed on from the Bale Bat quite well.
If anything his character had become embittered and disillusioned. Branding his victims with a mark of justice that was pretty much a death sentence. Brutal. Angry with the world. The good men are gone.
“Even you’ve got too old to die young. Not for the lack of trying”. There wasn’t enough Jeremy Irons as Alfred. Desperate for the billionaire to seek something other than vengeance.
“Crime spree in Gotham. Water is wet.” Laurence Fishburne (The Matrix) was on fine form as the Daily Planet Editor Perry White. I wanted more of Gal Gadot’s character. The mystery surrounding Diana Prince as she stumbled into Wayne’s dangerous game of chess was much more interesting than anything Luthor could conjure up.
It was at the half way marker where my patience was tested. It didn’t help having one of the most disjointed flash forwards (teasers) thrown into the mix. It didn’t fit in with the film at all. A bold statement by the producers (hoping that more movies will come to explain it) BUT it was completely out of sync with what was going on.
It certainly wouldn’t have made any sense to the DC newbies. I know it was played off as a strange dream sequence that introduced another Justice League member BUT it didn’t work.
“Black and blue. Fight night. The greatest gladiator match in the history of the world: God versus man; day versus night; Son of Krypton versus Bat of Gotham!”
The build up, the anticipation, two flippin’ hours of mindless exposition! All for an intense 15 minutes.
The brooding, the stare-offs, the tension. A training montage that could have parodied Rocky IV with ol’ Bruce dragging massive tyres and lifting weights while Kent traipsed around a snowy mountain.
The special effects were fantastic. The minute fight sequence was set up quite well as the Caped Crusader set up an obstacle course for the nearly indestructible son of Krypton.
Cavill and Affleck worked well off each other and made the fractious exchanges much more watchable and entertaining. I just wish they hadn’t spent so much of the film apart!
And the final 30 minutes offered more of what I expected from the get go. It took itself much less seriously and threw in some needed humour and once Wonder Woman got involved, it was a riot. That score every time she came on though. Talk about overkill with the horns. Jeez.
Despite my initial disappointment and nitpicking, this wasn’t a complete write-off. It showed promise and offered a completely different direction to the Marvel movies. One that may be darker, broodier and bloodier.
By all means NOT a bad thing. BUT can they work on crafting the characters, a better story and the flipping pace first?!
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