Surprisingly watchable and entertaining. Hardly original or groundbreaking. Pretty much a darker Hustled up Hollyoaks hybrid but with a likeable and talented young British cast, I can think of worst ways to kill 90-odd minutes.
I went in expecting the worst and was relieved. A watchable easygoing crime caper, even if the end result is predictably the same. Ed Speelers has finally found a project to show off his talents after a number of misfires; Eragon and ITV’s Echo Beach. Playing the charismatic lead Sam, desperate to make a quick buck, he leads a rag tag team of chosen criminals who inevitably end up messing with the wrong people. In all fairness, the first 20 minutes zipped along quite nicely with the little fraudsters starting off as little Del Boys, fobbing off stolen merch to stereotypical posh toffs at uni. Stereotypical if hilarious riffs on the Made in Chelsea numpties.
The team of grifters get a passion for plastic. Stealing credit card information and data to buy a lot of expensive jewellery and harvest a lot of wonga. The ease in which the team obtain their data is scarily realistic; perfectly demonstrated in a petrol station sequence in which cameras are positioned perfectly to catch pins and fake machines. A crime that does need to stop as the world goes DPA crazy. The “subtle” social commentary on the fact that students who are studying their degrees or have achieved them are probably not going to get a job in that field is a harsh reality that I can relate to. But resorting to corporate espionage and card crime, meh, I’ll stick to blogging. The lazy jibes about the economic crisis wasn’t necessary. We’re all stuck in it. Been there. Can’t afford the t-shirt. Felt like a mere excuse to help justify the cockney rebels’ cause.
However, the team soon rip off the wrong man, the ever reliable slithery Thomas Kretschmann (Dracula/Wanted). Not enough of him to be honest but he manages to make a mark. Hardly Brick Top from Snatch but impressionable none the same. He gives them a deadline of two weeks to pay up a £2 million “compensation” fee, leading to one massive, crazy, can’t-believe-it-but-apparently-a-true-story, con. Will Poulter (We’re the Millers/Son of Rambo) was arguably overshadowed. And for some reason, the lad had not grown up enough to carry the conviction his character craved. In one scene, the gruff gangster worked, the other he seemed more like he was doing one of his performances in School of Comedy. He delivers some of the more comical one liners. I mentioned overshadowed as one culprit in particular steals every scene and that goes to old Theon Lovejoy (prefer that comparison to sibling of Lily Allen) Alfie Allen.
Allen has always been able to play the shady, slick faced shithead but he does it so well and delivers yet again as the volatile Yatesey. A necessary, if untrustworthy, evil. A ticking timebomb waiting to explode. The beautiful eye candy, I mean, Emma Rigby (Hollyoaks) doing her best to be nothing more than a stocky love interest. I couldn’t believe that Graham McTavish (Dwalin from The Hobbit franchise) was in this, playing the ridiculous OTT and gullible mark to perfection, lapping up every minute. It was great to see Ashley Chin (Starred Up) and Robbie Gee (speaking of Snatch) in somewhat limited roles. But talented enough to stand out. And Malese Jow. I only ever remember her from that Nickelodeon show Unfabulous. Wow. Stunning. But perverted comments aside, she plays the supporting role well. Sebastian De Souza (Skins/The Borgias) was originally quite a funny character and you did feel for him as he is rewarded the more irritating gigs but his character soon gets quite annoying and luckily subsides into the background. Shame.
As Sam says at the start of the film, “it’s not how it started but how it ends. How you got there”. And that’s a little bit of the problem, the start was highly watchable and once the con gets going, the plot holes start appearing and once the crazy Mission Impossible costume work comes into it, well it all gets a little silly. There were missed opportunities; most notably in Sam’s recruiting techniques. Intriguing at first, it soon didn’t surmount to anything by the end, without spoiling too much. And when I say, silly. The strange overuse of slow motion by the end of the film was irritating. I mean, a tense build up to an inevitable shoot out sequence borders on parody by the end, with people being shot left right and centre, then popping back up like they have been re-spawned in a game of Call of Duty.
Arguably this could have been a TV movie but in comparison to the bigger budgeted and supposedly more talented counterparts that have been released this year, this fares reasonably well. More so for me as a movie aficionado after an atrocious April of one star cinematic car crashes. Enough to stay afloat. At this moment, I’m looking for films that are watchable and this one falls into it. If you’re expecting Lock, Stock then you will be disappointed. I’m glad that this didn’t try to be, it’s better for it at that sense. But maybe a little of that ambition would have helped it fare a bit better and all. It’s 3 (just) out of 5 for me!
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