PLASTIC REVIEW

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Surprisingly watchable and entertaining. Hardly original or groundbreaking. Pretty much a darker Hustled up Hollyoaks hybrid but with a likeable and talented young British cast, I can think of worst ways to kill 90-odd minutes.

I went in expecting the worst and was relieved. A watchable easygoing crime caper, even if the end result is predictably the same. Ed Speelers has finally found a project to show off his talents after a number of misfires; Eragon and ITV’s Echo Beach. Playing the charismatic lead Sam, desperate to make a quick buck, he leads a rag tag team of chosen criminals who inevitably end up messing with the wrong people. In all fairness, the first 20 minutes zipped along quite nicely with the little fraudsters starting off as little Del Boys, fobbing off stolen merch to stereotypical posh toffs at uni. Stereotypical if hilarious riffs on the Made in Chelsea numpties.

The team of grifters get a passion for plastic. Stealing credit card information and data to buy a lot of expensive jewellery and  harvest a lot of wonga. The ease in which the team obtain their data is scarily realistic; perfectly demonstrated in a petrol station sequence in which cameras are positioned perfectly to catch pins and fake machines. A crime that does need to stop as the world goes DPA crazy. The “subtle” social commentary on the fact that students who are studying their degrees or have achieved them are probably not going to get a job in that field is a harsh reality that I can relate to. But resorting to corporate espionage and card crime, meh, I’ll stick to blogging. The lazy jibes about the economic crisis wasn’t necessary. We’re all stuck in it. Been there. Can’t afford the t-shirt. Felt like a mere excuse to help justify the cockney rebels’ cause.

However, the team soon rip off the wrong man, the ever reliable slithery Thomas Kretschmann (Dracula/Wanted). Not enough of him to be honest but he manages to make a mark. Hardly Brick Top from Snatch but impressionable none the same. He gives them a deadline of two weeks to pay up a £2 million “compensation” fee, leading to one massive, crazy, can’t-believe-it-but-apparently-a-true-story, con. Will Poulter (We’re the Millers/Son of Rambo) was arguably overshadowed. And for some reason, the lad had not grown up enough to carry the conviction his character craved. In one scene, the gruff gangster worked, the other he seemed more like he was doing one of his performances in School of Comedy. He delivers some of the more comical one liners. I mentioned overshadowed as one culprit in particular steals every scene and that goes to old Theon Lovejoy (prefer that comparison to sibling of Lily Allen) Alfie Allen.

Allen has always been able to play the shady, slick faced shithead but he does it so well and delivers yet again as the volatile Yatesey. A necessary, if untrustworthy, evil. A ticking timebomb waiting to explode. The beautiful eye candy, I mean, Emma Rigby (Hollyoaks) doing her best to be nothing more than a stocky love interest. I couldn’t believe that Graham McTavish (Dwalin from The Hobbit franchise) was in this, playing the ridiculous OTT and gullible mark to perfection, lapping up every minute.  It was great to see Ashley Chin (Starred Up) and Robbie Gee (speaking of Snatch) in somewhat limited roles. But talented enough to stand out. And Malese Jow. I only ever remember her from that Nickelodeon show Unfabulous. Wow. Stunning. But perverted comments aside, she plays the supporting role well. Sebastian De Souza (Skins/The Borgias) was originally quite a funny character and you did feel for him as he is rewarded the more irritating gigs but his character soon gets quite annoying and luckily subsides into the background. Shame.

As Sam says at the start of the film, “it’s not how it started but how it ends. How you got there”. And that’s a little bit of the problem, the start was highly watchable and once the con gets going, the plot holes start appearing and once the crazy Mission Impossible costume work comes into it, well it all gets a little silly. There were missed opportunities; most notably in Sam’s recruiting techniques. Intriguing at first, it soon didn’t surmount to anything by the end, without spoiling too much. And when I say, silly. The strange overuse of slow motion by the end of the film was irritating. I mean, a tense build up to an inevitable shoot out sequence borders on parody by the end, with people being shot left right and centre, then popping back up like they have been re-spawned in a game of Call of Duty.

Arguably this could have been a TV movie but in comparison to the bigger budgeted and supposedly more talented counterparts that have been released this year, this fares reasonably well. More so for me as a movie aficionado after an atrocious April of one star cinematic car crashes. Enough to stay afloat. At this moment, I’m looking for films that are watchable and this one falls into it. If you’re expecting Lock, Stock then you will be disappointed. I’m glad that this didn’t try to be, it’s better for it at that sense. But maybe a little of that ambition would have helped it fare a bit better and all. It’s 3 (just) out of 5 for me!

Currently ranks #86 out of 170!

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ENDLESS LOVE REVIEW

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A story we’ve seen done endless times before but surprisingly enough with a light touch and a good cast, quite watchable. Not the worst love story going, but not the best. If you love all that predictable guff, give it a go. The spiel is nothing new. Privileged, if isolated, high school loner  Jade Butterfield (Gabriella Wilde) falls in love with the charismatic rogue mechanic/car valet David Elliott (Alex Pettyfer), against her controlling father’s (Bruce Greenwood) wishes. SHOCK!  What follows is a predictable luvvy duvvy affair that occurs over the summer as the pair fight against their parents and the paths that lay before them.

There is great chemistry between the two leads; the beautiful (if a little skinny) Wilde (who featured in the shambolic Carrie remake and St Trinians franchise) and (I’m sure the ladies will say beautiful) Pettyfer (I Am Number Four/Beastly/Magic Mike). They make two likeable characters, even if you worry they’re going to choke on all the cheese they’re guzzling. I was surprised to see that the two leads were British. Their accents were spot on. It was also interesting to see the number of British actors popping up in this film; Joely Richardson (Nip/Tuck) and Emma Rigby?! The girl has gone far from her Hollyoaks days, featuring in all sorts now (The less we say the better Ridley Scott disaster The Counsellor and the US TV series Once Upon a Time in Wonderland). Was it just me or did she have her lips pumped? I digress.

It’s all very easygoing and at times hammy with the OTT speeches of (truth, freedom and above all things . . . ) love but the cast make something that should make you cringe watchable and at times engaging. The awkward glances and exchanges blossom into a summery romance with the usual check list; riding on bicycles together, lying in the field blowing daisies, check, check. Ice cold bitchy girl jealous of loved up couple and intent on tearing them apart in the form of the alluring, if lipped up Rigby. Check. Well, kind of. She doesn’t really kick off until late on. More could have been made of her character. Dayo Okeniyi plays David’s best friend/comic relief Mace (not the spray) very well which splits them the luvvy duvvyness. Richardson and Robert “T-1000” Patrick play their parts well, even if they’re a little too soft and supportive for my liking.

The real star for me is the underrated Bruce Greenwood (the Star Trek reboot franchise/I, Robot) as Mr. Hugh Butterfield. The friction and tension between him and David makes up for all the cheesy romance stuff. He works well with Pettyfer and shows why he should be in more films. His presence, his expressions makes his encounters very watchable and makes for a fiery finale as he fears his influence over his family is fading. There was one unexpected moment and it gets a little more interesting when David’s checkered past is revealed but because of the tone of the film, it’s not as bad or as sinister as you think or could have been. It gets OTT, cheesy, but it’s easygoing, watchable and if you like romance and dramas with cheesy predictable guff, then give it a go. Not as bad as I prepared myself for nor as good but it missed out on a treat releasing this during the summer. More a summery film if anything with the well-shot sun lit locations and bright soundtrack. Could have gone a little darker and been stronger for it 2.5/5

Currently ranks #88 out of 145.

PLEASE NOTE: You might have gathered I’m not a romancey movie guy. Apologies for my terminology. I did my best 😉