THE CLOVERFIELD PARADOX REVIEW

The Cloverfield Paradozzzzz

Orbiting a planet on the brink of war, scientists test a device to solve an energy crisis, and end up face-to-face with a dark alternate reality.

Slow, disjointed and disappointing on all fronts.

The agonizing slow opening didn’t build high hopes despite Gugu Mbatha-Raw’s (Belle) best efforts. Drudging through some guff about blackouts and finding a new source of energy.

The visuals effects were impressive enough BUT it took a good 20 minutes before anything interesting actually happened. We watched as the team of cliched characters argued and scrapped after two years of failing to deliver results.

Bear McCreary’s score was wasted on this film BUT it lifted a seemingly bland and hum drum first act.

However, one final test on the accelerator changed everything as the team were inadvertently teleported to another reality (One of vast nothingness apparently).

Five minutes later, one ear piercing Godzilla like shriek and I was intrigued.

BUT instead of getting some gargantuan alien super being, we had an amnesia-ridden Elizabeth Debicki (The Man From U.N.C.L.E) trapped in a wall.

Okay, the mangled time lines and molecular restructuring had its moments as crew members fused into walls and rooms and parts of the ship moved around BUT it wasn’t enough.

I was disappointed at how such a talented cast were given such unmemorable characters.

I mean, come on! You had David Oyelowo (Selma) playing a tortured space captain that spent the majority of the film sobbing in his quarters and Ziyi Zhang (House of Flying Daggers) in one of the most unmemorable supporting roles I’ve seen. What a waste of an actress.

Even when the inevitable body count rose, I felt nothing for them.

It had so much promise BUT just didn’t amount to anything. It could have gone down the Event Horizon route, it didn’t. We could have had a demented take on 2001: A Space Odyssey, we didn’t.

Daniel Bruhl (Good Bye Lenin!) and Aksel Hennie (Headhunters) were the only memorable characters.

Well, that’s not entirely true. Only Chris O’Dowd (The IT Crowd) could get away with making one scene so ridiculous actually work.

The arm! My God. Seriously? If someone’s (perfectly clean) severed arm crawled across the floor like Thing out of The Addams Family; I wouldn’t be standing there pointing.

The best scene BUT also the worst as it established Paradox’s underlying problem. A lack of direction and tone. A chaotic mess. That laughable moment livened up an incredibly dull affair.

Debicki was left to wallow on a bed and reminisce about memories of Hamilton (Mbatha-Raw) from another reality. Yawnnn . . .

I was more interested in what Hamilton’s husband (Roger Davies) was doing back on Earth in the disjointed side story. It beat watching the crew go stir crazy and inevitably betray each other.

Some things are better left unanswered. I think the Paradox team should have learned from the Alien franchise.

I can respect that it tried to be something different BUT apart from that final shot, I couldn’t even call this a Cloverfield film.

It was tough NOT to make comparisons. At least 10 Cloverfield Lane gave some sort of indication that it fit in the same universe. And at least that was an absorbing thriller that made full use of its THREE protagonists.

Where did Paradox even fit in the timeline? Before or after? Was their experiment the reason that giant creature hit the city in the first place?

By the end, I didn’t care. Maybe I expected too much BUT it failed to deliver in tension, suspense and the tone was completely all over the place. It felt like the production company just nicked the Cloverfield title for click bait.

Or maybe this film was teleported from another reality where the Cloverfield movies were dire efforts that went straight to Netflix? Maybe .  . .

2/5

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A UNITED KINGDOM REVIEW

A Very Good Film.

Two stellar turns and a surprising true story makes this one to watch.

The story of King Seretse Khama of Botswana (David Oyelowo) and how his loving but controversial marriage to a British white woman, Ruth Williams (Rosamund Pike), put his kingdom into political and diplomatic turmoil.

Hazaar! Rejoice! A film I actually enjoyed!

The film chugged along at an easy going pace as the couple first met and the inevitable romance ensued. Dancing the night away and playing jazz LPs.

It wasn’t long before Seretse revealed his royal bloodline and put Ruth in an impossible position. I really felt for the pair as they suffered abuse, judgement and ridicule from their friends and family. And that was just from Britain!

Danny from Spooks has come a long way. I’ve always found Oyelowo an underrated actor BUT if he keeps delivering performances like this, it won’t be long before he bags an Oscar.

That speech alone with the kgotla (a public meeting, community council or traditional law court of a Botswana village) was something else. Goosebumps. You really felt for him. A man torn between the love of his life and his duty to his people.

“You belong with the whites and even they don’t want you”.

In all fairness, you felt just as much for Ruth as she faced public scrutiny on both continents. Even the South Africans refused to help her during a particular difficult period of her pregnancy after collapsing in the shanty town.

I couldn’t believe the red tape and hypocrisy of it all as Seretse battled exile and banishment by the British government from his own country.

And who better to play the slimy hypocritical British bureaucrats than Draco Malfoy (Tom Felton) and Norrington from Pirates of the Caribbean?! Jack Davenport was particularly brilliant as the delightfully smug diplomat Alistair Canning.

Accusing the pair of sabotaging the plans of the British Government. Plans that involved illegal mineral digging!

There was a decent supporting cast at the helm. I couldn’t believe ol’ Rodders Nicholas Lyndhurst was in this as Ruth’s intolerant father. Laura Carmichael (Little Edith from Downton Abbey) played the shy little sis well.

It helped that Oyelowo and Pike had fantastic chemistry as Seretse and Ruth’s relationship was put to the test. The racial tension could have been cut with a knife. I couldn’t believe how many times Seretse was called back and forth to Britain to stand trail for his exile leaving a heavily pregnant Ruth struggling in Botswana.

I was mortified at how Churchill (Well, his “advisors”) handled Seretse’s situation. Promising to send the troubled king home if the party won the 1951 election; only to banish him from returning home after winning office.

Of course this is a drama and you have to take the facts with a pinch of salt. BUT this story made me want to know more.

I was engrossed and engaged. There was even a little lump in the throat when Seretse missed the birth of his own child and had to talk to his baby over the phone. The tide turning as Seretse’s uncle publicly shared his disapproval of Ruth. Demanding that he abdicate.

Everything riding on one speech. One last chance to prove his dedication to his wife, to his uncle and his people. It was a nice touch in the closing credits when archive footage was shown of the pair.

I can’t believe this nearly slipped my radar. I’m surprised that there wasn’t more of a buzz around this film. Shame.

It wasn’t without its imperfections BUT you can’t fault an endearing and wonderfully acted little drama. Worth your attention.

3.5/5

SELMA REVIEW

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David Oyelowo delivers an outstanding performance in this highly watchable biopic.

So what is it about? Selma is a chronicle of Martin Luther King’s campaign to secure equal voting rights via an epic march from Selma to Montgomery, Alabama in 1965.

I am a little ashamed to say that I knew nothing of the Selma March. I know who Martin Luther King is and what he stood for. BUT I didn’t really know the full extent of what the man accomplished. Other than deliver the “I Have a Dream” speech.

Farewell, Danny from Spooks. I was afraid that David Oyelowo would never be able to shake off that iconic TV role for me. BUT in the last two years, I have seen him popping up in films more and more with his performances getting better and better; Jack Reacher, Interstellar, The Butler.

I was waiting for him to get a meatier role to sink his teeth into and nothing could be bigger than the role of Dr King.

He was fantastic. I went back to watch the infamous speeches of Dr King and Oyelowo captures his posture, his voice, the little pauses and tone perfectly.

I am surprised that he didn’t at least receive a BAFTA nod for his performance.

I mean if Laura Dern could get a Best Supporting Actress nod for Wild, then the man definitely deserved one. No disrespect, Miss Dern.

The opening sequence surprised me in which we see Dr King receiving the Nobel Peace Prize in 1964. Another fact I did not know. This is soon followed by the unexpected (No, seriously. I jumped out of my seat) and harrowing 16th Street Baptist Church bombing.

Director Ava DuVernay handled the material delicately. Four little girls killed through brutal ignorance. Subtle but tough viewing.

To be honest, Selma was a little slow to get going. Considering the powerful opening, the drama seemed to be put on the back burner. The back room politics was interesting enough with King attempting to peacefully negotiate the black vote.

BUT the constant flicking back and forth soon put me into a lull.

Tom Wilkinson played LDJ brilliantly. The very definition of a politican. Promising to do his utmost but afraid to make any drastic changes as *cough* another election *cough* is on the cards.

Giovanni Ribisi wasn’t bad. The only thing that was bad was his combover.

The conspiring between LDJ and Edgar Hoover was unsettling. It will always remain suspect what happened to Malcolm X and Dr King. Allowing Dr King to continue to be the face of black rights until he began to challenge everything.

While this is happening, we see the treatment of black voters in the southern states as they try and register.

Oprah Winfrey was very good as Annie Lee Cooper. She wasn’t in it enough to be frank. Her treatment was unnecessary. Having to learn and recite the constitution. Fill in every detail of her form. Quizzed on how many members in a particular state and their names. Doing everything within their power to stop her getting the register to vote.

King soon focuses his attention on Selma. A hot spot brewing with racial tension. The place where he will hold a peaceful march.

The fact he was put under heavy surveillance by the government was shocking stuff. Branded as an agitator for failing to listen to reason and disrupting the peace. A joke.

I thought King’s phone call with singer Mahalia Jackson was a little strange. Calling her in the middle of the night to hear a little gospel? BUT the stranger revelation out of the scene that it was logged in a surveillance report!

I always thought Malcolm X and Dr King were not just fighting for the same thing BUT fighting the same way.

I didn’t realise that King detested X’s violent methods and refused his help during the “peace” protests.

Mr X even tried to rationalize with King. Trying to offer his militant ways as a distraction. To stop the wrong attention being focused on King’s cause.

Tim Roth was very good as Governor George Wallace. He carried the accent well and brought a subtle menace to the role. Not enough of him to be honest.

BUT of course the real battlefield was on the Edmund Pettus Bridge.

Truly horrific stuff. The riots that ensued before and after the incident were bad enough but the attack on the Bridge was tough viewing. The sequence meshed in actual footage which really brought it home. Knowing that this actually happened. Shot for shot.

However, in between these horrific moments, there wasn’t much else.

It felt like they tried to piece more around the events of Selma.

The dynamic with King and his wife wasn’t explored enough for me. The threatening phone calls and the constant fear of what would happen was certainly a catalyst.

BUT there was a scene in which the government are desperate to destabilise his marriage by sending a recording of King with another woman. He doesn’t deny it very well. A mild insinuation that I wanted explaining.

No one is perfect BUT was it mind games? Or did the government find something on the pastor?

It was great to see Cuba Gooding Jr. and Martin Sheen in this BUT the roles they took on were so unmemorable and small that anyone could have played them.

The sermons, although brilliantly executed by Oyelowo, were a little long at the tooth for me and didn’t hit home as much as I had wanted.

Don’t get me wrong. Selma is still worth investing.

There were some interesting developments that I didn’t know about. The constant mind changing of the Student Nonviolent Coordinating Committee (SNCC) who supported the cause when the odds looked good. Only to pull out when King and the protestors decided to take on the Bridge a second time.

The closing credits around particular protestors had some shocking revelations that I did not anticipate.

The march itself was tense to watch. BUT it just wasn’t quite as hard-hitting as it could have been. I understand that it is based on true events.

BUT it felt like something was missing. The length was a little long for my liking. The politics and sermons seem to kill the tension and pace that was spurning Selma on for me.

However, that doesn’t stop a sterling performance and interesting if (in parts) brutal re-telling of a crucial moment in history.

3/5

INTERSTELLAR REVIEW

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STELLAR casting and special effects. Shame, I just wasn’t INTER it.

I know. Not my best. BUT here we are. Well, certainly hyped. BUT did that hype help or hinder? There’s only one way to find out.

Christopher Nolan tackles the sci-fi genre in one of his most ambitious projects to date and . . . to mixed results for me.

Now for the record. I am a Nolan fan. Memento is still up there in my top movies list. Inception left me in awe. The Prestige was a well crafted thriller. I loved what he did with the Dark Knight franchise and Insomnia was an underrated crime thriller with the late great Robin Williams.

So it pains me to say that his latest offering left me unfulfilled.

I mean, science fiction isn’t my favourite genre but I love Twelve Monkeys, Blade Runner, etc.

In a nutshell, Interstellar is about a team of explorers who travel through a wormhole in an attempt to find a potentially habitable planet that will sustain humanity.

BUT this is Christopher Nolan. And as we know, it’s never going to be that easy . . . or that simple.

He chose a perfect leading man in Matthew McConaughey. Great to see him fully resurrected from the movie scrapheap.

I will do my utmost NOT to divulge too much spoilerific information. So consider this a warning.

The opening hour was slow burning but had the slightest feel of a dystopian Signs. Thankfully without the CGI aliens allergic to water.

The idea that crop farming is a crucial asset as food and supplies are vastly running low was a scary and all too realistic premise.

I loved the satire in which the children have been re-educated into learning that man did not land on the moon, just to focus on their agricultural studies. Crazy. Delusions of grandeur no longer an option (Regardless of what conspiracy nuts think of the Moon landing).

John Lithgow was wasted in his role. He was somewhat passive and frankly unnecessary. Merely the guardian to Cooper’s kids.

Mackenzie Foy was brilliant as Murph. She worked well with McConaughey and made their fractious father/daughter relationship that much more endearing and engaging.

Murph’s fascination with a ghost in Cooper’s den made this feel more like a rural supernatural drama than a sci-fi flick.

However after an hour and some cryptic puzzle solving (keeping that as vague as I can), Cooper is soon initiated into NASA for a life-saving and utterly bonkers mission.

That did annoy me a little bit. We had all this build up for an hour or so AND THEN SUDDENLY BOOM! LIFT OFF! We’re in space.

Such a quick transition after some mind-numbing exposition about wormholes and coma-induced hyper-sleep by regular Nolan stalwart and screen icon, Michael Caine. All this scientific mumbo jumbo and not even a training montage?

Cooper is an engineer. That’s good enough for us. Chuck him on the ship. Okay . . .

Michael Caine isn’t very good at accents (AND a lot of people know that) BUT he still makes a memorable impression in his rather subdued science guy supporting role.

The cinematography of Hoyte Van Hoytema (that’s a real name) was breathtaking. A visual tour-de-force for the eyes alone. Even the desolate planet that is essentially made up of crashing waves looked stunning. This certainly rivals Stanley Kubrick’s 2001: A Space Odyssey on looks.

The second half of the film was tense, strange but hypnotic as tempers rose and theories pondered. A lot of bloody theories. Although I was intrigued by how staying on one planet for one hour would equate to 7 Earth years!  Mental!

The film score by the legendary composer Hans Zimmer complimented the atmospheric tension perfectly.

I don’t know whether it was me or the the cinema surround system BUT it was incredibly loud. So much so that it drowned out several of the characters and the scene stealers that were TARS and CASE. Seriously by the end, I wanted Zimmer to SHUT UP! I couldn’t hear what they were saying!

TARS and CASE? What the – What’s an interstellar journey across time and space without some robotic companions?!

The visual effects brought the robots to life. Their rapid wheel movements made the geek in me EEP a little. Voiced brilliantly by Bill Irwin (How The Grinch Stole Christmas) and Josh Stewart (Criminal Minds).

Irwin’s deadpan delivery made for some top notch banter between the robotic comedian and Cooper. Reducing his humour functions. I wish I could do that on a few people.

Anne Hathaway was very good as Brand. Her speech debating the ethics of love should have come off a little pretentious and long winded BUT her delivery made it highly engaging philosophical guff.

The cast was a fantastic selection BUT I felt that a few faces just blended into the background; William Devane, David Oyelowo, Casey Affleck and Wes Bentley (Oh dear!).

David Gyasi delivered a good turn as Romilly while Jessica Chastain was excellent which was crucial as the film drew to it’s mind boggling conclusion.

The quest for habitable planets did have some surprises along the way and made for some tense and exhilarating moments. A race against time as supplies and resources are running thin for our crew. Don’t worry, my lips are sealed. I ain’t saying nothing. BUT of course, there is a twist.

The twist! It’s the Nolans. Of course, there is a twist. Now, I saw it coming a mile away (Don’t mean to brag or anything). But the how? Woah. Not so much.

The explanation is crazy! Timey-wimey wormhole guff involving God knows what. Jonathan Nolan certainly put his theory of relativity into practice. BUT I felt that the deciphering and explanation went on far too long and then where I thought I had figured it out, I then didn’t and so on.

Inception had me actually stunned. This left me baffled and as I asked my colleagues what happened? I realised I did know what was going on BUT found plot holes. The scientific stuff might have been accurate but the decision making and events leading up to said twist were NOT so clear.

It didn’t help that as I went to tweet my 140 character review; the #InterstellarPlotHoles had already started trending.

The mix should have been heaven for me but it’s just didn’t deliver for me. I felt numb and had a head ache. I’m not stupid BUT this made me feel a little.

I respect the Nolans for bringing brains back to the blockbuster. It is very clever and brilliantly shot. The effects are to die for. BUT the story and pace dragged on too long for me and the final result wasn’t all it cracked up to be for me.

It’s hard not divulging plot points to quarrel elements. I mean the drone? What up with that?

It is certainly worth seeing and did something that not many films do these days. Get you thinking and talking. BUT for the right reasons? We shall see.

Timey wimey and hardcore sci-fi fans will love this. Others may feel a little bored and a little baffled. Best film of 2014? Sorry, that falls short. Different and diverse BUT also dense and difficult at times for me.

Alright, alright, alright for me.

3.5/5