*NEW* GUARDIANS OF THE GALAXY VOL. 2 REVIEW *NEW*

They’re back BUT bigger and better?

The Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill’s (Chris Pratt) true parentage.

Mad fun BUT it falls short of its predecessor.

The silly opening was entertaining enough as the adorable Baby Groot danced around to the beat of ELO’s Mr Blue Sky while a violent battle ensued in the background.

I felt the banter and chemistry between the dysfunctional team was all over the place. Writer/director James Gunn tried too hard with the laughs that it hampered the piece in places with the cast just shouting flat insults at each other.

I know a good portion of the story was about the team having teething problems after the events of the first film. BUT the squabbling and yelling really grated against me.

A gag involving the name of a villain drew a laugh BUT it soon overstayed its welcome as the name kept getting brought up.

I felt Vol 1 had the right balance. Each dysfunctional member bringing something to the fold.

This time around, it felt a lot sillier with Rocket and Groot spending too much time in the background.

No one expected anything from Vol 1. It was one of my favourite films of the year. I think I even went to the cinema twice to see it and I never do that for a movie.

Such a strong first movie that it was going to take something special to top it.

Henry Braham’s incredibly colourful palette and visual effects were a feast for the eyes. The set pieces were exhilarating and fun to watch.

Kurt Russell was brilliant as Ego. He worked well with Pratt and made their relationship an interesting angle BUT the only problem was that the pace tragically lagged as Quill discovered his true origins.

Even if Laura Haddock’s talents (Transformers: The Last Knight) were wasted yet again. I wondered when she got the role as Star-Lord’s mother if there was going to be more of her BUT what we got was unnecessary and offered new.

Bradley Cooper’s Rocket (Easy now) stole the show with his insults and crazy antics (“Don’t call me a raccoon! Trash panda? *PAUSE* Is that worse?”).

Vin Diesel had the easiest job going yet again delivering his helium induced phrases to the tiny tree root. You couldn’t resist the little rebel.

Elizabeth Debicki (The Night Manager) was completely wasted in her role as Ayesha.

However, there was one character that stole the show for me and that was Yondu. Michael Rooker (The Walking Dead) was fantastic. I loved how we actually got a little depth to the space pirate and explored his past. An unexpected surprise.

Pom Klementieff (Oldboy) was a memorable addition to the mad (and increasingly top heavy) squad as Mantis. Her emotion sensing abilities was a party trick that helped create all sorts of cringe inducing laughs.

Especially on “the thing that nobody’s talking about” between Gamora and Quill (Yawwnnnn . . . ).

The only problem was that Gunn expanded on story lines that were already explored in Vol 1. It made things a little repetitive and predictable.

Gamora and Nebula’s sibling sparring got on my nerves. Especially when the pair kept kicking off. It was almost as ridiculous as Peter Griffin fighting the Giant Chicken! We had all that in the first one!

Don’t get me wrong, there was still fun to be had and I enjoyed the majority of the madness with another fantastic soundtrack that I will no doubt purchase.

Not every wrestling star can make the jump to the big screen BUT Dave Bautista was still on scene stealing form as the deluded Drax with his random outlook and bizarre stories.

The final act redeemed a lot of the problems with an action packed closer that threw in a few unexpected twists and turns along the way. Don’t worry, no spoilers here.

So despite its shortcomings, it was still crazy fun and fans won’t be disappointed.

3.5/5

P.S. I’m sure you’re bored of me saying this BUT don’t walk out on the credits. There are several different teasers that pop up. Definitely worth waiting for.

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*NEW* PASSENGERS REVIEW *NEW*

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One ride I didn’t expect to enjoy.

Two passengers are awakened 90 years early after a spaceship malfunction en route to a distant colony.

From all the negative press, I was bracing myself for something horrific. A loved up but incredibly naff Gravity rip-off.

Oh no! The opening act was completely different to what I had expected.

For the first 30 to 40 minutes, we had just Chris Pratt. Lost in space. 

After his stellar performance in Guardians of the Galaxy, I was worried that Pratt was becoming a one trick pony. Delivering his usual comedy shtick. BUT he delivered a much more serious turn.

A little slow burning BUT riveting as Jim wandered the vast and empty vessel. His confusion rapidly turning into hysteria as he realised he was the only one awake.

His only companion, a slick and highly entertaining robot bartender. And who better to play the role than Michael bloody Sheen?!

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Even if his attire reminded me of Lloyd from The Shining.

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Don’t worry, it’s not that type of movie. No murderous androids here. 

Sheen was sublime. His rapport with Pratt was brilliant. Desperately searching his bartending database to strike up conversation and offer advice.

As much as you felt for Jim’s frustration and isolation as he came to his wit’s end after a year (A year?!) of playing around with robots, virtual dancing, getting smashed and wondering around the endless hallways naked (Yeah, the ladies will love that), the pace was testing by the hour marker.

And that was the only real issue for me. Don’t worry, lads. We have J-Law in a space bikini (Whaaat?!)

Doomed to travel in space alone. Unable to break into the captain’s quarters after months of trying. Contemplating the end. Jim was truly a man on the verge.

That was until Katniss Aberdeen made her introduction.

Pratt and Lawrence were brilliant. They had fantastic chemistry and were a great duo. Crucial when the film revolves primarily on just two people.

The special effects were pretty impressive as the pair orbited the ship in anti-gravitational body suits, admiring the interstellar landscape. The inevitable sparks flying as the couple inevitably fell for each other.

However, all was not as it seemed. The reasons behind Aurora’s (The lovely Jennifer Lawrence) pod failure made things a little more intriguing and certainly changed the dynamic of the film.

Without spoiling too much, it pondered a surprisingly moral argument. Especially when Aurora discovered the truth. BUT it was never going to be that type of movie either.

Thankfully, the ship’s increasing power surges soon created more noticeable issues than just some robots going haywire and broke the schmaltzy hokum as the pair had only a matter of time to save the ship and its comatose inhabitants from impending doom in the form of a dying star. Yikes.

Pratt and Lawrence’s chemistry smoothed over some of the rougher edges of the film. Most notably, the giant plot holes; if an asteroid belt did that much damage to the ship, why was only one pod disturbed?

Some of you might even laugh at the convenient arrival of Laurence Fishburne’s character (The Matrix) as the sh*t finally hit the fan; “We can’t get through these doors without clearance!” Guess who has and knows exactly what to do? Come on .  . . 

I actually didn’t mind Passengers. The explosions and set pieces did overindulge with the CGI too much by the end with everything getting a little too cartoony for my liking.

The frantic (Though highly watchable) finale tragically ended on such a flat and corny note that it spoiled things a bit. BUT it was better than I expected.

A slow burning romantic sci-fi drama. Just take it with a pinch of salt.

If you’re expecting a hard-hitting thought-provoking sci-fi flick, go watch Arrival. If you want a big, dumb Hollywood sci-fi love story, then give it a go. It ain’t that bad.

3/5 (Just)

*NEW* THE MAGNIFICENT SEVEN REVIEW *NEW*

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Not that magnificent BUT still worth a watch. Yee-ha!

Seven gun men in the old west gradually come together to help a poor village against savage thieves.

It’s always going to be tough to follow in the footsteps of the iconic 1960 Western classic (When does anything ever beat the original?) BUT thanks to a talented cast and some action packed set pieces, this did just enough to stand on its own two feet.

I was happy to see another Western (NOT penned by Quentin Tarantino) sneak into the busy schedule of endless rom-coms, sci-fi epics and teen blockbusters.

The slow burning opener didn’t build my hopes up. The lacklustre lines, the cliched townspeople, that feeble introduction to a weak and weasley villain Bartholomew Bogue (Peter Sarsgaard – Jarhead). I was reaching for my tomahawk!

BUT thankfully once the mysterious Joe Chisolm wandered into town, my griping was subdued.

I couldn’t think of anybody better to follow in Yul Bryner’s footsteps than Denzel Washington. He was everything you expected. Cool, calculated and somebody you wouldn’t want to mess with.

The initial ‘getting the gang together’ spiel did take a while BUT I didn’t mind watching each member make their introduction into the mix.

Chris Pratt stole the show yet again by being . . . Chris Pratt. He’s no Steve McQueen BUT the card wielding smooth talker delivered enough charm and quick witted one liners to keep things entertaining.

It was good to see Vincent D’Onofrio (Full Metal Jacket) get a meatier role as Jack Horne. If Hodor came from the Deep South, he would probably look like him. “I think that bear’s wearing people clothes”.

Ethan Hawke was brilliant as the decorated veteran Goodnight Robicheaux. I wish more was made out of his partnership with the knife wielding Billy Rocks.

Finally Byung-hun Lee was able to show off those blade skills in something other than a G.I. Joe movie!

The pace dragged like a mule in the desert. BUT once the gang finally warmed up to one another and the uneasy alliance began, I was pleasantly surprised.

The heated tension subsiding into idle banter. Faraday (Pratt) and Vazquez (Manuel Garcia-Rulfo) delivered some of the better exchanges.

I was a little disappointed that the feisty Haley Bennett (Hardcore Henry) was pushed into the background after taking a pivotal role in persuading the men to save the town. BUT this was always going to be about the Seven.

And that was the problem. There were too many characters. Luke Grimes (Fifty Shades of Grey) was completely unnecessary. He brought nothing to the mix. Another cook spoiling the broth.

Martin Sensmeier got lost in the thick of the action after making an impressionable introduction as Red Harvest; the Comanche dispatched on a tribal quest.

Mauro Fiore’s cinematography was breathtaking. He really captured the picturesque landscape. Brilliant.

And one thing can be agreed; Director Antoine Fuqua (Training Day/The Equalizer) knows how to deliver a shootout!

The tension was perfectly executed as the gang bumped heads with “the local law enforcement”. Ticking all the boxes for a good ol’ fashioned Western.

I was hoping that Sarsgaard would have been a little stronger. He was such a nothingy villain.

I could get that with an army of a hundred mercenaries and endless wealth that he would be a little cocky BUT every scene he was involved in, he just didn’t do anything for me.

I wasn’t unsettled or hooked. Just bored and wondering what Denzel and that dude from Guardians of the Galaxy were up to?

For those familiar with the original, it stayed very true to the story line (Despite claiming to be a “reboot”). BUT it was still somewhat of a mixed bag.

It delivered enough bang for your buck and really pushed that 12A limit to the max with the violence. The number of flying axes and endless machine gun fodder. The body count was crazy.

BUT with so many characters in play; too many got lost in the mix of endless explosions and casualties, which spoiled things for me.

However, despite a drawn out pace and weak villain, this was still a fun, action packed blockbuster that complimented the original and delivered a thrilling and satisfying finale.

Let’s hope this might trigger a comeback for the Western.

3/5

JURASSIC WORLD REVIEW

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Finally! Long overdue. After weeks of anticipation, I watched the monster that’s tearing the box office to pieces and . . .  I wasn’t impressed.

22 years on and another Jurassic Park sequel graces the silver screen. I loved the original. An iconic piece of film making that I have no trouble watching again and again. Trust me I have lost many a Sunday afternoon.

When I saw the trailers, I was excited. It was always going to be hard not to draw comparisons. BUT this is just about en par with the misfire that was Jurassic Park III.

A new theme park is built on the original site of Jurassic Park. Everything is going well until the park’s newest attraction, a genetically modified giant stealth killing machine, escapes containment and goes on a killing spree.

Apart from unintentionally sparking a race quibble with an inappropriately named dinosaur, the film was flawed from the get go. You didn’t know about the little race row? Allow Mobeen and Lamboo to educate you . . .

It wasn’t all bad. Don’t get me wrong. I was just a little disappointed. The hype certainly not helping. The opening didn’t things going. Of course, the Jurassic films always had that slow burning build up before the dinos would inevitably break free or unleash mayhem.

BUT it didn’t help that the characters were so cliched and uninteresting. Nick Robinson and Ty Simpkins’ divorce stricken brothers were irritating beyond relief.

Judy Greer was reduced to another minor and meaningless supporting role as their mum (Did she not learn from Tomorrowland?). Thankfully she was able to deliver the best line of the film; “Remember. If something chases you. RUN!”

Chris Pratt. The man of the hour. Was pretty much being . . . Chris Pratt. Normally, it works but his smooth talking and snappy one liners didn’t really deliver this time around. I felt like I was watching Star Lord from Guardians of The Galaxy as a raptor handler. Is this the only character he can play? I mean, he fared better as the film went on. Especially when it all kicked off and he had to step up. Actually trying to be a different character.

The lovely Bryce Dallas Howard was very good as the workaholic aunt hell bent on making Jurassic World a money making business. It shouldn’t have worked but I liked how she managed to evade dinosaurs, fight raptors and chase after her nephews . . . in heels. Her running style was a little too comical and it did kill a bit of the tension but well done.

Also there was a scene in which her character had to ride a helicopter with an inexperienced pilot. The noises and faces she was pulling were verging on orgasmic. God knows what that was about? Once the corny introductions were made between her and Pratt, they actually gelled quite well together and had some good chemistry.

Vincent D’Onofrio did his best with his character Hoskins. BUT the problem is that it’s all been done to death before with Ingen. It really was the same old guff. We had all the backstabbing and hidden agendas in The Lost World. No twists. Too predictable and dull.

It was great for the hardcore fans to see the return of B.D Wong as Dr Henry Wu. (Wu who? Come on, you remember him. Thank God. Neither did I) and Irrfan Khan as the eccentric millionaire Masrani who resurrected the park. He really channels his inner John Hammond with his passion and enthusiasm. BUT all we know how that’s going to end.

And for some reason, he is the only helicopter pilot on the whole island. Seriously? All those soldiers, weapons and dinosaurs. No pilots. Times must be hard.

I feared with the overindulgence of CGI in films these days that the dinos would fail to reach the levels that Stan Winston had delivered. When Jurassic World was first unveiled, the iconic John Williams score blaring from the surround speakers, that excitement from my inner fan boy still buzzed.

BUT once the score had subsided, I realised how rubbish the layout of Jurassic World actually looked. I’m not sure whether writer/director Colin Trevorrow  was making a statement at how corporate involvement can ruin every aspect. If so, then fair play. If not, then the set designers need a little talking too. It looked like a cheap Dino Disneyland.

The real stars for me were thankfully the prehistoric predators. And they still stole the show. The animation and special effects were fantastic! The chase sequences were tense, exhilarating and racy. Everything I had hoped for.

And the introduction of a new dinosaur picked up massive points. A creepy introduction helped deliver a new dino demon. A simple question about what happened to it’s sibling. A cold stare and dead expression from Howard and I was intrigued. “She ate it” (The dino. NOT Howard).

Every time the Indominus Rex (Terrible name, I know) appeared, I felt that same fear as a little kid when the raptors and T-Rex appeared in Jurassic Park. The gene-splicing element certainly made things a lot more interesting. A new intelligent species that hunts for sport. Brilliant.

The jungle sabotage sequence was superb. A perfect homage to Aliens. The dino camouflaged in the trees. The mercenaries’ designated screens with their lifelines beeping in the background. The inevitable outcome reaching it’s nail biting conclusion.

Funny enough as the dinos were unleashed, the two lads actually improved. They worked together and were nowhere near as annoying as Lex and Tim from the first one. They were clever and used some crafty techniques to evade being a dino’s dinner. Redeemed.

Jake Johnson (New Girl) managed to steal some scenes as the new ‘Dennis’, I mean, Larry. A mad tech geek that really hasn’t got a clue. He delivered the laughs that Pratt and co failed to.

Trevorrow certainly appealed to the JP fan in me. There were a number of nods and references that made me smile without spoiling everything. Even the annoying Mr DNA made an appearance. Cudos.

Anyone who is a LOST fan will realise how desperate composer Michael Giacchino has needed a movie like this to score. He delivers another fantastic soundtrack and takes on the reins of John Williams with aplomb.

The 3D was disappointing. There wasn’t much that stood out. And for the price and promise, I expected more things to fly out the screen. Shame.

There were a few unanswered plot points which left things open for another. And with the money it’s taking, no doubt there will be.

The special effects were immense (The pterodactyl attack – Words escape me), the dinosaurs stole the show but can we have some better characters? All the naff one liners and cheesy encounters just made me miss Doctors Grant and Malcolm. Hell, even Laura Dern’s ear piercing wailing.

For me, it’s a 3 (Just)/5

THE GUARDIANS OF THE GALAXY REVIEW

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Well done Mr Gunn! Marvel have done it again.

I would have thought after numerous Marvel entries and the fear of milking this rich cow dry, this may have pushed the mark.

I mean, another origin story to introduce another group of characters BUT with this cast and these characters, I’d be happy to see more entries like this again very soon.

Now, the plot is hardly original, the inevitable union of these intergalactic criminals was always going to happen, as well as those pesky sequel teasers propping up all through the film.

BUT what makes this sci-fi blockbuster hit tick all the boxes for the me is the pace, the humour and the fantastic soundtrack.

After a strong and emotional opening with 1occ’s I’m Not In Love playing, I knew I was in for a treat. It helps that the cast are perfectly chosen for their roles.

What’s it all about? Now keeping it vague as I don’t want to spoil this as I want you guys to see this . . .

Light years (in a galaxy far far away. No. Stop it) from Earth, 26 years after being abducted, Peter Quill (Chris Pratt) finds himself the prime target of a manhunt after discovering an orb wanted by Ronan the Accuser (Lee Pace).

The charismatic Chris Pratt, already on a roll after the mega blockbuster hit that is the Lego Movie, applies his laidback, fast talking schtick to the film’s protagonist Peter Quill to perfection.

You knew what to expect from the moment he breaks into a song and dance around a space cave using a mutated lizard thing for a mike.

Zoe Saldana just proves she looks incredibly hot as any alien or anything for that matter (What?) but is also fantastic as Gamora.

The surprise turn for me was Dave Bautista as Drax. Now let’s be honest, I know he’s had acting experience in WWE but this is a whole different playing field and I wasn’t convinced with his jughead performance in Riddick.

It helps to have great lines at his disposal but Bautista’s delivery is brilliant as the eloquently spoken if utterly stupid henchman. He takes everything literally which makes for some funny one liners and memorable moments.

Bradley Cooper and Vin Diesel provide their voicing talents to two new animated cult characters. Scratch that, Bradley Cooper provides his voicing talents. Vin Diesel must have been laughing when he read the script and got his paycheck as the tree humanoid Groot.

The animation and detail on Groot is impeccable. I mean don’t get me wrong, Diesel’s conviction on saying “I AM GROOT” numerous times is good and no doubt an iconic one liner but come on?! Cooper is fantastic as the talking volatile raccoon hybrid Rocket.

Now while the animation is impeccable, 3D . . .  Not so much. It’s certainly more prominent BUT not a must.

Lee Pace and Karen Gillan were almost unrecognizable both by their incredible make up and by their accents as the villains in this space opera.

Michael Rooker (Gunn regular) was great as Yondu Udonta, the interstellar smuggler. The only problem with so many characters and such a big cast, some characters or actors (more specifically) get cast aside.

Glenn Close, sporting a funky haircut, as Nova Prime was wasted in this installment.

John C. Reilly, the comedy legend that he is, only really got to get a bit of meat to chomp on in the closing minutes.

Inevitably, Benicio Del Toro’s mysterious Collector pops his ugly white head again.

Djimon Hounsou was only memorable due to a humorous encounter with Quill in which he attempts to enforce his self titled nickname, Starlord.

Peter Serafinowicz (Shaun of the Dead)’s straight faced pallor had potential . . . BUT didn’t really get used. BUT that’s minor quibbles.

Now it’s hardly an origin story. It briefly provides a minor back story to answer the questions (as and when they pop up) to give a little dimension to our lively crew.

As it drew to its exhilarating finale, I found myself wanting more. There were unanswered questions which left it all open for more mischief.

Little teasers and “if there’s a sequel” hints . . . BUT with the wide array of characters in this universe and great music and great dialogue, I’m happy to strap in and go for another ride across the galaxy again.

Of course, they will return. One of the better ones.

4/5 for me

P.S. There is a little teaser at the end of the credits but I don’t think it was worth waiting around for. Nothing to quack home about. I mean, shout.

LEGO MOVIE REVIEW

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Everything in this is AWESOME. Finally, a fun family movie, not without it’s imperfections, but enjoyable none the less. 3D makes certain scenes stand out but not a MUST. Apart from that, the makers behind the equally brilliant Cloudy With A Chance of Meatballs have assembled a hit.

Basically, the plot follows Emmet (Chris Pratt), an oblivious construction worker who is mistaken for the ‘most extraordinary person’ in all of the LEGO universe, and according to an old prophecy, must defeat the evil tyrant with the best bad guy name . . . Lord Business (That one got a tweet out of Michael Moore), voiced by the legend that is Will Ferrell, who is plotting to destroy the world with his secret weapon, the Kragle (brilliant. When you see what it is). The animation is brilliant, considering it is LEGO. The detail and the fun it pokes at the limited movements of the LEGO pieces is hilarious. The fact they make great expressions with their little black eyes is nicely done and the action pieces although rapid are great to watch.

The cast are fantastic. Chris Pratt is on form as naive dimwit Emmet. Morgan Freeman providing his infamous voice and gravitas to the senial wizard Vitruvius. Will Ferrell grumbling and picking at the craziness of it all as the sinister Lord Business, President of the Octan Corporation . . . and the entire world. Elizabeth Banks as the loveable rogue Wyldstyle who is tasked with protecting Emmet (“Come with me with you wanna NOT die”). However, cudos must be awarded to the supporting characters. Will Arnett’s (The Millers, Arrested Development) LEGO Batman is hilarious. His dark love song being a personal highlight.

Charlie Day (Horrible Bosses) as Benny, the bonkers 80s LEGO astronaut guy (SPACESHIP!). Alison Brie (Trudy from Mad Men?!) as the bi-polar Unikitty, who unhealthily bottles up her negative thoughts and last not but least, “I don’t have much money, but particular skills legend” that is Liam Neeson as the two faced good cop, bad cop was fantastic. Such a surprise to see the huge cast attached to this and that they can all poke fun at themselves. Don’t look at IMDb if you want to guess them.

There was an unexpected twist near the end that dipped the film a little bit. It worked but I couldn’t help but feel that it was a slight rip off of another animated hit, hint hint, cough, The Spongebob Squarepants Movie. As usual, some of the better bits are in the trailer. But it zips along at a great pace, keeping it light and fun. I was impressed with the clever satire they put in as well. The fact that Emmet is completely unaware he is under the rule of a dictatorship with propaganda everywhere. Most annoyingly so, in the incredibly catchy song Everything is Awesome by Tegan and Sara featuring the Lonely Island. 3D is not neccesarily an investment for this. A couple of bits stand out with the lasers and machinery but not a must. The animation would look just as good as in 2D.

Do you like Lego? Do you like the games? Then this is for you. Is it fun? Absolutely. One the family will enjoy? I don’t see why not. Hardly a classic but a fresh take that stands out from the churned out family movies these last few years. Get on it. 4 pieces (just) out of 5!

Currently ranks #25 out of 141!

 

Delivery Man Review

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Well, it didn’t deliver as many laughs as I expected (What? Tut away) but beneath it’s surface is something much more and better than I could have expected.

An easygoing, lighthearted comedy drama with some actual acting from leading man Vince Vaughan, which we all knew he could do but had just forgotten.

Vaughan plays David, an incompetent meat truck delivery driver who finds out he’s fathered 533 children (what?! That’s right) through anonymous donations to a fertility clinic 20 years ago. Now he must decide whether or not to come forward when 142 of them file a lawsuit to reveal his identity . . . and you thought you had a bad day.

It all starts off very slow and by the book, setting the usual slacker spiel with David trying to set up a weed farm in his apartment, clocking up massive debts, as well as forgetting and messing up deliveries.

His partner Emma, played straight faced by Coby Smulders (yes, she does. What? Don’t judge) announces she is pregnant and does not want him to be a part of the child’s life. Smulders (of How I Met Your Mother fame) is wasted (not literally drunk) in this movie, playing such a minor passive supporting role. Anyone could have played her.

A highly unfunny set up and surprisingly serious, which was contrary to the impression I got from the trailers. However, it soon picks up once Damian Young’s (Who? Bill from Californication! Still who? Never mind. Watch Californication) Attorney Williams drops the bombshell.

A ridiculous but intriguing premise. It turns out this is a remake of a French comedy, Starbuck. Unfortunately, I haven’t seen it but I am very tempted to see it to make comparisons. A funny, if drawn out, overreaction from Vaughan (No Soy David!) soon leads to him doing some reconnaissance on the 142 children, keeping his anonymity in check, leading to a good movie.

As soon as David seeks advice from his useless lawyer friend Brett (played by the brilliant Chris Pratt), the jokes come in thick and fast, especially when Brett introduces the joys of parenting with his monstrous children. Vaughan and Pratt work well off each other and makes up for a stuttering start and once the kids come into it, there comes genuine humour and good drama.

Considering this is a Hollywood remake, Delivery Man wasn’t afraid to branch out, providing a variety of different outcomes and, more specifically, children that David has procreated and the situations in which David attempts to be their “guardian angel”.

Some situations are funny, Vaughan relentlessly attempting to get his lifeguard son to save him and one of his daughters parading herself in skimpy clothes for blokes to ogle (yeah, it’s a word. I’m bringing it back). Other scenarios were surprising, one (without spoiling) was done very well.

The supporting cast were actually quite good including such talented up and comers as Josh Raynor (who will soon feature in the new Transformers movie) and Britt Robertson (she’s been around, you could say and not in that way, well who knows. Anyway, you may know her from The Secret Circle and Under the Dome). 

Once we get introduced to David’s family, at first irritating, you soon warm to them as home truths are shared, providing some engrossing scenes. I don’t know where the critics have got the notion that Vince Vaughan has lost it and should give up.

I actually enjoyed The Internship, it may be have been OTT and ridiculously corny but it was funny. The most important factor in a comedy. Well you would have thought so. Vaughan brings a vulnerability and sincerity to David’s character. He didn’t really scream and pull stupid faces through this and he actually acted and acted well.

Apart from a slow start, the film was quite enjoyable. The only other hindrance was the introduction of Viggo (Adam Chanler-Barat), one of David’s sons. At first, funny as he battles to find anything in common. It soon goes on for too long and just gets a little weird.

Apart from that . . .

At times, endearing and engaging, it can also be incredibly corny and a little predictable but overall, the film delivers a pizza that has a really overdone cheese topping but get underneath it and it’s better than you think and quite enjoyable.

3/5

Currently ranks #44 out of 131