THE TOP 20 WORST FILMS OF 2014 – PART ONE

Did you walk out of a film feeling angry, disappointed, baffled, confused?

Did you walk out of a film for that matter?

Did you sit in your car (or at home) reeling? Questioning, debating, pondering how on Earth it even got through the pitching process?

Then, welcome.

I think I’ve already compiled my worst films of 2015 which doesn’t bode well for the year that lies ahead.

BUT let’s (finally) review the worst films of 2014!

My criteria; Basically films that destroyed all excitement and anticipation or failed to deliver anything (Acting, talent, story, suspense . . . a movie).

Films that made me cry a little, scream with RAGE or just say, “I don’t think I’m going to bother anymore” . . . With the cinema (Woah, let’s not get too down now).

So for a change, let’s start from 20 – 11, followed by PART TWO with 10 – 1

SCALE: 20 DISAPPOINTED! – 1 WTF!

I’ll stick a few comments with each crappy film title accordingly. Enjoy . . . OR NOT. In fact, you won’t with these 😩

 

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20. TAMMY

Melissa McCarthy failed on every platform. An interesting story line? Nah. Good characters? Well, Susan Sarandon wasn’t bad. Jokes? Bar the fast food restaurant robbery, zilch.

I like McCarthy. I normally find her hilarious BUT she tried to deliver the same old loud mouthed, slobby monster with a heart spiel and it failed to keep me intrigued, interested or laughing (The ultimate crime of all).

Thoroughly disappointed. It was that flat, I have no energy to make any other comment. Check my review if you like.

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19. LUCY

How the hell this stayed at Number 1 in the UK for so long baffled me more than the finale?!

A racy opening had high hopes with the alluring ScarJo kicking ass and taking names whilst gaining higher intelligence. Check, check, check. I was ticking all the boxes.

BUT the endless scientific mumbo jumbo and ridiculous CGI kicked all tension, pace and fun out of this bonkers flick.

Not even the smooth dulcet tones of Morgan Freeman could save the day.

His character really had no idea what to do and was completely pointless and the finale?

WTF? I haven’t felt that confused and annoyed since I watched The Matrix Revolutions.

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18. THE DEVIL’S KNOT

If not for the two (normally) talented leads, this would have been nothing more than a TV movie that you’d expect to see late at night on Sky Atlantic’s twilight scheduling.

A harrowing opening showed promise BUT what we got was an overlong court yarn that was never really resolved.

A harsh twist BUT in terms of film viewing . . . DISAPPOINTING!

The constant repetition of the same old facts and the endless witness testimonies just numbed me into a little coma.

It just didn’t go anywhere in terms of suspense, performance or story. It felt like one of those American crime docudramas that are on the Crime Network all the time.

The only person who might come out unscathed was the legendary Colin Firth. He did his best and delivered a sterling Southern accent BUT it didn’t hide the fact his character was quite dull.

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17. OCULUS

That image above was my face coming out of the cinema after seeing this.

Karen Gillian and Brenton Thwaites did their best BUT Oculus was such a slow and tedious affair.

Evil mirrors? Really. Just lock it away if it can’t be broken. Job done.

The constant flashbacks coinciding with the present just mirrored (Ba-dum-tssh) what the pair were doing.

When it did finally get going, it got a little more watchable. BUT it just ended. Quite abruptly and SO predictably.

If I wasn’t so bored by the end, I would have been wild with rage. Meh.

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16. HORNS

Hell hath no fury like a horny Harry?

I wish. It was terrible. Radcliffe does his best to keep this watchable BUT the story is so weak and uninteresting that even when the weird stuff does kick in.

And it does. I could feel the Devil taking away my patience and interest.

It took an hour before anything of worth really happened. And the whodunnit was so obvious, I was saying out loud. It’s that person. Right there!

All we got was a sulky HP moping around some woods while people told him their darkest secrets.

Things get interesting for one moment when HP finally goes dark . . . BUT then he goes back to skulking around. Even with those ginormous devil horns and super devil powers? Lame.

And the ending was laughable. From the people who made this.

Haha. You sat through this. Infuriating, boring and just plain awful.

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15. OUIJA

This poster freaked me out more than the film.

I said it before and I’ll say it again. I wish they could have used the Ouija board to summon up something better than this.

Predictable, naff and unoriginal. This managed to make Long Time Dead a horror classic by comparison. And that was pretty shit.

Don’t get me wrong, there were a couple of jumpy bits. BUT it was hard not to when the music was so damn loud.

The scares reeked of desperation. The only shock I got was that this wasn’t filmed in a shaky handheld found footage format.

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14. GODZILLA

God help the sequel. How did this make money?

The film is called Godzilla. So why did we have a 90 minutes of giant moth mutants trying to get jiggy?!

The iconic monster only really surfacing for 15 minutes. Mindless exposition with bland characters. Aaron “Airhead” Taylor Johnson as the lead character.

I did my rant a long time ago. I can’t do this again.

BUT please watch this incredibly accurate Honest Trailer clip of Godzilla. It’s perfect. Unlike this monstrosity!

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13. ROBOCOP

I wouldn’t buy this for a dollar.

A completely unnecessary remake. Making this a 12A didn’t help matters.

There could have been an opportunity to poke fun at the social media, the iPhone. Anything that hadn’t been covered in the 1987 original. BUT no!

We got the same old guff. Just less violent, less satirical and . . . I forget my point.

Joel Kinnaman was terribly mechanical. Before he even donned the Robo get up.

Not even Samuel L Jackson could save the day. In fact he made it worse. I think he was trying to do his best (or worst) Ron Burgundy impression. Either way, it didn’t work.

Dead or alive, I wouldn’t bother watching this.

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12. I, FRANKENSTEIN

I can’t believe I sat through this.

If it wasn’t so laughable, I would have walked out.

It didn’t help that the cast, especially Aaron Eckhart, took it so seriously when the premise was so ridiculous and far fetched.

This could have been a fun B-movie mickey take BUT it was just a droll, cringe worthy disaster.

The 15 minute gargoyle battle in the closing half kept me quiet for that duration BUT it was hard to be that interested when you had no idea who was fighting.

Plus the characters were that unmemorable that you couldn’t give a monkey’s.

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11. MRS BROWN’S BOYS D’MOVIE

What da feck?

Now, I will admit. I am a fan. BUT O’Carroll really did take the biscuit.

Slapping any old thing together for a quick buck.

Applying the studio audience sitcom format to a movie? No, no, no!

The impromptu outtake in between the story line didn’t work and felt disjointed.

BUT the main issue is that it just wasn’t funny! I sighed, I fidgeted.

For a moment, I thought I was watching a foreign film without subtitles because everyone else was laughing.

For shame, Mrs Brown. Naff plot, naff characters and naff jokes makes this viewer one MAD RANTER.

THE 20 BEST FILMS OF 2014 * PART ONE

 

SO HERE WE ARE . . .

The best (or better) ones of this mediocre year. My criteria mainly focused on the ones that surprised, intrigued and entertained me. And boy, it was tough. Many have been watchable. Okay at best. What was harder was condensing my 20 WORST films. BUT there were diamonds in the rough sea of bilge that polluted the movie screens this year.

I have had to endure endless entries of mindless drivel regurgitating the same old plot, clichĂ©d characters (even in their 3D wrapped foils) and excruciating acting or dreadful dialogue and to be honest, it’s killed my enthusiasm a little bit.

Now some entries you may question and unfortunately release dates are always different. My argument is films I’ve seen this year. Some may have been released at the end of 2013 but I didn’t see them until early January BUT that sums up my argument if they’re in here.

I won’t go on too much about each film. That’s what the other posts are for but a quick two cents if you like. Some I hope you will nod in approval. Others you may scroll back and forth hoping that this is a joke. BUT my criteria is based on surprise, entertainment and engagement. So God knows what lies in store.

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1. The Dallas Buyers Club

What? Let’s not forget this wasn’t released in the UK until February. A film that certainly surprised me. I went in not knowing what to expect and was rewarded with a different story and engaging characters that were done to justice by two actors that had seemed to be pushed into the movie wilderness. McConaughey was launched back into the limelight and rightly so, beating Ejiofor to the Oscar. I still couldn’t believe Jared Leto’s supporting role. More to him than just a singer from an emo-rock-pop band.

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2. Gone Girl

I went in expecting the worst and was rewarded with a brilliantly acted and well written piece of drama. I may have called the twist but the unravelling changed everything and made this an unexpected treat. A film with enough going on to justify it’s three hour length. Peter Jackson, I’m looking at you. The cast were superb. But the main scene stealer was Rosamund Pike. Remarkable. *Cough* Oscar *Cough*. Can Fincher do no wrong? (No, Alien 3 is awesome!)

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3. 12 Years A Slave

A visceral and haunting film that delves into the human condition of one man’s plight into slavery. Steve McQueen certainly delivered one of his most ambitious, if slightly overhyped, projects to date. A harrowing story expertly acted by a fantastic cast. Ejiofor was unlucky not to win but he has certainly proved he can handle the leading role. This was all helped by an Oscar-winning supporting turn from newcomer Lupita Nyong’o and a sinister one from Michael Fassbender.

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4. August: Osage County

An underrated drama. A perfect showcase in acting. Meryl Streep proving yet again why she keeps getting those Oscar nods. A simple story revolving a family feud. But with a family of well written characters with a huge ensemble of talented characters made this one to watch for me. Its abrupt ending may have lost marks but it didn’t ruin great performances. Shame none of the contenders won this time round.

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5. The Book Thief

Now I will admit that I haven’t read the book but if the film is anything to go by, then I really want to read it. An endearing, if slow burning war drama that is shown through the eyes of a little girl who finds solace in stealing books. A great performance by Sophie Nelisse. It’s always a gamble with kid actors, especially when they are the main characters. But a great performance that is aided by a fantastic supporting cast consisting of Geoffrey Rush and Emily Watson made this an engaging and highly watchable affair with an inevitable but emotional ending.

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6. The Imitation Game

Fantastic. A suspenseful and intriguing look into the troubled genius that was Alan Turing as he helps crack the Enigma code during the Second World War. Benedict Cucumber Batch was outstanding. *Cough* Oscar *Cough*. A powerhouse performance. It helped being assisted by a stellar British supporting cast consisting of the likes of Charles “Game of Thrones” Dance, Keira Knightley, Matthew Goode and that chauffeur guy from Downton Abbey. Compelling, enthralling and sombre viewing by the closing moments.

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7. The Guardians of The Galaxy

Another Marvel movie is unleashed. But what a film. James Gunn manages to make an enjoyable romp of a space opera with the same old predictable guff of intergalactic rogues turned superheroes spiel. However, I actually cared about these rogues and cannot wait for another inevitable sequel. This is all helped with a great script, fantastic cast and an awesome soundtrack. So good I saw it twice.

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8. 22 Jump Street

My name is Jeff! Yes, conforming to the masses but if when a blockbuster is this funny, who cares? Hill and Tatum are back pretty much doing the same thing which worked the first time round to better and bigger results. I laughed from start to finish. The very purpose of a comedy for me. It’s big, dumb and stupid but so funny. Invest.

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9. The Inbetweeners 2

Speaking of dumb and stupid. The boys are back but this time they’re going down under. If you’re a fan then expect the same old dirty smut that still manages to have you heaving and laughing all the way. They may be reaching their thirties but the cast were still very much on form, making this installment surpass the first movie but falls first of the iconic TV series. Get on it, my movie fwends. Fwend, aww.

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10. X-Men: Days of Future Past

Bryan came back! And brought with him another relentless X-Men sequel that restored my faith in the franchise. A little plot device allowed the director to do a little spring cleaning. A fusion of the old with the new made something completely different and very entertaining. Even the introduction of more new faces helped rather than hindered this time round. Evan Peters’ Quicksilver, I’m looking at you. There were numerous things I wanted to see more of as the film drew to a close. But all little teasers for a resurgence that I for one cannot wait to see. Plus McStewart vs. McBender in an act-off. Who can do deliver the best Magneto/Xavier? You decide.

*THROWBACK REVIEW* PLANES 2: FIRE AND RESCUE

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I was surprised and anxious to hear that Planes had earned a sequel. To be honest Cars was a bit of a misfire. Watchable but hardly memorable. I didn’t even get round to watching the sequel. It reeked of desperation when they tried to merge the Cars and Planes universe together.

The problems was that Planes felt old fashioned before it even got to start. There was enough silly punnery and charm but it felt oh so flat. Proof that even Pixar can make mistakes. But yet enough money was made to make another and this time . . .

Despite being a visual sight to look at (which was to be expected), it pretty much delivers the same old silly wordplay and punnery, cheesy one liners and bland characters but without the charm and gusto that managed to make it scrape by last time. This really is one for the little ‘uns who are interested in planes and cars.

Dusty (Dane Cook) is now a renowned racer. However he is hit with the bad news that he can no longer race after his out of production gearbox starts failing. But Prop Wash Junction is in need of a new firefighter cue another re-tread (I mean journey) as Dusty must overcome the odds and prove everyone wrong again.

It’s a shame that Cook is having to voice such a dull and unmemorable lead character. You can’t help but feel that they have to keep bringing in crazier and funnier supporting characters to compensate for it. The 3D. What 3D? I could have taken my glasses off and not noticed a difference.

Terrible considering the price of a cinema ticket these days, let alone extras for 3D. 2D if you are still intrigued.

The new range of characters do their utmost to make this flailing film soar but to no avail. Hal Halbrook delivered an endearing turn to the ageing fire truck May Day. While Julie Bowen (Modern Family) was on voice stealing form as the neurotic Ms. Dipper who is infatuated with our hero.

The fact she watches him while he sleeps brought a little chuckle, if a little creepy. Wes Studi (The Last of the Mohicans) pretty much plays a parody of Magua in the form of a helicopter titled Windlifter. The legend that is Ed Harris played a straight faced, stern and predictably bland authority figure. A shame.

To be honest, it made me miss the incredibly OTT El Chubacabra. His presence was sorely missed. There was one good skit that parodied the old 70s cop show Chips. However, this time it was Chops. Tut all you like. There was a guilty chuckle. The fact a familiar voice made a cameo return made it all the better but unfortunately it was always going to go over the little ‘uns heads. The fire sequences were interesting and watchable enough but it all seemed by the numbers and a little stale.

The odd gag and punnery will get a chuckle from the kids and adults but it all feels like it should have been a straight to DVD film. If not for the Pixar label, I’m sure it would have been. A real shame despite the best efforts of a talented voice cast (that consisted of the likes of Cedric the Entertainer, Teri Hatcher, Patrick Warburton, Brad Garrett) to make their flat characters stand out but one for the scrap heap.

Sorry, Pixar. It didn’t work the first time, the second hasn’t improved. I don’t think third time’s the charm this time around.

2/5 for me

SIN CITY: A DAME TO KILL FOR REVIEW

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I loved Sin City. It’s visceral hard boiled pulp story lines. The noir characters. The beautifully animated graphic underworld that literally lifts off the pages of Miller’s comic books. It was always going to be tough for a sequel. This time round, it’s a mixed bag. A violent, sexy one but mixed.

The animation is fantastic. The 3D? Well what 3D? Not an investment. (Yet again). The film launches you straight into the madness with an incredibly unhinged Marv going on yet another killing spree in the dark underbelly of Basin City. Rourke is brilliant but I couldn’t help but feel Marv’s irrational behaviour was ridiculous, bordering on overkill. His revenge spree in the first film had some warped justification. This time, not so much. I mean Marv is in a much more volatile state with blackouts and confusion galore. The littlest glance or grunt throwing him into a merciless rage.

Now I must advise you to watch the first movie. I hadn’t seen it in ages. And remember it has been NINE years. That’s right. Nine years since its release. This is very much a prequel/sequel of sorts. This will be made clear with Marv when a certain character appears. I was baffled and confused until I went back to the original. Scratching my head as to how he survived the electric . . . Oh wait. The same can be said for Dwight. Brolin takes over the helm from Clive Owen. Brolin’s drawl voice and grimacing face pulling are spot on. His delivery of Miller’s lines are sublime. A true noir actor. His storyline involving the dame to kill for (and I would kill for her) Eva Green reeked of the stories of old. The ultimate femme fatale. It may come off a little pastiche and predictable but it’s great to see a re-visiting of the classics.

Eva Green was born for the role. Conniving but attractive on the eye. Her beauty a trap for any foolish man. The reason why Dwight had to change his face. Miller seemed to cut the amount and reduce the length of story lines. There was two main stories with two little subplots (new stories for the movie) running along aside them. The new story lines involve Nancy (Alba) and Johnny (Joseph Gordon Levitt). JGL was to be expected charismatic and perfect for the part. He has proven that he can do the noir protagonist after Brick. He rolls off Miller’s lines like he was born in that world. He boosts the film and to be honest I wanted to see more of his story line.

However, for all it’s potential, it ends all rather abruptly. His speech at the poker table would be something that QT would love. A lesson in power if ever there was one but disappointing after such a suspenseful build up. But it is a typical noir ending as his cocky ambition gets the best of him as he takes on Rourke (Powers Boothe) in a game of poker.

Powers Boothe was deliciously sinister with his shark toothed grin, lapping up every moment of it. A perfectly cast villain, composing all his past bad guys role into one nasty piece of work. The one aspect of Sin City that I felt pushed this glossy colourful seedy crime saga over its ridiculously violent edge was the inhabitants of Old Town. Too much time spent on it in the first film. Miller must have realised this and only brings in Gail (Rosario Dawson) and samurai wielding assassin Miho (The alluring Jamie Chung now replacing Devon Aoki) to assist Dwight. And they are actually taken out of Old Town.

Dawson was less irritating this time round for me and Chung did as well as she could playing a silent killer. Of course, there was ridiculous sword play and white blood spread across the screen, along with various body parts. Dennis Haysbert was relentless as Manute (taking over the reins from the late Michael Clarke Duncan). He will always be David Palmer but it made a change to see him play the thug. It also made some of the references in the first film make so much more sense.

I never felt so dirty watching a film. Jessica Alba manages to outdo her infamous strip tease dance number. In fact, she delivers one every time one of the characters enters Kadie’s Club Pecos. To be honest, I wondered whether Nancy was only brought in to be the eye candy. Beautiful Miss Alba may be; I wanted to see some resolution following her story line after Hartigan’s sacrifice. Bruce Willis does make a return as Hartigan. It’s pretty clear from the trailers. But to what capacity? Well . . .  “POSSIBLE SPOILER” Don’t panic! He is very much dead. Even in death, you can’t escape Sin City.

The idea of Hartigan watching Nancy, seeing her deteriorate into a pool of grief and misery was a good angle. But at the same time, Willis does nothing else. He is merely a cameo that appears to say two little speeches and then bugger off. Might as well have not bothered turning up at all. It doesn’t help that for some reason in all it’s ridiculousness, he cannot talk to Nancy. But yet Benicio Del Toro’s Jackie could talk to Clive Owen’s Dwight? Strange. The switching back and forth from past to present did cause some confusion.

The cast were perfect, the animation always impressed me and the story lines were good but much more predictable. I felt that the film lacked something. I mean the characters were good but I wanted more of the memorable cult characters. The Yellow Bastard, Elijah Wood’s crazy cannibal Kevin, Rutger Hauer’s messed up priest. We only really got that in Stacey Keach’s Jabba-esque mob boss Wallenquist and Christopher Lloyd’s demented street doc Kroenig (Believe me, Doc Brown would be screaming more than Great Scott!). The pace lulled in parts for me. Story lines seemed to build up and end abruptly. However, I still want more and it was still very watchable.

Not as good as the first but still worth a go for fans and anyone with a little blood lust. 3.5/5 for me

TOP 20 FILMS OF 2014 SO FAR

So here we are. What films have surprised, intrigued and entertained you this year . . . so far? Now I’ve waffled on about having pretty much a season ticket pass to the cinema. So far I’ve seen 85 films this year which . . . isn’t a lot in comparison to my last year’s total of 144 (Yep, crazy) and that is because I have found it harder to enjoy films lately. I have had to endure through endless entries of mindless drivel regurgitating the same old plot, clichĂ©d characters (even in their 3D wrapped foils) and excruciating acting or dreadful dialogue.

To be honest, it killed my enthusiasm a little bit. I see a trailer and have doubts. I have to talk myself into going, simply hoping that it will at least be watchable (which most of them are) but enjoyable? Well . . .

Now some entries you may question and unfortunately release dates are always different. My argument is films I’ve seen this year. Some may have been released at the end of 2013 but I didn’t see them until early January and it says it all if they are in here because I have found it difficult to fill my top 20. I had to pick films that surprised for not being a complete blunder or just for keeping my attention. BUT here we go.

The top 20 films of 2014 . . . so far

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1. The Dallas Buyers Club

A film that certainly surprised me. I went in not knowing what to expect and was rewarded with a different story, engaging characters that were done to justice by two actors that had seemed to be pushed into the movie wilderness. McConaughey was launched back into the limelight and rightly so, beating Ejiofor to the Oscar. I still couldn’t believe Jared Leto’s supporting role. More to him than just a singer from an emo-rock-pop band.

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2. 12 Years A Slave

A visceral and haunting film that delves into the human condition of one man’s plight into slavery. Steve McQueen certainly delivered one of his most ambitious, if slightly overhyped, projects to date. A harrowing story expertly acted by a fantastic cast. Ejiofor was unlucky not to win but he has certainly proved he can handle the leading role. This was all helped by an Oscar-winning supporting turn from newcomer Lupita Nyong’o and a sinister one from Michael Fassbender.

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3. August: Osage County

An underrated drama. A perfect showcase in acting. Meryl Streep proving yet again why she keeps getting those Oscar nods. A simple story revolving a family feud. But with a family of well written characters with a huge ensemble of talented characters made this one to watch for me. Its abrupt ending may have lost marks but it didn’t ruin great performances. Shame none of the contenders won this time round.

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4. The Book Thief

Now I will admit that I haven’t read the book but if the film is anything to go by, then I really want to read it. An endearing, if slow burning war drama that is shown through the eyes of a little girl who finds solace in stealing books. A great performance by Sophie Nelisse. It’s always a gamble with kid actors, especially when they are the main characters. But a great performance that is aided by a fantastic supporting cast consisting of Geoffrey Rush and Emily Watson made this an engaging and highly watchable affair with an inevitable but emotional ending.

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5. 22 Jump Street

My name is Jeff! Yes, conforming to the masses but if when a blockbuster is this funny, who cares? Hill and Tatum are back pretty much doing the same thing which worked the first time round to better and bigger results. I laughed from start to finish. The very purpose of a comedy for me. It’s big, dumb and stupid but so funny. Invest.

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6. The Guardians of The Galaxy

Another Marvel movie is unleashed. But what a film. James Gunn manages to make an enjoyable romp of a space opera with the same old predictable guff of intergalactic rogues turned superheroes spiel. However, I actually cared about these rogues and cannot wait for another inevitable sequel. This is all helped with a great script, fantastic cast and an awesome soundtrack. So good I saw it twice.

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7. The Inbetweeners 2

The boys are back but this time they’re going down under. If you’re a fan then expect the same old dirty smut that still manages to have you heaving and laughing all the way. They may be reaching their thirties but the cast were still very much on form, making this instalment surpass the movie, not quite the series. Get on it, my movie fwends. Fwend, aww.

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8. The Hobbit: The Desolation of Smaug

Now I am actually reading the book. This film lost marks for stretching out its source material to the max. However, Jackson still manages to deliver the goods by harvesting a special effects extravaganza of a movie. This slicker, darker follow up to An Unexpected Journey has left me awaiting for the final installment of the prequel trilogy. But does it really have to be three hours again?

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9. X-Men: Days of Future Past

X Men Give to Ya. A return to form from a franchise that had lost its way BIG TIME. Mixing the old with the new cast along with a time travelling plot device made for some twists and turns and a little spring cleaning as Singer made his return to the helm. With that we got an action packed restoration to former glories, near enough.

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10. The Raid 2

Despite lacking the pace and tenacity of the original and leaving us chomping our nails, waiting impatiently through the monotonous set up after a gruelling opening sequence, The Raid 2 finally delivered the goods with an all-out explosive lets-crank-this-to 11 adrenaline pumped finale with some crazy cult characters and memorable fight sequences.

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11. Captain America: Winter Soldier

A solid sequel that improved tremendously on its rushed predecessor and allowed to flesh out the ol’ Cap and some of the supporting characters that we only really had little cameos. Nick Fury, I’m looking at you. The introduction of new characters helped provide a more interesting environment. The whole adjustment to the modern era was a nice touch and gave Cap a little more dimension. If more films are to follow for the Cap, I await with anticipation.

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12. How To Train Your Dragon 2

It may not have topped the original but it still entertained the masses with terrific animation, an easy going plot and great characters. Definitely one of the better family movies out this year. I cannot wait for the next one.

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13. The Railway Man

A endearing, well acted war biopic that received such a panning, I feared the worst. However, although a little slow burning, I thought Colin Firth was incredible and was snubbed an Oscar nomination for his performance. Nicole Kidman may have been wasted in this role but the final confrontation between Firth and Hiroyuki Sanada was emotional and gripping. Worth a watch.

 

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14. Last Vegas

It know what is was from the get go. A group of old talented screen icons lapping it up in Las Vegas. It’s corny, OTT but left me smiling coming out of the cinema. Let’s be honest not all old boy movies hit it off. Wild Hogs and Space Cowboys (cough cough). The fact a sequel has been green lit, says it all.

 

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15. Begin Again

An unexpected treat. A feel good summer movie if ever there was one. Not without its imperfections. The flashing back and forth stuttered the opening and it may have ended a little abrupt and too open for my liking. BUT the songs were catchy. The cast were fantastic and Keira Knightley can sing. Oh my goodness.

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16. The LEGO Movie

How could I not? Everything is AWESOME! It’s funny, bonkers and blew the box office away. A talented voice cast boost a bunch of crazy but memorable characters with jokes and puns to entertain both kids and adults.

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17. Frozen

What? Losing movie cred. Entertaining, funny supporting characters, catchy songs. Disney returning to form and going old school with this icy escapade of a musical.

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18. The Wolf of Wall Street

Now despite complaining about the length and the hype, it was still a visceral tour-de-force of a drug induced thriller. Leo was unstoppable but did anyone else feel he tried too hard? Slight bias for me as I’m a Scorsese nut but it was still intense, funny and satirical to the max.

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19. Cuban Fury

I was torn between this and Edge of Tomorrow but despite seeing Tom Cruise killed 200 times, it was hardly original. Now, I know Cuban Fury isn’t original either but its easy going, funny and it was great to see Nick Frost come to the fore. The dance off sequence with an unexpected cameo was worth seeing alone.

 

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20. Delivery Man

Yep, you read that right. I’m going for the outsider. I read so many negative reviews that I dreaded watching this. However, I was pleasantly surprised. Now when it first started with Vaughan shouting and yelling in Spanish, I feared the worse. However, this soon turned in a dramedy and Vaughan was able to show that he can still act and be funny at the same time with an easy going story. And plus a scene stealing supporting turn from Chris Pratt as Vaughan’s useless lawyer pal made it all the better.

 

Feel free to share your top 20, debate my selections, all skip the post altogether.

COMING UP MY 20 WORST FILMS OF 2014. This will take me a whole lot longer to decide because there are so many choices!