*NEW* POWER RANGERS REVIEW *NEW*

Go, go . . . Watch something else.

Another reboot bites the dust. Messy, corny, long at the tooth. How could a movie involving alien superpowers and giant robots be so god damn boring?

A group of high-school students, who are infused with unique superpowers, harness their abilities in order to save the world.

I grew up with the Power Rangers. The original TV show. I had all the merch; the Red Ranger outfit, the little gloves that made the karate kick sound, the MegaZord, the Green Ranger’s Dragon sword. The list goes on.

To cut a long story short, I’m a fan. Well, was. Of course nearing my 30s, the cynicism was always going to be there. I shouldn’t have been surprised to see my childhood TV show get the Hollywood reboot treatment.

The disorienting shaky handicam opening with bad boy Jason being pursued by the police didn’t build my hopes up.

The pace was a little long at the tooth, to say the least. I understand that the characters are teenagers and the original Power Rangers team never really had a lot of depth to them. Too busy punching putty people to worry about who doesn’t like them at school.

The movies were hardly perfect and got increasingly worse as the franchise turned to Turbo Force, Jungle Rangers and God knows what else.

I could respect that the writers tried to inject some teen angst on these social outcasts BUT it was far too corny and dull for the film. Too serious for its own good.

When things kicked off, my griping was subdued. BUT I didn’t really like the new faces. I did approve of the reshuffling of the colour assignment. A running gag that did draw a cheeky grin. A sly dig at the original show’s writers.

Dacre Montgomery (Stranger Things) didn’t do a bad job as Jason. His character was just such an immature airhead that after all the build-up, his swift transformation to leader of the pack was rushed.

Even I was as cynical as Zordon at his sudden change in behaviour.

Naomi Scott played Kimberley well. Her melodrama was a little tame after all the sulking and acting out. Some cheerleader hazing after sharing a “dodgy” picture. Bleurgh.

I actually liked RJ Cyler (Me, Earl and the Dying Girl) as Billy. A complete change in character. The socially awkward nerd with a suggested learning disability. The glue that kept the gang together.

Trini’s (Becky G) sexuality question mark felt lazy and tacked on. It failed to add any depth to her character. Her parents’ OTT behaviour didn’t help matters either.

Ludi Lin was incredibly irritating as Zack. The one performance that surprised me was Elizabeth Banks. I thought the Pitch Perfect princess would ruin the role of Rita Repulsa BUT she nailed it. Her cold stares, her whispery voice. She was actually quite creepy.

It was only in the silly finale when she tried to apply her comedy schtick that I felt it killed a reasonably decent performance. Shame.

Breaking Bad’s Bryan Cranston was brilliant as Zordon. The Emmy award winning actor was heavily underused in his role. He managed to bring gravitas to a naff grainy PC background.

His frustration and cynicism towards his new found army was a breath of fresh air – “These kids are MY rangers?! They will never be ready”.

Maybe his frustration was genuine after being roped into this movie?

NOT even Bill Hader (Cloudy with a Chance of Meatballs) could work his voiceover magic as Alpha Five. The CGI on the android looked terrible. What’s wrong with props and costumes?

 

Yikes!

The gang’s training montages were watchable and entertaining enough. It just didn’t help that the characters were so bland and irritating.

The special effects weren’t too bad. Especially when they finally got to be Power Rangers! Zordon’s underground lair discovery was also quite impressive.

The only problem with a 124 minute film, the Rangers only morphed in the last 20 minutes (If that!). By the time that horrendous remastered theme song blared through the speakers, my fan boy excitement was already gone.

I was fidgeting in my seat for a good portion of the film. Let alone the little ‘uns.

When it got going, it was watchable and the fun if ridiculous finale delivered more of what I expected from the get go. Action packed punch ups, crazy effects and silly banter. If there was to be another, there’s going to be a lot of work to do.

I had to smile at the blink and you’ll miss it cameos BUT I was left disappointed and wanting. No Bulk and Skull? No putty people? Just some stupid rock things.

This could have been so much fun. Alas, it was not to be.

2.5/5 (Just)

*NEW* OKJA REVIEW *NEW*

A bit more than OK, ja?

Meet Mija (Seo-Hyun Ahn), a young girl who risks everything to prevent a powerful, multi-national company from kidnapping her best friend – a massive animal named Okja.

Strange, charming, quirky. What did you expect from the guy who gave us The Host?

I was surprised to see a Bong Joon-ho flick on Netflix. I’m glad the Twitter poll recommended this.

The eclectic opener with Tilda Swinton’s (We Need to Talk About Kevin) brace ridden quirky corporate exec didn’t really give me high hopes.

Swinton doesn’t like to do normal, does she? BUT we wouldn’t have it any other way. The random statistics and animated PowerPoint presentations threw me into a mini-coma.

To cut a long story short, the world is overpopulated and running out of food. Cue the discovery of “super piglet” on a Chilean farm, a litter of little super piglets and a worldwide competition among farmers to grow the biggest pig.

Fast forward 10 years to a beautifully pastoral Korean forest setting. Darius Khondji’s cinematography was breathtaking.

The animation was very good. The detail on Okja was brilliant. A cross between a giant hippo and a elephant with the mannerisms of a dog.

Mija and Okja reminded me of characters from a live action Studio Ghibli animation. I loved the dynamic.

There was an easygoing feel to the piece as we watched the pair hunt and frolic in the woods. Establishing that their bond was more than just a farmer raising her produce.

It wasn’t long before the pair’s safe haven was disrupted by the emergence of the squeaky and highly flamboyant simpleton Johnny Wilcox (Jake Gyllenhaal – Donnie Darko). A fame-seeking animal loving TV host.

God knows what Gyllenhaal was smoking while taking on this role?! He was bloody mental and hilarious. A deluded hypocrite. Scene stealer in every frame he featured.

Of course being “company property”, Okja must return to New York to claim her prize as “best pig” and face her impending fate. Throwing Mija into one mad journey.

Seo-Hyun Ahn was brilliant as the resilient Mija. It takes a lot for a child actor not to infuriate me BUT she played the role perfectly.

The Seoul street chase was a fantastically choreographed and entertaining sequence as Mija ran through alleyways and dived over highway bridges.

Things taking a highly comical turn when a group of animal activists decide to free Okja at the same time. The Animal Liberation Front were a great addition to the mix and featured a surprisingly talented supporting cast.

I couldn’t help but laugh as the gang tried to remain peaceful during Okja’s rescue mission. The friendliest highway robbery I’ve ever seen (“Please co-operate”).

Pointing a gun at the truck driver, demanding he put on his seat belt before ramming him off the road. Swiftly followed by a sincere apology. Desperate not to use violence by any means.

Steven Yuen (Glenn from Walking Dead!) and Paul Dano (Swiss Army Man) were excellent as K and Jay. Dano’s reaction at the speed of the Korean language to English as he asked to be translated was a particular highlight.

Lily Collins (Love, Rosie) did her best to hide those brows from the balaclava BUT I knew it was her before the big reveal.

Devon Bostick has come a long way from his Wimpy Kid days. His character Silver had so much potential BUT didn’t get enough screen time. Refusing to eat in order to leave the smallest carbon footprint.

I felt their characters got lost in the chaos. Shame. And that was kind of the problem; the pace lumbered things drastically especially during the middle act that I could feel myself fidgeting.

Breaking Bad’s Giancarlo Esposito was wasted in his minute role as Mirando’s underling.

I was happy to see Trainspotting’s Shirley Henderson feature. Moaning Myrtle just doesn’t get a break.

The second half certainly delivered a more rewarding affair BUT I didn’t expect the direction it took. I would have said that this was a kid’s film right up until Okja’s incarceration in a New York lab.

Bong Joon-ho brilliantly encapsulated the GM food crisis perfectly. Showing the brutal treatment of animals. I’m not a vegetarian BUT even I was left feeling queasy. Especially during the “natural non-forced breeding” process.

The gruelling underbelly of corporate control as Swinton’s Mirando tried to turn Mija and Okja’s bond into one big PR stunt to help change her company’s bad image.

I thought Snowpiercer was dreadful. The saving grace (Sorry, Chris Evans) being Tilda Swinton. I was getting disappointed at her lack of screen time. That was until the mad final act. She delivered everything I expected.

The closing minutes left food for thought making this a rewarding and charming little film (If a little long at the tooth) that delivered raw social commentary and mad humour.

A pleasant surprise.

3.5/5 (Just)

*NEW* MONEY MONSTER REVIEW *NEW*

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For a drama tackling financial woe, it came off more as a tame beast BUT still watchable, none the same.

Financial TV host Lee Gates (George Clooney) and his producer Patty (Julia Roberts) are put in an extreme situation when an irate investor (Jack O’Connell) takes over their studio.

I originally avoided this at the cinema. The trailers did nothing for me. After the dense but hard hitting arrival of The Big Short, I thought this was going to be a cheap rip off jumping on the band wagon.

BUT old Ma and Pa told Mr Over Critical to give it a go AND . . .

After 15 minutes, I was ready to switch it off. I know there are OTT financial shows like Money Monster in real life BUT watching Clooney strut around a news studio with a golden top hat to a bit of R ‘n’ B did nothing to win me over.

It tried to be like The Newsroom. The script desperate to deliver that quick pitter-patter that only Aaron Sorkin can master.

I know Clooney’s arrogant protagonist was supposed to be smug BUT I really didn’t like him.

Roberts was on the side lines far too much and a gag involving erectile dysfunction cream among the crew almost had me change the channel there and then.

It was all a little too disjointed. The film kept flicking back and forth to random places all over the world with no explanation. I was struggling to keep up.

However . . .

Once Jack O’Connell made his introduction, my interest was finally peaked and what ensued was a highly watchable and engaging little thriller.

I’m not the biggest fan of the Skins star. Don’t ask me why, there’s just something about him. BUT his performance was fantastic. He stole the show and once Lee (Clooney) realised the abuse of his own power, things really got going.

It was quite tense as he tried to negotiate with the volatile Kyle (O’Connell) on live TV. Clad in a vest of Semtex with the world watching. The questions piling up as the news team tried to seek out any information on their captor.

I was relieved when Roberts was brought into the fold. Working that Ocean’s Eleven magic with Clooney yet again.

It wasn’t long before we discovered that Kyle had lost all his money investing in the wrong company. All thanks to a certain TV show. BUT his anger wasn’t just at his own loss. It was at the very corporation who got away with it.

Millions of stockholder’s hard earned cash lost because of a ‘glitch’. No explanation. Nothing.

As the mystery unfolded, Lee faced a crisis of conscience (making Clooney a lot more tolerable and likeable). It was interesting how the tide changed from a single search for answers to a quest for justice.

The supporting cast delivered somewhat of a mixed bag.

Caitriona Balfe’s (Outlander) performance left a little to be desired. Her Irish/American twang didn’t help matters and I’m not sure whether it was the lines or her delivery BUT she made the character a lot flatter than she should have been.

A shame considering how instrumental her character became as the team discovered more than they bargained for.

Breaking Bad’s Giancarlo Esposito was completely wasted in his role as Captain Powell. Anyone could have played him. Emily Meade (NERVE) made more of an impression in those five minutes as Kyle’s pregnant girlfriend.

The dumbing down of the financial guff made it easily accessible and understandable BUT still tapped into that Big Short territory. The political speeches aimed at the big wigs were a little hammy in parts.

I say big wigs. The whole of Wall Street personified in the form of McNulty from The Wire. Sorry, Walt Camby. A greedy CEO with no S.O.U.L. Dominic West played the part of the sleazy exec well.

It may have been a little OTT as Lee brought the show right to the ruthless crook’s doorstep BUT it still hit home.

Raising valid points and questioning how these corporations could play with people’s money with such ease. No restrictions, no regulations. Shocking.

Despite a stuttering opener, Money Monster overcome its hurdles to deliver a satisfying and emotional finale as everything came to a head with a long awaited confrontation that pieced together all the disjointed scenes (That were bugging the hell out of me).

Worth a gander if you’ve got 90 minutes to kill.

3/5 (Just)

*NEW* ZOOTOPIA REVIEW *NEW*

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A fun and clever little family flick.

In a city of anthropomorphic animals, a rookie bunny cop (Ginnifer Goodwin – Once Upon A Time) and a cynical con artist fox (Jason Bateman – Arrested Development) must work together to uncover a conspiracy.

From the people that brought you Wreck It Ralph and . . . the better seasons of The Simpsons. A star studded and wonderfully animated little affair that cleverly tackles racism and delivers a nice message that anyone can be anything. Awww . . . Yuck.

It was a clever concept how the writers made up this metropolis of mad animals. The animation and detail on the numerous regions within Zootopia was breathtaking to look at. Once we accepted the crazy spiel that animals have evolved and live in peace (NOT to mention dress up in clothes too), the film got down to business.

We followed the young and excitable Judy Hopps (voiced perfectly by Goodwin) as she defied every obstacle and perception to become the first bunny cop of Zootopia. Tackling bullies and stereotypes to achieve her dream. Unaware that her biggest challenge was yet to come.

Breaking free from the overanxious paws of her panic-stricken parents in Bunnyburrow to help change the world and make a difference. It wasn’t long before our heroine’s rose-tinted outlook was crushed by her insensitive boss, the miserable Chief Bogo (Idris Elba) refusing to take her seriously and assigning her parking duty as a meter maid.

The pace did lag in parts and the 108 minute length might have the adults fidgeting, let alone the little ‘uns. However, things picked up once Hopps crossed paths with the sly hustling fox Nick Wylde. I couldn’t think of anybody better than Bateman to take on the role.

It was fun enough watching the fractious relationship between slick Nick and the determined Judy blossom into the inevitable as they unwittingly team up to solve a missing animal case.

The case delivered enough laughs and crazy chases to keep the little ‘uns (and the bigger kids. Yeah, I’m talking to you) entertained. One of the best gags involved a number plate search at the DMV (Department of Mammal Vehicles). With Judy pressed for time, it didn’t help knowing that the whole place was . . . run . . . by . . . a . . . load . . . of . . . sloths. Brilliant.

The case wasn’t too bad with the missing creatures in question turning into feral predators without explanation. BUT as always its the journey NOT the destination.

“Haven’t you got a fox ice cream store back in your own district” – I loved how Byron Howard, Rich Moore and Jared Bush subtly tackled racism within the piece; especially with Nick’s treatment. Never being trusted because of his “people”.

It was perfectly balanced against the fun chases and silly humour as Judy must address some of her own fears and assumptions, branding predators as a “minority” that should be monitored and carrying fox repellent despite telling Nick everyone should be treated the same.

I couldn’t believe the stars that popped up in this; J.K. Simmons, Bonnie Hunt, Octavia Spencer, Alan Tudyk. Even Shakira had a cameo as political activist and media personality Gazelle.

Tommy Chong was hilarious as bohemian hippie Yax. But it was two of the lesser known actors that stole the show for me; Nate Torrence’s (She’s Out of My League) overenthusiastic Clawhauser and Jenny Slate’s (The Secret Life of Pets) bumbling Mayor’s aide Bellwether.

The metatextual references were brilliant; there was a fantastic Breaking Bad reference involving some rams dealing some illegal herbal substances and a Godfather-esque encounter with a Mafioso rodent called Mr. Big that was ripe for the pickings with gags and little nuances.

Disney have worked their magic to deliver another fun family movie but one that will rank with the greats? Not so much.

The pace was a little long and the middle act did stumble with the case solving getting repetitive and predictable. But it was still fun enough and left a nice message to never judge a book by its cover.

3.5/5

*NEW* EYE IN THE SKY REVIEW *NEW*

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I have never been so tense watching somebody buy bread.

A slow burning nail biting thriller that questioned the very morals and ethics behind launching a drone attack.

Col. Katherine Powell (Helen Mirren), a military officer in command of an operation to capture terrorists in Kenya, sees her mission escalate when a girl (Faisa Hassan) enters the kill zone triggering an international dispute over the implications of modern warfare.

“In war, truth is the first casualty” – Aeschylus

I was hooked from the moment the credits rolled. The tension bubbling from the off. The slow burning approach allowed us to explore what it actually takes to initiate a drone attack. I couldn’t believe how many task forces and officials were involved. The film flicked back and forth from one unit to another from the drone pilot right down to the on ground surveillance team.

My interest hooked, lined and sinkered. The cast were superb. Mirren was brilliant as the ruthless Col. Hell bent on seizing a terrorist that has evaded capture for six years. Alan Rickman was on fine form as Lieutenant General Frank Benson. He really did steal every scene. It hit home a little more knowing that this would be his last feature.

I liked how writer Guy Hibbert was able to incorporate some humour into this taut affair. I did laugh at Rickman’s old misery guts struggling to buy a doll in a toy shop. He can handle tough decisions and mediate between awkward politicians and military figures BUT can’t buy the toy that cries and poops.

It was good to see Breaking Bad’s Aaron Paul break (Not intentional word play there) against type as the conflicted pilot who must drop the payload.

The surveillance, aided with some cracking panoramic and landscape shots from the drone’s point of view, was brilliantly executed. The cool gadgets could easily have teetered on James Bond territory with remote control beetle drones flying around the compound.

Barkhad Abdi (Captain Phillips) delivered another sterling supporting turn as Jama, the undercover operative who must sneak into the heavily patrolled village to obtain visual confirmation of the targets. Tense doesn’t even come close.

What should have been a “no brainer” with three members of the most wanted East Africa terrorist list confirmed and minimal collateral damage reported; soon turned into a moral debate that questioned the very ethics of what is deemed acceptable in the rules of engagement.

An almost 12 Angry Men scenario developed as the politicians argued about the implications of launching an attack on a friendly zone. There was some sharp satire with ‘the powers that be’ as they failed to make a decision. “Referring up” or passing the buck from one official to another.

They even referred it back to the Americans in desperation. Their stance on the matter was very black and white; “Terrorist cell confirmed. Permission granted”.

However, things took an even nastier turn when a little Muslim girl set up shop near the compound to sell bread. It really was a roller coaster ride. I haven’t been caught up with such a film in quite some time.

I could feel my patience tested and loyalties divided as the chaos ensued. How much is collateral damage really worth? Monica Dolan’s (The Casual Vacancy) character Angela Northam infuriated me as the PC do gooder that demanded a capture option as one of the terrorists was a British citizen. Declaring her right to a fair trial.

I could empathise with Powell’s frustration at the bureaucracy of it all and the endless “red tape” that she was cutting through to stop an active terrorist attack. The real time frame adding the extra pressure.

BUT as the officials continued to stall (Even taking into account, the PR nightmare that the mission could incur), I found my own decisions changing as the drama unfolded with Paul’s Watts going out of his way to give the little girl time to escape the fallout.

The closing moments were frenetic, suspenseful and heartbreaking with a sombre statement delivered by the great man himself, the late BUT always great Alan Rickman.

A suspense filled thought provoking effort that is definitely worth your time.

4/5

*NEW* THE INFILTRATOR REVIEW *NEW*

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Terrible title for a terrible movie. Not even Heisenberg could save this cold and disjointed crime thriller. Watch Narcos instead.

A U.S. Customs official (Bryan Cranston – Breaking Bad) uncovers a money laundering scheme involving Colombian drug lord Pablo Escobar.

A meandering and uninteresting crime biopic. Shame. Let’s start with the positives (That will be about a paragraph).

The opening was engaging enough as we watched agent Robert Mazur in play (Even if it was Hal in a badly dyed wig and tash). I couldn’t believe the number of British actors popping up in small (and tragically meaningless) roles; Daniel Mays (Dad’s Army), Leanne Best (Line of Duty) and Joseph Gilgun (Misfits).

I was intrigued as Mazur had to fake a heart attack to cover up the fact that the bug he was wearing was actually frying his chest. You could feel for the chap as retirement reared its ugly head. Desperately seeking one operation, one bust that will truly make a dent on this relentless drug war.

It was interesting to see the strain that the scheme took on Mazur’s wife. Juliet Aubrey (The Constant Gardener) and Bryan Cranston had good chemistry. At first, Evelyn was understanding and supportive as Bob confides in her every detail BUT as he delves deeper into the underbelly and his cover became entwined with his personal life, things began to take their toll.

An uncomfortable anniversary dinner took a turn for the worse as the couple bump into one of Mazur’s targets. A moment involving a birthday cake was probably one of the best scenes in the film. Cranston was able to show why he won all those Emmys and highlight the pressure of keeping two personas.

It was a little disappointing that the momentum couldn’t be carried. The agonizing pace really didn’t help the piece. There were good portions of the film that dragged unnecessarily.

I’m not sure whether it was a case of writer Ellen Sue Brown sticking too close to the original novel based on Mazur’s life BUT it really wasn’t an interesting one. It didn’t take a rocket scientist to establish that Escobar was filtering his money through America and various places around the world. Once we witnessed Bob initiate a few shady deals and droll out some financial statistics, there wasn’t much else on offer.

John Leguizamo’s character was the most interesting one as the unstable Emir Abreu. BUT he still annoyed the hell out of me. The banter and one liners not quite jumping out at you and coming off flat and unfunny. BUT at least his character got things going. Introducing Mazur to the very underworld he wants to bring down.

There were a couple of tense moments as Abreu had to protect Mazur’s cover and deal with his own C.I. that was going out of his way to cause problems. BUT for all the potential trouble it suggested, nothing really came of it. Once Mazur got to the people he needed to, Abreu was pushed into the background and only brought back for the dismal finale.

And that was the main problem. It was all build up with no pay-off. It spent so long setting everything up and then ended abruptly with some mind-numbing disappointing statistics and bio footnotes in the closing credits. BUT by the end I couldn’t care less.

Diane Kruger did her best as Kathy Ertz; Mazur’s undercover wife. The writer teased a growing closeness between the pair BUT it was never really explored. Some much needed drama that could have added to the strain on Mazur’s real wife. However, it was reduced to an awkward encounter between the two ladies that just didn’t work.

Benjamin Bratt did his best with the role of Roberto Alcaino BUT he delivered more gusto and tenacity as El Macho in Despicable Me 2. The promising cast were wasted. Amy Ryan was reduced to playing a stocky CIA operative. Dull. Gilgun wasn’t in it enough as Dominic. He has come a long way from Emmerdale.

Joshua Reis’ cinematography was great to look at BUT there were only so many badly choreographed flashy neon stripper dances to cracking 80s tunes that could distract me from the monotonous clichéd and generic crime drivel that we’ve seen time and time again.

A movie of mere moments that never really took off. It was a little infuriating to see the Breaking Bad star take another foray into the drug business BUT at the same time if anyone could have made it work, you would have banked on Walter White.

You know you’re onto a loser when the main villain is reduced to a blink-and-you’ll-miss-it walking cameo.

2/5

*NEW* 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI REVIEW *NEW*

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Everything you could expect from a Bay flick and (surprisingly) more.

As an American ambassador is killed during an attack at a U.S. compound in Libya, a security team struggles to make sense out of the chaos.

At first; I didn’t know if I was going to be able to tolerate the relentless and OTT ‘Murica speeches, the nauseating clichéd family conversations and ridiculous banter from the incredibly macho team BUT once the siege took effect, I was hooked.

All that mind numbing rubbish thrown out of the window for a tense, riveting and nail biting thriller. A perfect platform for some very underrated supporting actors to steal the spotlight.

The first 40 minutes really was everything I expected from the Transformers director. It was big, bold with regular Bay stalwart Dion Beebe’s glossy cinematography making even the most grittiest Libyan slum look picturesque.

An incredibly unnecessary and testosterone fuelled stand off with James Badge Dale’s (Flight) cocky Tyrone and a group of Libyan rebels didn’t really give me high hopes. His macho demeanour and cock sure attitude just grated against me BUT once all the machismo and camaraderie between the group had subsided, he was actually quite good.

John Krasinki delivered a solid performance as newbie Jack. A perfect transition from the comedy circuit (The Office USA) to some serious acting. The last thing I watched this guy in was Lip Sync Battle against Anna Kendrick.

David Costabile (Breaking Bad) played the stuffy chief head caught up with the bureaucracy well. Not enough of him in my opinion. A lot more could have been made with his character. BUT it’s a difficult task when you’re trying to stay true to real life events. Something I was surprised to see Bay actually do. The only exaggeration here was, of course, the explosions and carnage.

Once the team of misfits were assigned to the Ambassador’s (Matt Letscher – The Flash) security detail, my interest was peaked. A slow burning thriller was set. The paranoia and tension bubbling away. I was completely caught up in it. Wondering if the casual passer by or cabbie was a possible enemy. Taking a picture of the compound to send to a militant? Or just sending a text? A distressed civilian trying to warn the guys? Or merely a distraction?

As night descended and the inevitable siege took place, a Black Hawk Down style scenario developed. Out manned, outgunned and no reinforcements on the way, 13 men had one hell of a task ahead of them.

You could bank on Bay to deliver an exhilarating and fast paced shoot em up. BUT despite a redemptive and thrilling second half, he still suffered from the same old flaws. The pace was far too long. This could have been cut by a good 30 to 45 minutes and been much better for it. It really did test by the closing minutes.

For all the intense and explosive action (Bay’s specialty), it was tough in parts to catch who was doing what. It was too dark. It helped add to the claustrophobia BUT you soon couldn’t see a damn thing. And then there was too much going on. Random blurs and endless numbers of faceless foes being shot left, right and centre didn’t help.

Toby Stephens (Black Sails) was wasted in his minute role. Anyone could have played the part. His character nothing more than a foot note to highlight the inefficiency and hypocrisy of ‘cutting through the red tape’ just to send support.

I was surprised at the dark humour and satire that popped up in this. Kids running around playing football while growing insurgents were creeping closer and closer. I couldn’t believe it. There was a moment where during the first wave of attack, the gang look over the compound wall to catch a neighbour sitting in his back garden watching the telly. What?!

The closing minutes may have tested as the explosions kept coming BUT it still left a little lump in the throat with a fitting tribute to the lives lost. Accompanied by real news footage of the Libyan civilians that mourned that fateful night.

A little long at the tooth BUT once it going, it was hard hitting and nail biting. A return to form of sorts for the Bay-ster. Good to see him do something other than Transformers.

3/5