*NEW* THE JUNGLE BOOK REVIEW *NEW*

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Ooh-bee-do, oh-bee-do I wouldn’t see this if I were you-ooooo.

Okay, it wasn’t as bad as that feeble pun. BUT now I have your attention. Disney take a trip back to the jungle with mixed results.

After a threat from the tiger Shere Khan (Idris Elba) forces him to flee the jungle, a man-cub named Mowgli (Neel Sethi) embarks on a journey of self discovery with the help of panther, Bagheera (Ben Kingsley) and free spirited bear, Baloo (Bill Murray).

I was hardly surprised when I heard that Disney were going to reboot the classics. A sign of the times that even the best were running out of ideas. However, I really enjoyed Kenneth Branagh’s lavish adaptation of Cinderella (What?). If the rest of the classics could deliver the same standard then my doubts would happily be washed away.

BUT not even this perfectly cast and visually stunning little reboot could take on the king of the jungle that was the original. It was certainly watchable and (at times) even enjoyable BUT something somewhere along the line was missing.

The rapid and incredibly disorienting opening didn’t get things going for me as Sethi jumped from one badly CGI’d tree to another. Desperately praying for the sequence to stop.

Sethi delivered an impressive debut and captured Mowgli perfectly. He couldn’t look any more like his Disney counterpart if he tried. His whining and insufferable commentary did grate against me in parts BUT that always did with the original.

I liked how writer Justin Marks shook up the story structure. It was a breath of fresh air. NOT all of it worked BUT a change nonetheless. A lot more time was spent with Mowgli and the wolf pack. It gave more depth and allowed a better connection between Mowgli and his “mother” Raksha (Lupita Nyong-o/Star Wars: The Force Awakens).

BUT maybe a little too much time was spent on that dynamic. Things perked up when the feral feline Sher Khan appeared. I was on the fence with Elba’s initial introduction BUT he killed it by the fiery finale. His gravelly undertones bringing the sinister CGI monster to life.

The animation and detail on the animals were superb. The jungle was captured in all its colourful glory. The watering hole sequence was a sight to behold.

The rest of the story pretty much followed along the same lines as the classic. It’s easy for me to make comparisons between Disney movies when I never read the original source material from Rudyard Kipling.

Kingsley was everything I expected. A perfect Baghera. He wasn’t in it enough. Scarlett Johansson nailed Kaar. Her strangely alluring and seductive voice doing justice to the role. She even managed to keep the “Trust in Me” rift. Didn’t quite go into the song which was a shame.

It was always going to be a tough act to follow the iconic Phil Harris. The voice that heralded several Disney favourites; O’Malley the alley cat, Little John and (of course) Baloo the bear. I couldn’t think of anybody better than Bill Murray to give it a crack. He was hilarious. Even if his grumbling may have reminded me of another another animated favourite. A certain fur-bag that loved lasagna.

The pace did test in times and the whole thing was a little too cheesy for my liking. BUT what did I expect from a family film? And even more so, a Disney one? As much as I got a little smile out of hearing Murray sing ‘Bare Necessities’, it almost didn’t fit in with the tone of the film.

I couldn’t believe that Christopher Walken was voicing the King-Kong sized King Louie. The monkey mafioso angle was a different touch. His singing was a little hooo-oooo-ooooorrendous. BUT fair play to the chap for giving it a go.

It was easygoing fun BUT for every little change, I felt a little piece of the charm that made the original such a classic melt away. There were no Beatle-esque vultures. No elephant soldier marches. Just a load of pretentious guff about the elephants being the Gods of the jungle. Really?

The man village angle barely scraped the surface. If anything, it wasn’t needed. It was only brought into the mix for “the red flower”. Sher Khan’s real agenda. The power to make fire. It certainly delivered a strong environmental message about the damage of wildfires and the woes of man on nature BUT it just wasn’t enough.

To be honest, I had the same gripes with the Charlie and the Chocolate Factory remake. When I have little sprogs of my own, I wouldn’t want them to watch the Michael Jacko/Johnny Depp reboot, I’d grab the Gene Wilder classic any day of the week. If you asked me the same question about the Jungle Book, I’d still be reaching for that animated 1967 classic.

Don’t get me wrong. It killed the time. There was fun to be had and you will certainly keep the little ‘uns at bay. Depending on big a Disney fan you are will probably determine how much you’ll love this.

BUT for a me, it’s a 3/5

THE BOXTROLLS REVIEW

the boxtrolls movie

I laika it but I didn’t love it. From the makers of Coraline and Paranorman comes a delightfully animated, if predictable affair that certainly impresses in detail but lacks in story. Enough for the little ‘uns but I can’t help but feel that some of the darker and more satirical moments may whizz over their head and leave them fidgeting in their seats.

As I’ve said before; kids films, or should I say, family films are always a challenge. They have a lot to aspire to and must have enough pace, character and story to entertain children and adults. But normally, a good portion of the time you can bank on them to deliver the goods. Disney, Pixar and Dreamworks have proven this time and time again. They are normally the films I can rely on in the ever growing list of mediocre and plain right terrible movies I’ve had to endure this year.

Now the American stop-motion studio Laika certainly delivered with the creepy but brilliant Coraline. ParaNorman was a mixed bag. A watchable one. At its best, dark, very funny and endearing. But let’s not forget the ending wasn’t perfect. It felt like it had run out of ideas and rushed towards a corny and flat finale.

So what’s this one all about? The Boxtrolls are a community of quirky, mischievous creatures who lovingly raise an orphaned human boy named Eggs (Isaac Hempstead Wright – Game of Thrones) in their cavernous home built beneath the streets of Cheesebridge. However, when evil exterminator, Archibald Snatcher (Ben Kingsley) comes up with a plot to get rid of the Boxtrolls. Eggs decides to venture above ground and “into the light”.

Eggs? That’s right. Eggs because that was on the box that our protagonist chose to wear. A nice touch.

The opening was a little slow and a little dark with a Boxtroll appearing to steal a child and Snatcher brokering a deal with the high class elite who appear to be wasting the town’s budget on fancy hats and rich cheese. A fun poke at the inevitable class and society issues that still plague the present day.

The little ones may find themselves fidgeting a little bit. Even I could feel my eyes looking at my watch. That is until our little cardboard creatures finally make their appearance.

The animation is fantastic. Once the little sewer gremlins emerge from their cavernous domain and begin scavenging the streets, I was in awe. Their little expressions and the detail in which they use their boxes as props to climb over gates and as cover from any passing humans. Their bickering and amusement with the rubbish dumped on the streets made them instantly loveable and entertaining.

The 3D was a complete waste of time. Thoroughly disappointing as this film would have been the perfect platform. Also pretty poor with the inflating ticket prices and decreasing cinema numbers. Do not invest.

The cast were perfectly chosen for the roles. And what a cast! Hempstead Wright has already made an impression with Game of Thrones but certainly delivers a solid voicing performance. But he was always going to fall second fiddle to the legend that is Sir Ben Kingsley. His prowess and talent just adds so much to the delightfully disgusting Archibald Snatcher. His name must surely be a nod to the infamous child villain, the Child Catcher from Chitty Chitty Bang Bang. Only a more demented version, with top hat in tow, of course.

Richard Ayoade (Moss from The IT Crowd), Nick Frost (Shaun of the Dead) and Tracy Morgan (That’s right! 30 Rock) were brilliant as Snatcher’s numbskull henchmen who constantly try and justify with one another that they are really the good guys. Not enough of them in my opinion.

Elle Fanning (Maleficent) was fantastic as the stroppy but feisty Winnie who befriends Eggs. Jared Harris (Mad Men) and Maurice LaMarche (Futurama) were also voices that stood out in the gang of mindless elitist cheese fanatics.

The Boxtrolls is watchable and at times quite fun. The chase sequences and the encounters with the Boxtrolls were a sight to see. But for me, the story just didn’t seem to flow that well. It seemed a bit mechanical and all a bit predictable. Desperate twists and turns were pulled out of nowhere as the film meandered along.

Twists that were hardly revelatory or necessary for that matter. The whole spiel early on that the Boxtrolls were cannibalistic murderers was always going to be a bluff. Eggs and Fish (the Boxtroll who “adopted” him)’s relationship was nicely done and you could feel for the pair, even if half of the time you couldn’t understand what they were saying to one another. A running joke that happens every time Winnie demands a translation.

Eggs’ adjustment into the human world after ten years of “captivity” was an endearing and funny opportunity. His introduction to a high class social party brought the odd chuckle. But the tone seemed to be too uneven. Coraline was endearing but deliciously dark. Boxtrolls starts off dark. Goes full slapstick and cheesy. Then a little darker with a rushed and incredibly corny finale.

It felt like it wasn’t sure how far to push or how dark to be. An achilles heel for Snatcher was an unexpected twist that led to a deliciously macabre finale.

There’s enough for everyone. Silly boxtrolls for the kids (and adults) and macabre Dickensian visuals with a drop of class satire. Not bad by any means but will it stand against the likes of The Nightmare Before Christmas, Caroline or even ParaNorman? Sadly, not for me.

3/5