AVENGERS: INFINITY WAR REVIEW

10 years, 18 films, was Infinity War worth all the hype?

I loved how the Russos made this surprisingly accessible for fans who may not have obsessively watched the entire Marvel backlog beforehand or ever (Sacrilege, I know).

Crucial plot points were covered BUT you would be missing out on a lot of character depth, back stories and little references if you haven’t dipped into the other Marvel movies.

It felt like all the other films had been gearing up for this moment.

As much as I griped about some of the earlier Marvel efforts (Captain America: The First Avenger, Avengers Assemble, the Hulk reboots, Iron Man 2), I never faulted the characters; what they stood for, their journeys and their progression over the years.

I have to say that I was actually excited to finally see all these incredible characters unite against a common foe (and what a foe!).

Josh Brolin, take a bow. I couldn’t think of anybody better to take on the Purple Mountain. His vocal gravitas lifting the amazing visual effects. The detail on his expressions were impeccable. For me, one of the most memorable Marvel villains to date.

For a moment, I almost felt empathy for the tormented maniac. An engaging presence that chewed up every scene. You could almost understand his motives. The flashbacks providing a much needed depth with his relationship to Gamora (Zoe Saldana).

Even his minions delivered; Tom Vaughan-Lawlor was brilliant as Ebony Maw and a worthy adversary (most notably for Strange) and it took me half of the film with all that make up to realise that it was The Leftovers’ Carrie Coon playing the bloodthirsty Proxima Midnight (What a name!)

Surprisingly the opening sequence didn’t grab me. As much as it set the tone with Thanos claiming lives from the get go. It didn’t pack the emotional punch I hoped. Maybe because the lives involved were hardly a shocker.

However once Stark, Strange and Spidey united; my doubts were instantly extinguished.

I loved how IW had the perfect balance of humour, drama and action.

The fast paced set pieces, the stunning visuals, the quick witted one liners, the fun exchanges. 2 1/2 hours breezed over in a heart beat.

Mixing up all the characters made for so many brilliant encounters. The biggest highlight involving the unexpected teaming up of Thor, Rocket and Groot.

The Guardians gang almost stole the show from everybody. Drax and Mantis were fantastic: delivering some of the most quotable dialogues.

I think everybody had their moment to shine (The Cap’s Third Man entrance, Strange’s sorcery, any scene involving Thor). An impressive feat in itself considering how many characters were thrown into the mix.

The battle of Wakanda sequences were incredible! It almost (almost) rivalled the epic Helm’s Deep battle of LOTR (Nerd!). The animation, the intensity, riding every high and low.

Now don’t get me wrong, the film wasn’t perfect (Scandalous!). Ruffalo had already won me over as Banner/Hulk BUT he got on my nerves. More so because Hulk failed to turn up when the chips were down?!

I loved how the trailers lied. Manipulating the order of scenes and showing moments that weren’t necessarily in the movie. Some for the better, some for the worst.

After watching Banner embrace Hulk and appearing to resolve his inner turmoil in Thor: Ragnarok, I was a little annoyed that he was still very much unstable and out of control. Watching Ruffalo pull constipated expressions, groan and go a little green after a bad vindaloo was a little infuriating. Tut tut tut.

I’m sure you have heard whispers of characters being bumped off. I wouldn’t be commending a bold finale if risks weren’t taken but the removal of one particular character was abrupt and handled a little poorly for my liking *cough* Soul Stone *cough*

I had to laugh that Gwyneth Paltrow made a seemingly unnecessary cameo and yet both Ant Man and Hawkeye were out of the mix with just a passing comment to explain their absence. Really?

Even the special clip (that all Marvel fans endure endless credits for) was disappointing. Setting up the introduction of another Marvel character that we all knew was coming.

However, the gripping finale delivered a surprisingly dark turn and a very bold move from the Marvel team.

I can honestly say I didn’t see it coming. It’s hardly a spoiler to know that this is only Part One but I’m already pondering theories on how they can work Part Two and any other projects between the release dates.

BUT one thing has been established. It may have spanned 10 years but the Marvel movie-verse still has plenty in the tank (Especially right now) and I for one cannot wait for the next instalment.

3.5/5 (with room for a 4)*

*If some of the little niggles are addressed and rewarded in Part 2!

*NEW* BLACK PANTHER REVIEW *NEW*

Not in my top 3 Marvel but a good watch all the same.

T’Challa (Chadwick Boseman), the King of Wakanda, rises to the throne in the isolated, technologically advanced African nation, but his claim is challenged by a vengeful outsider (Michael B. Jordan) who was a childhood victim of T’Challa’s father’s mistake.

Overhyped, maybe? Overrated . . . Now that’s pushing it.

As much as I commended Tom Holland’s scene stealing Spidey cameo in Captain America: Civil War, there was another actor I was looking forward to getting the full feature treatment.

And that was Chadwick Boseman.

He was brilliant. A charismatic presence that managed to make that seemingly silly cat costume look bad ass.

I loved how director Ryan Coogler and co introduced the team and explored T’Challa’s origins without making it seem like another origin movie. The dynamic set and a brief history of the mysterious Wakanda providing a context. No messing about.

Unfortunately not being a comic book fan, I didn’t realise the real source of T’Challa’s powers.

It skimmed over the events of Civil War for those who might not be as keen with their Marvel movies (But then why would you be watching this one?). Quickly establishing what T’Challa has been up to.

The cultural element certainly made this stand out or else BP would have been like any other Marvel film. The other world visuals were like something out of The Lion King.

Breathtaking. That GIF really doesn’t do it justice. The futuristic cityscape of Wakanda was a feast for the eyes. Rachel Morrison’s cinematography was sublime. Aided by an impressive soundtrack featuring the likes of Kendrick Lamar and The Weeknd.

I really couldn’t fault the cast.

I have to commend the women in the film. Lupita Nyong’o was excellent as Nakia. An activist desperate to save the world and not fall into tradition, despite her feelings for the prince. She had great chemistry with Boseman and made that inevitable romance much more bearable.

Leticia Wright (Humans) was entertaining as the excitable techy sis. Her initial encounters with her brother were a little too cheesy BUT she won me over. Especially when she got to play with all her new toys.

The gadgets were impressive. From BP’s ultra-strong body armour to the virtual controlled car simulation that delivered some action packed set pieces.

Angela Bassett’s turn as Ramonda left little to be desired. Anyone could have played her. BUT she was nowhere near as disappointing as Forest Whitaker’s contribution to the mix. Just when I thought his supporting turn in Rogue One was bad . . . Sheesh.

Michionne from The Walking Dead was the scene stealer for me. Dania Gurira was brilliant. Her fight sequences packed a punch and her stern demeanour delivered the odd chuckle as T’Challa’s long suffering bodyguard Okoye.

The best Marvel villain?

Not for me. But Michael B. Jordan was a domineering presence (Seriously the dude was hench) and you did feel for his anguish once we learned a little more of his backstory. He even managed to make a ridiculous name like Killmonger seem menacing.

He chewed up every scene he was in. A worthy adversary to the newly appointed King.

I was disappointed at Daniel Kaluuya’s small role. I expected the Get Out star to have more of a presence. The Oscar nominee did his best BUT it just wasn’t enough.

I was more impressed with Andy Serkis. He lapped up the role with aplomb. A total maniac with his South African accent pinned down. Martin Freeman didn’t do too badly but I felt his part was a cameo that overstayed its welcome. The longer he stayed, the more awkward he stuck out.

BUT thankfully there was one inevitable gratuitous cameo that will never overstay its welcome. Hint, hint.

It was engaging, action packed and full of heart BUT by the closing act, the CGI felt as rushed as the finale. After all the build-up, things seemed to run out of steam and got a little chaotic.

From the hype, I expected a little more. Now don’t get me wrong, it was still exhilarating to watch BUT I couldn’t help but laugh when Mecha rhinos erupted into the already overcrowded battlefield. The effects got a little messy with the eclectic mix of colours clashing and things coming to a ridiculous close.

Marvel have mastered a winning formula; a perfect balance of humour, action and character and despite BP’s stumbles, it was still a solid entry and I look forward to more adventures in Wakanda.

It goes without saying (BUT I’m saying it anyway); please stay for the credits. There are TWO teasers if people are hungry for some Infinity War teasers.

3/5

*NEW* WIND RIVER REVIEW *NEW*

Tense. Breath-taking. If a little slow in places.

A veteran tracker (Jeremy Renner) helps an inexperienced FBI agent (Elizabeth Olsen) investigate the murder of a young Native American woman.

I love it when you go into a movie not knowing anything. All I had was the endless #WindRiver hashtags filling my Twitter feed. My curiousity peaked.

Thank God for Twitter. A riveting and well-acted thriller.

As soon as I saw, “Written and directed by Taylor Sheridan”, I knew I was in for a treat. The man responsible for Hell or High Water. One of my favourite films of 2016 (Has it really been a year, already?)

Now helming a new favourite for this year.

Jeremy Renner was brilliant. I’ve always felt he was an underrated actor.

The role of Cory Lambert was perfectly suited for him. A man desperate to keep himself to himself BUT also wanting to do the right thing.

The pace was set on the slow burner with Sheridan teasing titbits of Lambert’s past. The questions already mounting; Why the outback? Why is he so good with that rifle? Why does he have such a strained relationship with his ex-wife?

The awkward atmosphere and idle chit chat as the pair force conversation while Lambert waits for his son.

A man plagued by his own demons. Punishing himself with a life in the wilderness. That was until he discovered a body in the snow . . .

Olsen was excellent as the inexperienced agent Banner. Her arrival summed up the character perfectly as she stood in the snow ill-equipped with a trouser suit.

The only available agent in the area. Sent all the way from Nevada. BUT despite her naivety, Banner’s determination to crack the case and deliver justice for the victim sparked something in Lambert.

The Avengers duo were fantastic together. They had great chemistry and made the dynamic really work.

“We have six people covering an area the size of Rhode Island”.

Sheridan was even able to throw in some social commentary at the hypocrisy of the law enforcement.

Banner’s heated debate with a coroner spoke volumes. Refusing to class the crime as a homicide. The outcome determining how much support the FBI would provide. Mental.

Ben Richardson’s cinematography was brilliant. With one frame, he made the snowy outback look beautiful and inviting. BUT with the next; deadly and haunting.

You couldn’t hide that Neo-Western feel. The Wind River reservation nothing more than a place of a desolation full of lost souls and dangerous ones.

The isolation and loneliness being the real killer.

A simple enquiry turned into a mad shoot out with a group of small-time meth-heads. Nail-biting.

I liked how Sheridan tied in the Native American community as the Crowheart clan struggled to come to terms with the loss of their daughter.

Heartbreaking. Banner’s attempt to console the mother delivered an unsettling scene as she walked in on the poor woman cutting herself. That bleak feeling of helplessness.

BUT as much as I was enjoying the film, the case itself felt a little generic and tame. I kept wondering what all the hype was about.

That was until the final act. The last 20 minutes. Just . . . Woah. No spoilers.

Heart in mouth stuff. My grumbling was soon put on hold as everything came to a tense and exhilarating climax.

There was even a stellar cameo from Jon Bernthal that came out of the blue. Another underrated actor bossing another supporting role.

As much as I picked at the pacing, (ironically) this film could have been longer.

If anything, Wind River could have done with fleshing things out a little more. Especially with Olsen and Renner’s partnership. I loved how Banner’s presence brought out Lambert’s anguish. Finally cracking his hard shell and allowing him to share his pain. Not enough!

The sombre finale hit home and delivered some shocking statistics on the number of missing Native American women in the States.

Fans of Hell or High Water or gritty bleak thrillers will enjoy this all the same. It wasn’t perfect BUT a rewarding effort all the same.

One I actually liked (I know, I bet you’re thinking. Jeez, he picked at this and he liked it?)

3.5/5

*NEW* THE SPONGEBOB MOVIE: SPONGE OUT OF WATER REVIEW *NEW*

spongebob_squarepants_two_ver2_xlg

Two stars for the toonsters.

When a diabolical pirate (Antonio Banderas) above the sea steals the secret Krabby Patty formula, SpongeBob and his nemesis Plankton must team up in order to get it back.

Yeah, I know. How old are you?! Grow up! After watching this shambolic sequel, I think I will.

a99176f17f98d40c567bce80a2707a2090dddb5e93468bca673bcc1b69c4ecf8

I loved Spongebob Squarepants when it first came out in 1999 (That’s right, 19 years ago!). It was random, funny and utterly bonkers. I saw the movie when I was 15.

I always loved the hidden innuendos and stupid gags and still watch the film every once in a while. Hell, I still quote it to my work colleagues (All surprisingly secret SS fans. Wait, hang on. Best not make that reference).

When I heard a sequel was in the pipeline, the silly teen nerd in me giggled like our spongey hero BUT once the opening sequence began with Banderas prancing around Sinbad style (with the mad energy that voiced the feisty feline Puss in Boots), I knew I was in deep trouble.

This really was one for the little ‘uns. The innuendos GONE. The humour silly and stupid. Banderas did his best BUT he was annoying. Narrating the dull and lifeless plot to the best of his ability. BUT thankfully he was nowhere near as irritating as the poorly CGI’d seagulls.

Normally I’m a fan of Alan Carr BUT his voice grated against me as the lead seagull. Apparently we couldn’t get anybody better to voice the rest of the lot. Or they read the script and scarpered. Instead we had YouTube sensations (Apparently) Joe Suggs/Thatcher Joe, Caspar Lee and X Factor/TV presenter Stacey Solomon. Greeeatttttt.

We had to endure the same old guff as Plankton makes his umpteenth attempt on stealing the Krabby Patty formula. However, this time the formula is successfully stolen.

BUT NOT by the minuscule megalomaniac. With the town going crazy and looking for someone to flog, SpongeBob helps Plankton prove his innocence. Leading to a dreadfully mediocre movie.

The pace took too long to get going. The time travel machine subplot was an extended gag sequence that delivered more misses than hits. SpongeBob and Plankton’s partnership should have been better than it was and left us Patrick-lite. The songs didn’t help either. The bland Pharrell Williams backing track and that T-E-A-M song was just plain cringe.

At least the first one had Goofie Gober Rock (I’m a Goofie Gober . . . ROCK!)

The post-apocalyptic Mad Max future sequence was a good touch; “Welcome to the apocalypse, Squidward. I hope you like leather”.

Some of the old gags worked. BUT the underwhelming supporting cast didn’t help lift things. With the original movie, we had Jeffrey Tambor (Arrested Development), Scarlett Johansson (Avengers), Alec Baldwin (BT adverts. I’m kidding!). Hell, it even had the Hoff!

The whole thing was just so ridiculously far-fetched. Out of desperation if anything else! I know. How can you say far-fetched? It’s a talking sponge causing havoc underwater. The film had David Hasselhoff acting as a Knight Rider speed boat hybrid that jettisoned our dim-witted duo back to Bikini Bottom with his chest (Told you I watched it!)

Instead we had Matt Berry (The IT Crowd) delivering his vocal gravitas to an interstellar galaxy protecting dolphin overlord. You read that, right?

12673315

Shooting lasers out of his blowhole! Donning a cape and floating in the air with toilet roll hanging off his dorsal fin. I really thought I was trippin’ on acid after that rather odd segment.

I wanted more of Karen (Jill Talley). Plankton’s computer wife. She was funny. “My hero. You obviously want something or else you wouldn’t be freeing me”.

The lack of double entendres was extremely disappointing BUT the silly puns had their moments: “You’ll be safe in this . . . safe”, “Is he an enemy or plankton?” BUT it just wasn’t enough. There were laughs to be had in the mental finale with our loveable gang bulked up to the max with superpowers BUT it was a case of too little, too late.

I was ready to leave the screen before the singing seagulls and Antonio Banderas could destroy the theme song. And the auto-tuning cameo from Berry was bloody dreadful.

Yeah . . .

This was definitely for the sprogs. I felt like a sponge out of water watching this.

2/5

*NEW* NOW YOU SEE ME 2 REVIEW *NEW*

download

And now for my next trick. Watch a franchise that nobody wanted . . . DISAPPEAR!

The Four Horsemen resurface and are forcibly recruited by a tech genius to pull off their most impossible heist yet.

Now You See Me was an enjoyable romp. Hardly ground breaking BUT easy going fun with a group of magicians hustling some rich conglomerates. I didn’t expect the finale and was even more surprised when a sequel was confirmed.

I hoped the next outing would carry that same level of energy and fun BUT this was utterly dreadful. Irritating characters, drawn out pace, a terrible story line, farfetched stunts that pondered all levels of plausible acceptance and really shoddy CGI made this one to avoid.

It’s not essential to watch the first outing. You get the entire plot summarised in the first 30 seconds. The opening showed promise as we explored Dylan’s (Mark Ruffalo) past and the reason behind his rivalry with Thaddeus Bradley (Morgan Freeman).

BUT once it flashed forward to the present, the intrigue was lost. Eisenberg’s Atlas was far too serious and sulky. I don’t know whether he was still getting over losing his hair for the shambolic superhero saga that was Batman vs Superman BUT his griping and silly backstabbing antics were dull as dishwater.

We had a new Horseman, person or Female Horseman (Whatever) in Lizzy Caplan (Mean Girls). I thought she would be a worthy addition to the mix. BUT she was incredibly annoying. She wasn’t funny and her verbal diarrhoea was insufferable. I think Isla Fisher made the right decision not to come back.

What didn’t help was the agonizing pace. The film should have been cut by a good 30 minutes. Mark Ruffalo (Avengers) was the most interesting character and he was barely in it! Every time Dylan appeared, things happened and I was hooked. I was happy to follow his subplot NOT the Horsemen. Battling to keep his cover under the watchful eye of Sanaa Lathan (who was wasted in her role).

Proof in the pudding when one of the best scenes was Dylan causing havoc in a Chinese street brawl. The fight sequences combined with a series of magic tricks were well choreographed and stopped me fidgeting in my seat.

I have to admit the Horsemen really did infuriate me. Woody Harrelson had been on resurging form with his recent endeavours (True Detective) BUT this was a complete misstep. He went full retard as Merritt’s twin Chase with his Will Ferrell-esque wig and badly capped teeth. An unnecessary character that tested me in every scene.

Dave Franco (NERVE) did his best with his role BUT was lost in the mix. Eisenberg eventually lightened up and delivered his usual schtick BUT it was too little, too late.

You know you’re onto a loser when Morgan Freeman’s dulcet tones are doing your head in. His silky voice couldn’t save this leaden script. If anything, it highlighted the clunky exposition. A revelation about Bradley unintentionally undermined pretty much a good portion of the premise from the first one.

Daniel Radcliffe wasn’t too bad as the weasely Walter Mabry. He played the slimy techno villain well BUT he wasn’t in it enough. NOT even the return of Sir Michael Caine did anything for me. He was laughable. Doing his best Victor Meldrew impression. Dismal.

What made matters worse was that the actual hustle and magic tricks were far too OTT and farfetched for my liking. I know it’s only a movie BUT some of the big reveals defied physics or common sense to work even in a Hollywood universe.

An elongated card flinging sequence took the biscuit. Watching the gang flick a badly CGI’d card in the air and around their torsos to smuggle a computer chip was just plain terrible.

However, the finale delivered a little of what I expected from the get go. The effects actually did impress; especially when Eisenberg disappeared into a puddle of rain. Tense, engaging and watchable. WHERE WAS THIS FOR THE REST OF THE FILM?!

The characters were dull, the pace was too long, the effects were hit and miss and the twists were either too predictable or just plain ridiculous. They even missed a trick by not calling this Now You Don’t BUT if there any rumours for another; my title would be:

NOW, PLEASE STOP!

2/5

*NEW* SPOTLIGHT REVIEW *NEW*

spotlight-poster

A slow burning, well-crafted and brilliantly acted little drama.

Spotlight is the true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese. One that would shake the entire Catholic Church to its core.

An intriguing opening sequence piqued my curiousity as we witnessed a priest being released from the police station. No questions asked. A shrug from the police and two priests riding off into the darkness.

BUT after that promising opener, the first twenty minutes was a little too slow for my liking. I could feel myself slumping into the seat as we waited for the stellar news team to find their story. Once Marty Baron (Liev Schreiber – Ray Donovan) was brought to the fold and Spotlight’s sights were set on a priest, that was a repeat offender, I was hooked to the very end.

Schreiber was very good as the mysterious Miami media man. Taking on the Boston Globe and determined to use Spotlight’s abilities to their fullest. I wanted to see more of his performance. BUT it wasn’t his story. The Spotlight cast couldn’t be faltered. It’s great to see Micheal Keaton’s resurgence after Birdman. He played Walter ‘Robby Robinson’ with aplomb.

I felt every one had their moment to shine. I wasn’t sure why Ruffalo in particular was considered for an Oscar nomination BUT it was still a sterling turn from the Avenger. His anger coming to boiling point at the scale of this horrific cover up in a fantastic rant.

“Mitchell Garabedian. He’s a character”. I couldn’t think of anybody better than Stanley Tucci (Hunger Games) to take on the paranoid skeptic. A lawyer intent on getting justice for his clients. Treading carefully. Afraid that the Church are watching his every move. Not enough of him.

The lies, the cover ups. Afraid to mess with the Church. A “holy” institution that took advantage of so many. The statements from witnesses was harrowing stuff alone. Confused children sleeping with priests because they were afraid to “refuse” God.

Just when I couldn’t be more surprised at the stories and the statistics, the team would discover another revelation. One that was too close for comfort for one member of the team. Discovering that a treatment centre for “reformed priests” was located right around the corner from his home.

Rachel McAdams’ (True Detective) crazy confrontation with said “reformed” priest was baffling. Openly admitting to everything. John Slattery did his best BUT he will always be Roger Sterling from Mad Men. The office attire and quick witted one liners didn’t help his case.

The closing act, aided by more harrowing facts, really hit home. I couldn’t believe that the original news story was “buried” years before. And the scale. So many stories. The States being only the tip of the iceberg.

The pace may have tested in parts. BUT that didn’t spoil what was a harrowing and insightful drama. One that I never expected to be so engrossed in. All aided with a superb cast makes this one to watch.

4/5

AVENGERS: AGE OF ULTRON REVIEW

avengers-age-of-ultron-alternate

Did the second instalment do what the first couldn’t?

Was I left fuming yet again? Or did I have to swallow my words?

They’re back. Bigger, badder but better? There’s only one way to find out.

When Tony Stark (Robert Downey Jr) and Bruce Banner (Mark Ruffalo) try to jump-start a dormant peacekeeping program called Ultron (James Spader), things go horribly wrong and it’s up to Earth’s Mightiest Heroes to stop the villainous Ultron from enacting his terrible plans

I will admit straight off the bat. I really didn’t like the first Avengers. I know? SACRILEGE! It just didn’t do it for me. Overlong, mind numbing and overhyped. If not for Tom Hiddleston’s superb turn as Loki and a thrilling 30 minute closing crescendo, I would have given up on the franchise.

I was furious at how rushed the endless superhero entries were. Just to get to the Avengers release date. Okay, the Thor films were fantastic. Hawkeye and The Black Widow didn’t even get an origin story. Iron Man 1 and 3 were good. Don’t get me started on 2.

The numerous Hulk origin attempts with Bana and Norton misfired (I actually liked the Ang Lee blockbuster. What?). Captain America was rushed. I was happy to see more of the superhero fighting in the past. BUT the Winter Soldier sequel did restore my faith a little.

Inevitably after the crazy money that the first Avengers film took, we had another. And after much deliberation and note taking, I can firmly say . . .

Well done, Mr. Whedon. You have won me over.

The opening was racy, fast paced and straight to business. The team finally gelled together and in the zone. The special effects were fast and furious. The overuse of CGI did make things a little too cartoony in parts. But how else are they going to create a nine foot Hulk?!

There were numerous SHIELD references that went over my head in the opening. I knew it had something to do with Marvel Agents of SHIELD but I’m not that big a fan. It might help to recap on Thor or the first Avengers as a certain sceptre is used quite heavily again.

Whedon’s witty one liners zinging left, right and centre like the endless cannon fodder. The banter between the team was top notch. The old fashioned Cap (Chris Evans) telling Stark off for using foul language being an ongoing joke was a particular highlight.

The team dynamic really worked for me and made for great viewing. I mean even the scene in which the gang were trying to lift Thor’s hammer as a drunken party trick shouldn’t have worked but was so funny.

Ultron was a perfect maniacal menace. Spader (Ol’ Red from The Blacklist) applying his gravelly gravitas with aplomb. The animation and detail was excellent.

I liked the brewing romance between Banner/Hulk and The Black Widow (Scarlett Johansson). The lullaby that they use to calm the Hulk was a nice touch even if it reminded me of Shrek and Fiona. But I honestly thought there was always something between The Widow and The Cap? Oh, that cheeky minx. Anyway . . .

Elizabeth Olsen and Aaron Taylor-Johnson made a more convincing couple as the Maximoff twins than they ever did in Godzilla. My only quibble with Taylor-Johnson was that his character Quicksilver was very much like a character in X-Men: Days of Future Past.

Evan Peters played him. He ran really fast. What was he called? Oh yeah. Quicksilver. Hmmm . . . Interesting that. Copyright issues were there?

Olsen was always my Kryptonite even if she has been in some terrible movies. But she did the role of the Scarlet Witch justice as did Kickass.

I wasn’t really bored. It just got on with it and zipped along. Dipping only in a few parts to allow some much needed character development on some neglected heroes. *Cough* Hawkeye *Cough* Black Widow.

Renner had taken to the role well. But he was so one-dimensional. I mean, come on Whedon. Surely you’ve seen Arrow? But without spoiling anything, Whedon finally ventured into his background and gave him more depth. He was able to stand out among the ever-expanding roster of superheroes.

The trippy dream sequences that the Witch uses to play on her opponents’ minds was interesting as we got a little peak into The Black Widow’s past; most notably her training.

It was funny, intense, action packed. Great acting (Check), top banter (Check), cheeky Stan Lee cameo (BIG CHECK!). There were a few surprises to be had. BUT I couldn’t help but feel that there were too many characters from the Marvel-verse being introduced. Paul Bettany’s The Vision was an addition that felt like a mish-mesh of everybody else and didn’t really make as much of an impression as I expected.

And considering the huge ensemble, there were a few faces not to make an appearance. Merely mentioned in a passing comment. I’m looking at you, ladies. Ms Portman and Paltrow.

Inevitably it is all left wide open for more. SPOILERS! Behave. BUT this time round, I cannot wait for the next installment. I’m actually a little excited.

Well done.

3.5/5 With grounds to change to a 4

NOTE: Obviously stay behind and endure the relentless credits for a cheeky ten second teaser.