*NEW* SCOUTS GUIDE TO THE ZOMBIE APOCALYPSE REVIEW *NEW*

scouts_guide_to_the_zombie_apocalypse-movie-poster-Christopher-Landon

Stupid, OTT, juvenile and absolutely hilarious!

Three scouts, on the eve of their last camp-out, discover the true meaning of friendship when they attempt to save their town from a zombie outbreak.

You knew what you were getting yourself into from the crazy opening sequence with Blake Anderson’s janitor (Workaholics) singing away to Iggy Azealia’s Black Widow while a zombie outbreak was brewing in a lab.

It was a brave move to have a virtually unknown cast running the show BUT the lads certainly delivered and will be ones to watch for the future. The feeble story line was a little predictable and formulaic. The camp fire shenanigans and petty squabbling about high school and quitting scouts was a little boring. BUT once the undead entered the mix, things got going and I was sniggering to the end.

The pace zipped and there were some genuine laugh out loud moments. A scene involving a zombie and a trampoline delivered an unexpected and outrageous gag. This was very much in the crazy style of Zombieland BUT the best way to sum up Scout’s Guide would be “If American Pie was a zombie flick . . .”

A group of horny teens trying to save the day. It was exactly what you could expect. Logan Miller’s quest for the perfect apocalyptic selfie with a pornstar looking police officer. A casual Britney Spears sing song with a zombie. A dodgy gum job from Cloris Leachman’s (Young Frankenstein) zombie neighbour. Yup. That sort of movie.

Tye Sheridan and Halston Sage’s (Paper Towns) love subplot was weak. If anything, I thought his character was going to hook up with Dumont’s sexy tomboy stripper (Sorry, cocktail waitress). So there was one surprise. Dumont may have stole my heart (What?) BUT Joey Morgan was definitely the main scene stealer as the over enthusiastic Augie.

The gore was brilliant and used quite inventively. Especially in the stripper club slaughter scene. Miller’s Carter using a bottle to smash in a zombie’s skull, only for the blood to pour out of the bottle neck and spill all over his face.

A blood-fuelled rave sequence delivered carnage a-plenty and a fitting homage to Peter Jackson’s cult classic Braindead. The nerdy saviors kitted out with an arsenal of weaponry; paintball guns, golf clubs, lawn strimmers! Perfect.

The biggest star that I could clock in this mad little zom com was Anchorman’s David Koechner. He certainly delivered as the deluded scout leader with a strange obsession for Dolly Parton. It was just a shame that he was reduced to only a few scenes.

It may have been in the same vein as Zombieland BUT it fell short by comparison. It was never going to match my favourite zom rom-com Shaun of the Dead BUT it certainly didn’t deserve the low Metacritic rating and panning that it has received.

Funny, mental, if a little flawed and predictable BUT fun. I think this one was unlucky to get lost in the SPECTRE and Hunger Games buzz. Shame. Definitely worth a watch for a quick laugh.

3/5

Advertisements

*NEW* KRAMPUS REVIEW *NEW*

krampus-2015-horror-movie-poster

Ho-ho-horrible. Dark, demented, different.

I normally dread the Christmas period. The inevitable corny and schmaltzy monstrosities we call Christmas movies haunting every possible TV channel (Jingle All The Way being the exception. What?). BUT this latest offering brings a different kind of dread altogether!

A boy (Emjay Anthony) who has a bad Christmas ends up accidentally summoning a Christmas demon to his family home.

It’s been a while since we’ve had a good horror and even more so during Christmas. The opening sold me straight away with the Black Friday carnage as the shoppers descend on the morbid mall. Fighting, scrapping, crying. The true meaning of Christmas.

It was great to see a small and underrated cast, containing some of my favourite comedy supporting actors, getting the chance to take the stage; Adam Scott (Step Brothers), David Koechner (Anchorman), Conchata Ferrell (Two and a Half Men) and Alison Tolman (Fargo).

The dysfunctional family was set up perfectly and it wasn’t long before it all kicked off and poor little Max made a wish that he would soon regret. The slow burning build up to Krampus’ inevitable appearance was a little tedious but once he made his introduction with his devilish critters in tow, I was hooked.

The CGI, make up and special effects were fantastic. The demented goat hybrid Krampus and his freakish little followers were something else. This certainly isn’t for the little ‘uns. A mangled teddy bear, a freaky angel of death, a robot with knives for hands, a grotesque jack in the box and a partridge in a . . . Okay, I’ll stop.

This felt like a “What if Gremlins went darker” scenario and boy, did it! It wasn’t afraid to bump people off. The tone was a little uneven. It was either too dark in one sequence, then too silly in another. However, there were still some creepy and hilarious moments. A particular highlight being Koechner’s confrontation with some killer gingerbread men.

The main plaudits have to go to Koechner as shotgun toting, pick up driving red neck Howard with his tomboy daughters in tow. Every one liner and reaction stole the show for me; ” I just had my ass handed to me by christmas cookies”. I just loved the fact he named his pick up truck Lucinda. “Give her a full tank of gas and we can be storming the beaches of Normandy by sunrise”.

It did feel like Krista Sadler’s Austrian grandmother was only brought into the mix to make the folklore element that bit more authentic. Most people in the audience kept wondering why she was speaking German in the first place. Especially when nobody else did.

The folklore was a fresh take and I was pleasantly surprised. Her creepy storytelling did allow for a brilliant animated sequence that teased elements of The Cabinet of Dr Kaligari as she explained the origins of St. Nicholas’ shadow.

At it’s best, it was tense, funny and oh so dark. BUT at it’s worst . . .

The pace had the tendency to dip and out which killed a good portion of the suspense. More could have been made out of the characters. Toni Collette (Little Miss Sunshine) and Tolman were heavily underused in their roles. There was so much potential with their fractured relationship BUT it was never going to be that sort of film. And there definitely wasn’t enough of Ferrell’s drunken aunt.

They even missed out on a trick or two with the scares. Hardly a spoiler BUT I really expected something to happen with the creepy snowmen that surrounded the house. BUT alas . .  .

The ending was rushed and tragically predictable. A shame after things finally seemed to kick off for a frantic finale as Max must help his messed up family. BUT luckily there was still enough to make this a reasonably entertaining and dark little Christmas treat.

3/5

22 JUMP STREET REVIEW

22-Jump-Street-2014-Movie-Banner-Poster

Jump to your nearest store or online outlet and see this movie!

Hill and Tatum reunite for a ridiculously OTT but incredibly funny sequel that has enough to match its predecessor and possibly surpass it.

Now Jump Street has never been (and never will be) subtle. If you like your comedies a little more subdued and less about sex and drug gags than . . . Why are you here?

Now I liked 21 Jump Street but felt it was a little overhyped. The way my brother bigged this movie up to me; I was expecting an Anchorman but it still delivered the goods.

What I loved about these movies is the blatantly obvious self-referencing, the ability to poke fun at itself and constant breaking of the fourth wall. This is perfectly demonstrated with Deputy Chief Hardy Nick Offerman (Parks and Recreation) explaining how the idiotic success of their last mission has led to their budget being doubled so they can do the exact same thing and hopefully yield the exact same results.

And boy do they! With crazy car chases, OTT action pieces, zippy one liners and laugh out loud gags from Jonah Hill’s wooing poetry slam to Tatum’s buffoonery. I always knew Hill would impress. You can tell where he improvises and it makes things all the better for it. There are a couple moments where the jokes have the tendency to go on a little bit.

I always found Tatum a little wooden in his other movies but whether it be the subject or his partnership with Hill; he has really come out of himself and is absolutely brilliant and they fantastically together.

It’s hardly perfect. The plot line is reversed to predictable if hilarious results. This time around, the inevitable happens in which Hill struggles to adjust to college life after his surprise performance at high school, while Tatum blends straight in, forming a bromance with another jughead that soon threatens to destroy the relationship of the dynamic duo.

I could list all the gags but hey, why would I do that? I was just pleased that this wasn’t a case of all the best bits in the trailer.

Ice Cube was actually very funny. I felt his typical angry bravado was used for its strengths this time around and he was given a little more screen time which allowed for some cracking moments.

Peter Stormare seemed to play a strangely out of place and generic villain. I mean the passing joke about what happened to the 90s works for those are familiar with his numerous bad guy roles back in the day but for anyone else, it will go straight over your head.

Patton Oswalt (King of Queens) was in a funny blink-and-you’ll-miss-it cameo as a teacher whose just received tenure. I just wish he was in it more. The alluring Amber Stevens (Greek) plays the love interest well and was able to be more than just a cliched cut out. The Lucas Brothers (TWINS! JINX!) were brilliant as the Yang twins. A memorable supporting role if ever there was one.

I found Jillian Bell quite irritating by the end. Her old guy jibes at Hill were funny (At first) BUT the massive punch up goes on far too long. I could respect the Mr & Mrs Smith parody nod BUT it got a little repetitive.

And of course, regular faces from the original (Well, original remake) pop up. Inevitably, the teasers were hinting for another sequel. IF the gags are this good, I’m happy to keep watching.

Keep watching the closing credits for a fantastic sequels gags. There was a surprising cameo from a certain comic actor.

I would have to say that this is one of the funniest films I’ve seen in a while. My name is Jeff! INVEST!

4 (just) out of 5!