Well, that’s what I thought I was going to say.
Overrated, maybe? But as much as I tried to resist the crazy hype train, I still couldn’t help but fall for this highly watchable and entertaining romp.
A jazz pianist (Ryan Gosling) falls for an aspiring actress (Emma Stone) in Los Angeles.
The opening sequence did nothing to win me over. Despite director Damien Chazelle’s opening credit titles and Cinemascope capture mimicking the days of old; it was too much.
People jumping out of their cars, free-runners . . . free-running, the word ‘chaotic’ doesn’t come close. I couldn’t even hear the lyrics being sung.
All that was missing was a truck with some bongo players in the back . . . Oh, wait, no. There they are.
The soundtrack was a little disappointing. The first two or three songs were highly unmemorable.
Chazelle’s disorienting camera work and…
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