Ho-ho-horrible. Dark, demented, different.
I normally dread the Christmas period. The inevitable corny and schmaltzy monstrosities we call Christmas movies haunting every possible TV channel (Jingle All The Way being the exception. What?). BUT this latest offering brings a different kind of dread altogether!
A boy (Emjay Anthony) who has a bad Christmas ends up accidentally summoning a Christmas demon to his family home.
It’s been a while since we’ve had a good horror and even more so during Christmas. The opening sold me straight away with the Black Friday carnage as the shoppers descend on the morbid mall. Fighting, scrapping, crying. The true meaning of Christmas.
It was great to see a small and underrated cast, containing some of my favourite comedy supporting actors, getting the chance to take the stage; Adam Scott (Step Brothers), David Koechner (Anchorman), Conchata Ferrell (Two and a Half Men) and Alison Tolman (Fargo).
The dysfunctional family was set up perfectly and it wasn’t long before it all kicked off and poor little Max made a wish that he would soon regret. The slow burning build up to Krampus’ inevitable appearance was a little tedious but once he made his introduction with his devilish critters in tow, I was hooked.
The CGI, make up and special effects were fantastic. The demented goat hybrid Krampus and his freakish little followers were something else. This certainly isn’t for the little ‘uns. A mangled teddy bear, a freaky angel of death, a robot with knives for hands, a grotesque jack in the box and a partridge in a . . . Okay, I’ll stop.
This felt like a “What if Gremlins went darker” scenario and boy, did it! It wasn’t afraid to bump people off. The tone was a little uneven. It was either too dark in one sequence, then too silly in another. However, there were still some creepy and hilarious moments. A particular highlight being Koechner’s confrontation with some killer gingerbread men.
The main plaudits have to go to Koechner as shotgun toting, pick up driving red neck Howard with his tomboy daughters in tow. Every one liner and reaction stole the show for me; ” I just had my ass handed to me by christmas cookies”. I just loved the fact he named his pick up truck Lucinda. “Give her a full tank of gas and we can be storming the beaches of Normandy by sunrise”.
It did feel like Krista Sadler’s Austrian grandmother was only brought into the mix to make the folklore element that bit more authentic. Most people in the audience kept wondering why she was speaking German in the first place. Especially when nobody else did.
The folklore was a fresh take and I was pleasantly surprised. Her creepy storytelling did allow for a brilliant animated sequence that teased elements of The Cabinet of Dr Kaligari as she explained the origins of St. Nicholas’ shadow.
At it’s best, it was tense, funny and oh so dark. BUT at it’s worst . . .
The pace had the tendency to dip and out which killed a good portion of the suspense. More could have been made out of the characters. Toni Collette (Little Miss Sunshine) and Tolman were heavily underused in their roles. There was so much potential with their fractured relationship BUT it was never going to be that sort of film. And there definitely wasn’t enough of Ferrell’s drunken aunt.
They even missed out on a trick or two with the scares. Hardly a spoiler BUT I really expected something to happen with the creepy snowmen that surrounded the house. BUT alas . . .
The ending was rushed and tragically predictable. A shame after things finally seemed to kick off for a frantic finale as Max must help his messed up family. BUT luckily there was still enough to make this a reasonably entertaining and dark little Christmas treat.