THE QUIET ONES REVIEW

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The Quite . . . Rubbish Ones, really. A real shame, a rebooted Hammer brings us a jumpy, if tragically predictable and disappointing affair.

With the inevitable tag line, “Based on actual events”, we follow an Oxford University professor and a team of students in the 1970s as they conduct an experiment on a young girl who is believed to be possessed with a demonic force. I had so much hope for this. To be honest, horror films of late have hit an all time low, in every aspect, but the main one being scares.  I was relieved (how wrong I was) when I heard this little demon was created by the producers of the Woman in Black. A genuine suspenseful film that told a story and had scares. I mean it wasn’t that scary but the tension and performances were fantastic.

I hoped with the charismatic Jared Harris (Mad Men) at the helm of this low budget British horror, there could be something but alas it was not to be. It’s not a complete write off. I felt Sam Claflin (Hunger Games: Catching Fire) was a very likeable lead as our conflicted hero. Olivia Cooke (you may remember her from the inaccurate but surprisingly watchable hit, Bates Motel) was fantastic as the vulnerable victim. You do actually care what happens to the pair. The opening half hour builds up the suspense and sets the premise quite well. The unexpected jump here and there kept me on my toes. It made me for watchable viewing. You felt for Cooke’s character as she is interrogated like a Guantanamo Bay victim; forced to stay awake with the endless droning of Slade. I mean, come on it’s bad enough at Christmas.

The sultry Erin Richards with her diva-ish antics is easy on the eyes but nothing else. In terms of story, there isn’t much of one and when plot points are revealed, it’s quite obvious and uninteresting, most notably *FLASH! SPOILER ALERT! SKIP PAST PARAGRAPH IF INTERESTED IN VIEWING* on the reveal of a former patient’s identity. All the build up and flicking back was merely a device to spew up some much needed scares. Where the pace went along quite well, it meandered by the hour marker. Harris is entertaining, if incredibly creepy as his intent to disclaim the supernatural pushes him to the brink. It inevitably occurs in one creepy house. It was nice to see the film try and recreate the old school horror but that is soon thrown out of the window in one scene as we get a handheld camera sequence. Really? I mean, okay, Claflin is carrying a big arse camera but the effect still reeks of Paranormal Activity. Come on, we’ve had a franchise of that. BE DIFFERENT!

There’s enough tension to get the cheeky nibble on your nails or excuse to look at your mate to see if they’re scared, while waiting for impending jump moment. However, it all builds up to the same old guff with the expected, but still makes you bloody jump, last second scare. Once it’s all done, you sit back and think it wasn’t that scary. Not going to be dashing in the house and flicking on lights. It’s been done to death time and time again. Need a break altogether from this genre. Wait for us to miss these or . . . learn from them and make something much better because I know we can. Come on. 2.5/5 for me.

Currently ranks #120 out of 162!

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